Art Nouveau Vases and Vessels

Vase Sign: Le Verre Francais France acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the S...

Daum Frères Nancy / Lorraine / France Rarest Cameo Vase With Frieze Decoration Running Around Made circa 1920-1930 (= Transition Period From Art Nouveau To Art Deco) Design & ...

Vase Sign: Muller Freres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family wh...

Vase Sign: Le Verre Francais France ( Decoration Halbrans ) acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made a...

Vase Sign: Le Verre Francais France ( Decoration Halbrans ) acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made a...

Offering this monumental Louis Comfort Tiffany gold Favrile iridescent art glass footed floriform vase. This large vase features a tapered, ribbed...

Art Nouveau ceramic flowerpot made by Herman A. Kähler ceramic works in Denmark in the period 1925-1935 The flowerpot is decorated by hand with the special cow horn technique. The gl...

Vase Sign: Le Verre Francais ( Chardons plant ) acid worked Page: 128 book Charles Schneider Le Verre Francais- Charder Schneider Author: Marie Christine Joulin- Gerold Maier Le Verr...

A ceramic vase in lovely art nouveau by Josef Ekberg at Gustavsberg in 1924. The vase is 21.5 cm (8.6") high and in excellent condition.

Vase Sign: Muller Fres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family who ...

Vase Sign: Muller Fres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family who ...

Vase Sign: Muller Fres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family who ...

Incredible big GOUDA porcelain dutch multicolor Art Nouveau vase circa 1900

Vase Sign: Muller Fres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family who ...

Vase Sign: Le Verre Francais France ( Decoration Halbrans ) acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made a...

Offering this monumental Louis Comfort Tiffany gold Favrile iridescent art glass footed floriform vase. This large vase features a folded, ruffled...

Vase Sign: Muller Freres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family wh...

Vase Sign: Muller Freres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family wh...

Vase Le Verre Francais France acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schnei...

Vase Sign: Muller Fres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family who ...

This is an exceptional example of early French Mont Joye art glass. It is Circa 1910. The vase is large and has a floral enameled motif in the form...

Vase Sign: Muller Freres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family wh...

Rookwood Art Pottery vase, with impressed marks for Rookwood, date marks for 1917, and model number 2381, an ochre glazed elongated floriform with petals. Dimensions: 6.75" H x 3.5...

Vase Sign: Muller Freres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family wh...

Monumental Vase Sign: Le Verre Francais ( Decoration Chene ) acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made ...

Vase Sign: Muller Freres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family wh...

Offering this beautiful, decorated Louis Comfort Tiffany favrile art glass floriform vase with green feather and white opal decoration. This floriform vase features a long stem body ...

Model #3257 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Tiffany Studio ribbed flora form iridescent gold Favrile blown glass vase. Etched on the under foot: L.C.T. 8542A American, Queens, New York, 1900.

Vase Sign: Muller Freres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family wh...

Model #2047 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

Lidded Abarello by Galileo Chini.

Monumental Vase Sign: Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as ...

Important vase for museum display from the full Art Nouveau period. A large handled vase made of Bohemian glass with metal mount decoration in relief and chiselled in Art Nouveau sty...

A Large Glass vase of Art Nouveau style with Enameled and Gilt Art Glass Vase in a frosted body formed a very elegant shape with subtle curved lines. Th...

Monumental Vase Sign: Le Verre Francais ( Decoration Chene ) acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made ...

Incredible and tall Uralin solefleur Nancy glass Art Nouveau vase circa 1900.

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

Vase Sign: Le Verre Francais (French) Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneider ...

Vase Sign: Charder Le Verre Francais France Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schn...

Discover the allure of a bygone era with this exceptional pair of early 20th century German Art Nouveau porcelain vases. Imbued...

Large antique Chinese porcelain vase decorated with green, white and pink organic motifs with golden accents. Stylized art nouveau decorations of branches, leaves, roots and butterflies. Manufactured between 1890 and 1920 - possibly Famille Verte. Stamped under base. Beautiful vintage condition. China...

Miniature glass vase designed by Loetz. Gorgeous and very beautiful antique miniature cabinet glass vase, created by Loetz. Made in Bohemia, Aust...

Small french Art Nouveau Barbotine Jardinière in the style of Hector Guimard. Very finely worked. Delicate form. very rare. Numbered and marked on...

Austrian ceramist Paul Dachsel designed this unusually shaped pitcher, made of hard earthenware and covered in a light green glaze. Its slim and elongated body gives the piece an ele...

Model #3791 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Drop-shaped vase with slender slim neck designed by Holger Busch Jensen for the Danish porcelain manufacturer Bing & Grøndahl. Made in the beginning of the 20th century. The vase is...

Zsolnay introduced its patented shiny metallic glaze, known as eosin, in 1893. The small family ceramics workshop begun in Pecs, Hungary by Miklos Zsolnay in 1853 had evolved into a ...

Model #2059 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Perfume Bottle “Rosace Figurines” made in frosted glass with grey patina by René Lalique in 1912. Acid-stamped signature on bottom. Perfect condition. Superb patina. Height: 11 cm ...

Rare Majolica Lily vase Jerome Massier, circa 1900. The Massier family are known for the quality of their unique enamels and paintings. They produced an ...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

A Pair of Green Glass vases of Art Nouveau style with Enameled and Gilt Art Glass Vases formed very elegant shapes with subtle curved lines.

Jo Hahn Locher for Bing & Grøndahl. Large and impressive Art Nouveau vase in porcelain. Openwork at the top and lid. Ca. 1900. Model number 412. In exc...

19th Century Majolica Chesnut attributed to Jardinière Saint Clement.

By Vinsce Wartha for Zsolnay Zsolnay introduced its patented shiny metallic glaze, known as eosin, in 1893. The small family ceramics workshop begun in Pecs, Hungary by Miklos Zsol...

Finest Bohemian Art Nouveau Glass Vase: Blown into shape of raised body on a round ground plan, triple depressed wall with mouth rim formed into trefoil, polished pontil, with groun...