Ceramics

This is a rare and early stone China (Ironstone) mug which dates to the George 111 period, circa 1815 made by the Davenport factory of Longport, Staffordshire Potteries, England. The mug is straight sided similar to a coffee can and has a loop handle with an upper thumb rest. The pattern is number "659", which is one of Davenport's very few chinoiserie patterns. The bold pattern features striking polychrome enamels of rocks and different flowers all in the Chinoiserie style, hand painted over-glaze in different colours over an under-glaze blue printed outline. The pattern is embellished with good hand gilding. There is also a deep border pattern to the inside rim which replicates the outer mug pattern with sprigs of hand painted flowers. The mark on the base of the mug is Godden's 1183, a blue printed DAVENPORT STONE CHINA...

Maiolica flower pot “a mezzaluna” decorated with trompe l’oeil Pasquale Rubati Factory Milan, 1770 circa It measures: 4.7 in (cm 12) X 5 in (...

A stunning Spanish or North African faience deep bowl. 18th century. Well cared for with various old rim repairs typical of the form. Red ware base. 15 1/4" diameter, 4" height. We ...

This large Chinese Imari porcelain charger dates to the Qianlong period of the Qing dynasty, circa 1760.   Finely potted with a lovely rich, glassy white glaze, the charger is hand-p...

Early 19th century terracotta water jar from Norther Puebla, Mexico. Unusually wide format pot with large intact handles. The majority of the neck...

This is a very good 19th century Chinese Export, (Canton) deep plate or dish, which we date to the early 19th century, circa 1820 of the Qing dynasty. The plate has a light green,...

A large Chinese Export Famille Rose charger with pink lotus and other flowers. Painted in bright vivid colors of blues, reds and yellow accents.

This is a very beautiful jewelled coffee can all hand painted and gilded in the French Sevres style, possibly made by them and dating to the early 19th century, circa 1810. This c...

This is an ironstone Vase in the blue Hawthorne and fence and bowl pattern, made by Mason's Ironstone of Lane Delph, Staffordshire, England, during the first half of the 19th century...

Antique Spode Ornithological Miniature Chamberstick With rich apple green background, with gilt ring handle, painted with a vignette of a Whinchat in l...

This is a fine and rare pair of miniature Mason's ironstone Vases or Urns, hand painted in in the beautiful "Fence, Rock and Gold Flower" pattern, which ...

Elegant circa 1790 Nanking Chinese porcelain hand painted blue and white tureen in excellent condition, no repairs.

This is a fine quality Derby porcelain bowl in pattern number 110, fully marked with puce crown & battons and dating to 11790, George 111rd period. It is beautifully decorated in ...

This is a very rare, ironstone Ink Well, all beautifully hand painted, made by Mason's, of Lane Delph, Staffordshire, England, circa 1815-1820. This piece is well potted as an op...

This is a very good quality coffee can in a hand gilded pattern made by Worcester during the Barr, Flight & Barr period (BFB) of George 111rd years, circa 1807-1813. The coffee ca...

This is a beautiful porcelain coffee can and matching saucer by the Derby factory, made during the late Georgian period of the early years of the 19th Century The cylindrical can ...

This is an early 19th century high quality porcelain Serving Set of two large serving plates plus 8 matching side plates, all hand painted with different scenes, which we attribute to Rockingham or another quality Staffordshire, English pottery and dating from the late Georgian Regency period, circa 1825 to 1835. Dimensions; 2 x Large plates : 9.5 inches diameter, 8 x side plate : 6~7/8 inches diameter. All pieces are beautifully hand painted with different landscape scenes of cathedrals, churches, castles, ruins, bridges etc, set in panels, against intricately gilded detailed decoration, within a lovely salmon ground colour. Overall a beautifully hand painted, fine quality, early English...

A rare and unusual antique English large salt glazed stoneware jug modelled a a thatched cottage by Brampton and dating from around 1820. The six sided jug stands raised on a molded ...

