Abstract Sculptures

This curvaceous, biomorphic sculptural cast iron planter has a rich, varied "living" patina stemming from the natural rusting of iron. Suitable for indoor or outdoor use. Additional...

Contemporary Paolo Giordano Hermes abstract sculpture concrete cement cast grey Hermes is concrete sculpture. It's part of a large work that is also photographic: 'Digital Journey i...

4 Neru stackable TOTEM Utility sculpture: 1 Neru, functions as a stool/table Create your own TOTEM by stacking 3 or 4 Nerus! Material: Ra...

Vincent Pocsik’s sculptural works are a study of human form abstracted down to the point of its most transformative power. Flesh twists, contracts, pushes against bones and skin and ...

Patrick Coard Paris launches a unique and beautiful sculptural object collection. The set of amorphous sculptures in bronze-patina brass are bold a...

Original chair in golden oak, satin finish. Flared legs, backrest and seat upholstered in a textured cream fabric by Dedar.

Resurrection, series of 4 sculptures, The Netherlands 1970s Bizarre series of sculptural figures in plaster. The Patina gives these pieces an intriguing character. The tallest scu...

All our TOTEM sculptures are hand carved in Southern Africa from sustainable alien timber by a group of Zimbabwean artists who set their own prices, th...

Patrick Coard Paris launches a unique and beautiful sculptural object collection. The Deconstructed Tower is geometric and sleek with it's delicate but defined details. The piece is ...

The Sacred Clothesline This piece was inspired by Victor’s few pieces of clothing hanging on the cloth lines waiting to dry after hand-washing them at the end of each day during his journey on the Camino. These Holy Cards were collected from top antique and book dealers in different Cities on and around the Camino. At first, he was only trying to collect art pieces that he could carry. The leather cord wrapping around the Skein represents the never-ending Camino of life. The different colors are a representation of the different paths of any Camino. The Holy Cards represent all the everyday Saints who come into our journey to teach life learning lessons. The piece comprised of: Early 19th Century extremely fine walnut, rosewood and satinwood Expandable Spinning Skein with white bone finial. A very fine and well-preserved collection of 17th and 18th Century European Holy Cards. Mid-century (1960s) solid walnut wood and black laminate pedestal.

Made using a manufacturing process utilized for railways, medical devices, and electronics, the Fin Trivets bring an Industrial touch to your tabletop....

Made using a manufacturing process utilized for railways, medical devices, and electronics, the Fin Trivets bring an Industrial touch to your tabletop....

These handsome but quirky brothers designed by Miguel and Ilse Silva for Wooda are the result of an engaging mix of personality, love, fun and mischievousness. Los Hermanos Calavera(...

The 'Gold Cart' is a fully articulated working shopping cart. It is made of steel and bronze then 24K gold plated. This is an addition of 100+ artist proof. ...

Daishi Luo's Star Dust collection offers a variety of carefully curated copper paintings. Each work is unique, as the patterns are made with chemical reactions on the surface of copp...

This piece brings attention to humanities relationship with our oceans and natural environment. 20% of proceeds go to a sustainable living organization. This stunning piece is a foc...

Wall-hung ceramic. Signed by the artist. Measures: H: 31 cm/ 12" W: 31 cm/ 12" D: 29 cm/ 11 1/2".

At the core of the “Branch-Ish Shelf” is one reoccurring element; the branch textured prints. Here, Schimmel and Schwiekle took an image of a natural branch into the 3D modelling sof...

This is a new work by Mattia Biagi Sculptural plaster lamp created by a metal structure, plaster+ paper, and image collage on wood.

This is a new work by Mattia Biagi Sculptural cement + plaster figure, plaster.

After having been printed and attached on wood, the images are cut out and assembled onto a classic furniture form. This anthology of memories, visions, and experiences allows Biagi ...

After having been printed and attached on wood, the images are cut out and assembled onto a classic furniture form. This anthology of memories, visions, and experiences allows Biagi ...

