Abstract Sculptures

Mario Dal Fabbro sculpture No. 6 Signed, F.41. Multi-disciplinary artist Mario Dal Fabbro was born in Cappella Maggiore, Italy in 1913. He trained in his family's furniture desig...

Dimensions: 7.5cm H, 4.3cm W, 2.5cm D Condition: Mint Producer: Kosta Boda Origin: Sweden Designer: Bertil Vallien.

Lull No46 Geometric Wooden Sculpture by Joel Escalona – Perfect for Luxury Homes ——— Balance and tension are at the core of these sculptures. The interplay between the smooth, round...

Contemporary sculpture 'Untitled' by the artist Luce from 2017. In original condition, with minor wear consistent with age and use, preserving a beautiful patina. Materials: C...

Fantastic pair of large die from the Mid-Century. This pair of dice will be a wonderful addition to your modern decor either sitting on a coffee table or shelves and also makes a won...

Heavy gauge wire and wood block. Artist-signed on rear of wood.

Italian Minimalist Roman Travertine Obelisk, Italy, 1970.

Mid-Century Bronze Sculpture by Magrit Van Nuffel, 1970s

A fun 1970s hand-hammered solid brass boot umbrella holder. Marked made in Spain on the heel. Dimensions: 21.75” high 12” wide 7.5” deep.

Minimalist lucite cube sculpture. Unsigned.

Large Bertoia Studios B-2702 6 Rod "Sounds Fine From 6 In Line" sculpture with certificate of authenticity signed by Val, the artist and son of the original designer, Harry Bertoia. ...

An elegant hand carved deep rouge marble mid century modern abstract sculpture. The shapely sculpture suggesting an abstract human form with a beautifully polished surface. Recently removed from a Princeton NJ...

This exquisite Murano glass chandelier boasts delicate glass elements that shimmer and radiate a cozy, welcoming ambiance, making it the perfect centerpiece for any living space. Man...

Mid century brutalist style mixed metal flower sculpture, after Curtis Jere. Unsigned. Patinated metals mounted on a black lacquered wood block....

1960s Set of Five Hand Blown Mercury Glass Gazing Spheres Mexico Largest 8 diameter x 8 h, smallest 7 diameter x 7 h 5 mercury colored glass globes. Crafted in Handblown glass. No s...

This is a mid century biomorphic abstract sculpture hand carved in teak.

“Still Stand” sculptures by Joel Escalona Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament to the power of the material...

Vibrant Motion: Kinetic Sculpture - Iron, Paint, Movement Manufactured in France by unknown artist, circa 1990. In original condition with minor wear consistent of age and use, pre...

“Still Stand” sculptures by Joel Escalona Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament to the power of the material...

Beautiful porcelain sculpture of a pheasant designed by an artist Jaroslav Ježek. Ježek's figurines became a decoration of many interiors of the 1950's and 1960's. The statue of the ...

French midcentury Small Bronze sculpture Abstract black mount 12.75 h x 3.5 w x 1.75 d Original vintage unrestored - some nicks. Refer to images

“Still Stand” sculptures by Joel Escalona Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament to the power of the material...

Massive, focal, sensational, Curtis Jere abstract brutalist table sunburst sculpture. Signed and dated 1988. The composition consists of fused metal rods of varied lengths, a faux ...

Circa 1980s abstract Curtis Jeré chrome & brass free form ribbon sculpture with ball on round black marble base, retains Artisan House - C-Jere decal. Chrome has minor patina, marble...

Article: Ceramic stoneware object Designer and producer: Gerhard Liebenthron Information: Gerhard Liebenthron, Bremen 1925 †2005 Decade: 1970s This ori...

Rare 8.5 inch 1959 Lagardo Tackett Happy Ceramic Egghead Stash Jar Sculpture Ceramic egghead vessel designed by Lagardo Tackett for Schmid International circa 1959 Rare smaller size...

This exquisite abstract sculpture, crafted from iron, is a striking piece inspired by the bold and evocative works of renowned Spanish artist Eduardo Chillida. Made in Spain around 1...

Abstract wood sculpture in the Flair of Scandinavian Art, Unseen Force by Joel Escalona. This monolithic sculpture, designed by the talented Artist Joel Escalona, is a towering exam...

