Danish Chandeliers and Pendants

Authentic vintage mid century Danish / Scandinavian Modern hanging lamp / ceiling lamp / pendant light. Design 1032-P by Frandsen. Imported directly from Denmark, this lamp is in g...

Discover the epitome of Danish sophistication with this extraordinary rare bronze pendant chandelier, designed by the iconic design duo Preben Fabr...

Nice orange enamel flowerpot pendant lamp design Verner Panton in 1968 produced by Louis Poulsen, Made in Denmark. In enameled metal no more in production. The lamp is in good condit...

Beautiful symfoni lamp, designed by Preben Dal for Hans Følsgaard in the 1960s.

This iconic 1960s “Kontrast” pendant lamp was designed by Poul Henningsen for Louis Poulsen. Henningsen began his collaboration with Copenhagen-based lighting company Louis Poulsen i...

Unique pendants handmade in the 1970s by artist Jette Hellerøe at Axella studio, Denmark. The lamps are made from stoneware and finished in an expressive glossy glazing in blue color...

The orient pendant was designed by Jo Hammerborg in the 1960s. Aluminum was polished. New white paint inside. Rewired with textil cable. Minor imperfections visible on pictures. Max...

Fun 3DM Seashell Pendant Light by Verner Panton, Denmark, 1960s

Pendants by Lyfa. Manufactured in Denmark, circa 1960s. These conical shades are photographed as a trio. Each shade is slightly different, one being aged brass, and the other two age...

Pair of 1950s Opaline Glass Pendants in the Manner of Vilhelm Lauritzen. Executed in opaline matte glass and polished brass. A lyrical and elegant Danish modern design with a sculptu...

