Vases

A wonderful Venus in a water lilly porcelain inkwell. A Alois Hampel creation with “3359” marked and the original label from the 19th century store “Crystallerie artistique - porcela...

Early 20th century Modernist footed trumpet frosted glass broad vase by french decorator and designer André Groult By: André Groult Material: glass Technique: glazed, cast, unglazed...

A lovely Art Nouveau vase by Edmond Rigot is a rare find and a must-have for any glass collector. Inscribed on the wall: E. RiGOT H: 7.5 cm, Ø 8 cm From an important private collecti...

A delightful and sought after Doulton Lambeth Twins Ware vase painted with twin boys by renowned artist and illustrator John Hassall (British, 1868-1948) and dating from around 1905....

Vase Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneider des...

Finest Bohemian Art Nouveau Glass Vase: In shape blown low, cambered body on a large, round floor plan, triple indented wall with a mouth rim formed into a three-pass shape, polished...

Inkwell "Repos" (rest), Gustav Gurschner, probably Paris World Exhibition 1900 This bronze inkwell was created in the context of the 1900 ...

Vase Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneider des...

Charles CATTEAU (1880-1966) Céramiste Franco-Belge Un créateur qui travailla dès 1906 pour la manufacture de KERAMIS chez Boch Frères à la Louvière, en Belgique ,et dont la productio...

Beautiful Kronach - Bauer, Rosenthal & Co hand-painted Art Nouveau figural porcelain vase. Vase is made in Kronach (Bavaria) Germany, circa 1900 and is decorated in heavy gold over an iridized, mottled green body featuring a snow white glazed mermaid nude figure. Absolutely incredible vase, attributed to Max Hiller, measures 10.5 inche tall by 4.5 inches at its widest and is signed, "Kronach" with a stylized gold shield reading "Bauer, Rosenthal & Co. KG" on the underside. Vase is in incredible condition with almost no evidence of wear, truly an exceptional example. Rosenthal Kronach...

Dramatic multi color decor, cobalt and orange, in hand blown splatter glass vase in the Art Deco style. This design for vases is often called 'Pique ...

Dramatic multi color decor, cobalt and orange, in hand blown splatter glass vase in the Art Deco style. This design for vases is often called 'Pique ...

Large, substantial, extraordinary -- and probably unique -- this Art Nouveau floor vase depicts a nude merman pulling at the whiskers of a playful dolphin, surrounded by the bounty o...

A enameled glass vase by Nancy da Leune, who produced licensed pieces of the Daum brothers. This piece is a Daum inspired piece. ”Leune” signed on the side (see photo). Leune Sociét...

Jack-in-the-pulpit vase designed by Louis C. Tiffany, manufactured by Tiffany Studios New York, 1906, signed The "Jack-in-the-pulpit" vases represent a special design category within the production of the Louis Comfort Tiffany company. These glasses were modeled after the Arisaema Triphyllum plant and are among the most iconic designs of this famous manufacturer. Our example shines in pure gold. It was made in 1906 and received as a wedding gift at the time. The vase is marked "L.C.T." and "2210A" (underneath). Material and technique: mouth-blown glass, reduced and iridescent Louis Comfort Tiffany (New York 1848 – 1933 New York) was a famous American designer, artist and painter of American Art Nouveau. He was best known for his works in glass colored with metal salts and made a name for himself in the decorative arts at the time. In the course of his career, he created a unique style that combined outstanding craftsmanship with a love for natural shapes and bright colors. Nature had always been his inspiration and in his designs he tried, in his very own way, to capture its beauty forever. Tiffany designed lamps...

Offering this large Louis Comfort Tiffany gold Favrile iridescent art glass vase. This vase features a tapered urn design with deep shoulders and cylindrical neck and flared mouth in...

Vase Sign: Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneid...

A multi-layered glass proof miniature vase with acid-etched and polychrome enameled decoration on a gray shaded background with a winter tree with browns and snow white details. “DAUM Nancy” signed...

An acid etched vase with clover branches leafs and fruits in brown, yellow and partially pink flashing glass on a colorless background. Galle signature at the side.

Dramatic multi color decor, cobalt and orange, in hand blown splatter glass vase in the Art Deco style. This design for vases is often called 'Pique ...

