Early 20th Century Vases

Stunning Loetz glass vase by Koloman Moser for E. Bakalowits made in Klostermuehle/ Bohemia, circa 1899. This rare Bohemian glass vase was designed by none other than world-famous Au...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

A Pair of French Japanism Signed CP & Co Pate Sur Pate and Gilt Porcelain Vases. This elegant pair of vases, crafted by CP & Co, exemplifies the aesthetic influences of Japanism in ...

Emile Galle, Nancy. Vase, 1920s. Measures: H. 26 cm. Cased glass, clear, amber and opal white. A unique French overlay technique is used in this extremely rare and limited series wit...

An unusual pair Art Deco silver mounted art nouveau vases decorated in turquoise streaked glazes by James Plant & Sons and dating from the early 20th centu...

Emile Galle scenic wheel carved and acid etched cameo vase. A beautiful and tall cameo vase by Galle. The 18 - 1/2” tall vase has a background of muted yellow glass near the base, which progresses to blue/gray at mid-vase, and then peach towards the top. Brown, cameo cut trees are generously displayed across the body of the vase, with the addition of a boat in the lake. Signed "Galle". Dimensions: 18 - 1/2” x 10” x 8”. Condition: Very good Émile Gallé (8 May 1846 in Nancy – 23 September 1904 in Nancy) was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France. Gallé born on 4 March 1846 in the city of Nancy, France. His father, Charles Gallé, was a merchant of glassware and ceramics who had settled in Nancy in 1844, and his father-in-law owned a factory in Nancy which manufactured mirrors. His father took over the direction of his mother's family business, and began to manufacture glassware with a floral design. He also took over a struggling faience factory and began manufacturing new products. The young Gallé studied philosophy and natural science at the Lycée Imperial in Nancy. At the age of sixteen he went to work for the family business as an assistant to his father, making floral designs and emblems for both faience and glass. In his spare time he became an accomplished botanist, studying with D.A. Godron, the director of the Botanical Gardens of Nancy and author of the leading textbooks on French flora. He collected plants from the region and from as far away as Italy and Switzerland. He also took courses in painting and drawing, and made numerous drawings of plants, flowers, animals and insects, which became subjects of decoration. At the age of sixteen he finished the Lycée in Nancy and went to Weimar in Germany from 1862–1866 to continue his studies in philosophy, botany, sculpture and drawing. In 1866, to prepare himself to inherit the family business, he went to work as an apprentice at the glass factory of Burgun and Schwerer in Meisenthal, and made a serious study of the chemistry of glass production. Some of his early glass and faience works for the family factory at Saint-Clémont were displayed at the 1867 Paris Universal Exposition. In early 1870 he designed a complete set of dishware with a rustic animal designs for the family enterprise. During this time he became acquainted with the painter, sculptor and engraver Victor Prouvé, an artist of the romantic "troubadour" style, who became his future collaborator in the Nancy School. He enlisted for military service in the Franco-Prussian War in 1870, then was demobilised after the disastrous French defeat in 1871 and the French loss to Germany of much of the province of Lorraine, including Meisenthal where he had done his apprenticeship. Thereafter the Cross of Lorraine, the patriotic symbol of the region, became part of his signature on many of his works of art. After his demobilization Gallé went to London, where he represented his father at an exhibition of the arts of France, then to Paris, where he remained for several months, visiting the Louvre and Cluny Museum, studying examples of ancient Egyptian art, Roman glassware and ceramics, and especially early Islamic enamelled...

Round pewter vase by Sylvia Stave, with decorative handles on the sides. Smooth design with horizontal stripes. Sober and elegant.     

A beautiful Arts & Crafts period sterling silver on bronze large floral vase By Silver Crest (the mark of Smith Metal Arts Co.), an offshoot of Heintz Art Metal Shop USA, Early 20t...

An antique Victorian painted Royal Bonn vase by Franz Anton Mehlem, made in Bonn, Germany. Features an elegant painted lady draped in a blue gown. Ornate gold laurel leaves surround ...

Rare French Art Deco André Hunebelle Rose Vase This exquisite French Art Deco glass vase by renowned designer André Hunebelle is a masterful example of the bold elegance and refine...

1920s Mercury Glass Vase with Applied Etched Decal Design Gold colored interior

A set of five small murrine glass vases, manufactured by Vetreria Fratelli Toso around 1910. The vases are executed with polychrome multicoloured millefiori murrines and have an acid...

Early 20th century Art Nouveau ceramic vase, C.1910 Classic Art Nouveau vase with a young woman in billowing clothes in relief Measures: 9.5" diameter at the base x 16" at the ...

