Abstract Sculptures

Made using a manufacturing process utilized for railways, medical devices, and electronics, the Fin Trivets bring an Industrial touch to your tabletop. Both durable and multifunction...

Bristlecone Pine Sculpture by David Spiesman in 2000- signed. Wood for this sculpture was harvested with permission from a forest that dies in 1933. Sculpture is held together artful...

Crafted from natural Corno Italiano, the Leuca sculpture promises to add natural beauty to your home with its organic palette and grain. A modern square base in wood with a glossy bl...

Timber Mazer 900 Sculpture by Tom Fereday Dimensions: W 90 x D 90 x H 35 cm Materials: Solid Oak & Walnut. MAZER COLLECTION: Mazer represents a series of geometric sculptures, each a celebration of the fundamental beauty and natural variation of stone. Strict brutalist forms of the table and seating collection are juxtaposed by soft organic cutaways carving through the porous stone surfaces, revealing the natural beauty and character of travertine. Named after the medieval term ‘Mazer’ meaning bowl, the collection presents subtle organic forms proportioned for table and seating function designed for permanence. Porous formations of the stone’s structure act as an intentional disruption to the clean geometric forms of the series adding character and intrigue. The limited edition series was crafted from travertine and locally produced in Italy from a combination of machine and traditional hand made processes, each piece exhibiting its own unique characteristics and form with no one piece alike. Mazer is designed by Australian designer Tom Fereday exemplifying Fereday’s desire to honour materiality, combining form and function to produce enduring works. Tom Fereday develops products based on the principle of honest design, conveying a design process which celebrates the materials and manufacturing processes behind furniture and products, to design from the inside out. By using the materials and environment as a positive design constraint we guide intelligent and thoughtful design outcomes which connect with people through natural materials, tactile finishes and unique design. We strive to create enduring designs which are meaningful to people and their environment. Born in Australia, Tom Fereday grew up in England studying at the Wimbledon School of Art before moving to Sydney to complete an honours in Industrial Design at the University of Technology Sydney. Working across europe and Australia Tom Fereday went onto found his sole practice in 2012. Affiliations Society for Responsible Design (SRD) Design Institute of Australia (DIA) Awards 2019 - House & Garden style awards - ETO Desk 2018 - Idea Awards - SIA Chair - Highly Commended 2018 - LAMP International lighting competition - Winner established designer 2018 - Lane Crawford creative callout - Winner 2018 - Good Design Awards - SIA chair - Gold winner 2017 - Mercedes-Benz Design Award - SIA Chair - Winner 2017 - International Design Award - SP01 collection - Honoree 2017 - International Darc Awards - Mito Lamp - Winner best floor lamp 2017 - ICFF NYCxDESIGN - Emerging Designer - Honoree 2017 - A+Awards - Bow Chair - Finalist 2017 - Archiproducts Design Selection - Stockholm Furniture Fair 2016 - Good Design Award Chicago - Bow Chair - Winner 2016 - Timber Design Awards - Pieman Collection - Winner excellence in timber design 2016 - Good Design Award - MW1 Watch - Finalist 2015 - Good Design Award - 3000 Collection 2015 - Good Design Award - Best in category NTR Microphone 2015 - Red Dot Design Awards - Best of the Best NTR Microphone 2014 - Space + Moooi 2014 Design Residency 2011 - H&G Style Awards 2011 2011 - Interior Design Excellence Awards 2011 - Finalist 2011 - One Good Chair Competition Allt Chair 2010 - Nominated by Triple J and ABC News as top 25 young achievers 2010 - Australian Design Awards - Design Mark - Pebble Ottoman 2010 - Launch Pad 10 with the Spli Stool - Finalist 2009 - SOYA Awards including mentorship with Marc Newson 2009 - SRD09 prize winner awarded by the Society for Responsible Design 2009 - NSW Travelling Scholarship - Top three finalists 2009 - International CIFIAL Awards ‘Feel the Planet Earth 08’ - Finalist 2009 - Greenland Travelling Scholarship 2008 - GOTYA Awards - Runner up 2008 - Breville Young Designer Awards - Top three Finalist 2008 - Electrolux Competition - Highly Commended 2008 - Freedom Furniture Competition 2007 - Treegugger + I.D. Magazine Award - Finalist 2007 - Cormack Packaging Awards - Finalist Exhibitions 2018 - Orgatec - SIA chair launch by NAU - Cologne Germany 2018 - Makers Take - SIA + Jeanette chair - Brisbane 2018 - Alt Material - Hull lounge - Melbourne 2018 - AGM - SIA chair + Jeanette chair - Melbourne 2018 - MADE Tom Fereday X Fiona Susanto solo exhibition - Melbourne 2018 - Den Fair - Launch ETO / MITO / SIA / NOLA - Melbourne 2018 - Good Design Vivid Festival - SIA Chair - Sydney 2018 - ICFF - SIA chair launch NAU - New York 2018 - Caroma collaboration - Alexandria flagship store - Sydney 2018 - SP01 Outdoor Collection - Archiproducts showroom - Milan Design Week - Italy 2018 - SIA chair limited edition - Local Milan - Milan Design Week - Italy 2018 - Australian Design Centre - Interpretations Exhibition Pieman chair - Sydney 2018 - Melbourne Design Week - SIA Chair - Melbourne 2018 - Sydney Design Festival - Bow Bench - Sydney 2018 - Cologne IMM - MITO + Bailey light - Rakumba Lighting...

