Animal Sculptures

Gorgeous limited edition art glass bird sculpture by Oiva Toikka for Iittala of Finland, circa 1990s. This sculpture is mouth blown and is in great vintage condition with no chips or...

Two Oiva Toikka Art Glass Bird Sculptures, made for Iittala. Oiva Toikka's birds have become iconic objects for glass collectors worldwide. Each figurine is mouth-blown and handcraf...

Great stoneware sculpture designed by Sven Wejsfelt for Gustavsberg, Sweden, during the 1980s. This pike belongs of the designers series 'Stim'.

Gunvor Olin-Grönqvist – A stoneware sculpture of a garlic bulb – Arabia Finland ca. 1980 Description An unglazed, incised and painted stoneware figurine of a garlic bulb. Modelled ...

Kay Bojesen (1886-1958),a well-known Danish silversmith and designer. Wooden figurine of a zebra. Hand-painted. Early edition. Mid-20th century. Label. In very good condition. Dimen...

Poodle is made of white stoneware with shiny light blue glaze and dark blue hand painted decoration. It was designed by Lisa Larson (1931-2024) as part of the "Poodles" (Pudlar) ser...

Dachshund dog is made of chamotte stoneware with geometric decoration in blue and white semi-matte glaze. It was designed by Lisa Larson (1931-2024) in 1955 as part of the ”Lilla zo...

Gorilla Sculpture, 1960's Additional Information: Style: Mid century, Scandinavian Produced by Gabriel in Sweden Dimensions (W x D x H): 20 x 26 x 2...

A Large Cold Painted Vienna Style Bronze of A Pheasant with its chicks. The large polychromed bronze sculpture depicting a figure of a pheasant in a green pasture with six white chic...

Gorgeous stoneware lion figurine by Gunnar Nylund with an expressive face and glaze gathering beautifully in all its nooks and crannies. Gunnar Nylund’s animal figurines are among hi...

Steiff Jocko Monkey, 1950's German Sitting Mohair Chimpanzee, Collectible Vintage Stuffed Monkey, Steiff No Ear Button

Decorate a patio or garden with these geese garden sculptures. Crafted in France circa 1970 and made of metal, the sculpture depict a pair of geese standing. Both bird decor are in e...

Original Steiff Rehkiz Germany 50ies in very good condition

Scarce large "Pondus the Penguin" bank made from red earthenware pottery by Danish factory Knabstrup, circa 1960s. This is a charming and very collectible piece that is in very good ...

Early 20Thc Original Painted Hubley cat doorstop. This kitty is in very good condition and has wonderful original paint & patina.

Gunnar Nylund "Iller" Stonewear Weasel with stand for Rörstrand Sweden 1960's A beautiful vintage weasel in stoneware by Gunnar Nylund for Ro¨rstrand, Sweden, circa 1960 in perfec...

Kay Bojesen wooden bear from the early 1950s in teak . Stamped Kay Bojeson Denmark Copyright . Kay Bojesen from the start in 1932 hand made animal figure toys in his small Copenh...

Hand crafted bird sculpture by Jacob Hermann Denmark 1950s A rare zebrawood example with ebony tail and eyes on brass feet Impressed signature to underside 5.5 inch width 2 inch dep...

A couple of nice Tapio Wirkkala bronze bird paper weights. Both items are in beautiful original condition with nice vintage patinas. Although origina...

Beautiful Gustavsberg Sweden style racehorse piece in black with orange and veige painted details Measures: Height: 20 centimeters Length: 25 centim...

Dimensions: 8cm W, 6.5cm H, 2.5cm D Condition: Mint Period: 1990’s Material: Glass Color: Orange

Bertil Vallien for Kosta Boda miniature sculpture Bird , 1990’s

Dimensions: 9cm W, 4.5cm H, 2.5cm D Period: 1990’s Condition: Mint Material: Glass

 A unusual late 19th Century wood carved antelope, with naive expression on his face and in a spread stance, finished in his original brightly coloured decoration. Circa 1880. H: 9...

Kay Bojesen articulating and jointed teak monkey. Bought from the original owner who had it in the early 1960s. Nice color and patina the cords are loosely sold AS/IS.

It is the very worn look that creates the wonderful appeal of this original painted and carved horse from Sweden. The brick red paint has been chipped and distressed while the tattered leather ears, parts missing to bridle and crackles to the old leather saddle missing one stirrup reflect a simpler time. Residual horse hair is seen which created the original tail and mane. Sold in used vintage condition. Solid/stable. Please examine the close up photos to understand condition and details, including worn paint, nicks, scratches, wood cracks and separation, missing parts, etc. Wonderful vintage display...

This Scandinavian Modern earthenware hedgehog from the 1960s exudes charm with its glazed zigzag pattern on beige fur. The unglazed brown face adds a distinctive touch to its feature...

Gorgeous small art glass bird paperweight / sculpture by Nuutajarvi of Finland, circa 1980s. The sculpture is mouth blown and is in great vintage condition with no chips or cracks. T...

A hard to find porcelain owl sculpture by Lillemor Mannerheim for Arabia of Finland, circa 1980s. Signed on the underside by the artist, the p...

Horse, running horse, horse sculpture, marble horse, Italian sculpture, made in Italy, white marble horse. Valuable sculpture representing a running horse. Carved on white Carrara ma...

A real vintage classic - the elephant by Kay Bojesen. Made in Denmark. Early example from the second half of the 20th century.

