Abstract Sculptures

Abstract Wooden Wall Art , Women Figure by Cor Dam The Netherlands Delft 1958 About Cor Dam Cor Dam (Delft, April 26, 1935 – July 29, 2019) trained ...

This antique Swedish kick sled is a charming piece of history, boasting a vibrant red frame that exudes a rustic allure. A delightful touch of folk art adorns the seat with a heart-s...

WEARABLE ART AN IMPORTANT DESIGN FOR A NECKLACE The necklace is unique and extraordinary. Because of its specific design elements it lays beautifully and comfortably on any body structure. This piece comes from a private collection. Provenance will accompany the piece. It has been authenticated by Val Bertoia and is listed in the Harry Bertoia Foundation Catalogue Raisonne # D.JE.49 having been authenticated as a Harry Bertoia piece. REPLY FROM CHRISTIE'S: "Dear Charles, thank you for contacting Christie's. I am absolutely stunned to see the necklace by Harry Bertoia you have submitted for feedback from us, and I would love to speak with you about the work at your earliest convenience. I am a great fan and a known expert in the work of Harry Bertoia, and I have handled over 600 of his sculptures, jewelry and art over the last 22 years. I have never seen a better piece of his jewelry, and it stands as one of the greatest objects in any category that he made. Michael Jefferson Senior Vice President International Senior Specialist Design" The following is from Beverly H. Twitchell, PhD, author of Bertoia: The Metalworker, London: Phaidon, 2019. She provides a very informative critique of Bertoia and his jewelry. Wearable Art an Important Design for a Necklace “Before Harry Bertoia enrolled at the Cranbrook Academy of Art in 1937 he had already mastered traditional jewelers’ techniques, but his engagement with Modernism led him to invent and use more direct methods. Instead of precious metals and gems, Bertoia made jewelry that appealed through its design, craftsmanship and the nature of its materials. That approach would make Bertoia a direct predecessor of the American Studio Crafts movement. So complex and cumulative are human perception and memory that we often do not know from where our own ideas come and without firm evidence, it is impossible to think we can establish the origins of an artist’s ideas. While his jewelry is entirely modern, chokers with multiple small pendants had come from ancient Mediterranean cultures: Mesopotamia, Egypt, Greece and Italy, even from Europe and America at the turn of the last century. Did Bertoia see works in books, journals or at the Detroit Institute of Arts that resonated with him or did he invent this on his own, as he would so many other forms? Bertoia found inspiration in nature from an early age on a small farm in Italy and later in Cranbrook’s woods, on the beaches of southern California and in the fields near his home in eastern Pennsylvania where he lived after 1950. The fluidity and motion of the his jewelry characterize much of his art. In that spirit, too, he made jewelry that suited human anatomy and was animated by its wearer’s movement. Bertoia had the instincts of an engineer, as the intricacy of the present lot’s clasp and overall construction of the jewelry demonstrates. Large jewelry by Bertoia is very rare. A delight to the eye, and like all of Bertoia’s work it is timeless. Bertoia had the instincts of an engineer, as the intricacy of the present lot's clasp and the overall construction of this piece demonstrate. Closed, the necklace sits on a table in a surprisingly conical shape, but it is so flexible that it conforms to its wearer from her neck nearly to her shoulders. Each handmade section is riveted to its neighbors, allowing it to adjust to the body while the pendants curve in many directions: one fits the left clavicle so precisely that Bertoia likely tried it on Brigitta Valentiner, who became his wife in 1943. Other pendants face toward or away from each other, bending up or down. Each element has been hammered into multiple curves and worked in Bertoia’s hands. Large jewelry by Bertoia is very rare. A delight to the eye, this necklace no doubt caused a sensation in its day as it might at the 2022 Met Ball in ours, for like all of Harry Bertoia’s work, it is timeless.” Harry Bertoia (1915 – 1978) was an Italian-born American artist, jewelry creator and modern furniture designer. He was born in San Lorenzo d...

A large Brutalist forged iron sculpture France, 1960s 82 cm high by 37 cm wide by 31 cm depth

Table top bronze abstract Brutalist style sculpture on travertine marble base. Signed Emma De Sigaldi. Emma De Sigaldi (1910 - 2010) was active/lived in Monaco and is known for sculp...

Hand carved Portland stone sculpture, with stippled textural surface and abstract cube form. Can be viewed from all angles. Origin: British ...

