Busts

An exceptional Italian 19th century neoclassical st. white Carrara marble bust of Apollo Belvedere signed A. Frilli Florence. The wonderfully executed bust depicts the handsome Apoll...

A remarkable grand tour marble sculpture of the eros di Centocelle The god of love carved from a block of statuary marble, raised on a ...

Émile-Coriolan-Hippolyte Guillemin (French, 1841-1907) A Fine Multipatinated Bronze Orientalist Bust of A Young Woman. Signed and dated 'Ele. ...

We are delighted to offer for sale this rare and quite exquisite original 19th century Napoleon III French bust of a stunning young lady signed to the rear. A truly stunning sculp...

Antique 19th century French patinated bronze bust of Ariadne retailed by Tiffany & Co. Beautiful Grand Tour model mounted on a gilt bronze and rouge marble plinth. Marked Tiffany & Co. with inventory number. The Antinous bust based on the Lansdown Antinous marble found at Hadrian’s Villa...

These two busts, monumental in both their size and artistry, come from the renowned Italian majolica workshop of the famed Angelo Minghetti. Depicted are the Renaissance political an...

Marble Busts of Roman on pedestal. Early 19th Century

Incredible hand carved 19th century Italian specimen marble busts of Julius Caesar and Mark Anthony. The life like faces are impeccably carved in...

A very fine Italian 19th century Carrara marble sculpture depicting a young beauty going for a Swim standing on the steps of a dock, raised on its ori...

19th century Italian Grand Tour white marble bust of Augustus Caesar. Bust sits on a round white marble pedestal base. Augustus was Julius Caesar's great-nephew, and the first Roman ...

"French Louis XVI style (19th Cent) parian marble bust of Marie Antoinette wearing a robe and mounted on a festooned pedestal and resting on a bronze base (signed with Sevre mark) V...

Beautifully executed hand carved marble buddha head fragment of Quan Yin. The youthful face is peaceful and serine framed by an intricately carved headdress. A striking art object wi...

Vadim Androusov (1895-1975) Plaster head of a boy on a stained black wood plinth, signed and dated 3.9.47 From an apartment in Toulouse decorated by Andre Arbus in the 1940s

19th century grand tour bust of Dante Alighieri. Measures: 17" height, 19" wide.

A naturalistic bust in sandstone designed by the Danish sculptor Sigurd Forchhammer for Just Andersen in 1941. "The flower friend" is a rare and fine piece that will spark conversations in any beautiful home. * A sandstone figurine...

A monumental French patinated bronze bust of William Shakespeare, after Houdon, by F. Barbedienne Foundry, circa 1870. Masterfully and realistically sculpted in solid bronze, this...

Small bronze bust of young Octavian, later Emperor Augustus and first Roman Emperor.

A Beautiful and Classical Bust of Venus/Aphrodite in Bronze from the 19th Century. Probably France and with an indistinct signature under the arm. (See photo) Wear consistent with a...

Patinated bronze bust representing a bust of a young woman whose dress and hair are studded with flowers The bust rests on a bronze and red marble pedestal base Signature of the ar...

A finely carved statuary white marble bust of a young Augustus Caesar attributed to the workshops of 19th century Italian sculptor Pietro Tenerani (1789-1869). Also known as Young Octavian, this bust of a young Roman Emperor Augustus Caesar is after a sculpture found in the Pio Clementino Museums of the Vatican. Carved with exceptional detail, the bust is elevated on a turned socle and bears the name ‘TENERANI’ to the front. Other busts like this one after the Vatican original of the former Emperor Augustus were sculpted in the Mid-18th Century. Pietro Tenerani (1789-1869) was a notable Italian sculptor of the early 19th century. In his early career, he trained under Italian sculptor Lorenzo Bartolini, before moving to Rome where he won a scholarship as a pupil of Danish sculptor, Bertel Thorvalsden. Having honed his skills, Tenerani worked from a studio of his own in later years. William Cavendish, 6th Duke of Devonshire, Queen Victoria and Pope Pius IX...

Fine antique (19th century) continental bust of a lovely female in curls and dress adorned with bows at the shoulder. Apparently unsigned.

A Monumental and Rare 19th Century French Ormolu Mounted Multi-Marble Bust of Alexander The Great, After The Model by Francois Girardon. Drawing inspiration from the renowned "Bust of Alexander the Great (356-323 BC)" housed in the esteemed Palace of Versailles, this monumental work of art showcases exceptional craftsmanship and meticulous attention to detail, serving as a testament to the creator's artistic prowess. Central to this magnificent sculpture is the resplendent red marble face, neck, and hair of Alexander the Great. Capturing the youthful essence of the conqueror, the sculptor depicts him as a young man with a clean-shaven countenance, his moderately long curls delicately cascading from beneath a remarkably unadorned helmet, save for a magnificent plume. The red marble harmoniously accentuates the life-like features of Alexander, imparting an air of regal elegance to the composition. Adding to the allure of this remarkable sculpture is an ormolu robe cascading over Alexander's shoulders, exuding an aura of nobility and power. Of particular note, the breastplate bears an embossed ormolu mask of a deity in profile, surrounded by elegantly sweeping acanthus leaves, paying homage to the influential forces that shaped the life of this great conqueror. Once again, the sublime combination of precious metal and marble amplifies the robe's magnificence, further accentuated by the presence of an ormolu body chain swaying gracefully from Alexander's left shoulder to his right hip. The selection of marbles for the cuirass and plinth serves as an additional testament to the artist's commitment to crafting a visually striking and harmonious composition. The grey marble cuirass complements the overall color scheme of the bust while providing a subtle contrast to the red marble features. At the neck, a pleated ormolu linen undergarment discreetly peeks out, showcasing the artist's meticulous attention to intricate details and enhancing the sculpture's depth. The original Alexander The Great Bust...

