1840s Centerpieces

A stunning piece of Old Paris porcelain that features two sides of beautiful hand-painted floral panels, hand-cut work and hand-painted trim. Nicely shaped with a long and deep boat ...

This silver presentation vase is a small replica of the classical Roman ‘Warwick Vase’. The body is cast and chased with fruiting vines below the rim. The central field has a continuous band with bearded Bacchic heads floating above a lion’s mask and pelt. The applied handles comprise gnarled twisted vine stems. The spreading stem is set on a square foot which in turn sits on an ebonised wooden plinth base. The plinth is applied with two vacant laurel wreath cartouches and two rectangular plaques, one finely engraved with the Royal Coat of Arms and the other inscribed “Plymouth, Devonport and Cornwall Races 1845, the gift of her Most Gracious Majesty Queen Victoria, Augustus Coryton Esqr, W. R. Fortescue Esqr, Stewards” and “Her Majesty’s Vase, value 100gs., for three-year-old and upwards – Heats, about two miles, starting at the T.Y.C. Starting-post, once round, to the Grand Stand Winning-post.” Fully marked and stamped on the side of the foot ‘Hunt & Roskell Late Storr & Mortimer 2225’. English, assayed for London 1845. Provenance: Her Majesty Queen Victoria. Sir John Barker-Mill, Baronet of Mottisfont.Thence by descent. John Barker (1803-1860) was created 1st Baronet ‘of Mottisfont in the County of Southampton’ on 16 March 1836. A noted racehorse owner, Barker won numerous prestigious trophies with Giantess, Cymba, Miss Ellis and Pugilist. His most prestigious horse, Leviathan, sire of Giantess, won 16 of 21 starts and was sold to George IV for 2,000 guineas. Plymouth, Devonport and Cornwall Races were held from 1828 until 1930. The racecourse was a flat, oval course of 12 furlongs with a straight run-in of 2 ½ furlongs. ‘Royal Plates...

This English Sheffield plate wire-work epergne is distinguished by gracefully scrolled supports, which branch from a round footed base and suspend six baskets, with a large central basket at the top. Each of the baskets is shaped to hold a boat-shaped blue Bristol glass...

A Beautiful and Quite Large 19th century English Grand Tour Period Black Belgian Marble Pedestal stand Two-Handled Centerpiece/Tazza. This hand carved and hand-polished marble tazza ...

Illuminate your space with the timeless elegance of this 19th-century Louis XVI style candelabra, a true testament to refined craftsmanship and exquisite design. This five-arm master...

Rare Sevres, gilded bronze dish, platter, depicting a Charming and Angelical Scene, a Lady and a little angel in the countryside in the garden in the background, and garlands of flow...

Silver cup and glass by Johann H.P. SCHOTT Söhne. ORIGIN Germany PERIOD 1840 ca AUTHOR Silversmith Johann H.P. SCHOTT Söhne MODEL Cup, vase MATERIALS Silver and glass DIMENSION...

Carrying old silver plate marks Elkington & Co. in 1845, this attractive, Victorian, Antique Silver Plated Mirror Plateau, features an orna...

Paris porcelain white and gold open-work centerpiece, circa 1840.