Looking for Equilibrium Sculpture by MCB Ceramics Unique piece. Dimensions: D 20 x H 75 cm. Materials: Ceramic. Numerated and signed by the artist. All ...

Lull No28 Contemporary Wooden Totem – Handcrafted by Joel Escalona ——— Balance and tension are at the core of these sculptures. The interplay between the smooth, rounded forms and s...

This super rare and iconic piece of Vivienne Westwood was part of the cut and slash era. 1991 fabulous mustard chenille cardigan with red collar and gol...

1960s Set of Five Hand Blown Mercury Glass Gazing Spheres Mexico Largest 8 diameter x 8 h, smallest 7 diameter x 7 h 5 mercury colored glass globes. Crafted in Handblown glass. No s...

Extremely rare combination pendant attached to custom-made chain by Harry Bertoia in sterling silver, containing one Lapis Lazuli and one Coral. This piece comes from a private collection. Provenance will accompany the piece. The work has been added to the Harry Bertoia Catalogue Raisonné and assigned the following catalogue raisonné number: D.JE.78. Although associated with Mid-Century Modern furniture, Harry Bertoia was originally a jewelry designer who used both sterling silver, precious stones and gem stones. The pendant measures: 1.25" long x 1" wide. The necklace measures: 11" length with a measurement of 22" overall length. The chain and closure are all handcrafted and in his unique design. Lapis Lazuli measures 20mm round supported by one 6 mm red coral. Total weight is 33 grams. The following is from Beverly H. Twitchell, PhD, author of Bertoia: The Metalworker, London: Phaidon, 2019. She provides a very informative critique of Bertoia and his jewelry. Wearable Art an Important Design for a Necklace “Before Harry Bertoia enrolled at the Cranbrook Academy of Art in 1937 he had already mastered traditional jewelers’ techniques, but his engagement with Modernism led him to invent and use more direct methods. Instead of precious metals and gems, Bertoia made jewelry that appealed through its design, craftsmanship and the nature of its materials. That approach would make Bertoia a direct predecessor of the American Studio Crafts movement. So complex and cumulative are human perception and memory that we often do not know from where our own ideas come and without firm evidence, it is impossible to think we can establish the origins of an artist’s ideas. While his jewelry is entirely modern, chokers with multiple small pendants had come from ancient Mediterranean cultures: Mesopotamia, Egypt, Greece and Italy, even from Europe and America at the turn of the last century. Did Bertoia see works in books, journals or at the Detroit Institute of Arts that resonated with him or did he invent this on his own, as he would so many other forms? Bertoia found inspiration in nature from an early age on a small farm in Italy and later in Cranbrook’s woods, on the beaches of southern California and in the fields near his home in eastern Pennsylvania where he lived after 1950. The fluidity and motion of the his jewelry characterize much of his art. In that spirit, too, he made jewelry that suited human anatomy and was animated by its wearer’s movement. Bertoia had the instincts of an engineer, as the intricacy of the present lot’s clasp and overall construction of the jewelry demonstrates. Large jewelry by Bertoia is very rare. A delight to the eye, and like all of Bertoia’s work it is timeless.” Harry Bertoia (1915 – 1978) was an Italian-born American artist, jewelry creator and modern furniture designer. He was born in San Lorenzo d-Arzene, Pordenone, Italy. At age 15 he moved to Detroit, Michigan to live with his older brother, Oreste. He quickly learned English and the bus schedule and enrolled in Cass Tech High School in Detroit (1930-1936) where he studied art and design and learned the skill of handmade jewelry making. At that time, there were three jewelry and metals teachers Louise Green...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of spare parts come together ...