A mid 19th century plaster portrait bust of 3rd century BC Roman general and politician, Marcus Claudius Marcellus (270-208 BC), ex. Holkham Hall, Norfolk. Inscribed to the front of ...

A finely cast and beautifully patinated bust of Julius Caesar, it likely originates from Rome circa the third quarter of the 19th century and rests over its original violet breché ma...

Bust of Seneca likely made in the Naples area of Italy. Now seated on a faux porphyry base. Loss of a section of bronze at base of neck.

This exceptional gilt bronze bust by Charles Anfrie (1833–1905) portrays the Greek god Apollo, embodying the ideals of classical beauty, intellect, and divinity. Crafted during the h...

Pair of Orientalist sculpted busts by Guillemin French, circa 1880-1890 Male figure: Height 89.5cm, width 65cm, depth 40cm Female figure: Height 79.5...

Beautiful patinated plaster sculpture after Apollo di Belvedere made during the late 19th Century. Provenance from Lennartsnäs Castle, near Stockholm, Sweden, Baron af Ugglas. The ...

Very fine and monumental pair of French 19th century patinated bronze figural torchere sculptures titled "La Nuit" (The Night) attributed to Albert Carrier-Belleuse (French, 1824-188...

Exceptionally beautiful bust carved in the finest quality craftsmanship. Used is an extremely heavy and extremely hard wood. Presumably, the sculpture comes from the time when it c...

A rare and important Italian alabaster bust sculpture of Jesus Christ, C. 1860 A modeled bust of Holy Christ wearing a crown of thorns, excep...

A stunning Italian late 19th early 20th century hand carved alabaster bust sculpture depicting a young baby girl cradling a dove. The girl wearing a lace bonnet her hair tied back a...

A very well carved alabaster bust of a young Mid 19th century child, with crochet shawl and holding a basket. Italian signed to rear by the artist. In good condition images are a tru...

An early 19th century Italian carved marble bust of a young Caesar, sitting on an antique marble and bronze column base. Measurements: Total height 51.5" Length 10" Depth 7" D...

A fine French 19th century terracotta bust of "Madame Récamier (French, 1777-1849)" The coyly gazing downward beauty, holding a veil across her chest r...

Alabaster sculpture, 19th century, Napoleon III period. Alabaster sculpture and sea green marble base, 19th century, Napoleon III period. H: 39cm, W: 27cm, D: 17cm

19th Century Santos Head We are proud to offer a rare example of a religious 19th Century hand carved Santos head. With polychrome paint still intact in...

Italian wooden sculpture of a mid 19th century woman's bust with purfled base. High quality hand-crafted item.

Parian bust of Diana. After the antique Greek Roman original. 19th Century. grand tour

Parian bust of Apollo. After the antique Greek Roman original. 19th Century. grand tour

A Monumental French 19th Century Patinated and Parcel Gilt Cast-Iron Bust of 'Head from a Statue of Antinous as Dionysus' Wearing a Wreath of Ivy ...

19th century Italian carved alabaster head of a saint wearing a bishop's mitre in the Gothic style. Though a fragment, the intense gaze of this small carving gives it a lot of presence. Rendered by a master carver, this piece has a lot of personality. Likely an architectural fragment, the weathered surface and distressed condition only add to the appeal of this unique sculpture. Mounted on an ebonized walnut base. 10 inches high 3.5 square 5 7/8 inches high by 4 wide by 3.75 deep (head only)

Masterfully carved and sculpted alabaster bust of a young girl with outstretched arms holding up a cup by Antonio Frilli. Smiling faced young girl, wearing lace and ruffled clothing,...

This is a White Marble Bust of an Italian Young Woman by John Hutchison. It depicts a 19th century Italian peasant with her distinguishing costume. She has an expressive and large pair of eyes and a Roman nose. Her wavy hair is braided at each side and adorned with a head kerchief or fazzoletto with a tassel. She is embellished by a pair of drop earrings and a two strands necklace most likely made of Coral that was typical of that time. She is wearing a pleated shirt with embroidered flowers border. The bust is supported by a very small white marble column pedestal. It is also hallmarked J.Hutchison Rome, 1863 at the back. J.Hutchison (1832- 1910) was a Scottish sculptor who studied in Rome and later on returned to Edinburgh. He was an outstanding artist who received commissions from Queen Victoria. He did the Sir Walter Scott bust...

