Ceramic Furniture

Ceramics table lamp made at "L. Hjort", Denmark in the 1930s. The base is made from stoneware and hand decorated with fruit branches and parrots motif in Art Nouveau style. Original ...

From extremely detailed 3D scans of the most important classical sculptures of all times, Eduard Locota has digitally sliced and extracted the essential portion of the artwork, then physically 3D-printed it into a new representation fit for the XX-st Century. Eduard Locota has been working with digital 3D modeling software for over 20 years now; and this is the first time he has combined his digital 3D skills with his physical skills to give birth to this radical new collection, representing the past, present and the future. With the aid of your smartphone, you can transcend the physical counterpart of mirrors/sculptures into the metaverse. Each of the sculptures/mirrors has a new life with the aid of our augmented reality solutions. DIMENSIONS: H 110 CM / W 90 CM / DEPTH 10CM MATERIALS: GLASS MIRROR, JESMONITE, PIGMENTS, FIBERGLASS REINFORCEMENT SIGNED ARTWORK, WITH A CERTIFICATE OF AUTHENTICITY SIGNED AND DATED BY THE ARTIST. THE WALL HANGING SYSTEM...

Excellent and rare Art Nouveau ceramic piece from a series of the four seasons: Naked putto in a wide striding position, his blond head tilted to the left and holding a cascade of fl...

French purple Majolica Cache Pot Jerome Massier Fils, circa 1890. Height / 5.8 inches. Diameter / 6 inches.

Rare Majolica morning glory vase Jerome Massier, circa 1900. The Massier family are known for the quality of their unique enamels and paintings. They produced an incredible whole ra...

French Majolica purple parrot tulip Jardiniere Delphin Massier, Circa 1890.

Rare French Art Nouveau terracotta wall plaque, France, early 20th century. We had never seen this model before. This beautifully crafted plaque depicts a wood gatherer in the windy ...

Rare Small Majolica Tulip Jardiniere Delphin Massier, circa 1890 6.3 by 3 inches , H / 3 inches.

A pink and grey-glazed ceramic vase produced by Rörstrand, c. 1920s. Dimensions: 5.875” H x 7” Diameter Diameter of opening: 3.25”

Large Majolica cache pot in two parts decorated with orchids Fives Lille, circa 1890. H / 9.5 inches , D / 10.5 inches. Rare size.

Large French Majolica tulip Cache Pot Jérôme Massier Circa 1890 Height / 7 inches. Diameter / 10 inches.

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Majolica plate two parakeets with oranges Salins, circa 1890.  

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Elevate your dining experience with this remarkable Sèvres porcelain service, a prestigious 1890 reissue of the renowned "Service de l’Empereu...

FEATURING CUPID UPON A LION From our Sculpture collection, we are delighted to offer this rare form English Parian Ware Figure. The Parian Ware fi...

A beautiful art nouveau vase with amazing glaze. Made by Charles Gréber in his studio in Beauvais, France in early 20th Century. Great condition. Signed by the artist. Reputed ce...

This late 19th century glazed earthenware mug was crafted in the studios of Cincinnati Ohio's renowned Rookwood Pottery Company and has a traditional form with an ear-shaped handle having a thumb rest. The exterior of the piece is finished in standard glaze and features hand painted decoration executed by highly regarded artist William Purcell McDonald (1864-1931). The decor has an appealing wine harvest theme consisting of grape vines that snake across the surface. The vines are studded with leaves in various shades of green along with two dangling clusters of plump reddish grapes. McDonald's application of paint is slightly raised in places giving the image a dimensional quality. The mug is further ornamented with an ornate silver overlay manufactured by Gorham. The silver decoration covers the handle and rim and includes a series of large etched foliate scrolls and flowers that extend across the body. There is also an eye-catching latticed area that provides a strong visual contrast with the gentle curving motifs found on the other parts of the silver overlay. The underside of the mug has an impressed RP mark along with shape 422 and the letter W. It also carries the incised initials of the artist - W. P. McD - and the letter L. The underside of the silver foot rim is stamped Gorham Manufacturing Co. along with a hand engraved mark reading S 1274 S. This highly collectible Rookwood silver...