Rare and important Poul Henningsen kuglekrone chandelier made by Louis Poulsen in Denmark in the 1930’s. The frame is made of darkend brass with original acid stained glass and black Bakelite. Poul Henningsen (September 9, 1894 in Ordrup – January 31, 1967 in Hillerød) was a Danish lamp designer, architect, revue writer, film director and social activist known by the initials PH. He was the son of the writer Agnes Henningsen and the stepson of MA, vice consul Mads Henningsen. His biological father was the writer Carl Ewald. PH had his own design studio from 1919, where i.a. the architects Hans Hansen and Mogens Voltelen worked on the clean drawing of the PH lamps. PH thought that electric bulbs cast an impossible light - either it was far too bright, or screens swallowed most of the light. He wanted a lampshade that sent the light out into the room at its full strength without dazzling. The PH lamp's three screens ensure that. He experimented in his terraced house until the lamp up in the ceiling, where the walls were painted black. A pram could be driven back and forth on rails. On the wagon, a candle stood on a cardboard plate and shone on a piece of paper with a grease stain through which the light shone. PH called it a photometer and used it for thousands of measurements of light strength and curves. The breakthrough came when a mutual friend, architect Thorkild Henningsen, introduced him to Sophus Kaastrup Olsen, director of Louis Poulsen & Co. This was the start of a lifelong collaboration. Kaastrup Olsen had some lighting fixtures manufactured and sent them to the international exhibition Arts décoratifs et industriels modernes in Paris in 1925. PH won top prizes in all six classes of lighting fixtures. Forum was inaugurated in 1926 with a car exhibition where the PH lamp with glass shades made its debut. About PH's lamps that illuminated the room, B.T. wrote: "- the white birds that flew through the giant hall". Success was assured and PH's dream fulfilled: he had created a product that could be mass produced and he became a wealthy man. His greatest success was the PH5 – the one we know as the PH lamp (with metal shades), but it was only launched in 1958. He also designed the Koglen, the Kuglen and the Charlottenborg Pendlen, which all hang in Designmuseum Denmark. He lived off the income from his famous PH lamps and used the freedom it gave him to write revues such as Ølhunden, which was sung by Osvald Helmuth, and Grabe imter blanke ting (Man bind us by mouth and hand...) , which was about the German censorship, and which was sung by Liva Weel. He began collaborations with Bernhard Christensen and Kai Normann Andersen. Poul Henningsen, in addition to seeing cubism as his style ideal ("the genuine classless art of democracy"), was a functionalist, an atheist, a hater of the church, an advocate of sexual freedom and an opponent of unnecessary ornaments on buildings. Everything had to reflect their function. This is reflected in a number of buildings in Denmark, for which Poul Henningsen was the architect; like his own villa by Gentofte Sø. From 1941 he was architect for the amusement park Tivoli in Copenhagen. At the same time, he took a unique moderate position, because already in his writings in Kritisk Revy he was critical of Bauhaus' "laboratory architecture" and Le Corbusier. He instead recommended a golden mean and thus paved the way for moderate Scandinavian functionalism. Louis Poulsen, eg. Louis Poulsen Lighting A/S, formerly Louis Poulsen & Co. A/S, is a Danish company that manufactures lamps and lighting designed by well-known designers. Previously, the company also had a wholesale company under the name Louis Poulsen El-teknik, which was acquired by Lemvigh-Müller in 2005. The company was founded in 1874 in Copenhagen by Ludvig R. Poulsen (1846-1906) as a wine import company under the name Copenhagen Direct Vin-Import-Kompagni. The company closed in 1878, but continued in the wholesale business. In 1892 - the same year that Copenhagen got its first and the country's second electricity plant - Ludvig R. Poulsen established a business selling tools and electrical articles in Istedgade 1 on Vesterbro in Copenhagen. In 1896, Ludvig R. Poulsen employed his nephew, Louis Poulsen (1871-1934), in the company. In 1906, Ludvig R. Poulsen died, who was succeeded by his nephew as director. In 1908 he moved the headquarters to Nyhavn 11, and in 1911 he admitted Sophus Kaastrup-Olsen (1884-1938) as a partner in the firm, which was then named Louis Poulsen & Co. In 1914 the company's first catalog was published, and in 1917 Sophus Kaastrup-Olsen Louis Poulsen bought out the company for DKK 10,000 and thus became sole owner of Louis Poulsen & Co. In 1918, the turnover reached 5 million. DKK In 1933, Louis Poulsen & Co. opened. a department in Aarhus. From 1938, the company, which was transformed into a limited company on 1 November 1939, was led by civil engineer Emun Rager (1884-1959) as managing director, as Kaastrup-Olsen died that year. When buying Laur. Henriksen's Metalware factory in 1941 went to Louis Poulsen & Co. A/S itself into the production of lighting fixtures. The magazine LP-NYT was launched the same year with Poul Henningsen as editor. A newly constructed building on Sluseholmen in Copenhagen was inaugurated in 1959 and was partly used for the assembly of fluorescent light fixtures and partly for electrical wholesale storage. In the same year, Jens Kaastrup-Olsen became managing director after Emun Rager. In 1964, the wholesale section was expanded by the acquisition of A/S Classen-Smidth, whereby the company gained branches in Odense and Vejle, and in 1965 Laur changed. Henriksens Metalvarefabrik name for Elpefa A/S, which moved to a newly built production hall on Sluseholmen, where all production and assembly of fittings were brought together. In 1967, I/S El-Salg was established. In 1976, Jens Kaastrup-Olsen died and was succeeded as managing director by Hans Cordes. The following year, the metalware production, which was previously an independent company called Elpefa A/S, was merged with Louis Poulsen & Co. A/S. Louis Poulsen's B shares were listed on the Copenhagen Stock Exchange, and a shareholder agreement was concluded between the heirs in 1977 to ensure that the company remained in Danish hands. 1981 Louis Poulsen & Co. bought A/S electrical wholesale section in S.C. Sørensen and thereby got eight electricity wholesale departments included in the purchase. In 1984, Elpefa Handels- og ingeniersfirma was established, in 1985 JO-EL A/S, and in 1987 the group's turnover reached DKK 1 billion. DKK In 1989, Louis Poulsen & Co. acquired A/S Skandia Havemann's El A/S, in 1990 the Danish subsidiary Lightmakers A/S was established, and in 1995 the electrical wholesale section established a special department for telecommunications and data under the name Louis Poulsen Kommunikation. At the same time, the e-commerce system eLPc was introduced. In 1997, Erik Holm became managing director, and in the same year the Lighting Section bought the English company Outdoor Lighting Ltd. The measuring instrument section of Elpefa A/S was separated in 1998 as an independent limited company under the name ELMA A/S. The electrical engineering section simultaneously bought Norsk Elektro Teknikk ASA and Nordisk Elektro Teknik AB. The shareholders' agreement of 1977 led in the 1990s to several family feuds and lawsuits, but in 1999 an agreement was reached. The family allowed themselves to be bought out, while the company remained in Danish ownership. The new owners were the investment consortium Polaris and HD Invest. After the change of ownership, the Louis Poulsen shares were delisted on the Copenhagen Stock Exchange. In the wake of the company's 125th anniversary in 1999, the former A-shareholders and the new owners of the Louis Poulsen Group established a new Danish lighting...

One of the most famous light by Poul Henningsen, designed for Louis Poulsen, Denmark. Very good original condition. 1x100W, E25-E27 bulb US wiring compatible.

Beautiful Scandinavian modernist triple pendant chandelier. This beautiful piece brings out the warmest of glow when illuminated. The triple ...

A pendant light that was originally designed in the late 1950s by Poul Henningson for Louis Poulsen in Denmark. This piece is from the relaunch in 1982. The light is composed of tier...

Ceiling pendant designed by Louis Poulsen in 1960s. Up to 3 items available Black enameled metal. Max height: 130cm. Very good conditon. Rewired: 1x100W, E25-E27 bulb US wiring...

Radius 1 pendant by Erik Balslev. Brown and beige shades inside white lacquered aluminium. Produced by Fog & Mørup. Measures: 47 cm diameter version with E26/27 Edison socket. No par...

A very rare solid brass and crystal pendant light designed by the danish architect Kay Kørbing in 1967 for the two danish DFDS Ferries/Ships M/S Winston Churchill and M/S Princesse M...