"Venus de Milo" sculpture by Loredano Rosin, made in Italy in the 1950's, representing an abstract female nude on a glass base. The sculpture, made in a beautiful rose champagne Mura...

Dating from the 1850s, this carved limestone antique plaque depicts the head of a lion within hand carved chain links, some of which have been lost through the ages. It is more than 170 years old and likely once formed part of a larger piece together with this matching plaque. Perhaps it was once part of a keystone above an entranceway or a family crest wall decoration in the prestigious courtyard of a large estate. Made from fine grained limestone, it has a weathered finish that only time can create and yet the lion plaque...

An impressive pair of 19th Century French cold painted bronzed Arab spelter figures, each holding a tray and leaning against castle like pedestals....

A single, antique Asian tropical wood hand, the pearl of wisdom ornament, in good condition. The pearl was a symbol of the most valuable treasure, wisdom...

"Vintage" Murano Glass Swirls. Not contemporary. These were acquired with a signed Barovier vase from the 1960s. Id presume these swirls were bought at a high end Murano factory on a...

Large wood "ring" sculpture with brass feet.

This aluminum locomotive sculpture was originally a playground spring ride located throughout parks. Spring is not included. It's more sculptural and part of Americana history. We had this locomotive sand blasted and powder coated black. Locomotive measures 29" wide, 14" deep with handles and 15" high. Stamped J.E. Burke Co, Fond Du Lac...

Extremely rare combination pendant attached to custom-made chain by Harry Bertoia in sterling silver, containing one Lapis Lazuli and one Coral. This piece comes from a private collection. Provenance will accompany the piece. The work has been added to the Harry Bertoia Catalogue Raisonné and assigned the following catalogue raisonné number: D.JE.78. Although associated with Mid-Century Modern furniture, Harry Bertoia was originally a jewelry designer who used both sterling silver, precious stones and gem stones. The pendant measures: 1.25" long x 1" wide. The necklace measures: 11" length with a measurement of 22" overall length. The chain and closure are all handcrafted and in his unique design. Lapis Lazuli measures 20mm round supported by one 6 mm red coral. Total weight is 33 grams. The following is from Beverly H. Twitchell, PhD, author of Bertoia: The Metalworker, London: Phaidon, 2019. She provides a very informative critique of Bertoia and his jewelry. Wearable Art an Important Design for a Necklace “Before Harry Bertoia enrolled at the Cranbrook Academy of Art in 1937 he had already mastered traditional jewelers’ techniques, but his engagement with Modernism led him to invent and use more direct methods. Instead of precious metals and gems, Bertoia made jewelry that appealed through its design, craftsmanship and the nature of its materials. That approach would make Bertoia a direct predecessor of the American Studio Crafts movement. So complex and cumulative are human perception and memory that we often do not know from where our own ideas come and without firm evidence, it is impossible to think we can establish the origins of an artist’s ideas. While his jewelry is entirely modern, chokers with multiple small pendants had come from ancient Mediterranean cultures: Mesopotamia, Egypt, Greece and Italy, even from Europe and America at the turn of the last century. Did Bertoia see works in books, journals or at the Detroit Institute of Arts that resonated with him or did he invent this on his own, as he would so many other forms? Bertoia found inspiration in nature from an early age on a small farm in Italy and later in Cranbrook’s woods, on the beaches of southern California and in the fields near his home in eastern Pennsylvania where he lived after 1950. The fluidity and motion of the his jewelry characterize much of his art. In that spirit, too, he made jewelry that suited human anatomy and was animated by its wearer’s movement. Bertoia had the instincts of an engineer, as the intricacy of the present lot’s clasp and overall construction of the jewelry demonstrates. Large jewelry by Bertoia is very rare. A delight to the eye, and like all of Bertoia’s work it is timeless.” Harry Bertoia (1915 – 1978) was an Italian-born American artist, jewelry creator and modern furniture designer. He was born in San Lorenzo d-Arzene, Pordenone, Italy. At age 15 he moved to Detroit, Michigan to live with his older brother, Oreste. He quickly learned English and the bus schedule and enrolled in Cass Tech High School in Detroit (1930-1936) where he studied art and design and learned the skill of handmade jewelry making. At that time, there were three jewelry and metals teachers Louise Green...

Coppia di Maniglie con Ali Futuriste 1930 Italia in Solido Ottone lucidato

Tall marble abstract or cubist torso sculpture on wood plinth titled, "Venus". Signed.

A fine boxed, modernist Mini Maria puzzle sculpture by Miguel Ortiz Berrocal. In nickel-plated bronze. Together with its original box, wrapping paper, styrofoam, paperwork and docu...