After having been printed and attached on wood, the images are cut out and assembled onto a classic furniture form. This anthology of memories, visions, and experiences allows Biagi ...

Sculptural Wooden Totems to decorate your space. These impressive hand carved wooden totems are a great way to decorate your home. These sculptural home decor pieces will look great on a coffee table, bookshelf, or mantle. You can also make them the centerpiece on your dining room table. If you have some inserts in your wall, these totems would be a great fit. About the artists: Hand-made by Mexican artist Eduardo Wignall, who focuses on the development and production of high quality furniture and design objects, with an emphasis on wood. The pieces he develops are environmentally and socially conscious. The materials and all-natural finishes are environmentally friendly, have a sustainable certified origin and are biodegradable. His studio is further committed to social projects that give back to local communities and ensure artisans receive fair and dignified treatment. Set of 4 Hand Carved Totems...

The "Cortina" screen designed by Sebastiano Bottos is a sculptural piece of furniture handcrafted by assembling extroflexed wood elements, the result of an innovating processing tech...

Art Yaacov Agam Signed and numbered 25/27 from the Meissner Galerie in Hamburg Measurements: H 33 x W 23 x D 4 cm. Agam's first solo exhibition was at the ...

- All prices are listed ex works. - 5 year guarantee. - We regularly crate, ship and install PH Pianos worldwide with full insurance. Please contact us for individual shipping quote and for any questions. The PH Grand Piano...

Artist Statement: During the summers in Connecticut when I was a pre-teen, I lived for playing baseball. I grew up on a farm and had to work hard, but I always made time for baseball. I played everyday and sometimes even slept with my glove underneath my pillow. I dreamed of playing professionally for the New York Yankees. The only thing that dragged me away from playing baseball was an arts and craft’s class in my school’s summer program. On Tuesday afternoon, after lunch, baseball was on hold for arts and crafts. In my first class, they taught us how to make pot holders and build things with Popsicle sticks by gluing them together. It was so much fun. I guess this was the earliest telling of what was to unfold in the future years. I continued to play semi-pro baseball until the age of 38. I was also into weightlifting and even placed in a national competition. Sports and art have always been my passions. I was willing to put sports on hold for my art, though. And sports have always influenced my artwork. My first great influence in art was my craft teacher in high school, Shirley Charron. I was not an “A” student by any means and I did not excel in math or science. Ms. Charron knew I wasn’t a great student and encouraged me to apply for art school at Silvermine College of Arts. The college was holding interviews and all I had to do was make an appointment and bring my artwork. I was excited to find out that they didn’t need to know my S.A.T. scores. So I met with Dean Bob Gray and he liked my artwork. I became a student at the Silvermine College and received my Associate’s Degree from there. I went on to the Maryland Institute of Art where I received my Bachelor of Arts degree. I met several students from various backgrounds and different countries. I was fortunate for having great teachers and mentors along the way. Visiting artists were a big influence to me, as well. My college years helped greatly, keeping me out of the ‘real world’ and into the realm of creativity and free­ flowing ideas. After receiving my Masters Degree from the Art Institute of Chicago in 1977. I stayed in Chicago. I became ‘so-to-speak’ a “Chicago” artist, living in lofts, dreaming the dreams of becoming known and reaching for the stars. I was still quite naïve at the age of 30. Luckily, I kept my day job as a cleaning man. I worked hard during those years after graduate school and still do 28 years later. During those 28 years, I tried out for the Chicago White Sox...

A striking mid-20th century Brutalist iron sculpture constructed with four large triangle shapes reminiscent of sail boats in a harbor, welded to a rect...

Beautiful pair of men's leather riding boots with stretcher inserts created from maple. Boot is 11.5 x 4 x 18 H. Great for display. Leather is still soft. Soles were well worn.

Article: Op art element vase with abstract floral illustrations Origin: Germany Produder: Sgrafo Modern Design: Peter Müler Material: Pottery stoneware Age: 1970s Original 1970s sculptural op art object designed by Peter Müller...

