White and Pink Fruit Tray by Ettore Sottsass

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This ceramic fruit tray adds a pop of color to the room with its bright pink glazed base and lustrous white glazed top. This piece is one in a limited series of 50 crafted in Bottega Gatti by Ettore Sottsass.

Ettore Sottsass (Designer), 
Ceramica Gatti (Maker)
Production Type
Limited Edition
Production Time
Available Now
In the Style Of
Place of Origin
Date of Manufacture
Materials and Techniques
Hand-Crafted   Ceramic
12.2 in. H x 12.2 in. W x 12.2 in. D
31 cm H x 31 cm W x 31 cm D
Dealer Location
Milan, Italy
Number of Items
Reference Number

About Ettore Sottsass (Designer)

An architect, industrial designer, philosopher and provocateur, Ettore Sottsass led a revolution in the aesthetics and technology of modern design in the late 20th century.

     Sottsass was the oldest member of the Memphis Group — a design collective, formed in Milan in 1980, whose irreverent, spirited members included Alessandro Mendini, Michele de Lucchi, Michael Graves, and Shiro Kuramata. All had grown disillusioned by the staid, black-and-brown “corporatized” modernism that had become endemic in the 1970s. Memphis (the name stemmed from the title of a Bob Dylan song) countered with bold, brash, colorful, yet quirkily minimal designs for furniture, glassware, ceramics and metalwork. They mocked high-status by building furniture with inexpensive materials such as plastic laminates, decorated to resemble exotic finishes such as animal skins. Their work was both functional and — as intended — shocking.

     Sottsass's most-recognized designs appeared in the first Memphis collection, issued in 1981— notably the multihued, angular “Carlton” room divider and “Casablanca” bookcase. As pieces on these pages demonstrate, however, Sottsass is at his most imaginative and expressive in smaller, secondary furnishings such as lamps and chandeliers, and in table pieces and glassware that have playful and sculptural qualities.

     It was as an artist that Ettore Sottsass was celebrated in his life, in exhibitions at the Los Angeles County Museum of Art, in 2006, and the Philadelphia Museum of Art a year later. Even then Sottsass’s work prompted critical debate. And for a man whose greatest pleasure was in astonishing, delighting and ruffling feathers, perhaps there was no greater accolade. That the work remains so revolutionary and bold — that it breaks with convention so sharply it will never be considered mainstream — is a testament to his genius.

The Craftcode
Via Savona N. 97 - Loft C5
Milan 20144
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1stdibs Dealer since 2015 Located in Milan, IT
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