Handbuilt folded stoneware clay table lamp inspired by nature's undulations and fabric evokes a sense of organic beauty and tactile elegance. The lamp embraces the organic, fluid sh...

A beautiful and fairly large ceramic vase in dark blue, green and brown glazed surface designed by Herman Kähler and manufactured by Herman Kähler ceramics. The vase is in very good ...

Oyster plate in Majolica, in white and Green color. France, 19th century. Circa 1890 signed Longchamp.

Herend porcelain box, Apponyi Pink collection, made in the 1950s Ø cm 11 h cm 11 Herend porcelain is among the most prestigious and sought after in the world. Made in Hungary since...

Majolica Art Nouveau asparagus plate signed Keller et Guerin Saint Clement, unusual shape. Every important French manufactures produced at the end of the 19th century asparagus and a...

Mid-20th century Art Nouveau-style painted ceramic sculptural floor lamp of Maenad holding grapes signed by P. Oltolini, Argentina By: P. Ontolini Material: ceramic, clay, paint, m...

A fine antique English lustreware porcelain bowl. By Wedgwood. Designed by Daisy Makeig-Jones. With a mottled blue exterior and mottled celadon interior. Decorated throughout wit...

This exquisite French Art Nouveau porcelain egg box, dating to around 1900, showcases the opulent elegance of the era. The piece features a delicatel...

19th Century French Majolica Water Lily Wall Pocket.

This stunningly rendered Sumida Gawa Pottery Vase in Vermillion Red Glaze W/Clustered Sculptural Primates originates from Japan, Circa 1890. Features a vermillion red glaze with a vi...

Oyster plate in Majolica, in white and Green color. France, 19th century.  

Majestic amphora in glazed majolica, handmade and hand painted in central Italy. On the amphora are represented, in great detail, the four seasons personified by graceful women surro...

Antique drip glazed ceramic bud vase in rich earth tones. A classic example of Art Nouveau earthenware. Controlled drip has a lovely ombre effect that graduates from mohagany, to pale peach, and into aubergine with a dark finish at the bottom. Attributed to Faiencerie Thulin...

This striking English art pottery lamp was made by the renowned Moorcroft Pottery company of Burslem, Stoke-on-Trent, Staffordshire. Initially with James Macintyre & Co., innovative ceramist William Moorcroft founded his own firm in 1913. Underwritten by retailer Liberty London, the company went from strength to strength and was granted a Royal Warrant by Queen Mary in 1928, leading them to include the phrase ‘Potter To HM The Queen’ on their paper labels as well as in their impressed marks. William's son Walter joined the firm in 1935 and took over management and design responsibilities upon the death of his father in 1945. Moorcroft remains in business today with early pieces by William and Walter being particularly sought after. This Walter Moorcroft signed lamp has a traditional pear or bottle vase form which has been decorated in the 'Fuchsia' pattern. The body of the lamp has a variegated blue/blue-green background featuring Moorcroft's distinctive slip-trailing technique. The leaves and blossoms have been finished in bright jewel tones. The body of the lamp has been joined to a metal base having a milgrain edge and four scrolling feet. The top of the lamp has a simple metal cap topped by a decorative foliate band. The piece retains its original Lightolier reflector bowl, patented by Jacob Samuel Hamel in March of 1950. The reflector bowl has a frosted body which attaches to the lamp by Virtue of three screws. The lamp comes complete with a silk shade manufactured by Royal Knight...

A beautiful large antique French export hand-painted Limoges porcelain pitcher (would also make a wonderful vase) with gilt handle and accent...

Large ceramic planter from the Danish ceramic studio Lauritz Hjorth. Manufactured ca 1910s to 1920s. The planter is made from stoneware and features a hand painted abstract onrmenta...

Six Early 20th century majolica plates with fruit decor, Earthenware. Differend fruit decorations, colourful painted. Underglaze mark. Small cracks in the ...