Extremely rare combination pendant attached to custom-made chain by Harry Bertoia in sterling silver, containing one Lapis Lazuli and one Coral. This piece comes from a private collection. Provenance will accompany the piece. The work has been added to the Harry Bertoia Catalogue Raisonné and assigned the following catalogue raisonné number: D.JE.78. Although associated with Mid-Century Modern furniture, Harry Bertoia was originally a jewelry designer who used both sterling silver, precious stones and gem stones. The pendant measures: 1.25" long x 1" wide. The necklace measures: 11" length with a measurement of 22" overall length. The chain and closure are all handcrafted and in his unique design. Lapis Lazuli measures 20mm round supported by one 6 mm red coral. Total weight is 33 grams. The following is from Beverly H. Twitchell, PhD, author of Bertoia: The Metalworker, London: Phaidon, 2019. She provides a very informative critique of Bertoia and his jewelry. Wearable Art an Important Design for a Necklace “Before Harry Bertoia enrolled at the Cranbrook Academy of Art in 1937 he had already mastered traditional jewelers’ techniques, but his engagement with Modernism led him to invent and use more direct methods. Instead of precious metals and gems, Bertoia made jewelry that appealed through its design, craftsmanship and the nature of its materials. That approach would make Bertoia a direct predecessor of the American Studio Crafts movement. So complex and cumulative are human perception and memory that we often do not know from where our own ideas come and without firm evidence, it is impossible to think we can establish the origins of an artist’s ideas. While his jewelry is entirely modern, chokers with multiple small pendants had come from ancient Mediterranean cultures: Mesopotamia, Egypt, Greece and Italy, even from Europe and America at the turn of the last century. Did Bertoia see works in books, journals or at the Detroit Institute of Arts that resonated with him or did he invent this on his own, as he would so many other forms? Bertoia found inspiration in nature from an early age on a small farm in Italy and later in Cranbrook’s woods, on the beaches of southern California and in the fields near his home in eastern Pennsylvania where he lived after 1950. The fluidity and motion of the his jewelry characterize much of his art. In that spirit, too, he made jewelry that suited human anatomy and was animated by its wearer’s movement. Bertoia had the instincts of an engineer, as the intricacy of the present lot’s clasp and overall construction of the jewelry demonstrates. Large jewelry by Bertoia is very rare. A delight to the eye, and like all of Bertoia’s work it is timeless.” Harry Bertoia (1915 – 1978) was an Italian-born American artist, jewelry creator and modern furniture designer. He was born in San Lorenzo d-Arzene, Pordenone, Italy. At age 15 he moved to Detroit, Michigan to live with his older brother, Oreste. He quickly learned English and the bus schedule and enrolled in Cass Tech High School in Detroit (1930-1936) where he studied art and design and learned the skill of handmade jewelry making. At that time, there were three jewelry and metals teachers Louise Green...

Vintage French ceramic pitcher / vase (circa 1950s) by Jacques Blin. The pitcher in the form perhaps of a proud French coq is in a subtle hue covered in Blin's trademark misty glaze....

Lull No86 Abstract Wooden Sculpture by Joel Escalona – Ideal for Artistic Spaces ——— Balance and tension are at the core of these sculptures. The interplay between the smooth, round...

Giacomo Benevelli is an italian sculpture born in Reggio Emilia in 1925. He was the son of Anselmo Govi, important italian painter, meaning that art has always been a current trait i...

Redwood bas relief tile panel designed and created by Evelyn and Jerry Ackerman of Los Angeles, California. Panel measures approximately 9" by 9" by 1....

Exceptional and highly decorative Mid-Century Modern sculpture or decorative object »Asteroid«, »Sea Urchin« or »Sunburst«. Designed by Jerry Fels & Curtis Freiler for Curtis Jere, U...

In the style of Barbara Hepworth large organic biomorphic form hand-carved white marble garden - landscape sculpture with beautiful natural moss patina This sculpture also resembles ...

Welded steel Brutalist sculpture by Paul Kasper, circa 1960s. Was purchased from the estate of Paul Kasper. Biography Paul Kasper. Paul Charles Kasper was born in Whiting, I...