This aluminum locomotive sculpture was originally a playground spring ride located throughout parks. Spring is not included. It's more sculptural and part of Americana history. We had this locomotive sand blasted and powder coated red. Locomotive measures 29" wide, 14" deep with handles and 15" high. Stamped J.E. Burke Co, Fond Du Lac...

Set of five Jacques and Dani RUELLAND ceramics, Ceramics in warm tones, of various sizes: (from the smallest to the tallest) Height: 9 cm Diameter: 10 cm ----- Height: 13 cm Diameter...

Nicely crafted pair of cuff links by and signed Rebaje . Hammered copper face with brass button on backside . Francisco Torres arrived in NY from Dominican Republic in 1922. Sleeping on couches and in basements of friends trying to make his fortune . . Gradually transformed himself into Frank Rebajes...

An extremely rare Harry Bertoia sterling silver brooch "Ginko Leaves." The brooch has been added to the Harry Bertoia Catalogue Raisonné and assigned the following catalogue raisonné number: D.JE.77. This piece comes from a private collection. Provenance will accompany the piece. The Brooch measures: 2.94 " long x 1.5 " wide x .30 " deep. Although associated with Mid-Century Modern furniture, Harry Bertoia was originally a jewelry designer who used both sterling silver, precious stones and gem stones. The brooch and closure are all handcrafted and the clasp is his unique design. The following is from Beverly H. Twitchell, PhD, author of Bertoia: The Metalworker, London: Phaidon, 2019. She provides a very informative critique of Bertoia and his jewelry. Wearable Art an Important Design for a Necklace “Before Harry Bertoia enrolled at the Cranbrook Academy of Art in 1937 he had already mastered traditional jewelers’ techniques, but his engagement with Modernism led him to invent and use more direct methods. Instead of precious metals and gems, Bertoia made jewelry that appealed through its design, craftsmanship and the nature of its materials. That approach would make Bertoia a direct predecessor of the American Studio Crafts movement. So complex and cumulative are human perception and memory that we often do not know from where our own ideas come and without firm evidence, it is impossible to think we can establish the origins of an artist’s ideas. While his jewelry is entirely modern, chokers with multiple small pendants had come from ancient Mediterranean cultures: Mesopotamia, Egypt, Greece and Italy, even from Europe and America at the turn of the last century. Did Bertoia see works in books, journals or at the Detroit Institute of Arts that resonated with him or did he invent this on his own, as he would so many other forms? Bertoia found inspiration in nature from an early age on a small farm in Italy and later in Cranbrook’s woods, on the beaches of southern California and in the fields near his home in eastern Pennsylvania where he lived after 1950. The fluidity and motion of the his jewelry characterize much of his art. In that spirit, too, he made jewelry that suited human anatomy and was animated by its wearer’s movement. Bertoia had the instincts of an engineer, as the intricacy of the present lot’s clasp and overall construction of the jewelry demonstrates. Large jewelry by Bertoia is very rare. A delight to the eye, and like all of Bertoia’s work it is timeless.” Harry Bertoia (1915 – 1978) was an Italian-born American artist, jewelry creator and modern furniture designer. He was born in San Lorenzo d-Arzene, Pordenone, Italy. At age 15 he moved to Detroit, Michigan to live with his older brother, Oreste. He quickly learned English and the bus schedule and enrolled in Cass Tech High School in Detroit (1930-1936) where he studied art and design and learned the skill of handmade jewelry making. At that time, there were three jewelry and metals teachers Louise...

Large organic free form wood sculpture made by hand in Denmark during the 1950-60s. Made by Danish wood carver or sculptor from a solid piece of maple. Heavy and highly expressive. U...

Brutalist abstract sculpture in steel and aluminum by renowned Israeli sculptor Bert Schwartz titled "Prometheus and Pandora". The sculpture was exhibited at the Brooklyn museum in N...

Salvatore Messina, sculpture, aluminum, Italy, 1960 Salvatore Messina (1916-1982) tackled the question of movement and the concept of space through his metal sculptures. The three-d...

Emile Gilioli (1911 - 1977) ‘‘Astrale’’, 1966 White marble, base in black laquered wood Sculpture : H. 63,5 x 29 x 39 cm / Base : H. 100 x 43 x 42,5 cm At the height of the 20th cen...

What a beautiful sculpture. Nowadays wooden sculptures are all the way back in fashion. It gives a kind of peace and individuality in a modern home. This sculpture was made in France...

