Engraved Vases and Vessels

Large American Studio Pottery Vase with Iris Motif, in the Style of Newcomb College, Signed, Late 20th Century A striking and masterfully crafted American studio pottery vase, boldl...

Large French Art Nouveau “Femme-Fleur” (Poppy-Wreathed Maiden), Bronze and Cobalt, circa 1900 An evocative and finely cast French Art Nouveau centerpiece, featuring a richly patinat...

Oval-section handbag powder compact in 925/1000 sterling silver with black fired enamel. Opening with 18-karat gold bezel with round cabochon ruby, diameter 4 mm. Ground mirror sligh...

Large Signed Earth Tone Raku Pottery Handled Vase Signed, Deal with Cypher Mark, #181 A striking large signed earth tone Raku pottery-handled vase, signed 'Deal, #181, with a distin...

A lovely and charming example of Vicke Lindstrand's elegant, stylized figures on glass, made for the Orrefors glass company in Sweden. This Art Deco vase features an engraved mermaid...

Cylindrical handbag perfume holder in 925/1000 sterling Silver gold plated with screwed cap and fine manual engraving of peach blossom shoots, fire enamelled with various colours, in...

Perfume kit consisting of 4 bottles with wheel-engraved floral decoration. Frame and basket in solid silver with floral decoration and "K" monogram. Minerva hallmark and master gold...

This unique, fabulous engraved glass vase celebrating agricultural laborers who are sowing and harvesting wheat in the Czech Republic, illustrates the fact that Bohemia was one of th...

Owl Vase in Ceramic / Sandstone designed in the 1970s. Enameled in a brown and beige color. Nice pyrite enamel giving it a random dotty effect, typical of the period. Minimal Zoo...

Art Nouveau glass vase with engraved silver overlay, ca 1900. Baluster with gently flared mouth and round foot. Vertical overlay pattern in form of flowers with leafing and budding s...

Japonisme Ormolu-Mounted Opaline Jardiniere by Maison Baccarat, circa 1865 A French Japonisme rectangular shape with double lobed corners Jardiniere White Opaline glass with gold han...

French jade vase ank inkwell Vegetal motifs of flowers and leaves Can be used for a little floral composition Good condition. Shipping: P 4 L 15 H 8 0.1 kg.

Galle Cameo Glass Anemone Vase, circa 1900 Art Nouveau Marks: Gallé Height: 9.5 inches (24.1 cm) Diameter: 4.5 Condition: Vase features red and pink anemones over a white to yellow...

Ovalized handbag perfume holder in 925/1000 sterling silver with screwed cap and geometric engraving fire enamelled, in Art Deco style, early 1900s. Measurements cm. 1.5 x 2 total h...

800 solid silver potiche. Completely handmade this "lidded vase" has been embossed with scrolls which make it typically in the Baroque style. Masterfully executed, this vase among superlative embossing has been knurled, i.e. tapped thousands of times with a very small hammer, making the embossing evident and creating a perfect chromatic contrast. The lid has the same design and workmanship. The important knob was made with the fusion technique to then be screwed and therefore detachable for cleaning the vase. When it comes to potiche vase...

This rare pair of goblets, crafted in Bohemia circa 1840, exemplifies the finest achievements of mid-19th-century Biedermeier glasswork. Made from deep ruby red cut glass, each goble...

Handbag powder compact in 925/1000 sterling silver with black and red fired enamel. Spring button opening. Ground mirror and mesh inside. Small, barely visible crack in the red ename...

Decanter engraved with acid with floral decoration around 1900 attributed to Daum Nancy and Victor Saglier for the setting. Signature at the bottom of the carafe. Note a slight defor...

Discover a pinnacle of luxury with this parallelepiped handbag perfume holder, crafted from 925/1000 sterling silver and finished with a screwed cap. This masterpiece features exquis...

Found in France, this signed François-Théodore Legras art glass vase dates from the 1920s. Dark taupe colored glass is acid engraved with abstract Art ...