It is the very worn look that creates the wonderful appeal of this original painted and carved pine horse from Sweden. The white paint (and black hooves) has been worn and distressed to the pine below, while the tattered leather ears and horse hair mane/tail show some loss through generations of use all adding to the true vintage character of this delightful horse. Sold in used vintage condition, secured to stand, solid/stable. Please examine the close up photos to understand condition and details, including worn paint, nicks, scratches, wood cracks and separation, etc. Wonderful vintage display item...

It is the very worn look that creates the wonderful appeal of this original painted and carved horse with metal stand. The brown/brick paint has been distressed throughout (and missing under tail). The leather ears, missing mane and broken leather bridle reflect generations of use. Real horse hair was used to create the tail. Sold in used vintage condition. Solid, stable on stand. Please examine the close up photos to understand condition and details, including worn paint, nicks, scratches, wood cracks and separation, etc. Wonderful vintage display item...

Antique Majolica oxen cart jardiniere circa 1900, signed Clement Massier Golfe-Juan. Reference: Page 111 "Barbotines de la cote d'Azur" of Bottero.

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Giuseppe Rivadossi (Nave, 8 luglio 1935) Cavallo, 2016, 2/5 Scultura in gesso Dimensioni: Base cm 7 X 37 x 19,5 Cavallo 44,5 x 47 x 13 Su di una base in legno (anch’essa opera ...

Kristian Solmer Vedel Family of Oak Birds, circa 2006. Measures: Large: 4.88" Deep x 4" Wide x 4" Tall Medium: 4.38" Deep x 2.75" Wide x 4.75" Tall Small: 2.63" Deep x 1.75...

"Pässi" sculpture by Kaija Aarikka in charcoal-painted wood, an emblematic piece of Finnish design created in 1973, vintage Aarikka edition. "In 1954, Aarikka co-founded together wi...

Pair of Cats in Black Lacquered Wood by Laurids Lønborg, 1960's Additional Information: Material: Black lacquered wood Style: Mid century, Scandinavian Produced in Denmark Dimension...

Sculpture 'Puppy in the World' by Sonja Petterson, Sweden, 2000. Signed. Sonja Petterson was a Swedish sculptor. She studied at Konstfack—the Stockholm University of Arts, Crafts a...

Swedish glass artist. Four Dala horses in clear mouth-blown art glass. Approximately from 1970. Perfect condition. The largest measures: H 16.0 cm x L 14.5 cm. The smallest measures:...

Bronze Racing Dog, Greyhound Statue A handsome piece made in bronze and stands freely on is feet, the dog is fully 3 Dimensional and looks great from all sides He is in very good co...

Three lions in varying sizes designed by noted designer and ceramicist Lisa Larson. The lions are from the Afrika series, designed in 1964. The set consists of a mini, large and giga...

Swedish glass artist, four Dala horses in clear mouth-blown art glass. Approximately from 1970. Perfect condition. The largest measures: H 16.0 cm x L 14.5 cm. The smallest measures:...

Danish Knud Kyhn bear family figurines for Royal Copenhagen The lively bears were created by Knud Kyhn (1880-1969) in 1957. Knud Kyhn worked for for Royal Copenhagen from 1903-1910,...

Mari Simmulson for Upsala Ekeby, Sweden. Ceramic owl sculpture. From the 1960s. Model number: 6058. Marked with the manufacturer's mark. In perfect condition. Dimensions: Height 17.5...

Danish Knud Kyhn bear figurine for Royal Copenhagen The lively bear was created by Knud Kyhn (1880-1969) in 1957. Knud Kyhn worked for for Royal Copenhagen from 1903-1910, 1924-1932...

A mid-20th century American cast brass and iron fox doorstop with an iron fox head and paws and a cast brass horsewhip handle.

Decorate a patio or garden with this elegant antique French rooster. Crafted in France circa 1920 and made of metal, the sculpture depicts a proud crowing chanticleer rising on a mol...

This Scandinavian Original vintage genuine wooden articulated toy mouse was designed in Denmark 1950s and produced by H F Denmark as it is marked on the underside. It is in wonderfu...

Add the charm of the French countryside to your home with this large, colorful and rare ceramic rooster sculpture. Crafted in France circa 1880, the Majolica composition is at once a...

Rare Iconic vintage largest articulated monkey designed by Kay Bojesen, Denmark, 1952. Teak and limba. Articulated joints, head, arms, legs. Can be hung by hands and feet on a shelf ...

Large Weathered Cast Iron Standing Statue of a Hunting Dog A very handsome Chap, he is standing and he is fully 3 dimensional and looks good from all sides Our faithful hound is loo...

Ceramic sculpture in Scandinavian Style, 1960’s Additional Information: Material: Ceramic Style: Mid century, Scandinavian Dimensions: (W x D x H): 10.5 x 17.5 x 12 cm Condition: G...

Very rare rattan bull head, wicker wall decoration dates to the 1960s-1970s The proportions are perfect, very decorative. We still have a dark lacqu...

This Scandinavian Original vintage genuine Kay Bojesen wooden articulated Bear toy was designed and produced by Kay Bojesen, Denmark in the 1950s. This bea...

Kjell Engman for Kosta Boda Large bird sculpture , 1970’s Dimensions: 48cm H 23cm W , 20cm D Condition: Mint Designer : Kjell Engman Producer: Kosta Boda Origin: Sweden Material: Glass

Arne Bang Danish Ceramic fish in a beautiful glaze of varying greens and earth tones. Marked AB.