Late 19th century bronze sculpture of a woman seated and glancing afar by Mathurin Moreau Signed Math Moreau Mathur...

19th century French bronze bust sculpture of Emperor Lucius Varus . This handsome Grand Tour bronze bust of is in the manner of F. Bard...

19th Century Parian ware portrait bust of Roman Emperor Julius Caesar in draped toga. Parian ware is a type of biscuit porcelain which imitates the style of carved marble. Gaius Julius Caesar...

A set of two Grand Tour marble oval medallions depicting the portraits of Roman emperors, reclaimed from an ex private British collection. Dating to the 19th century, the detailed e...

19th century statuary marble bust of the Braschi Antinous as Dionysus, Signed Puge 19th century statuary marble bust of Antinous as Dionysus, Sig...

This exceptional and magnificent white marble bust, was created and sculpted in 1820 circa, by the workshop of Bertel Thorvaldsen (Berthel Thorvaldsen Copenhagen, 1770 - 1844). After...

Terracotta bust of L'Espiègle or La Rieuse aux pampres de vignes signed in point JBt CARPEAUX Carpeau property stamp, eagle stamp, numbered 1801. This model, representing Anna Foucart, the eldest daughter of Jean-Baptiste Foucart, a faithful friend of the artist, was created in 1865. Carpeaux himself distributed it in his studio on rue Boileau in Auteuil from 1868, and his heirs continued to publish it. Related bibliography: Michel Poletti and Alain Richarme, Jean Baptiste Carpeaux...

Vintage bust from France made of bronze and supported by a marble base. This piece features the likeness of a man. It showcases the smelter’s stamp. This piece is in very nice vintag...

Albert-Ernest CARRIER-BELLEUSE (Anizy-le-Château, 1824 - Sèvres, 1887). Very beautiful bust of a young woman, terracotta with attractive patina. Perfect condition without base. Very ...

Rare and stunning Italian sculpture of a composer of famous religious music. With pride we offer you this antique and incredibly well crafted bust of 16th century, Venetian composer...

French Empire style (late 19th Century) life size Parian bust of Napoleon on blue porcelain socle and square ormolu base (signed HOUDON, 1805)

As an early rendition of Marie Antoinette, Queen of France, this marble bust depicts her in her youth wearing a simple hairstyle with ringlets tied back in a bow and a small tiara...

A handsome and most impressive Italian 19th century white Carrara, Sarrancolin marble, Patinated Bronze and Faux Painted marble bust of August Caesar. This exceptional bust is raised...

Green serpentine marble sculpture Late 19th century Height approx. 88 cm. The flying mercury and the bronzes While he was still busy working on the fountain in piazza Maggiore, the papal delegate Cesi asked Giambologna for a statue to be placed in the courtyard of the Archiginnasio, seat of the ancient and prestigious Bolognese university; he should have painted a bronze depicting the god Mercury with his index finger stretched towards the sky, a symbol of the divine origin of knowledge, which would have served as a warning to all students. The project was never completed, but Giambologna elaborated a model preserved at the Civic Museum of Bologna, which is only the first of the numerous bronzes with the same subject made by the artist, defined precisely as flying Mercury. In later versions, the sculptor transformed Mercury into a much more dynamic figure reaching upwards, as if ready to take flight, giving it an unprecedented freedom of movement and lightness. When he returned to Florence, the sculptor certainly proposed it to the Medici, who enthusiastically immediately ordered one to be sent to Emperor Maximilian II of Habsburg, as a diplomatic gift for the ongoing negotiations of the wedding between Francesco and Giovanna, sister of the sovereign. Giambologna replied with the two bronzes preserved in Vienna and Dresden and in 1580 cast the large Mercury now exhibited in the Bargello, originally intended for the loggia of the villa of Cardinal Ferdinando dei Medici to crown a fountain placed in the center of a magnificent decorative complex; the only variant with respect to the previous examples is constituted by the head of Zephyr placed under the foot of the god and from which a breath of wind blows it upwards, accentuating the sense of immateriality. In addition to the successful invention of the flying Mercury, Giambologna acquired immense fame by making numerous other bronzes for the Florentine collectors of the time; his first patron, Bernardo Vecchietti must certainly have owned many, given to him in part by the sculptor in exchange for his protection, but around the 1880s it can be said that there was no collector who did not aspire to own a work by Giambologna, especially those of small format. The development of this trend in Florence is largely due to the artistic passions of the Grand Duke Francesco I, who with the creation of environments such as the Studiolo in Palazzo Vecchio and the Tribuna degli Uffizi, provided new criteria for the exhibition of the works, pushing all collectors to imitate his extraordinary collection. In the Studiolo, in addition to the painted tables that decorated the doors of the cupboards filled with all kinds of things, there were 8 niches containing bronze figures of divinities; Giambologna painted the one depicting Apollo (1573-75), with the characteristic serpentine pose and beautifully finished. The placement of the statuette in the niche was no longer an impediment to the plurality of views as Giambologna endowed it with a sort of mechanism that allowed it to rotate. For the Tribune he instead created the six Labors of Hercules (1576-1589), small silver sculptures...