Experience the epitome of refined luxury with this cylindrical handbag perfume holder, masterfully crafted from 925/1000 gold-plated sterling silver. Topped with a screwed cap, it sh...

Vintage Bohemian crystal vase from the Fipop series was crafted by Ludwig Moser & Sons Glassworks in Karlsbad, former Czechoslovakia, in 1920s. The vase features faceted cut sides i...

This antique ruby red crystal goblet with a cover, dating to 1852, is a fine example of the highest quality Bohemian glass from the mid-19th century. The goblet’s circular body is ma...

Spherical shaped sterling silver vase. The large diameter of the vase allows you to have a large opening to insert the flowers. The diameter of the "mouth" of the vase is 9 cm. Croc...

This is an Emile Galle Art Glass Cameo Vase. It is an elongated ovoid shaped vase. It has a frosted orange glass at the upper top highlighted by differ...

French Champlevé Enamel, Onyx & Ormolu Bud Vase with Applied Bee, Circa 1880 A rare and exquisitely detailed French champlevé enamel bud vase, dating to the late 19th century and in...

Daum Cameo Glass Bowl, France, circa 1910. A rare Art Nouveau Daum cameo glass vitrified Monnaies du Pape round coupe (Honesty). Very finely acid etched, wheel carved decor of Hones...

Beautiful Bay Keramik vase with moulded runic patterns, designed by Bodo Mans, this pattern was quite popular during the 1960s. This tall vase is in a very g...

large decanter with stopper in deep transparent ruby red glass decorated all around with multiple engraved scenes, silver enamel and gilding highlights neck is applied with three r...

Exceptional Dominic & Haff Japonisme Sterling Cabinet Vase—Dragonfly & Cobwebs This exquisite Dominic & Haff sterling silver cabinet vase is a rare and finely detailed example of Ja...

Pair Chinese Brass Floral and Bird Planters with Carved Wood Stands, Circa 1900s This elegant pair of Chinese brass floral and bird planters, made circa ...

A Mamluk style engraved and punched brass jardinière ottoman Syria or Egypt, early 20th century The deep tapering body with short undulating neck decorated with calligraphic insc...

Austrian Art Nouveau Three Rooster Diminutive Vase with Talon Legs Austria, Circa 1890s, Franz Bergmann School, Unmarked This rare and striking Art Nouveau vase exemplifies the o...

Beautiful solitary piece of Czech crystal glass of the 20th century. The vase is hand blown, cut edges and with an artistic figural engraving of a ...

This is an Emile Galle small urn shaped landscape cameo vase. It has a frosted yellow glass background highlighted by different shades of brown color. The brown color get darker at the round base and covers it completely. The landscape cameo depicts a countryside scenery with trees, a lake and a small barn fence. Some of the trees are reflected in the lake. The glass vase is signed Galle. The urn vase comes with a round wood pedestal.

A large, amber colored Bohemian glass vase with a matching lid. The vase has a tall, slightly flared body, decorated with frosted engraved glass oval panels depicting landscapes, bui...

This rare ruby red perfume bottle, crafted from high-quality Bohemian cut glass, is a remarkable example of 19th-century Bohemian glass artistry. The body is cut into multiple side p...

In the 1930s, Sweden was the world's epicenter for the production of high quality, engraved glass pieces in the Art Deco manner, well illustrated by this vase depicting a nude male f...

Pair of Anglo-Indian Cast & Engraved Brass Ewers, Black Enamel & British Coins, India, 1960s An exotic pair of Anglo-Indian cast and engraved brass ewers, crafted in India during th...

Vase in solid 800 silver in Art Nouveau / Liberty style. The shape is round and rounded, larger at the top while it is degrading toward the bottom. The vase is all smooth, except for...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Vintage ceramic planter box with Adam and Eve depiction engraving on front and back. In original condition with heavy signs of visible wear inc...

