Sculptures

Bofill silvered bronze owl - Hibou Desk Paperweight / Car Mascot / Hood Ornament. France 1910-15. Silver plated bronze, signed. Excellent original conditions. HIBOU Par Antoine ...

Solid cast brass with polished finish. An exact reproduction in both form and material original metalwork fittings designed by Antoni Gaudí for various of his works of architectur...

Erotic / nude women bronze sculpture table bell push - Austria 1900´s Talk about hard to find items! This impossible to believe bell push is the only erotic bell push we have ever s...

Annibale De Lotto large bronze sculpture Boy with Crab 1910 Italy Venice.

Terracotta woman sculpture signed Goldscheider, Austria, circa 1900.

EMMANUEL VILLANIS French, fl. 1880-1920 "Bust of Diana the Huntress" Signed in cast along shoulder "E. Villanis" and cold stamped "3 S" verso Item # 212KRG15A An exquisite and expertly cast example of Emmanuel Villanis' Diana the Huntress, it features a delightful light...

Dimensions Total Height: 7.5 inches Base Height: 2 inches Width: 2.75 inches Depth: 2.75 inches ABOUT This charming desk figurine in dark brown patinated Viennese bronze by the famous Austrian sculptor Karl Kaub stands out for the originality and humor of its subject matter. The author depicted with amazing subtlety a boy who jumped on one leg in fright, suddenly seeing a frog sitting on his arm. CARL KAUBA (Austrian, 1865-1922) was born August 13, 1865 in Vienna, Austria. The son of a shoemaker, Kauba chose to follow his calling into the world of art. Collectors now rank him in a class with Remington and Russell as one of the great portrayers of American Western. His subjects were typically American Indians, calvarymen, cowboys, and roughriders. In addition to his American bronzes, Kauba produced a lifetime’s worth of Austrian statuary. His work became fully appreciated on both sides of the Atlantic. Carl studied at the Academy of Fine Arts in Vienna under professor Laufenberg. Later he would study at the academies under Carl Waschmann and Stefan Schwartz. Next, he went to Paris in 1886 to further study before he set off for the U.S. In fact, some debate still remains as to whether Kauba ever visited the U.S. Kauba’s fascination with the West was fired by the stories of the German writer, Carl May, whose tales of Western adventure were well known throughout Europe. Most authorities feel that he was about twenty-five years old when he traveled widely throughout the American West. He then returned to Austria with voluminous notes, sketches, and several models of Western sculpture...

Art Nouveau sculpture by in gilded bronze representing a young girl holding an illuminating casket with panes of marbled red glass resting on a mahogany base. Great example of Art...

"Guerrier du Caucase" by Antoine L Barye Excellent French bronze study of a mounted Caucasian Warrior in full armour, the bronze with excellent hand chased surface detail and rich green, brown, black and orange patination, signed BARYE. A fabulous example of this important sculpture in optimal condition. Additional Information Height: 20 cm Width: 17 cm Depth: 7 cm Condition: Excellent Original Condition Foundry: Atelier Barye circa: 1874 Materials: Bronze Book Ref BARYE Catalogue Raisonne des Sculptures by Michel Poletti – Alain Richarme Page no. 78 Description Antoine Louis Barye “The Michelangelo of the Menagerie” These are the words of Théophile Gautier in praise of Barye’s genius. Throughout his life Barye endeavoured to capture the fundamental nature of the animal kingdom in all its diversity, wild or tame, exotic or familiar, cruel or gentle, bringing to life the roaring, trembling, living beasts. The son of a goldsmith, apprenticed to a steel engraver at a young age, Barye found himself making moulds for ornaments, acquiring knowledge that he would later build on to produce his exquisitely chased bronzes. When he was called up at seventeen, he joined the army’s topographic brigade where he used clay to model raised relief maps...

Art Nouveau beauty with chin-length dark brown hair, in a strapless dress with a deep neckline decorated with elaborate floral embroidery at the front and back and a softly falling, wave-like billowing skirt hem, posing bent to the side and playing a lute. Based on a round, white, fluted plinth, artist's signature 'RUDOLF MARCUSE...

Jacques Loysel (1867-1925, France) : "Dancer with a veil" / "Danseuse au voile", probablement Loïe Fuller) Bronze cast sculpture patinated dark green-brown representing a woman da...

"Confidence". calamine. France, around 1900, following Grisard, Désiré (1872-¿). With manufacturing stamp, titled and engraved name. Calamine figure patinated in various shades t...

This is a goebel porcelain figurine of a bird. It depicts a very well done hand painted long tailed titmouse. It is standing up over an asymmetrical oval light green base. It is hall...