“Still Stand” sculptures by Joel Escalona Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament t...

Museum-quality smoky citrine crystal point on a custom black stand. Citrine is a gem that is valued for its yellow to brownish color. It is a yellow variety of quartz, so its name c...

The Oval Queen by Patrick Coard Paris is the epitome of luxurious artistry, a breathtaking sculpture that commands attention with its regal presence and exquisite craftsmanship. Forg...

- All prices are listed ex works. - 5 year guarantee. - We regularly crate, ship and install PH Pianos worldwide with full insurance. Inside and Out, A Masterful Work of Art This PH Bow Grand Piano Curated Edition is an exquisite instrument and sculptural art case piano, featuring Macassar Wood casing with a high gloss finish, with polished brass metal trim. Inside the beautiful case lies the highest-quality, hand-selected piano action. Design Legacy and Skilled Craftsmanship The iconic Danish designer Poul Henningsen designed the PH Bow Grand Piano in...

A striking and sculptural fireplace screen designed by Swedish artist Olle Hermansson and produced by Husqvarna in the 1960s. Crafted in solid cast iron, this piece is a bold example...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of spare parts come together ...

An extraordinary primitive brut sculpture created from wood and Italian marble by the acclaimed Italian self-taught artist and sculptor Luciano Bertolotto (Pompi) . Isola Rizza, Ita...

Rare form original Pablo Picasso Femme sculptural vase or ewer for Madoura Ceramics. Documented model number A.R. 297 hand sculpted and hand painted in the Madoura factory. A timless...

Abstract Mid-Century Modern Organic Wooden Sculpture, 1960's

Large ebony wood African sculpture.

A Monumental White Carrara Marble Abstract Sculpture by Arturo Di Modica. The Italian American Sculptor for the Charging Bull Bronze (1987-1989) at the New York Stock Exchange NYC. T...

A very large and appealing Saggar fired vessel, made by Australian potter, Jill Symes. Signed, with original stickers and leaflet. This beautiful pot has ...