Very unique Brutalist iron / metal sculpture by American artist, Frank Cota, circa 1970s. Free-form piece with various hexagon, square and triangle pieces; signed by Coat on the bas...

Headboard with large Brutalist bronze sculpture, model "Aurora" by Frigerio, Italy, 1968. The headboard comprises a large Brutalist sand-cast sculpture, overlaid on an arc of textured lacquered metal, which has a deep gold finish. The piece is in very nice vintage condition. We have left the sculpture unpolished and it has a developed an aged patina, ranging from brown to gold. There are minor losses to the finish of the headboard frame, both the arc and the cross-bars. The sculpture is bolted to the bed frame; it appears it could be unbolted and used separately, though we have not tried to do so. Approximate dimensions: Sculpture W 173 cm x H 49 cm Headboard W 185 cm x H 108 cm Please be aware this listing is for the headboard only. The remaining three sections of the bed surround...

“Still Stand” sculptures by Joel Escalona Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament t...

Mid Century Modern Mixed Metal Curtis Jere Style Tree. Brutalist hand torched leaves make up this amazing sculpture. Perfect accent piece to any Palm Springs or Palm Dessert Modern h...

A paperweight in polished metal after Robert Indiana. Likely purchased at MoMA. This piece would add great modernist character to any desk or office environment.

Abstract Modernist Sculpture, American, circa 1960s. Believed to constructed of plaster or resin on a natural wood base.

Article: Ceramic pottery vase Origin: Germany Designer: Fritz van Daalen Producer: Fritz van Daalen, Germany Decade: 1960s This original vinta...

These unique pieces are a testament to Italian craftsmanship and the timeless beauty of the design of that era, capturing the essence of Gaspari's characteristic style. Crafted by Lu...

Beautiful pair of modernist chrome bookends by Smith Metal Arts. These sizeable pieces of chrome are captivating as they are commanding. Their styling is simple timeless. Aged chrom...

Brutalist Mid Century Sculpture by American Artist Frank Cota. Large in scale and vibrant in design. Perfect for an entry way or to fea...

Modernist bronze sculpture by St. Louis artist Mary Bolte circa 1950s Abstract depiction of two figures in lacquered solid bronze mounted to a wood base Signed and numbered 18/100 8...

Own an iconic piece of surrealist art with Man Ray's Le Cadeau, a striking sculpture produced in 1974 in Italy. This limited-edition work is numbered 125/5000 and signed by the artis...

Angelo Mangiarotti Rare Ceramic Object 'Tremiti Formalibera' for Danese Milano 1964 A very rare avant garde ceramic object by Angelo Mangiarotti (1921 – 2012) for Danese Milano. 196...

Redwood bas relief tile panel with Piesces carving, designed and created by Evelyn and Jerry Ackerman of Los Angeles, California. Panel measures approx...