This is a Girl with Wheat bronze sculpture by Hippolyte F. Moreau. He is famous for his bronze statues of young women. He is also the son of another renown French sculptor named Jean Baptiste Moreau. It depicts a young lady with long curly hair who is dressed with a see-through robe. She is holding a basket of wheat with one arm and some branches of them with the other one. She appears to be in the countryside and is observing a pair of doves that are on the ground. The bronze sculpture is standing over two...

About This is an original cast iron donkey bottle opener manufactured by the Hubley Manufacturing Company with "Eureka Springs Arkansas" on the...

Alabaster table lamp sculpture attributed to Bastiani. Italy, late 19th century Attributed to Ildebrando Bastiani.

A. De Remière, Friedrich Goldscheider Polychrome Patinated Terracotta Sculpture Friedrich Goldscheider: polychrome patinated terracotta sculpture ...

Table lamp "Jugendstil, Art Nouveau, Liberty" Materia: silver plated metal and art glass Country: France To take care of your property and the lives of our customers, the new wiring...

Very rare Meissen Art Nouveau porcelain group: Girl in a striped dress with polka dots and a white blouse holding a bouquet of flowers in both hands above her head and fending off a ...

Cast bronze and marble shepherdess with sheep sculpture signed D. Alonzo. France, early 20th century.

Art Nouveau lamp mounted on a sculpted and chased bronze vase, signed A. Clerget. This lamp carved in relief, presents a seated woman forming a handle, a head of sylvan among vine leaves and grapes winding a spout. The shaft of this 1900 light fixture...

Bronze alloy table lamp sculpture signed Waagen. Germany, circa 1890.

Precious porcelain sculpture attributed to the ceramic designer and sculptor Friedrich Heuler (1889-1959) representing spring with a nymph riding on a satyr, to which she clings to i...

This is a Goebel porcelain figurine of a large bird. It depicts a very well done hand painted Baltimore Oriole. The bird is standing up over a branch...

Beautifully imposing sculpture by the artist Ernest Rancoulet. The artist paid a lot of attention to the performance of the clothing and the hairstyle. The sculpture has a plate ...

Solid cast brass with polished finish. An exact reproduction in both form and material original metalwork fittings designed by Antoni Gaudí for various of his works of architectur...

This is a Lalique frosted and clear crystal rabbit “Cesar” figurine. The rabbit is lying down with its straight up ears in alert position and very large...

Sculpture in bronze with brown patina representing a stag after its moult. It rests on a terrace forming a base, moved by tree stumps and stre...

Art Nouveau bronze sculpture nude snake charmer, Germany ca. 1900. Bronze sculpture with silver and brown patina on a Portor marble base. This bronze is...

CHARLES KORSCHANN Czech, 1872-1943 Putto Riding a Doe Medium-brown patinated bronze over an original marble base Signed "CH. KORRSCHANN." and sealed with foundry cachet for Louchet Item # 301LCJ14L A very fine lifetime casting of Charles Korschann's Putto Riding a Doe, the model is steeped in the elements of the Art Nouveau with a distinct celebration of the naturalistic. The putto grasps a simple harp in his hand while a loose garment bound in a belt encircling his waist billows in the unseen wind. The doe looks on with disinterest, unconcerned about its surroundings and almost at one with its rider. It is a carefully composed idealization of the natural world and the potential for harmony between man and beast. The casting is exquisite, typical of work from Louchet, and is finished in a medium-brown translucent patina. Charles Korschann Born in Brno, Monrovia in 1872 as Charles Korschmann, later dropping the "m" to appear less Germanic, he studied at the fine arts academies of Vienna, Berlin and Paris before finally establishing himself in Paris in 1894. He spent his entire career working in Paris, exhibiting at the 1900 Exposition Universelle where he was awarded a Bronze Medal and from 1894 through 1905 at the Société des Artistes Français. His work is very distinctive and immediately recognizable, a most important trait as an artist and a particular accomplishment in light of the output of his contemporaries. He was to sculpture what Alphonse Mucha was to graphics, both men originating from the same province in Czechoslovakia and having similar influences in Paris. It is rather fitting that he would execute a bust of Alphonse Mucha for the Museum of Brno in honor of his accomplishments. Artist Listings...

Important patinated spelter lamp representing a young boy, probably a butcher boy, drinking his soup accompanied by his pit bull / bulldog type dog. The boy is leaning against a gallows holding an electrified green lantern. By Belgian sculptor Victor Rousseau (1865-1954). Art Nouveau / Belle Epoque style. Plate with inscription "La Bonne Soupe par Rousseau" ("The Good Soup by Rousseau") on the front, signature "Rousseau" on the side and stamp "Fabrication française...

