Kartell Matelasse' Vase in Crystal by Patricia Urquiola
About the Item
- Creator:Patricia Urquiola (Designer),Kartell (Manufacturer)
- Dimensions:Height: 11.82 in (30 cm)Diameter: 9.06 in (23 cm)
- Style:Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2022
- Production Type:New & Custom(Current Production)
- Estimated Production Time:2-3 weeks
- Condition:
- Seller Location:Brooklyn, NY
- Reference Number:
Patricia Urquiola
Spanish-born, Milan-based architect Patricia Urquiola doesn’t lack for commissions these days, and, unlike the work of many other high-concept architects, her projects tend to get constructed, envelope-pushing though they sometimes are. And when she’s not imagining covetable creations for contemporary furniture houses — including B&B Italia, Driade and Cassina, where she was named art director in 2015 — Urquiola makes headlines by designing some of the world’s most aesthetically ambitious hotels, such as 2016’s Il Sereno on Lake Como in Lombardy, Italy.
Born in Oviedo, in northern Spain, Urquiola grew up in a family that valued creativity. Everyone in the house, she says, talked and cared about design. She fondly remembers her mother going to London in the 1960s and ’70s and coming back home with a Mary Quant this, a David Hicks that. When it came time to go to university, Urquiola decided that her place was architecture school, first at the Polytechnic University of Madrid and then at the Polytechnic University of Milan, where she completed her design thesis — a felt carpet with a panel that connected to a home’s electricity source and telephone line so that you could plug, say, a table lamp and your phone into it — under the direction of legendary Italian industrial designer Achille Castiglioni.
Today, Urquiola has become a go-to when it comes to avant-garde product, hospitality and retail design, working with such blue-chip international furniture, fashion and hotel companies as Alessi, Baccarat, Salvatore Ferragamo, Kvadrat, Mandarin Oriental, Panerai, Rosenthal, W Hotels and Louis Vuitton, among many others. Her residential projects, meanwhile, though few and far between, stretch from such far-flung locations as Punta del Este, Uruguay, and Melbourne, Australia, to closer-to-home Udine, in northeastern Italy, where she designed the two-story, largely open-plan glass-and-cedar home of Patrizia Moroso, creative director of the family-owned design company that bears her last name.
Over the course of a long-term and highly productive collaboration spanning some 20 years, Urquiola has created dozens and dozens of Moroso-branded products. A chair from her 2001 Fjord line of seating, tables and poufs for the company sits in the collection of New York’s Museum of Modern Art, and Moroso debuted (love me) Tender, her modular sofa system upholstered in jersey, during Milan’s Salone Internazionale del Mobile in April of 2014.
Find Patricia Urquiola furniture on 1stDibs.
Kartell
The Italian design giant Kartell transformed plastic from the stuff of humble household goods into a staple of luxury design in the 1960s. Founded in Milan by Italian chemical engineer Giulio Castelli (1920–2006) and his wife Anna Ferrieri (1918–2006), Kartell began as an industrial design firm, producing useful items like ski racks for automobiles and laboratory equipment designed to replace breakable glass with sturdy plastic. Even as companies like Olivetti and Vespa were making Italian design popular in the 1950s, typewriters and scooters were relatively costly, and Castelli and Ferrieri wanted to provide Italian consumers with affordable, stylish goods.
They launched a housewares division of Kartell in 1953, making lighting fixtures and kitchen tools and accessories from colorful molded plastic. Consumers in the postwar era were initially skeptical of plastic goods, but their affordability and infinite range of styles and hues eventually won devotees. Tupperware parties in the United States made plastic storage containers ubiquitous in postwar homes, and Kartell’s ingenious designs for juicers, dustpans, and dish racks conquered Europe. Kartell designer Gino Colombini was responsible for many of these early products, and his design for the KS 1146 Bucket won the Compasso d’Oro prize in 1955.
