English Porcelain

This is a hard paste porcelain waste or slop bowl by New Hall in a hand painted Chinoiserie figure pattern No. 20, dating to the late 18th century, circa 1790. The bowl is well potted on a mid depth foot. The decoration is hand-painted using bold enamels in a charming chinoiserie figure pattern, number 20, showing a Lady with a parasol being presented a flower by a young man, all by a fence in a garden setting. The inner rim has a repeated border pattern and the inside base has a hand painted flower bud sprig which is worn and faded. This is a recorded New Hall pattern No 20. Overall a charming 18th Century Bowl...

A stunning Royal Worcester hand painted porcelain cabinet plate painted with a Pike by George B Johnson and dating from 1921. The rounded plate is is finely ...

On offer is a superb pair of white parian figures, probably English and made in Staffordshire in the late 19th Century. The figures are after a pair of bronze models created by Charl...

Set of 3 large Derby Urns, England 19th century.

Daisy Makeig Jones’ description relates this to Völuspá, a poem from the Poetic Edda, which is a collection of Old Norse poems. In Völuspá, it is said that the dwarves were created by the god Loki and the giantess Angrboda, and that they were condemned to live underground. The Light Elves are also mentioned in the poem as being allowed to live in the realm of Alfheim, which is a place of beauty and light. In Norse mythology...

This is a stunning set of 8 reticulated plates made by Copeland in 1848. Each plate is decorated with a unique sublimely painted flower arrangement by the artist Greatbatch. We have a second set of 8 of these plates available, as well as a few separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. These plates were potted in fine white bone china, the rims meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made these plates expensive. The sublimely painted flower arrangements in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. These plates would have belonged to a sublimely expensive dessert service. They are all stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and Porcelain...

This is an extremely rare and beautiful coffee cup and saucer made by H&R Daniel some time between 1825 and 1830. The set is potted in the "plain" shape and bears pattern no. 4652 wi...

This is a splendid three-well ink stand or writing desk set made by Chamberlains Worcester in about 1810. The ink stand contains a stand with a pen holder or candle holder in the sha...

It's a large polychrome porcelain orientalist jug, signed B.T.F.C. on the bottom. Made in England in 1870.

This is a stunning porcelain figure of Neptune with a dolphin standing on a sea shell, made by Derby around the year 1785. The figure is in beautiful original condition. We have one other Neptune figure from 1765, please see separate listing. The Derby Porcelain factory has its roots in the late 1740s, when Andrew Planché, a Walloon Huguenot refugee, started making simple porcelain toys shaped like animals in his back yard. In 1756 Staffordshire enameller...

Spode (English, founded 1770), circa 1820. An extremely fine quality and rare personal tea service in rust and gold. The surfaces are decorated in an imari style pallet - laurel leaf...

A set of 11 Imari style ironstone dessert dishes, made by Spode circa 1815. Josiah Spode II began producing stone china in 1813 as an alternative to porcelain. Stone china, also kno...

This is a beautiful garniture of five vases made by an unknown English maker in about 1820-1825. The garniture consists of one campana vase and four differently sized spill vases. Th...

English Blue and White Transfer Supper Set. Soft Paste Porcelain Covered Serving Dishes in a Custom Fitted Tray. Circa 1850-1880. Center oval covered bowl surrounded by four custo...

English porcelain of a Great Dane dog, early 20th century.

An Aesthetic Movement Grainger Worcester sucrier with a fitted silver plated swing handle Stand dated 1899. The very finely made porcelain sucrier has a ribbed flower bud shaped body...

This is a stunning pair of plates made by Minton in 1857. The plates are beautifully moulded in the Newcastle Embossed shape, the moulding picked out and turquoise and gilt, and hand...

Carlton Ware, England. Large Rouge Royale lidded vase in hand-painted porcelain. Beautiful luster glaze. Gold decoration on edges and lid knob. 1930s. Measures: 27 x 17 cm. In ex...

A very finely made antique Royal Worcester porcelain candle snuffer modeled as a monk reading a bible and dated 1905. The candle snuffer is po...

This is a very striking part dessert service made by Spode in about 1828, which is the Regency era. It is made of Spode's Imperial China and has the Frog pattern in mauve/purple. It consists of a high footed comport...

Derby Porcelain Yellow-ground Botanical Dish, Pattern #216, circa 1795 The Derby Porcelain oval dish has a yellow-ground border with a central wel...

This is a gorgeous dessert serving dish, or "shell dish", made by Spode in about 1810, which was the Regency era. The dish has a beautiful Neoclassical pattern of gilt details on an ...