An elegant and beautifully cast early 20th century Chinese bronze vase in the archaic style with a gorgeous lacquer simulated patina in shades of brown, red and green. The shoulders...

A beautiful art deco bronze dish with amazing patina. Designed by Sune Bäckström in Malmoe, Sweden, 1920s. Good condition. Some wear to the patination. Stamped 'BRONS', model numb...

A beautiful pair of Modern periwinkle blue Japanese vases with octagonal base, pinched waist, and clover like design at neck/top. Marked underneath/bot...

Jugendstil glass vase with holder by Argentor vienna around 1910 Polished and stove enameled Original cut glass.

Heading : Schneider Verre Francais Pitcher in the Campanules pattern Date : c1924 Origin : Epinay-sur-Seine, France Bowl Features : Orange and lemon mottled ground with red-brown hig...

A stunning Loetz art glass green bowl decorated with gold inclusions. The glass manufacturer Loetz after their big success at the Paris World Exhibition in 1900. While creating decoration variants, the owner of the glass workshop, Max Ritter von Spaun, was presumably inspired by works of Louis C. Tiffany. The applied applications by Loetz are positioned more prominently and have their own ornament in the form of pulled iridescent threads. This glass work of art known as Loetz Jugendstil...

A highly unusual vase by Jean Mayodon, one of France's leading artists in the Art Deco era, this piece depicts two scenes of nude male hunters with several deer. One of the hunters i...

Very raffinated deep blue saphir colour, vintage Fratelli Toso Murano Millefiori. Murrine is an ancestral technique in Murano glass. Each piece of Murano glass is handmade, not mass-produced or industrialized. It takes a lot of patience and know-how to make Murrine. The placement of the murrine has been done with great care and precision by Murano craftsmen. This work is unique in the world for its combination of color and elegance. Fratelli Toso was founded in 1854 by the brothers Ferdinando, Carlo, Liberato, Angelo, Giovanni and Gregorio. At the beginning the company produced pharmaceutical containers and domestic glassware. A vibrant and intricate decorative piece for any space. Collectible piece in a range of different styles, shapes, and sizes. Hand blown multicolor Murano glass made in Italy in the early 20th century. The glass masters of Fratelli Toso have over 150 years of experience, taking from ancient Italian glassmaking techniques. Royal blue vase...

Vase Sign: Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneid...

Pair of vintage cornflower blue oil storage jars, circa 1930 Dimensions 8" diameter at the base x 14" diameter at the body 8" across at the mouth...

An attractive late 19th Century French cameo glass vase decorated with deep red and burgundy flowers against a variegating yellow field. Exhibiting excellent detail and colour, signe...

Originally used for fermenting rice or sorghum into wine or vinegar, this squat, earthenware vessel from the early 20th century is coated inside and out with a thick, dark glaze. The...

A very fine and typical Art Deco ceramic vase by Charles Catteau for Boch Fréres. Signed "Grès Kéramis D882 Ch. Catteau M". Very nice condition. No issues! CHARLES CATTEAU (1...

Such a fine decorative wine / magazine holder in cast iron. Made in France, ca 1930s. Beautiful lines perfectly suited for any interior style. A Modern, Scandinavian, Classic or an Art deco home decor. "There is no style...

Vase Sign: Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneid...

The Coqs and Plumes vase was created by R.Lalique in 1928 in white glass. This example is in white and violet patinated glass and un excellent condition. The vase is signed R.Lali...

Art Deco Vase “Espalion” made in cased jade green glass by René Lalique in 1927. Engraved signature on bottom. Perfect condition. Extremely rare color height: 18 cm Félix Marcilha...

The Nupe people of Nigeria were touted as some of the finest ceramicists in Africa. Everyday objects, like this water vessel, received detailed attention. The vessel's varied texture...

Presenting a stunning Belgian Art Deco Boch Freres La Louviere pineapple vase. Made circa 1925-1930 by Boch Freres La Louviere. Fully Marked on th...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Osiris Pewter. A pair of Art Nouveau pewter and green glass vases decorated with little frogs to the rims.

Margaret Gilmour attributed in the style of Talwin Morris. An Arts & Crafts Glasgow school brass planter with embossed kissing love birds.   

Secessionist Art Nouveau porcelain vase. Tall highly decorated porcelain vase, created in Czechoslovakia, circa 1920. This beautiful pieces has been crafted in white porcelain hav...

Large Art Deco porcelain vase from Rosenthal. Hand-painted with floral motifs. In good condition. 35 cm. high. Hallmarked.

Vase Sign: Schneider Charles Schneider (1881-1953) studied art in two of most prestigious French school of the Arts. First in the School of Fine Arts in Nancy, then in the elite Eco...