1950's Swedish clear glass vase hand engraved with a dancing lady that gives movement to light reflection and water when filled. Vase has good weight, solid piece, all hand crafted. ...

Magnificent Bohemian Engraved Citrine Cut to Clear Floral Vase Bohemia, Czech Republic, Post WWII Circa 1950 A stunning example of craftsmanship from Bohemia, Czech Republic, circa ...

Vintage crystal vase features engraved Modernist decor depicting two people huddling under an umbrella beneath the bare branches of a large tree. The decor is placed in a way to emph...

Chinese Blue & White & Incised Porcelain 'Jiangnan Mountain' Cylinder Vase, China, 19th Century  A rare and unique Chinese Blue and White Incised Porcelain 'Jiangnan Mountain' Cylin...

Pair of red a blue crystal liquor bottles, with a pear-shaped shape with grinding of geometric engravings on the base and on the body giving a beautiful shine. Silver neck marked wit...

19th Century Continental Sterling Silver and Rock Crystal Perfume Bottle with Lovebird Motif A romantic and finely crafted 19th-century Continental perfume bottle, featuring a clear...

Parallelepiped perfume holder for handbag in 925/1000 sterling silver with screwed cap with translucent fired enamel on guilloché. English style, early 1900s. Measurements cm. 2.5 x ...

Small bronze ewer with Bacchus and dolphin figural handle, engraved solid oval centerpiece mounted on a circular base.

A beautiful bronze vase from the 1970s, handcrafted in Italy signed by the renowned artist Esa Fedrigolli. This organically shaped decorative piece features intricate engravings in t...

Very beautiful large Baccarat vase from the 1950s in engraved crystal. Stamp of Baccarat below. Very nice quality.

Silver Wine - Spirit Barrel on Stand in the shape of bunches and vine branch completely handmade, embossed and chiseled. Complete with 6 chiselled and embossed barreled beakers. The...

French Art Deco ball-shaped glass perfume bottle with a raised stars design and a flat round glass stopper engraved with the letter W (signed LALIQUE for Worth)

20th century Italian vase in 925 sterling silver. Classic shaped vase made in 3 parts by padding a sterling silver plate and subsequently assembled. A hand-embossed acanthus leaf des...

Cylindrical handbag perfume holder in 925/1000 sterling silver with screw cap and fine manual engraving of Art Deco style decorations, with 3 colours of fired enamels. Diameter cm. 2...

Antique Persian Brass Engraved Vase. Persian engraved brass vase with intricate detailed foliage and birds. The vase has been expertly etched by ha...

Cylindrical handbag perfume holder in 925/1000 sterling silver with screw cap and fine hand-engraved design in Art Deco style, fire enamelled in 3 colours. Diameter 2 cm, total heigh...

Large Pair of Murano 'Scavo' & Iron Trumpet Vases Attributed Seguso Vetri d'Arte Murano, Italy, Circa 1980s A exquisite large pair of Murano 'Scavo' & Iron Trumpet Vases, attributed...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Particular pair of toilet bottles in cut and ground by hand crystal; for their execution it was used crystal with a percentage of lead of 30%; the high lead content, instead of calcium present in the common glass, gives the crystal a remarkable hardness, exceptional transparency, and a high refractive index; with the techniques of cutting, grinding and polishing, scrupulously performed by hand, extraordinary light effects and reflections were created; the bottles with the ball body are surmounted by a silver neck and a hinged lid finely chiseled with Victorian motifs. They bear the Classic English silver punches from which we can tell that they were produced in the Victorian style in the city of Birmingham in 1907 (Edward VII) by the firm Phineas Harris Levi & Joseph Wolfe Salaman. The company was founded in 1870 in Birmingham on Northampton Street, in 1872 moved to larger premises on Hockley Street and in 1885 the business was finally moved to a prestigious building on Newhall Street. Levi & Salaman produced much Fine silverware...