This is a wonderful little figure of a boy or putto made by the Bow Porcelain factory in about 1760. The Bow Porcelain Factory was one of the first potteries in Britain to make soft...

A very fine set of six porcelain bowls. By Copeland. Each bowl with an ornate rim with alternating floral garlands and underglaze cobalt blue cartouches that are decorated with gilt insects. The centers of the bowls have hand painted polychrome bird of paradise scenes as well as insects and butterflies. Retailed by L. Goode & Co. of London. Fully marked to the reverse. Simply a wonderful set of Copeland bowls! Date: 19th Century Overall Condition: They are in overall good, as-pictured, used estate condition. Condition Details: There is some rubbing to some of the gilding on some of the plates, and one bowl has a small chip under the rim. Otherwise, there are some fine and light surface scratches and other signs of light wear consistent with age. Marks or Signature: Marked to the reverse with a retailer's mark L. Goode & Co. London and with the backstamp for Copelands China England...

This is a beautiful plate made by Copeland in 1848. It is decorated with a sublimely painted flower arrangement by the artist Greatbatch. We have two sets of 8 of these plates available, as well as a few more separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. This plate was potted in fine white bone china, the rim meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made this plate expensive. The sublimely painted flower arrangement painted in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. This plate would have belonged to a sublimely expensive dessert service. It is stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and...

Antique English Chamberlain Worcester porcelain large botanical specimen oval dish, circa 1815. The large Chamberlain Worcester dish is painted o...

A very stylish and fine pair of early English porcelain plates hand decorated in the Imari style and dating from around 1810. The plates of rou...

This is a very charming pair of porcelain figures of a stag and a doe, probably cast by Derby in about 1760 and decorated by Bloor Derby in 1820. The figures are a simple white porce...

English 19th century Staffordshire porcelain figurine of Bonnie Prince Charles and Flora McDonald.

This is a very striking and rare square dessert serving dish made by Samuel Alcock, circa 1822. The dish has a hand painted flower landscape in an unusual style. The dish has provena...

This is a late 18th century porcelain Tea Cup and Saucer in pattern 128 by the Derby factory, Circa 1795. This is a rare Derby pattern that we have not come across or seen previou...

Pair of covered fruit coolers and liners, pair of covered sauce tureens on stands, 1 fruit compote, 4 lozenge-shape dishes, pair of square dishes, 4 shell-shaped dishes, 22 plates.

This is a beautiful plate made by Copeland in 1848. It is decorated with a sublimely painted flower arrangement by the artist Greatbatch. We have two sets of 8 of these plates available, as well as a few more separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. This plate was potted in fine white bone china, the rim meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made this plate expensive. The sublimely painted flower arrangement painted in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. This plate would have belonged to a sublimely expensive dessert service. It is stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and...

Pair of 1920s English chinoiserie Chinese vase motif saucers. Original condition with no visible signs of previous repairs. Illegible brand stamp on the underside.

This is a rare first period (or Dr. Wall) Worcester Coffee Cup, with a distinctive hand painted pattern, made of porcelain and dating to the 18th century, circa 1770. The cup is well potted with a grooved loop handle This delightful early Worcester Cup...

Set of Three Spode Cup and Saucer Sets – Y8172-G "Shima," Y8380-G "Élysée," and Y8356-G "Fleur de Lys Blue" This exquisite set of three Spode fin...

A rare pair of English porcelain double-handled polychromed porcelain urns with classical figures; marked "S.A. & Co." (Smith Ambrose and Co. Burslem, England); each finely decorated...

This is a stunning pair of plates made by Minton in 1857. The plates are beautifully moulded in the Newcastle Embossed shape, the moulding picked out and turquoise and gilt, and hand...

This is a spectacular set of eight plates made by Barr Flight & Barr between 1811 and 1813. They are made in one of the many versions of the "Imari Fence" or "Japan" pattern. Barr...

This is one of the most complete and unusually decorated dessert sets with all the serving pieces and shaped serving pieces. The shaded purple background creates a dramatic contrast ...

This is a beautiful and very rare dessert service made by Flight, Barr & Barr between 1815 and 1820. The service consists of a central comport, two sauce tureens with covers, a squar...

A teacup and saucer with milk jug in the “melted snow” shape with double drop handles, pale yellow ground with rich gilt and cobalt blue acanthus pattern and finely painted flower re...

A very Fine pair of Spode porcelain shrimp bowls. With rich gilding, underglaze cobalt blue borders, and hand painted topographical scenes at their centers. One scene depicts f...

This charming pair of gilded olive brown Mintons pâte-sur-pâte footed moon flask vases feature a romantic caged putto motif executed in white slip on a bla...