A brass beaker with a recessed plaque of a woman and child with a donkey and dove. Maker's mark to the underside.

Centerplaces, WMF, German Page 346 WMF book (Art Nouveau Domestic Metalwork from Wurttembergische Metallwaren Fabrik) ox: Oxidized. The impresse decoration is blackened with a sol...

Émile Gallé (1846-1904), France. Early and rare vase in art glass executed in purple and clear glass. Pâte de verre technique. Ca. 1900. In perfect condition. Marked. Dimensions: H 2...

Antique Monumental Japanese Cloisonne Vases on Wood Stand - Pair This exquisite pair of antique monumental Japanese cloisonné vases, elegantly displayed on wooden stands features v...

Art Deco Vase in Glass, Belgium, Early to Mid 20th Century. This is a wonderful and very distinct mid century gold decorated art deco vase in art glass, presumably made by Glasfabri...

Model #3791 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Hallmarked in Sheffield in 1910 by James Dixon & Sons, this handsome pair of Antique Sterling Silver Vases, are plain in design, and of a larger than usual size. Each vase measures 1...

Art Nouveau cut glass emerald green vase on a piedouche with a raised gilded frieze of roman soldiers and godesses surrounded with grape garlands.   

This vase is a showstopper- rich, hand blown cobalt blue crystal is embellished with wheel cut engraving and highlighted in gold. The fanciful decoration circles the circumference of...

Beautiful antique Murano hand blown Millefiori Murrina flower mosaic Italian art glass decorative flower vase. Documented to the Fratelli Toso company, circa 1910-1930. Created in a ...

This is a Roseville Art Pottery Foxglove pattern vase. It is a brick color large oval shaped Roseville bowl vase. It is decorated with a relief of green leaves & branches of Foxglove...

Primitive Antique Vase from Royal Copenhagen with Hand-Decorated Underglazed Pattern Vase No. 2315-36 in porcelain with Art Nouveau-style floral decoration. Made by Royal Copenhagen...

Wonderful vintage Murano glass vase designed by Fratelli Toso in the 1920s. The blown glass is amber-coloured with dark red nuances, a particular workmanship of Murano glass. The ...

A rare and very unusual pair Doulton Burslem Coaching art pottery vases dating from around 1909. The earthenware vases are of tall square column form standing raised on a wide square platform base and is decorated with a two coachman figures to the body with banners, one reading The Coachman and the other An Old Jarvey. A further decoration of horse drawn coaches...

Tiffany Favril and pulled feather glass vase, circ 1900's. Retains original paper label. Marked with "favril" and production number. "

"Paysage de Printemps" by Daum Frères A stunning late 19th Century French cameo glass vase etched and enamelled with a vibrant spring landscape, exhibiting excellent colour and de...

Daum Nancy wheel carved cameo glass case, circa 1910.

Charles Schneider. Green glass vase with applied black glass decoration in the Emeraude pattern, from circa 1925, engraved: Schneider. 9-3/4 inches high (24.8 cm). Reference: C. S...

Colossal antique Emile Gallé vase in frosted and purple art glass carved in the form of foliage. Ca. 1920. Measures: 43.5 x 16 cm. In excellent condition. Signed.

Known as a "Jack in the Pulpit" vase, this Favrile glass creation by Tiffany Studios New York begins with a bulbous base in deep hues of striated, swirling iridescent yellow and gold. Shooting upward from the base is an elongated, narrow neck of similar coloration, darkening in coloration as it ascends. From the narrow neck explodes an outward facing glass bloom in brilliant shades of ochre, umber and marigold, made to shimmer by the undulations in the bloom's outer edges, all tinged with iridescence. Item #: T-20052 Artist: Tiffany Studios New York Country: United States Circa: 1900 Dimensions: 17.5'' height, 8.5'' width, 5'' depth Materials: Favrile glass Signed: “L.C.T. Y5463” Literature: A similar vase is pictured in Timeless Beauty: The Art of Louis Comfort Tiffany...

A Soffiato Glass Vase with Aventurine by Fratelli Toso (attr.), Murano ca. 1930s A rare Murano art glass vase manufactured most probably by Fratelli Toso around 1930s. Thin opaque white glass with aventurine inclusions and applied foot, handles and rim in black. Fratello Toso was one of the leading art glass manufacturers of Murano in the 20th century. In the early 1900's Fratelli Toso started to produce glasses in murrine technique. Murrine and Millefiori glasses remained a major product field of Fratelli Toso. In 1912 a very successful series of liberty inspired art glasses, designed by Hans Stoltenberg...

This antique vase is unsigned, but made by the Loetz glass factory of the Czech Replublic in approximately 1900 in the period Art Nouveau style. The vase is done in the gold irridesc...