The giraluna is a spectral plant entity from Leo Lionni's Classic alternate universe  textbook Parallel Botany.  About the Sculpture: The Giraluna This elusive and capricious plant is the Dream Queen of parallel botany. Hydendorp, quite rightly, does not hesitate to define it as the "most parallel of plants, most plantlike of the parallels," and in so doing he stresses not so much its physiognomic oddnesses as the disconcerting normality of its shape. "If we were in the jungle," he writes, "and we found one blocking our way, we would not for an instant hesitate to hack it down with our machetes."1 But it will not be our good fortune to encounter it. If in reconstructions the Giraluna displays considerable plantness of form and an exact and convincing solidity, in its natural environment it can be perceived only as a nebulous interplay of glimmerings and empty spaces which alternate in the darkness and vaguely suggest where its outlines might be. (pl. XXIV) Its nocturnal presence, in fact, is manifested almost entirely in terms of the equivocal O'-factor of the moonbeams, which was discovered and measured a few years ago by Dennis Dobkin of the Point Paradise Observatory. This factor changes the light-shade ratio which normally defines volumes into a subtle interplay of lucencies and opacities, so that our perceptions, our basic sensorial habits conditioned by thousands of years of daytime life in the "solar key," would need complete readjustment and indeed reversal in order to come to terms with it. Daylight isolates objects, bestowing a noisy Meaning on all the odds and ends in the world. But night takes everything away except the very soul of things: a black light, a transparent darkness, a secret we cannot grasp. During the long night of the Erocene era man caught a glimpse of the Giraluna rising mysteriously in its barren landscape. Presolar man imagined himself the child of the Moon. In her lap he had known the comfort of the life, silent torpor of the night, and by her light he had seen silver pearls lie weightlessly upon the coronas of the first great flowers. But he left us only a few enigmatic signs of all this: the Feisenburg cave, the petrified bones in the Ahmenstadt tumulus, the Boergen Cup. Paradoxically enough, all that we do in fact know of his presence in that landscape comes to us from our study of his nocturnal vegetation, Around the middle of the Erocene era, when the flowers of night were fading away in the light of a new dawn, man saw that outlines and colors were slowly hardening. Thus he discovered the stone-hard world of day, and learned to be the child of both Sun and Moon, of Amnes and Ra, of Disarm and Karak, of Nemsa and Taor. The "crawling stones" of Yorkshire, the stele of Tapur, the graffiti of Klagenstadt, these have preserved for us the nearly obliterated images of the two divinities who from the center of their temples drew the design of the universe. But the Sun was not long in attaining absolute power over everything in the world. "O Ra, o Amno Ra our benefactor, glowing and flaming! Gods and men bow down before you, for you are their creator and their only Lord." Such was the prayer of Amresh, High Priest of Egypt. And a new vegetation, outspoken and exuberant, appeared on the earth, and made the bright leaves dance in the morning breeze. Night soon became no more than a dark corridor joining one day to another, a place of visions and memories, a storehouse of words and images. It became a secret refuge where the vanished flowers could once more flaunt their coronas to the Moon. And thousands of years later the black flowers of that distant night-Giraluna, Lunaspora, Solea argentea-were born from seeds hidden deep in a soil rich with legends and stories. If our knowledge of the Giraluna is today reasonably complete and detailed this is due to the industry and scholarship of Professor Johannes Hydendorp of the University of Honingen, who has collected and collated all known facts and kept his records abreast of the latest developments. Our historical and geographical information comes from the most varied sources: legends and folk tales handed down from generation to generation, accounts given by explorers, anthropologists, and paleontologists, and of course the more recent testimony of botanists such as Heinz Hornemann and Pierre Maessens. Source: Sivatherium. narod .edu About Sculpture: Leo Lionni is best known today for his children's books: Little Blue and Little Yellow; Frederick—the one about the mouse who gathers poems while his family is harvesting seeds for the winter—Swimmy the Fish. Of course the children don't remember his name, but to parents and grandparents, the ones who actually do the reading, he is something of a celebrity. Most people don't realize that Lionni is also one of the 20th-century's most influential graphic designers. Within that field, he is a legend. In fact, he didn't start doing children's books until he had left the world of advertising, teaching, and design to allow more time for contemplation and for art. Little Blue and Little Yellow (1959) began as an improvised entertainment for bored grandchildren. What can you do with a few scraps of colored paper and a lot of imagination ? Make the first best-selling children's book illustrated with abstract art. Before that his work as design director for Olivetti Corporation of America and the art director of Fortune magazine, the co-founder of the Aspen...

Small Artefacto 03 by Federico Stefanovich Dimensions: D 10 x W 26 x H 20 cm. Material: Brass. Available in a larger size: D 19 x W 47 x H 36 cm. Federico Stefanovich presents himse...

Four panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with cotton fringe. Hanging wire is included on each panel. Ships with a small comb for fringe and i...

Stunning stainless steel “swirl” floor sculpture by Curtis Jere. Swirl sits atop a painted black steel base and swivels, allowing the perfect placement. Pictured with Milo Baughman f...

Vibrant Motion: Kinetic Sculpture - Iron, Paint, Movement Manufactured in France by unknown artist, circa 1990. In original condition with minor wear consistent of age and use, pre...