60s 70s hanging lamp ceiling lamp Louis Poulsen AJ Royal 500 Arne Jacobsen Object: ceiling lamp Manufacturer: Louis Poulsen Condition: ...

A pendant light by Ernst von Voss, Denmark, 1940s.

Crystal chandelier Louis XVI Style. 6 Arm Crystal Chandelier with Brass frame. Prisms with blue glass bottom. Copenhagen approx. 1900.  

This ceiling lamp, model Osaka, was designed and produced by Frandsen Lyskilde between 1993 and 1996, in Denmark. The lamp features a stretchable whi...

This ceiling lamp, model Osaka, was designed and produced by Frandsen Lyskilde between 1993 and 1996, in Denmark. The lamp features a stretchable whi...

Beautiful midcentury Scandinavian design brass pendant light. E27/E26 light bulb holder, tested and ready for use. Denmark, 1970s. Dimensions: Height 25 cm/9.80 Diameter 3...

60s 70s huge aluminum pendant lamp by Preben Fabricius & Jørgen Kastholm P700 Object: ceiling lamp Manufacturer: Nordisk Solar Condition: good Age: around 1960-1970 Di...

60s 70s Lamp light ceiling lamp sheet metal Space Age Danish Denmark design. Object: ceiling lamp Manufacturer: Fog & Morup Condition: good Age: around 1960-1970 Dimen...

Danish Svend Aage Holm Sørensen 6-angular brutalist brass pendant by Holm-Sørensen and Pedersen belysninge Aps from 1960´s. The brass is acid treated which gives it a very special e...

Set of 3 1950s Vilhelm Lauritzen 'Christiansborg' Pendants for Louis Poulsen. Executed in opaline matte glass and brass. A lyrical and elegant Danish modern design with a sculptural form characteristic of Lauritzen's finest work of the era. Vilhelm Lauritzen was one of the most innovative Danish modern lighting...

This pendant lamp, model Cocktail, was designed by Henning Rehhof in 1970 for Fog & Mørup, Denmark. The lamp has twelve metal strips, six longer ones and six shorter painted red on o...

- very rare type - nice style of lighting.

A tiered white metal ceiling lamp designed and manufactured by Lyfa in Denmark during the 1970s. The model is called Diseree and features original cord and fitting - suitable for up ...

Extra Large 'Above 21.7' Pendant Lamp for Louis Poulsen in White. The Above pendant by Danish designer Mads Odgård represents an overtly simplistic lighting design. The designer h...

Extra large 'Above 21.7' pendant lamp for Louis Poulsen in black. The Above pendant by Danish designer Mads Odgård represents an overtly simplistic lighting design. The designer h...

Composed of a series of tiered, interconnected bronze and onyx rings and vines, Markus Haase’s Cloud Series light sculptures creating a sweeping landscape...

A pair of Poul Henningsen’s PH5 ceiling lamps produced by Louis Poulsen, Denmark. The lamps are in very good condition, no scratches or noticeable signs of wear, they are tested and...

Beautiful hanging lamp by Simon Henningsen for Lyfa. This lamp is often referred to as the Tivoli lamp, but originally this lamp has the name Divan 2. Made...

A pair heavy pendant lights made from partially lacquered and perforated solid brass and thick Orrefors crystal. These lights were designed by Danish architect Kay Kørbing in 1967 fo...

The three pendants are in teak, brass and opaline glass shades spaced by a teak and brass suspension and connected to a teak ceiling rose. Dimensions of each pendant: Height 40 cm. D...

The three pendants are in dark teak wood, brass and opaline glass shades spaced by a teak and brass suspension and connected to a teak ceiling rose. Dimensions of each pendant: Hei...

Thorvald Bindesbøll (1846 Copenhagen, Denmark 1908), twelve-armed 'Sun' chandelier, circa 1900, designed in the Skønvirke (arts + crafts) style, brass, large size. Manufactured by F...

A pair of three-arm "PH Stammkrone" chandeliers by Poul Henningsen. Both featuring 2/1 opal glass shade sets and browned brass hardware. Designed in the 1950s, later limed edition pr...

Poul Henningsen "Tivoli" lamp designed in 1949 and produced by Louis Poulsen. These Lamps were designed and only made for the Tivoli gardens in Copenhagen and never put into producti...

Large Moser pendant by Anu Moser for Louis Poulsen. Hand blown three-layer white opal glass pendant. The Moser pendant is an extremely honest product, where ...

Doo-Wop Pendant by Jørn Utzon. Current production by Louis Poulsen. Polished brass and metal pendant. Alsom available in black, white, chrome, stainless steel, dark grey and copper. ...

Mid-Century Danish fixture; newly wired with six candelabra sockets, each socket can take a 75 watt bulb.

Chic and sizable six-light wrought iron chandelier with metalwork by Lars Larsson and glass candle holders designed by Erik Hoglund. Stamped signature to metal base. For Kosta.