Fabulous and powerful, 1/4hp GM Delco motor. Globe deli meat slicer from the forties. Super quiet motor with a new cord and switch. In excellent vintage co...

Ceramic woman with sled sculpture signed Friedrich Goldscheider. Austria, circa 1900.

Bronze Alloy sculpture "Fée Aux Fleurs", Signed L. Moreau, France, Late 19th Century.

Beautiful pair of vintage Art Noeveau bookends by Verona. This set in beautifully aged cast iron reminiscence of the art noeveau era with its use of arches and curved forms. In this ...

Aqua Turquoise Majolica Turtle Clement Massier, circa 1890.

Beautifully patinated, absolutely exquisite Art Nouveau figural bronze coffee table by C. Conndray. This coffee table is a perfect example ...

Carrara marble sculpture signed A. Batacchi, Italy, Florence, late 19th century.

Extremely rare Meissen Art Nouveau porcelain group: Two barefoot girls in summer clothes, the older one in a striped skirt and white and blue long-slee...

Table lamp "Jugendstil, Art Nouveau, Liberty" Materia: silver plated metal and art glass Country: France Glass: Muller To take care of your property and the lives of our customers, ...

A 19th Century Elm Barrister’s wig stand or milliners hat block shop display This is a beautifully shaped solid elm head, and would display a wig as...

A very fine early 20th Century gilt bronze figure of the famous Cleopatra with a snake wrapped around her wrist drinking from a bowl. Exhibiting fine colour and excellent hand fi...

This is a solid bronze figurine of a young Girl with a blindfold playing Hide and Seek, which we attribute to the Italian sculptor Giuseppe Ferrari ( ...

Extremely rare Meissen Art Nouveau porcelain group: Girl and child in clothes from around 1900, the girl in a blue, polka-dot long-sleeved dress with a white apron kneeling on the fl...

Beautiful pink pig figural catchall. Made of Porcelain. A beautiful decorative piece of art for any room.

Hand turned large wood auger or screw with beautifully aged original surface color. Sits on black painted wood base as sculpture ( not attached to base ) Auger dates anywhere from 19...

Extremely rare Meissen Art Nouveau porcelain group: Two girls in clothing of circa 1900, the elder with hair pinned up in a bun in a blue fringed white dress with a yellow petticoat...

A French Lalique crystal female figurative sculpture piece, circa 1970's, France. A nude crystal female figure sculpture on black glass ba...

Stunning and appealing Art Nouveau bust of a woman made of polychromed and enamelled white clay. This singular bust of a woman with unique face traits could be of an Italian woman, m...

Renowned for his work with salvaged metal, American artist Gordon Chandler transforms weathered found materials into refined works of sculpture. With an eye to the aesthetic possibilities of this humble material, Chandler invests reclaimed steel with sculptural fluidity and a wry sense of form. In this wall-mounted sculpture entitled "Buck Head...

Entrancing mid 20th Century French pate-de-verre vide-poche decorated with variegated colours of greens and browns with a raised figure of a snake exhibiting fine translucent colour ...