Patrick Coard Paris launches a unique and beautiful sculptural object collection. The deconstructed Tower is geometric and sleek with it's delicate but defined details. The piece is ...

Constantin 1 is a simple but charming candleholder with a geometric shape with circles. The body is in solid oak wood. The cylinder in natural brass on the top is the place where to put a 18 mm candle. In the same collection 3 different models of candlesticks in wood...

Patrick Coard Paris launches a unique and beautiful sculptural object collection. The Tower is geometric and sleek with it's delicate but defined details. The piece is entirely handc...

Made using a manufacturing process utilized for railways, medical devices and electronics, the fin trivets bring an industrial touch to your tabletop. Both durable and multi-function...

South Arabian Alabaster Inscription Calcite Alabaster circa 1st century A.D. ‘’Consequently, neither white marble of Paros nor any other stone which men admire can be compared with the precious stones of Arabia, since their whiteness is most brilliant, their weight the heaviest, and their smoothness leaves no room for other stones to surpass them.’’ - Diodorus Siculus, Library of History, Book II, 52.9 This inscription, finely worked on an alabaster tablet, is a remarkably well preserved example of Ancient South Arabian script, with its distinct bold, angular forms, written in the Qatabanic dialect - that is, the dialect spoken by the people of the kingdom of Qataban, which ruled much of modern day Yemen from the 7th Century B.C. to the 2nd Century A.D. The text, which reads: ‘[... ...]sa?d and Ma?add?i- / (of the lineage) of Hawfa- / She entrusted Anb- / against any malfeasance (which would remove it) from its place’ - indicates that it likely served to commemorate a temple offering. The quality of the script, incised so neatly into the surface of the alabaster, tells us that this piece was commissioned by somebody of considerable wealth and prestige, employing a scribe of equally considerable expertise. South Arabia was known throughout the ancient world for its incredible wealth - so much so that the Romans termed the region ‘Arabia Felix’ - literally, ‘Happy, or Fortunate, Arabia.’ That wealth was built largely on the trade of spices and incense, in which the Kingdom of Qataban played a major part. According to Pliny the Elder, this was the sole country through which frankincense could be exported, first being collected in the city of Shabwa, on the South Arabian coast, and from there travelling by camel up to Gaza, to be shipped all across the Mediterranean - not only that, but all growers of myrrh across Arabia were required to give a quarter of their yield to the king of the Qatabanians. As such, the kingdom became exceedingly rich and powerful, and Pliny goes on to tell us that ‘The nations of the Larendani and the Catabani, and the Gebanitæ [...] occupy a great number of towns, the largest of which are Nagia, and Thomna (the capital of Qataban) with sixty-five temples, a number which fully bespeaks its size.’ Because of the nature of its exports, frankincense in particular - the ‘sweat of of the gods’ according to the Egyptian Book of the Dead, and perhaps most famous as one of the three gifts brought to the newborn Christ - being closely associated with the divine, South Arabia’s reputation in antiquity was as a mysterious, almost sacred, and - crucially - extraordinarily wealthy region, at the very edge of the known world; in the words of Herodotus: ‘’Enough of marvels, and yet the land of Arabia gives off a scent as sweet as if divine.’’ This inscription invokes the protection of god Anbay, the judge-oracle of the chief god ‘Amm, who he served as an attendant. Much of what we know of the religious life of the ancient South Arabians comes to us from early Islamic texts, describing what is known in Islamic scholarship as ‘Jahiliyyah’ - the age before the advent of Islam in Arabia. What comes across in much of these texts is that these religious practices placed a great deal of emphasis on sacred stones, perhaps linked to the brilliance of the alabaster which is local to the region, and which a great many of the cult-objects produced in this time are made from. Hisham ibn-Al-Kalbi’s Book of Idols records: ‘’The Arabs were passionately fond of worshipping idols [...] Whenever a traveller stopped at a place or station in order to rest or spend the night, he would select for himself four stones, pick out the finest among them and adopt it as his god, and use the remaining three as supports for his cooking-pot.’’ This inscription was once in the collection of the intrepid British-Australian travel...