Clay sink by Studio Loho Dimensions: D 40 x H 15 cm Materials: clay. Available in 3 models: round sink, oval sink and sink on structure. Due to the producti...

Bent Metal Table with Wood Legs in the Trompe L'oeil Style of John Dickinson A truly unique and original console table crafted from solid wood and be...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has taken heavy gauge wire and formed it into a simple dog and placed it upon a salvaged steel cylinder. These repurposed items combine to form this small simple sculpture that will sure to bring a smile to its owner. Jim Rose Objects No. 04 Found and Collected Objects 6.50h x 6w x 10.50d in 16.51h x 15.24w x 26.67d cm JR0291 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2023 Jim Rose CODA, Gallery Victor, Chicago, IL 2020 Unseen, Gallery Victor Armendariz, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2023 Intersect Palm Springs, Gallery Victor, Palm Springs, CA 2018 SOFA Chicago 2018, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art on Paper, Gallery Victor, Metropolitan Pavilion, New York, NY 2017 - 2019 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of spare parts come together ...

"Large Sliced Jupiter Vase" by Lauren Klenow 2024 5.5" dia. x 9.25" H Sculptural ceramic flower vase hand made by the artist using a multicolored stoneware clay. Lauren Klenow is ...

Japanese drifting chair / drifting stool Drifting object animal A dog-shaped stool made of drifting objects. It has a beautiful shape as an object.

When it comes to a shared passion for Africa, handmade and unique design, Uniqwa Collections and klaylife are perfectly aligned. Both hailing from Africa, our creative teams merg...

Welded steel Brutalist sculpture by Paul Kasper, circa 1960s. Was purchased from the estate of Paul Kasper. Biography Paul Kasper. Paul Charles Kasper was born in Whiting, I...

Amazing 1970's modern stone abstract sculpture "Signed AR" in vintage original condition with some wear and patina due to age and use, the sculpture is very heavy.

Mid-Century Modern abstract tabletop sculpture by William Bowie. The solid block base square is 4x4".

This is a mid century biomorphic abstract sculpture hand carved in teak.

glass art egg designed by Tapio Wirkkala for Venini. Includes original mounting stand. Signed on the bottom from Italy 2.75 tall x 2diameter, Base .25H x 1.5in diameter. Original v...

Sculpture, stone sculpture representing the Eye of Providence. Also known as the Omniscient Eye, this symbol has been used for centuries as a protective sign. Of Christian origin, i...

Rare Neolitico, Murano glass sculpture /paperweight in this Fish shape by Barovier & Toso, label.

Beautifully carved out of one piece of beige marble it seems to have curved steps to a higher level, with some sharp angles plunging into the abyss. Unknown artist 1985.

Abstract Modernist Sculpture, American, circa 1960s. Believed to constructed of plaster or resin on a natural wood base.

Rustic Wooden Dustpan – Traditional French from the Early 20th Century This rustic wooden dustpan, a traditional French piece dated around 1940, is a functional sculpture that beaut...

Contemporary gilded metal sculpture, 20th Century. Modern sculpture in gilded metal, contemporary work from the 20th century.     h: 108cm , w: 35cm, d: 35cm

Curtis Jere "Windswept" Brutalist Sculpture, Brass and Marble Offered for sale is a vintage Curtis Jere Brutalist "Windswept" sculpture on a black marble base. This brass sculptur...

Aceleración screen by Joel Escalona Limited edition of 9 Dimensions: D 230 x W 40 x H 187 cm Materials: oak wood. Natural white oak screen. J...

A stunning contemporary multicoloured acrylic block. A perfect riser for a small sculpture or a statement on its own on the table or desk, this beautiful block will reveal different ...

Large mahogany chip carved sculpture by Ohio Craftsman Michael Rozell.

Ancient Roman marble sculpture. Includes custom iron stand. This is the real thing!

Vibrant Motion: Kinetic Sculpture - Iron, Paint, Movement Manufactured in France by unknown artist, circa 1990. In original condition with minor wear consistent of age and use, pre...