A unique XL charred cedar sculpture from the Tokyo region of Japan. A truly impressive piece of art. Japan C.1960

A very large and impressive one-off Studio Pottery sculpture. Hand produced earthenware sections that interlock to form a tower. Each section has been hand thrown, glazed and fired....

Marcello Fantoni (Italian, 1915 - 2011) architectural brazed wire tabletop or wall mount sculpture of a church. Signed Fantoni Firenze Italy on metal tag.

A bronze Daruma sculpture.

Lovely piece with subtle patina.

Incredible Murano glass blue sculptural tree vase circa 1950.

Striking piece, with history and subtle wear.

Mid 20th century modern table lamp with original factory enamel painted metal dice form base. Measures 24" high to top of finial / dice base is just about 5...

Vintage hand turned pine vase shape sculpture. dating from the 1970s. Made from Pitch Pine, the shape of the sculpture shows the wonderful grain of the Pine. Very skillfully turned, ...

The Brendan Bass Estate Collection is an homage to the beauty of vintage and antique pieces, each artfully concealing endless stories collected through the generations in which they...

Beautiful abstract Murano glass sculpture by the very well known Murano Master Luciano Gaspari .

Vintage chrome brass highlights - Art Deco combined with Modern

A characteristic sphinx sculpture nicely carved into finely grained limestone, dating from the 1800s. This sphinx is of interesting scale and makes a ...

Mid-Century Bronze Modernist Sculpture, 1950s

Mid-Century Brutalist Abstract Sculpture, Patinated Bronze Decorative Art Object Unique brutalist relief sculpture labeled Miquel-Dumeny on the underside. Titled '143 bi'

This is a beautiful amethyst crystal rock

Clock sculpture in bronze and cast aluminum for the base by artist David Marshall. Marshall moved to Spain in the mid-1960s, opening a workshop in Malaga in 1969 where he produced s...

Vintage Mid Century Modern Curtis Jere "Shooting Star" Brass and Chrome Sculpture The Vintage Mid Century Modern Curtis Jere “Shooting Star” Brass and Chrome Sculpture is a celestia...

A large mid 20th Century abstract sculpture carved from oak. Dimensions (cm, approx): Height: 82 Width: 17 Depth: 17

A mid 20th Century abstract sculpture in oak. Dimensions (cm, approx): Height: 29 Diameter: 9

Sculpture "Förvandlad Fågel" (Transformed bird) made by Swedish Sculptor Bengt Amundin during the 1950s. Made from cast and patinated bronze on original base from asymmetrical pine w...

A vibrantly painted antique Caen stone architectural fragment. Dating from the mid 19th century, this limestone model came from a French ch...

Circa 1960s French abstract terracotta sculpture with alternating glazed and unglazed stripes running around its surface. Inside the crack a large supporting natural terracotta cork...

This carved stone head bust sculpture was reputedly carved by a student of 20th century British architect and artist, Sir Hugh Casson. It depicts the s...

Vintage Italian Murano glass vase with dark red exterior and yellow interior, hand blown with black stripes throughout, infused with gold flecks and decorated with shell like figures...

A really wonderful torch cut, brutalist sculpture by Jack Van Deckter, ca' 1960's. Patinated wrought iron-heavy. Abstract but with a figurative feel. Jack Van Deckter (American, 1917...

Modern Brutalism Cubist Sculpture Corrugated Aluminum Myrna M. Nobile. California artist 1960s in San Diego CA 11 w x 18.5 x 8.75 d Preowned Unrestored O...

This weathered kneeling statue titled ‘The Thinker’ was reputedly carved by a student of 20th century British architect and artist, Sir Hugh Casson. It...

Bronze sculpture by Ben Zvi. The treatment of the figures is quite interesting bordering the lines of reality, abstraction and geometry all in one. There is a quiet dynamism to this sculpture, somehow it’s like you are witnessing a secret or intimate ceremony. Signed on base. Gedalia Ben Zvi is one of the renowned Israeli artists among the founders of the famous Artists village Ein Hod...

Mid Century Belgian hand carved white marble sculpture on stand. Honed finish. ARRIVING AUGUST

1960s French abstract terracotta space-age futuristic sculpture in the form of a volcanic rock. An unusual volcanic, lunar rock or coral designed...

Pair Of Murano Glass Bases Elegant 20th century bases in colored Murano glass. In excellent condition. Dimensions: 91x30x30 cm