American Masks
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Place of Origin: American
Songye Kifwebe Mask University Museum Plaster Cast
By Songye Tribe
Located in Sharon, CT
Perfectly accurate plaster cast reproduction of perhaps the most recognizable Songye Kifwebe mask. A Pennsylvania University Museum cast of their famous mask.
Category
Mid-20th Century Tribal American Masks
Materials
Plaster
Signed Monumental Folk Art Rouge Taxidermy Headdress Mask
Located in Forney, TX
A magnificent American folk art headdress mask by P.J. Stover, signed, titled "Visions", circa 2008. Remarkably executed, the eclectic, sculptural mixed media wall hanging display is...
Category
Early 2000s Native American American Masks
Materials
Antler, Fur, Leather, Beads, Feathers
Set of Eight Framed Masks
Located in Stamford, CT
Eight vintage masks of a rogues' gallery framed in black plastic frames.
Priced as a set.
Category
1960s Vintage American Masks
Materials
Paper
$460 Sale Price
20% Off
Yupik Yup'ik Native American Alaska Carved Polychrome Wood Anthropomorphic Mask
Located in Studio City, CA
A fantastic and somewhat grotesquely strange mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to t...
Category
20th Century American Masks
Materials
Natural Fiber, Wood, Paint
Carved Tribal Mask from Pacific Northwest Coast by David Frankel
Located in Atlanta, GA
A striking carved and painted mask in the tradition of the Native Indian tribes from Pacific Northwest Coast by David Frankel in 1994. The mask...
Category
1990s Native American American Masks
Materials
Natural Fiber, Wood
Yupik Yup'ik Native American Alaska Polychrome Wood Anthropomorphic Spirit Mask
Located in Studio City, CA
A fantastic, somewhat sinister appearing mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the I...
Category
20th Century American Masks
Materials
Wood, Paint
Yupik Yup'ik Native American Alaska Polychrome Wood Anthropomorphic Spirit Mask
Located in Studio City, CA
A beautiful, somewhat benevolent mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the Inuit peo...
Category
20th Century American Masks
Materials
Wood, Paint
Yupik Yup'ik Native American Alaska Carved Polychrome Wood Anthropomorphic Mask
Located in Studio City, CA
A fantastic and somewhat playful mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the Inuit peoples, have a long history of ceremonial mask making. Yup'ik masks were originally and specifically designed by Shamans and made to be worn by these spiritual leaders in Winter tribal dances and sacred ceremonies. Traditionally, the masks were destroyed or discarded after use in these ceremonies. Very few of these masks survived. After Christian contact in the late 19th century, masked dancing was suppressed and the tradition all but died out. As more outsiders settled in Alaska at the turn of the century, masks were made by the Yup'ik people to sell or trade for necessary goods. It is likely that this mask was created some years later for this purpose.
In the 20th century, Yup'ik mask had a profound influence on many renowned surrealist artists including, Max Ernst, Joan Miro, Leonora Carrington, Victor Brauner, and most notably Andre Breton who was an avid collector of Yup'ik masks.
This fantastic anthropomorphic mask is carved of lighter wood, hand painted and decorated with pigment, and held together with natural fiber. The mask seems to represent some sort of smiling, benevolent spirit or character with its four eyes, bird beak, and cat-like ears.
The mask is from a French collection. We were told that this mask, as well as others in the collection we have listed, was acquired originally in the 1950s-1960s in Alaska and the Yukon territory in Canada but as we have no way to verify or authenticate this. Please note we are listing the masks as decorative and not as actual tribal artifacts...
Category
20th Century American Masks
Materials
Natural Fiber, Wood, Paint
Yupik Yup'ik Native American Alaska Polychrome Wood Anthropomorphic Spirit Mask
Located in Studio City, CA
A beautiful, somewhat benevolent mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the Inuit peoples, have a long history of ceremonial mask making. Yup'ik masks were originally and specifically designed by Shamans and made to be worn by these spiritual leaders in Winter tribal dances and sacred ceremonies. Traditionally, the masks were destroyed or discarded after use in these ceremonies. Very few of these masks survived. After Christian contact in the late 19th century, masked dancing was suppressed and the tradition all but died out. As more outsiders settled in Alaska at the turn of the century, masks were made by the Yup'ik people to sell or trade for necessary goods. It is likely that this mask was created some years later for this purpose.
In the 20th century, Yup'ik mask had a profound influence on many renowned surrealist artists including, Max Ernst, Joan Miro, Leonora Carrington, Victor Brauner, and most notably Andre Breton who was an avid collector of Yup'ik masks.
This fantastic anthropomorphic mask is carved of lighter wood and hand painted/ decorated with pigment. The mask seems to represent some sort of smiling, benevolent spirit or character.
The mask is from a French collection. We were told that this mask, as well as others in the collection we have listed, was acquired originally in the 1950s-1960s in Alaska and the Yukon territory in Canada but as we have no way to verify or authenticate this. Please note we are listing the masks as decorative and not as actual tribal artifacts...
Category
20th Century American Masks
Materials
Wood, Paint
Stamped & Polished Metal Tribal Mask Wall Hanging
Located in Chicago, IL
Stamped and cut polished metal tribal mask. Foliate headdress, pierced and plated lower lip with pierced ears joining together in a necklace. Three dimensional with lacquered black b...
Category
20th Century American Masks
Materials
Lacquer
"Sharp is the Action" Mask Sculpture by Dave Root, High-Fire Stoneware, Signed
Located in Kansas City, MO
From a series of masks and heads, "Sharp is the Action" is a tabletop sculpture inspired by the masks and heads made throughout Oceania. Landing in the nebulous zone between ceremony...
Category
2010s Modern American Masks
Materials
Stoneware
Carved and Painted Wood Architectural Element in the Form of a Mask "Green Man"
Located in Stamford, CT
A carved and painted wood "Green Man" mask from a facade of a mansion near Seattle, late 19th century. The Green Man is a legendary being primarily interpreted as a symbol of rebir...
Category
1890s Folk Art Antique American Masks
Materials
Wood
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Located in valatie, NY
Chiefly Feasts: The Enduring Kwakiutl Potlatch by Aldona Jonaitis. American Museum of Natural History; University of Washington Press, New York and Seattle, 1991. 1st Ed paperback. 300 pages, 132 large, mostly full-page color photographs and 86 b/w of 19th and 20th century Kwakiutl art in the museum's collections. Published to accompany the exhibition held at the American Museum of Natural History, October 1991 to February 1992; Royal British Columbia Museum, June to November 1992; California Academy of Sciences, San Francisco, January to August, 1993; National Museum of Natural History, October 1993 to March 1994; and Seattle Art Museum, May to September 1994. a traveling exhibition of boldly designed Kwakiutl ceremonial objects which recently opened at the American Museum of Natural History in New York City. The potlatch, a festive gathering marked by the lavish distribution of gifts to guests as a sign of the host's status, is central in the tradition of the Kwakiutl of Vancouver Island and the mainland. Ritualistic simulated cannibalism was a feature of some potlatches, which led to the Canadian government's outlawing of the ceremony in 1884. The Kwakiutl continued to potlatch furtively until the ban was rescinded in 1951. Dramatic masks, symbolic wall paintings, headdresses, feast dishes and blankets are among the objects reproduced, together with archival and contemporary photographs attesting to the persistence of the potlatch tradition. Essays by scholars discuss Kwakiutl ritual dance, analyze the social significance of potlatch and reveal how anthropologist Franz Boas...
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