“Still Stand” sculptures by Joel Escalona Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament t...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

Clay sink by Studio Loho Dimensions: D 40 x H 15 cm Materials: clay5 Available in 3 models: round sink, oval sink and sink on structure. Due to the production process every piece is unique in size and form. Studio LoHo is a Belgian design office located in Bruges, Belgium. Founded in the autumn of 2017 by Karel Loontiens and Jo Hoeven, the studio focused from the beginning on high-end bespoke interior projects which forms an ideal matrix for product - and material design that is both innovative and durable. In current times there’s no more room for influx of disposable products, it is our studio’s goal to strive for design that will last and will be cherished for multiple generations. The introduction of the first collection “clay series” fully articulated the DNA of the newborn Studio and led to their international breakthrough. The appreciation of materials reflects their unique view on interior design with a strong and recognizable signature. Soon after, the collection was expanded on request by other architects and designers with new sinks...

Heavy gauge wire and wood block. Artist-signed on rear of wood.

This fascinating Silas Seandel 'Ribbon' wall-mounted sculpture is constructed from brass and formed into an organically abstract art piece in a large 63" wide size. Unlike other 'R...

Description: The Alfred Sphere Set was designed as a stand alone or tri-figure decorative ornament for the home. Hand-crafted from solid blocks of natural and limited edition Desert...

Large organic floor sculpture sculpted by the South American artist Fernando Marquina looks like an armoured creature from the natural world of the Jurassic period. It is characteriz...

The “Space Box” was designed by Ernesto Duran, as a creative way to enhance the uniqueness of meteorites and could also be use as a decorative piece. Its an acrylic box with a magnet on top and a steel string pulling the meteorite straight simulating the floating movement they had in outer space, allowing an interaction and a 360° view. Muonionalusta Meteorite...

This geometric sculpture evoking the elongated shape of a TOTEM, was designed by Karim Rashid in 2006 as part of a limited edition of 199 pieces. Each of the four pieces put vertical...

Mark Peiser Cattails paperweight, 1979 Blown glass and torch-worked imagery Measures: 4.75 x 4.875 x 4.875 inches.

For Your consideration is this wonderful hand carved Makonde Ujamma Life Sculpture from the Tanzania Mozambique region. The intricate details on this sculpture are truly amazin...

Adrian Abstract Paint, circa 2017. Manufactured in Spain. Materials: Wood Dimensions: D 3,7 cm x W 33,5 cm x H 41 cm The artwork is in its original condition, showing minor sign...

Nino Caruso ( Tripoli 1928 - Rome 2017 ) Abstract Sculpture in Black Glazed Ceramic. 1974, Signed and dated under the base. Italian ceramist, sculptor and...

Large High clay bathtub by Studio Loho Dimensions: D 90 x W 160 x H 53 cm Materials: Clay Other colors and raw or smooth exteriors available. Available in 4 sizes: W 160 x H 42(Large), W 160 x H 53(Large High), W 180 x H 42(X-Large), W 190 x H 53(X-Large High) The baths are entirely made of clay and are available in a wide range of colors or can be produced bespoke. The exterior of the clay can be raw or smooth according to preference, the interior of the baths is finished with a layer of smooth, silky lime plaster for maximum comfort. Due to the production process every piece is unique in size and form. Studio LoHo is a Belgian design office located in Bruges, Belgium. Founded in the autumn of 2017 by Karel Loontiens and Jo Hoeven, the studio focused from the beginning on high-end bespoke interior projects which forms an ideal matrix for product - and material design that is both innovative and durable. In current times there’s no more room for influx of disposable products, it is our studio’s goal to strive for design that will last and will be cherished for multiple generations. The introduction of the first collection “clay series” fully articulated the DNA of the newborn Studio and led to their international breakthrough. The appreciation of materials reflects their unique view on interior design with a strong and recognizable signature. Soon after, the collection was expanded on request by other architects and designers with new sinks...

Stunning, rare and important vintage midcentury centrepiece in turquoise green glass sculpture female nude bust and torso by Ermanno Nason (1928-2014) for Cenedese of Murano, Venice,...

This abstract sculpture has a smooth black, glossy surface and an organic modernist form. The shape is fluid and curved, resembling a stylized human form or a natural element. The da...