Buoyed by its success in the home goods market, Kartell introduced its Habitat division in 1963. Designers Marco Zanuso and Richard Sapper created the K1340 (later called the K 4999) children’s chair that year, and families enjoyed their bright colors and light weight, which made them easy for kids to pick up and move. In 1965, Joe Colombo (1924–78) created one of Kartell’s few pieces of non-plastic furniture, the 4801 chair, which sits low to the ground and comprised of just three curved pieces of plywood. (In 2012, Kartell reissued the chair in plastic.) Colombo followed up on the success of the 4801 with the iconic 4867 Universal Chair in 1967, which, like Verner Panton’s S chair, is made from a single piece of plastic. The colorful, stackable injection-molded chair was an instant classic. That same year, Kartell introduced Colombo’s KD27 table lamp. Ferrierei’s cylindrical 4966 Componibili storage module debuted in 1969.
Kartell achieved international recognition for its innovative work in 1972, when a landmark exhibition curated by Emilio Ambasz called “Italy: The New Domestic Landscape” opened at New York’s Museum of Modern Art. That show introduced American audiences to the work of designers such as Gaetano Pesce; Ettore Sottsass, founder of the Memphis Group; and the firms Archizoom and Superstudio (both firms were among Italy's Radical design groups) — all of whom were using wit, humor and unorthodox materials to create a bracingly original interior aesthetic.
Castelli and Ferrieri sold Kartell to Claudio Luti, their son-in-law, in 1988, and since then, Luti has expanded the company’s roster of designers.
Kartell produced Ron Arad’s Bookworm wall shelf in 1994, and Philippe Starck’s La Marie chair in 1998. More recently, Kartell has collaborated with the Japanese collective Nendo, Spanish architect Patricia Urquiola and glass designer Tokujin Yoshioka, among many others. Kartell classics can be found in museums around the world, including MoMA, the Victoria and Albert Museum and the Cooper Hewitt, Smithsonian Design Museum. In 1999, Claudio Luti established the Museo Kartell to tell the company’s story, through key objects from its innovative and colorful history.
Find vintage Kartell tables, seating, table lamps and other furniture on 1stDibs.
- ShippingRetrieving quote...Ships From: Perth Amboy, NJ
- Return PolicyThis item cannot be returned.
- Kartell Matelasse' Vase in Black by Patricia UrquiolaBy Patricia Urquiola, KartellLocated in Brooklyn, NYThe distinctive feature and special allure of these original vases lie in their particular conformation, suggestive of a wafed fabric with irregular sinuosities caused by the differe...Category
21st Century and Contemporary Italian Modern Vases
MaterialsPlastic
- Kartell Matelasse' Vase in Amber by Patricia UrquiolaBy Patricia Urquiola, KartellLocated in Brooklyn, NYThe distinctive feature and special allure of these original vases lie in their particular conformation, suggestive of a wafed fabric with irregular sinuosities caused by the differe...Category
21st Century and Contemporary Italian Modern Vases
MaterialsPlastic
- Kartell Matelasse' Vase in Mat White by Patricia UrquiolaBy Patricia Urquiola, KartellLocated in Brooklyn, NYThe distinctive feature and special allure of these original vases lie in their particular conformation, suggestive of a wafed fabric with irregular sinuosities caused by the differe...Category
21st Century and Contemporary Italian Modern Vases
MaterialsPlastic
- Kartell T-Table by Patricia Urquiola in CrystalBy Patricia Urquiola, KartellLocated in Brooklyn, NYA line of tables in three heights. The surface of the T-table top alternates fullness and space to create an elegant and precious effect which is reminiscent of embroidery. It com...Category
21st Century and Contemporary Italian Modern Side Tables
MaterialsPlastic
- Kartell T-Table by Patricia Urquiola in CrystalBy Patricia Urquiola, KartellLocated in Brooklyn, NYA line of tables in three heights. The surface of the T-table top alternates fullness and space to create an elegant and precious effect which is reminiscent of embroidery. It com...Category
21st Century and Contemporary Italian Modern Side Tables
MaterialsPlastic
- Set of 2 Kartell Jellies Vase in Crystal by Patricia UrquiolaBy Patricia Urquiola, KartellLocated in Brooklyn, NYA comprehensive line of trays made from colorful and transparent PMMA plastic. The line's individuality is down to the fact that each model presents a different organic pattern that ...Category
21st Century and Contemporary Italian Modern Tableware
MaterialsResin, Plastic
- Mario Bellini Shanghai Gold Vase for KartellBy Mario Bellini, KartellLocated in Miami, FLGold Shanghai vase designed by Mario Bellini for Kartell. A multi-faceted vase widening from the base to the top in a swirling motion. Shanghai is like refracted light radiating fro...Category