A 6 antique earthenware tiles set evoking a delicate sun-shaped figure surrounded by abstract shapes. A beautiful decorative set that can be used on a chimney or a wall - one of many...

This is a very rare Ironstone pottery Chamber Stick, made by the Mason's factory at Lane Delph, Staffordshire, England, circa 1818. The chamber stick is circular with a ring handl...

This is a good example of a very early 19th century Pearlware Chestnut Basket in the "Blue Willow" transfer pattern. Creamware was invented during the second half of the 18th century and reached its height of popularity c.1810. Chestnut baskets were common serving pieces in 18th and 19th century households. Period antique Chestnut basket...

This is a superb Ironstone Sauce Tureen, complete with lid, made by Mason's of Lane Delph, Staffordshire, England, during the early part of the 19th century, circa 1820. This ture...

This is a very good example of an English George III period, porcelain, coffee can, made by Spode, England in the early 19th century, circa 1810. The can is nominally straight sided and has the Spode loop handle with a pronounced kick or kink to the lower part, with a lower attachment that curves out slightly from the cup. Spode is the only factory with a handle of this exact shape. The can is decorated with one of their grey "bat printed" designs, showing game birds collected after the shoot. It also has hand painted gilded detail to both rims and the handle. Similar Spode bat printed...

18th century Portuguese "Vase" Measures: 154cm x 140cm 110 tiles Important note: This panel is with the tiles restored 17th century. The panel is delivered as if it were a pai...

This is a good early pair of Mason's Ironstone pottery tea plates, hand painted in the very decorative Basket Japan pattern, produced by the Mason's factory at Lane Delph, Staffordsh...

This is an Ironstone Tureen, complete with lid, made by Mason's of Lane Delph, Staffordshire, England, during the early part of the 19th century, circa 1825 to 1840. This is a rar...

Set of beautiful moulded tiles made of earthenware. Featuring flowerheads and foliage, this set of antiques creates a universe on its own.

Maiolica plate (tondino) Urbino district, Casteldurante or Pesaro, 1533-1555 It measures: diam. 7.48 in (19 cm), foot diam. 2.75 in (7 cm), height 1.0...

Pair of Delft calendar plates in blue and white garden scenarie. March and April plates. These two plates were part of a 12 plate series of calen...

18th century Portuguese "Troubadour" Measures: 252cm x 86 cm 108 tiles Important note: This panel is with the tiles restored 18th century. The panel is delivered as if it were...

This is a finely hand painted porcelain coffee can made by the Derby factory, England, in the Georgian Regency period of the 19th century, circa 1825   Straight sided coffee cans w...

This is a very good large Lidded Tureen, made of porcelain, which we date to the first half of the 19th century, circa 1830. The tureen is well potted with a circular footed base ...

This is a very beautiful porcelain coffee can made by a French Paris maker, dating to the very early 19th century, circa 1800. The very fine Paris Porcelain coffee...

This is a rare miniature Mason's ironstone Lidded Urn or Vase in the beautiful Gold Rose Japan pattern, which we date to circa 1820. Miniature or toy items of Masons ironstone are...

This is a good porcelain duo of a cup and saucer by the Derby factory, made during the George 111rd period, circa 1800. Both pieces are well potted in the Hamilton flute shape wit...

This is a Mason's bone china porcelain Desert Plate in a hand painted pattern called; Central Spray Mixed Border. The plate has a "Cabbage ...

This is a good early hand painted ironstone (stone china) saucer dish or plate, made by William Davenport and Co., Longport, Staffordshire Potteries, England, George 111rd period, ci...

This is a beautiful porcelain Coffee Can by the Derby factory, made during the late Georgian period of the early years of the 19th Century The cylindrical can tapers slightly to t...

This is a Georgian set of six matching Mason's ironstone plates, all in the Oriental Pheasant pattern and dating to the earliest period between 1813-1820. Sets of early plates in...