Italian crystal glass tree ornament of organic sleek modern design, a vintage creation part of a collection assembled by Cosulich Interiors & Anti...

Purple sculpture in a tape-like, abstract format in wood with impeccable procedence. This work was created by Joaquim Tenreiro, one of the most important names of Brazilian furnitur...

An authentic and fantastic example of Italian mid-century Art by Gaetano Pompa (Italy, 1933-1998). Signed and dated Roma 1966 on the back of one wing. Hollow cast with gilt finish an...

Typical of the sculptural output of Dal Fabbro, the lines of this piece shift rhythmically depending on the viewer's position. The artist plays with the relationship between space an...

Morten Løbner Espersen Ceramic vase model “#1914” Manufactured by Morten Løbner Espersen Copenhagen, 2016 Stoneware and glaze Measureme...

Contemporary planters / plant, touche-touche, France, 2020. Mnetonimic Pneumatophres II is a contemporary functional art object created by the duo touche-touche. The one of a kind...

Chamelon marble buffalo sculpture / paperweight, circa 1990s. The piece is in very good condition with no chips or cracks and measures 4.5"W x 1"D x ...

21st century abstract sculpture Cellulae by Renzo Buttazzo from Italy. Sculpture in Lecce Stone. Delivered with a certificate of authenticity. Since 1886 Renzo Buttazzo work with P...

The design of the male torso must be meticulously planned, paying close attention to anatomical details. The layers of MDF should be cut and stacked to accurately resemble the curves...

All our totem sculptures are hand carved in Southern Africa from sustainable alien timber by a group of Zimbabwean artists who set their own prices, thus making them fair trade. Th...

All our totem sculptures are hand carved in Southern Africa from sustainable alien timber by a group of Zimbabwean artists who set their own prices, thus making them fair trade. Th...

All our totem sculptures are hand carved in Southern Africa from sustainable alien timber by a group of Zimbabwean artists who set their own prices, thus making them fair trade. Th...

21st century abstract sculpture DROP ART by Renzo Buttazzo from Italy Sculpture in Lecce Stone Delivered with a certificate of authenticity. Since 1886 Renzo Buttazzo work with Pie...

21st century abstract sculpture ILOVEU by Renzo Buttazzo from Italy Sculpture in Lecce Stone Delivered with a certificate of authenticity. Since 1886 Renzo Buttazzo work with Pietr...

All our TOTEM sculptures are hand carved in Southern Africa from sustainable alien timber by a group of Zimbabwean artists who set their own prices, thus making them fair trade. We t...

This unique iron sculpture from Mexico, circa 1970´s. Solid walnut base holding iron puzzle with the purpose of getting free the large ring out of the puzzle.   

All our TOTEM sculptures are hand carved in Southern Africa from sustainable alien timber by a group of Zimbabwean artists who set their own prices, thus making them fair trade. We t...

Super Large Antique Italian Rococo Carved Wood "Supra Porte'. This monumental 18th Century ornament is 2 meters wide! Beautiful A-symmetrically carved Pinewood and Basswood with C-Sc...

21st Century abstract sculpture BLANDAMENTA by Renzo Buttazzo from Italy. Measure: heigh 80 cm. Sculpture in Lecce Stone Delivered with a certificate of authenticity. Since 1886 Re...

Ceramic totem designed by Alessandro Mendini, Italy. Stamped A.MENDINI Superego edition made in Italy, signed inside the base. (Lacquered wooden base included) Our main target is c...

An abstract sculpture carved from cork - France - 2010 French work from 2010, cork study for Michel Bonhomme's stone lamps.

Patrick Coard Paris expands on his unique and beautiful sculptural object collection. The Janus is geometric and sleek with its delicate but define...