21st Century and Contemporary Italian Modern Vases
MaterialsPlastic
- Venini Ando Cosmos Vase in Crystal by Tadao AndoBy Venini, Tadao AndoLocated in Brooklyn, NYAndo Cosmos vase, designed by Tadao Ando and manufactured by Venini, is made of three vases that create a sphere when united. Crystal version is available ...Category
21st Century and Contemporary Italian Modern Vases
MaterialsGlass
- Opalino Glass Vase in Tea and Crystal by VeniniBy VeniniLocated in Brooklyn, NYVenini glass vase with slim, oval shaped body and funnel shaped neck. Featured in tea and crystal colored glass. Perfect for indoor home decor as container or strong statement piece ...Category
21st Century and Contemporary Italian Modern Vases
MaterialsArt Glass
- Multi-flower Vase in Black Crystal by Mario CioniBy Mario CioniLocated in Milano, MIMultiform vase in black crystal made by Mario Cioni Ø cm 18 h cm 18Category
2010s Italian Modern Vases
MaterialsCrystal
- Vase in Crystal, 1950, FranceLocated in Ciudad Autónoma Buenos Aires, CCrystal. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. Why are there so many antiques in Argentina? In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place. 1st World War took place between 1914 and 1918 2nd World War took place between 1939 and 1945 The immigrants options were New York or Buenos Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done. Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them. In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life. Between the years 1895 and 1896, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war. The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street. With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace. It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”. Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies. In the year 1936, the Kavanagh building was inaugurated, it was the tallest reinforced concrete building in South America. During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture. At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site). In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca. The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil. Antonio Bonet, a Spanish architect who worked with Le Corbusier in Paris, arrives in Argentina in 1937, where he carried out several architectural works and in 1938 designs the well-known BFK chair. Andres Kálnay, of Hungarian origin, made around 120 architectural masterpieces, among which the former Munich brewery stands out, he even made the furniture’s design. The German architect, Walter Gropius, director of the Bauhaus, lived in Argentina, where he wrote articles for “Sur” magazine and founded in Buenos Aires, an architectural firm with Franz Möller, who was also an architect, where he built two houses. At the same time several famous designers decided to immigrate to Argentina, among them we can find the well-known French designer, Jean-Michel Frank, who arrived in the country in 1940 and also worked for the Rockefeller family. Special pieces were made, which were sold exclusively in the country, such as the well-known German company “WMF”, who sold their products by catalogue, which were chosen by the ladies of High Society in the list of wedding gifts, as well as the pieces designed by Christofle. The Swiss sculptor Alberto Giacometti, made special pieces for Argentinean mansions. In 1904 the first Jansen branch outside Paris was established in Buenos Aires, as the Argentinean clientele demanded a large amount of furniture, from the end of the 19th century to the Mid-20th Century. In 1970, the brand Rigolleau Argentina made pieces authorised by Lalique. The brands Maple and Thompson also set up shop in the country. The French plastic artist, Marcel Duchamp moved to Argentina in 1918-1919. Glass signed Gallé, Charder, Leverre, Schneider, Muller and other French firms. They were bought in flower shops and were given to ladies with beautiful floral arrangements. Some furniture manufacturers travelled to international fairs and bough the patterns to produce the furniture in Argentina, such as the furniture firm Englander and Bonta, who bought the patterns ins Italy. It is worth mentioning that in Argentina we have the largest Community of Italians outside...Category
Vintage 1940s French Art Deco Vases
MaterialsCrystal
- 1960's Swedish Crystal Vase by OrreforsBy OrreforsLocated in Paris, FR20th-century vintage modernist crystal vase signed by Swedish makers Orrefors. This chic statement decorative piece is highlighted by its modern design and thick curved cut. Signed ...Category
20th Century Swedish Modern Vases
MaterialsCrystal