Sick cup Pasquale Rubati Manufacture Milan, Circa 1770 - 1780 Maiolica decorated in polychrome “a piccolo fuoco” (third fire) It measures: h 2.36 x 7.4 x 7.87 (h 6 x 19 x 20 cm) ...

18th century Portuguese "Vases" Measures: 312 cm x 210 cm Important note: This panel is with the tiles restored 18th century. The panel is delivered as if it were a painting ...

These stunning Wedgwood black basalt sphinxes are a true masterpiece of Wedgwood craftsmanship and artistry. These mythical creatures are a sight to behold with their majestic woman's head, mighty lion's body, and elegant wings. Each sphinx sits atop a raised rectangular base, adorned with a geometric design of circles and fleur-de-lis. Each sphinx features a 'lotus flower' nozzle to hold candles, adding a touch of whimsy and charm. Made in the eighteenth century, circa 1785, these sphinxes showcase Wedgwood's exceptional attention to detail and dedication to quality. The underside of each sphinx is marked with an impressed "Wedgwood" signature in lowercase letters. With a height of 10.2", a depth of 7", and a width of 3.6", these sphinxes are truly imposing in size and presence. In excellent condition, this pair is a rare and highly coveted find for collectors of Wedgwood black basalt. Reference: "The Dictionary of Wedgwood" R Reilly and G Savage pg 323. Dimensions: 10.2" height x 7" deep x 3.6" wide Condition: Excellent with tiny edge chips invisibly restored Price: $6,600 Background of Wedgwood black basalt: In the mid-18th century, Josiah Wedgwood created black stoneware, which he named "Black Basalt," as it resembled Egyptian basalt...

An early 19th century French glazed earthenware plate from Rouen, with a hand-painted country house in blue, grey and green. White cra...

18th Century Portuguese " Angels " Measures: 84 cm x 70 cm 30 Tiles. Important note: This panel is with the tiles restored 18th century. The panel is delivered as if it were a...

18th century Portuguese "Troubadour " Measures: 140cm x 108 cm 80 tiles Important note: This panel is with the tiles restored 18th century. The panel is delivered as if it wer...

This is a good early hand painted ironstone (stone china) Side Plate, made by William Davenport and Co., Longport, Staffordshire Potteries, England, George 111rd period, circa 1815. ...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

A rare Dutch Majolica plate with a decoration of a tulip. Northern Netherlands, probably made in the city of Rotterdam. Made 1620 - 1640 Dutch majo...

These are Four Delft ceramic wall tiles mounted on a modern wood frame, all with a blue and white hand painted flower pattern, made in the Netherlands during the 17th century, circa ...

This is a beautifully hand-painted Chinese porcelain blue and white Dish from the Qing, Kangxi period, 1662-1722. The dish is finely potted with an octagonal shape using a clear w...

18th century Portuguese "Spring " Measures: 112 cm x 89 cm 48 tiles Important note: This panel is with the tiles restored 18th century. The panel is delivered as if it were a ...

18th century Portuguese "Citywide " Measures: 168cm x 126 cm 108 tiles Important note: This panel is with the tiles restored 18th century. The panel is delivered as if it were...

18th century polychrome Delft oil and vinegar stand in Imari flower decorations.

18th century Portuguese "Knight" Measures: 98 cm x 112cm 56 tiles Important note: This panel is with the tiles restored 18th century. The panel is delivered as if it were a pa...

This is a good, Mason's Ironstone Hydra jug or pitcher in the Turner Willow, colored Blue and White pattern, made in the English, first half of the 19th C period, circa 1830. The j...

An assembled pair of Wedgwood cress or strawberry dishes, Two Piece; Footed Pierced Dish with Stand. Late 18th c. This would have been used to serve watercress or strawberries after ...

Antique set of two 19th century Spanish hand painted glazed ceramic patterned tiles with white frame Dimension do not include frame.

Coffee assortment with “barbotine” decoration Manufacture of Pasquale Rubati or Felice Clerici Milan, 1770- 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). ...