An early 19th century Massier white glass floral painted vase with applied ribbons attributed to the artist Jerome Massier.

From Montjoye, France, this large Art Nouveau vase in mouth-blown art glass is decorated with flowers in enamel work, gilt. Dated 1880-1900 in very good condition. “Montjoye” stamped

Delicate small vase, round flush stand, colourless glass with flaky yellow and orange-brown powder fusions, meadow poppy flower decoration etched in several stages and painted with c...

Vase Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneider des...

A green and brown-glazed stoneware vase designed and produced by Höganäs, Sweden, c. 1920s.

Vase Le Verre Francais acid worked Page: 129 book Charles Schneider Le Verre Francais- Charder Schneider Author: Marie Christine Joulin- Gerold Maier Le Verre cameo glass was a sepa...

experience the beauty of nature and artistry with this exquisite Galle cameo glass vase. This masterpiece captures the serene charm of a lakeside wooded landscape, rendered in a harm...

PAIR Amazing Japanese Artist Signed Bronze vases gold accents 19th Century Meiji Era or earlier. Amazing matched pair of the highest quality.

Vase Le Verre Francais Page: 232 book Schneider Maître Verrier Author: Olivier Ador acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. ...

Dramatic multi color decor, in hand blown splatter glass vase . This design for vases is often called 'Pique fleurs' or 'rose-bowl' and is supplied with a fitted metal grille to supp...

Vase Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneider des...

Vase Sign: Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneid...

French Art Nouveau Ocean Life Theme Vase Cachepot Iridescent Stoneware & Patinated Bronze Crab Appliqué ca. 1900s ABOUT We present here a most unusual and utterly decorative Fren...

Vase Sign: Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneid...

R Lalique, Albert or so-called "2 falcon heads" model vase in smoked molded-pressed glass (gray), with hawks' heads for the grips (molded-pressed handles in application Model presen...

Vase Sign: Muller Fres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family who ...

Vase Sign: Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneid...

Offering this outstanding Louis Comfort Tiffany Favrile pastel green and opalescent decorated iridescent clear art glass footed "bon bon" bowl. This bow...

Vase Sign: Muller Fres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family who ...

Model #3257 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Pair of large liberty terracotta vases finely decorated with birds and bamboo plants Timeless decoration for your interior or garden.

PIERRE-ADRIEN DALPAYRAT (1844-1910) After working nearly half his life as an itinerant faience painter and directing production for commercial porcelain manufacturers, Dalpayrat’s ey...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Model #3356 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Vase Sign: Le Verre Francais , Charder acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as th...

Vase Le Verre Francais Page: 99 book Schneider Maître Verrier Author: Olivier Ador acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. I...

Large Art Nouveau ceramic floor vase made by Herman A. Kähler ceramic works in Denmark in the period 1925-1935 The vase is decorated with leaves by hand with the special cow horn tec...

Vase Sign: Muller Freres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family wh...

Dramatic multi color decor, cobalt and orange, in hand blown splatter glass vase in the Art Deco style. This design for vases is often called 'Pique ...

Vase Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneider de...

A stylish Doulton Lambeth Art Pottery vase decorated with fish by highly renowned artist Maud Bowden and dating from the early 20th century. The stoneware ...

Vase Sign: Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneid...

Vase Sign: Le Verre Francais Page: 105 book Charles Schneider Le Verre Francais- Charder Schneider Author: Marie Christine Joulin- Gerold Maier Page: 166 book Schneider Maître Verri...

Dramatic multi color decor, cobalt and orange, in hand blown splatter glass vase in the Art Deco style. This design for vases is often called 'Pique ...

French glass vase by Emile Gallé decorated in various shades of blue and white. It dates from around the 1900s and is in excellent original condition. Emile Gallé, a French artist ...

The son of Edmond Lachenal, Raoul Lachenal worked in his father's studio until 1911, when he established a new workshop at Boulogne-sur-Seine. While some of Raoul Lachenal's Art Nouv...

Zsolnay introduced its patented shiny metallic glaze, known as eosin, in 1893. The small family ceramics workshop begun in Pecs, Hungary by Miklos Zsolnay in 1853 had evolved into a ...

American Art Nouveau aquamarine blue glass vase. Medium chunky blown vase with broad flared neck and canted vase in a deep aquamarine blue; with...