Orientalist Bronze Bust "Janissaire Du Sultan Mahmoud II" by Emile Guillemin

A pair of superb quality 19th century gilt and patinated bronze orientalist busts. Each young lady dressed in traditional middle eastern attire...

Fine 19th century white carved marble bust of a gentleman with mustache wearing a Toga. Signed: Randolph Rogers, Rome. Randolph John Rogers (July 6, 1825, Waterloo, New York – January 15, 1892, Rome, Italy) was an American Neoclassical sculptor. An expatriate who lived most of his life in Italy, his works ranged from popular subjects to major commissions, including the Columbus Doors at the U.S. Capitol and American Civil War monuments. Born in Waterloo, New York, he spent most of his childhood in Ann Arbor, Michigan. He developed an interest in wood cuts and wood engraving, and moved to New York City about 1847, but was unsuccessful in finding employment as an engraver. While working as a clerk in a dry-goods store, his employers discovered his native talent as a sculptor and provided funds for him to travel to Italy. He began study in Florence in 1848, where he studied briefly under Lorenzo Bartolini. He then opened a studio in Rome in 1851. He resided in that city until his death in 1892. He began his career carving statues of children and portrait busts of tourists. He was not happy working with marble consequently all his marble statues were copied in his studio by Italian artisans under his supervision, from an original produced by him in another material. This also enabled him to profit from his popular works. His first large-scale work was Ruth Gleaning...

Émile-Coriolan-Hippolyte Guillemin (French, 1841-1907) A Fine Multipatinated Bronze Orientalist Bust of A Young Woman. Signed and dated 'Ele. ...

Pair of Orientalist bronze busts by Cordier, 1861 French, 1861 Man: Height 42cm, width 32cm, depth 18cm Woman: Height 40cm, width 26cm, depth 16cm This impressive pair of bronze busts were made by the renowned French sculptor Charles-Henri-Joseph Cordier (1827-1905). Known for his Orientalist works in bronze and marble, Cordier gained inspiration from his visits to Algeria. The male figure of this pair is after a study made during one of these visits. The figures form a wonderfully contrasting pair. The male bust wears a more sombre, downturned expression, whilst the female smiles almost sleepily. Both faces are expertly carved to achieve a human likeness, and the two figures are similarly dressed in embellished shirts and robes. The patination is exceptional throughout, providing light and shade to the facial features and garments. Gilding can also be seen on the woman’s earring...