This is a very rare and impressive large figure of Juno with an eagle, made by the Bow Porcelain factory in about 1765. This figure formed part of a series of the Four Elements, with...

This is a stunning pair of oval dishes made by Minton in 1857. The dishes are beautifully moulded in the Newcastle Embossed shape, the moulding picked out and turquoise and gilt, and...

This amazing set of nine Mintons, 19th century cabinet plates depicting young nymphs in fanciful, bucolic settings are beautifully and realistically painted on a soft aqua background...

Pair of English porcelain covered entree dishes, Chamberlain Worcester, circa 1820.

A fine antique English porcelain plate. By the Chelsea Porcelain Factory. Likely made in the 1750s during Chelsea's Red Anchor Period...

This is a very rare oval lobed dish from the famous "Earl of Camden" service made by the Derby Porcelain Company in 1795. The service was painted with typical English roses by William Billingsley, one of Britain's most famous painters, and responsible for exactly this type of rose painting on British porcelain. There are more items available in this pattern, see separate listings. To keep these items together we'd be happy to offer a discount on multiple purchases - please ask! The Derby Porcelain Company, later called Royal Crown Derby, is currently the oldest British porcelain factory still in production. The Derby pottery was one of the most prominent potteries right from the start of English porcelain production in the mid 1700s to today, and the factory went through many iterations. In the 1820s, it was called "Bloor Derby" as it came under the ownership of Robert Bloor; this factory later closed but its legacy was continued under the ownership of a group of employees, and later this was merged into a new factory called Royal Crown Derby, which is still in operation today and still carries forward some of the oldest patterns that have made it famous over the centuries. William Billingsley was a brilliant but notoriously difficult man who left behind a trail of debts, broken hearts and mystery - but he was also one of the most important people in the history British porcelain. Billingsley revolutionised the way British decorators painted flowers; he added a freedom and artistry that now singles out British flower painting, and he created a new technique for painting roses, which you can see in this design. Billingsley worked at Derby, Worcester and Mansfield. He also set up his own potteries in Pinxton and Nantgarw and created some of the best porcelain ever made, but racking up great debts, before running off in the dead of night and ending his days at Coalport painting flowers. Items painted by William Billingsley are rare and very much in demand - together with Thomas Baxter's work they are probably among the most desired pieces of British porcelain. The Earl of Camden service was a huge service ordered by Lady Camden in 1795. It had to be produced under great, and unrealistic, time pressure and was notoriously late, much to Lady Camden's chagrin. She wanted the service to be produced by only the best artisans and therefore William Billingsley was tasked with painting all items - but it is thought that when it was clear the deadline was impossible to make, he enlisted the help of John Brewer for some of the last items, such as the ice pails. This plate shows the typical "Billingsley" roses: a beautiful naturally flowing garland of English roses interspersed with buds, trailing around a crisp gilt ribbon. The way the roses link into each other, the way each individual one is completely different, the light effects achieved by rubbing out some of the pink paint, and the very fine buds and foliage all point to these being from Billingsley's hand. This dish came together with a plate that bears labels that point to a rich provenance: the Doris Wheatley Collection, the Daniel Collection, Derek Gardner...

An octagonal fairyland lustre bowl, decorated with Geisha pattern, one of the best loved of Daisy Makeig-Jones’ designs. Probably the best of Wedgwood's female designers, Daisy wa...

Chamberlains Worcester 'Africa' Pattern Cobalt Blue Oval Centerpiece  England, circa 1820s A beautiful Chamberlain's Worcester 'Africa' Pattern Cobalt Blue Oval Centerpiece, Mad in ...

A simple but sophisticated early 20th century English porcelain platter with a gilt clover pattern running around the mustard well. Marked "Cauldon England," and "Cauldon Stoke on Trent, C.A. Seltzer" on the back. Large enough for your Thanksgiving turkey...

A Wedgwood ruby lustre bowl decorated with gilded butterflies, designed by Daisy Makeig-Jones circa 1915. Delicately gilded butterflies decorate this bowl's exterior atop a deep ru...

A footed rectangular central comport or centre piece, periwinkle / lilac ground with melted snow and holly leaf borders and flowers, a large pink wild rose painting...

Wedgwood (English, founded 1759), circa 1840. Behold a truly exceptional piece of antique porcelain history: the Rare 1840's Wedgwood "Tower Of London" in Orange Transfer Pearlware ...

This is a beautiful teacup and saucer made by New Hall around the year 1810. The set is decorated in the very desired but rare palm tree pattern with the number 484. We also have a ...

This is a stunning tall Royal Worcester vase hand painted with beautiful ferns and other flora. Each of the flora paintings have raised blush ivory porcelain decoration between them....