"Taureau Debout" by Rosa Bonheur. An excellent late 19th Century French animalier bronze study of a standing bull with fine hand chased surface that accentuates the muscle definition of the subject, signed Rosa B. ADDITIONAL INFORMATION Measures: Width: 32 cm Height: 18 cm Depth: 11cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne Page no. 174 DESCRIPTION Bonheur, Rosa (1822-1899) The most popular artist of nineteenth-century France, Rosa Bonheur was also one of the first renowned painters of animals and the first woman awarded the Grand Cross by the French Legion of Honor. A professional artist with a successful career, Bonheur lived in two consecutive committed relationships with women. Born on March 16, 1822 in Bordeaux, Marie Rosalie Bonheur was the oldest of the four children of Raimond Oscar Bonheur (1796-1849) and Sophie Marquis. Bonheur's father was an art teacher who came from a poor family, while her mother, a musician, had descended from a middle-class family and had been her husband's art student. Bonheur's father, who taught drawing and landscape painting, was an ardent member of the utopian Saint Simeon society. The group held idealistic beliefs about the reform of work, property, marriage, and the role of women in society. Most importantly, for the artist's future, the Saint Simeons questioned traditional gender norms and firmly believed in the equality of women. While teaching artistic techniques to his oldest daughter, Raimond Bonheur also encouraged her independence and taught her to consider art as a career. In 1828 Raimond Bonheur joined the Saint Simeons at their retreat outside Paris. Sophie and the children joined him in Paris the following year. Four years later, however, Raimond abandoned his family to live in isolation with his fellow Saint Simeons. Sophie Bonheur died in 1833 at the age of thirty-six. Rosa was only eleven years old when her mother died, but she was aware of the heavy price her mother paid for married life with a man who was more dedicated to his own ideals than to meeting his family's needs. Rosa also saw that her mother's marriage led to poverty and her death from exhaustion. After her mother's death, Bonheur was taken in by the Micas family who resided nearby. Mme Micas and Bonheur's mother had been friends. When Mme Bonheur died, the Micas family paid Raimond Bonheur's debts and cared for Rosa. Their daughther, Nathalie, who would later become an amateur inventor and unschooled veterinarian, and Rosa became enamored with each other. When Rosa Bonheur began her career as a professional artist, she had already been trained by her father who had allowed her to study in all male classes. Rosa also learned by sketching masterworks at the Louvre from the age of fourteen, and later, by studying with Léon Cogniet. From the very beginning, Bonheur's favorite subject was animals. She learned their anatomy completely by dissecting them in local slaughterhouses. She also visited the horse market two times a week. Study of animals by direct observation led to the formation of the realist style in which Bonheur worked. It was for such work that Bonheur obtained written permission from the French government to wear men's slacks. Her working attire also consisted of a loose smock and heavy boots that protected her feet from the dangerous environment in which she painted. The style of dress that the artist adopted for work and home may well have been influenced by her father's attire, which was based on St. Simeonian clothing experiments. Bonheur also cropped her hair, perhaps to facilitate her work. She did, however, always wear dresses for social occasions because she knew that appropriate dress would further her career. Bonheur earned a successful living as a painter of animals. She exhibited at the annual Paris Salon regularly from the age of nineteen in 1841 through 1853, when she was thirty-one. She won the salon's gold medal at the age of twenty-six in 1848 and was commissioned by the French government to paint Plowing on the Nivernais in 1849. In the same year Bonheur and her sister Juliette became directors of l'École gratuite de dessin pour les jeunes filles, a post their father had once held. Bonheur completed her most renowned work, The Horse Fair, in 1855. The successful representation of percherons (a breed native to Normandy) was purchased by Ernest Gambart, a London art dealer whose gallery specialized in work by French artists. He exhibited The Horse Fair in London where Bonheur visited with Nathalie. Queen Victoria requested a private viewing of the painting at Windsor Castle. It would later be purchased in 1887 by Cornelius Vanderbilt and donated to the new Metropolitan Museum of Art in New York City. Bonheur's trip to England allowed her to meet Charles Eastlake, then President of the Royal Academy, John Ruskin, the English writer and critic, and Edwin Landseer, the British animalier. She also toured the English and Scottish countrysides and executed some paintings based on her observations of new breeds of animals found there. Gambart made engravings of Bonheur's work, including The Horse Fair, and sold them in England, Europe, and the United States. Bonheur became one of the most renowned painters of the time. Little girls, such as Anna Klumpke in the United States, even had dolls in her likeness, much as American girls played with Shirley Temple dolls...

Large beautiful figurative sculpture by Danish artist Jens Jacob Bregnø in jugend style. The sculpture is made of raw sandstone and is signed by the ...

ABOUT This is an original cast iron donkey bottle opener manufactured by the Hubley Manufacturing Company in Lancaster Pennsylvania USA. The pi...

Art Nouveau Majolica frog who playing mandolin signed Delphin Massier circa 1900. The Massier are known for the quality of their unique enamels and paintings.

An enigmatic late 19th Century bronze study of a seated female nude leaning on her knees, hiding her face, on integral naturalistic canted rectangular base, signed to one side DALOU above the cracked mirror (facing to the rear), the opposing side marked Susse Fres Edts the rear with Susse Freres pastille flanked by the letters H P and S. The title of this subject translates as 'The Truth Revealed' and refers to the young woman inconsolable having seen her true reflection in a mirror, which she has dropped and lies broken on the hard floor. ADDITIONAL INFORMATION Height: 14 cm Width: 12 cm Depth: 8 cm Condition: Excellent Original Condition Circa: 1890 Foundry: Susse Frères Paris Materials: Bronze SKU: 8790 ABOUT Aimé-Jules Dalou...

Stunning Art Nouveau style 3 panel iron screen / room divider, Highly decorated, wonderful patina and color pierced iron, lattice, tree motif, Superior qu...

Large and spectacular, this gilded bronze trophy cup in the Art Nouveau style was sculpted by Eugène Bourgouin for Christofle, and is richly decorated wi...