The giraluna is a spectral plant entity from Leo Lionni's Classic alternate universe  textbook Parallel Botany.  About the Sculpture: The Giraluna This elusive and capricious plant is the Dream Queen of parallel botany. Hydendorp, quite rightly, does not hesitate to define it as the "most parallel of plants, most plantlike of the parallels," and in so doing he stresses not so much its physiognomic oddnesses as the disconcerting normality of its shape. "If we were in the jungle," he writes, "and we found one blocking our way, we would not for an instant hesitate to hack it down with our machetes."1 But it will not be our good fortune to encounter it. If in reconstructions the Giraluna displays considerable plantness of form and an exact and convincing solidity, in its natural environment it can be perceived only as a nebulous interplay of glimmerings and empty spaces which alternate in the darkness and vaguely suggest where its outlines might be. (pl. XXIV) Its nocturnal presence, in fact, is manifested almost entirely in terms of the equivocal O'-factor of the moonbeams, which was discovered and measured a few years ago by Dennis Dobkin of the Point Paradise Observatory. This factor changes the light-shade ratio which normally defines volumes into a subtle interplay of lucencies and opacities, so that our perceptions, our basic sensorial habits conditioned by thousands of years of daytime life in the "solar key," would need complete readjustment and indeed reversal in order to come to terms with it. Daylight isolates objects, bestowing a noisy Meaning on all the odds and ends in the world. But night takes everything away except the very soul of things: a black light, a transparent darkness, a secret we cannot grasp. During the long night of the Erocene era man caught a glimpse of the Giraluna rising mysteriously in its barren landscape. Presolar man imagined himself the child of the Moon. In her lap he had known the comfort of the life, silent torpor of the night, and by her light he had seen silver pearls lie weightlessly upon the coronas of the first great flowers. But he left us only a few enigmatic signs of all this: the Feisenburg cave, the petrified bones in the Ahmenstadt tumulus, the Boergen Cup. Paradoxically enough, all that we do in fact know of his presence in that landscape comes to us from our study of his nocturnal vegetation, Around the middle of the Erocene era, when the flowers of night were fading away in the light of a new dawn, man saw that outlines and colors were slowly hardening. Thus he discovered the stone-hard world of day, and learned to be the child of both Sun and Moon, of Amnes and Ra, of Disarm and Karak, of Nemsa and Taor. The "crawling stones" of Yorkshire, the stele of Tapur, the graffiti of Klagenstadt, these have preserved for us the nearly obliterated images of the two divinities who from the center of their temples drew the design of the universe. But the Sun was not long in attaining absolute power over everything in the world. "O Ra, o Amno Ra our benefactor, glowing and flaming! Gods and men bow down before you, for you are their creator and their only Lord." Such was the prayer of Amresh, High Priest of Egypt. And a new vegetation, outspoken and exuberant, appeared on the earth, and made the bright leaves dance in the morning breeze. Night soon became no more than a dark corridor joining one day to another, a place of visions and memories, a storehouse of words and images. It became a secret refuge where the vanished flowers could once more flaunt their coronas to the Moon. And thousands of years later the black flowers of that distant night-Giraluna, Lunaspora, Solea argentea-were born from seeds hidden deep in a soil rich with legends and stories. If our knowledge of the Giraluna is today reasonably complete and detailed this is due to the industry and scholarship of Professor Johannes Hydendorp of the University of Honingen, who has collected and collated all known facts and kept his records abreast of the latest developments. Our historical and geographical information comes from the most varied sources: legends and folk tales handed down from generation to generation, accounts given by explorers, anthropologists, and paleontologists, and of course the more recent testimony of botanists such as Heinz Hornemann and Pierre Maessens. Source: Sivatherium. narod .edu About Sculpture: Leo Lionni is best known today for his children's books: Little Blue and Little Yellow; Frederick—the one about the mouse who gathers poems while his family is harvesting seeds for the winter—Swimmy the Fish. Of course the children don't remember his name, but to parents and grandparents, the ones who actually do the reading, he is something of a celebrity. Most people don't realize that Lionni is also one of the 20th-century's most influential graphic designers. Within that field, he is a legend. In fact, he didn't start doing children's books until he had left the world of advertising, teaching, and design to allow more time for contemplation and for art. Little Blue and Little Yellow (1959) began as an improvised entertainment for bored grandchildren. What can you do with a few scraps of colored paper and a lot of imagination ? Make the first best-selling children's book illustrated with abstract art. Before that his work as design director for Olivetti Corporation of America and the art director of Fortune magazine, the co-founder of the Aspen...

Monumental Wooden Sculpture Inspired in Constantin Brancusi Style, Unseen Force 27 by Joel Escalona This monolithic sculpture, designed by...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

Stunning spiral murano art glass decorative sculpture. This amazing decorative sculpture features a technique with dark chocolate brown art glass t...

Vibrant Motion: Kinetic Sculpture - Iron, Paint, Movement Manufactured in France by unknown artist, circa 1990. In original condition with minor wear consistent of age and use, pre...

Life-size glass head in a unique red color. Produced in a German steelworks in the 1970s. Perfect condition. A perfect addition to the interior, photo prop, display or headphone stand.

A large abstract floor sculpture made by Cutis Jere in 1984. A great post modern design in grey cut steel. Artist signed and dated.

Elegant dove in handblown Murano glass with gold inclusion. Signed by Barovier and Toso