This exquisite Royal Copenhagen tea/coffee set, Saxon Flower collection, is an exceptional example of the finest European craftsmanship. Each piece is hand-decorated with delicate po...

19th-century small square Majolica floral jardinière Onnaing. Sand background.

Large Majolica duck in an egg pitcher signed Keller et Guerin Saint Clement, circa 1900. Decorated with a duckling watching a dragonfly.

Art Nouveau French Faience Pitcher Luneville Circa 1900 Model "Guipure" signed Keller & Guerin Luneville.

Majolica white swan jardinière Delphin Massier Vallauris, circa 1890.

French Majolica scarab bug signed Fives Lille. Sarreguemines and fives created several examples of this wall pockets with different insects as dragonfly, grasshopper, ladybug. Maybe ...

A green glazed majolica jardinière/planter, handcrafted in England towards the end of the 19th century by the renowned potters Bretby. This decorative set comprises a ceramic plante...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Purple ceramic cachepot Perfect condiction.

Antique 1890s pair of Victoria Austria vase. Comprising Austrian porcelain vases with hand-painted decorated scenes of cattle watering. Measure: Heigh...

"Juventute" vase white porcelain with glossy glaze, designed by KPM workshop in 1890.

This exceptional 33.5cm tall piece, dating from the early 20th century, captures the timeless form of a calabash and boasts a stunning turquoise glaze reminiscent of Chinese porcelai...

Exceptional Art Nouveau ceramic vase by Jan Willem Mijnlieff, founder and master ceramist of Fayence- en Tegelfabriek Holland, the iconic Utrecht factory active between 1893 and 1920...

Bottega Vignoli, Floral decor vase, 2022 hand painted majolica 17cm x 37cm height. Unique piece. Art Nouveau floral inspired decor. Bottega Vignoli is a brand of artistic ceramics based in Faenza, one of the most representative ceramic production centres in Italy. Founded in 1976 by sisters Saura (b.1956) and Ivana (b. 1948), Bottega Vignoli stands out for its limited production, accurate details and skilful experimentation resulting in stunning unique and one-of-a-kind pieces. Their style is immediately recognizable and expressly follows the path...

Antique 1890s Victoria Austria Vase. Comprising Austrian porcelain vases with hand-painted decorated scenes of cattle watering. Measure: Height 14 inc...

Majolica plate two parakeets with oranges Salins, circa 1890.  

Rare cheese dish by Saint-Clement, France, late 19th-Early 20th Century, featuring a charming poppy design. This exquisite piece is a true collector’s item, as dishes of this period ...

A fine old or antique Sevres type porcelain vase. With rich gilding and handpainted flower baskets & ribbons throughout. Marked to the based with a blue Sevres type interlaced...

Rare Complete Set of Six Different Art Nouveau Flowers Soli-Flor Vases by Scheibe - Alsbach Germany 1930s

Top condition and pure elegance Art Nouveau vase. For the collectors of museum quality and condition Art Nouveau ceramics. This stunning Art Nouveau vase is decorated with the mos...

Gilt Art Nouveau Portrait Casket Double Inkwell WMF (Attrib.) Germany, Circa 1900s Attributed to WMF” Württembergische Metallwarenfabrik A gilt Art Nouveau portrait casket double i...

Beatiful colored Art nouveau Bowl or vide poche. Designed with large green leaves, flowers, circa 1900. It has been made in Belgium

Brilliant Handmade Majolica Hand-glazed Art Nouveau planter jardinière, 1920. Imperiale Royale, NIMY Handmade and hand-glazed in brilliant deta...

This is an amazing set of antique Art Nouveau handmade tiles. A beautiful relief and a rich rose green, brown and creme color. These tiles would be charming displayed on easels, fram...

Early 20th Century Teco Pottery Art Nouveau Vase by Fernand Moreau. Excellent Condition. Matte Green Glaze. Teco double stamped on base.

Art Nouveau lamps by Denbac France C1910 A pair of beautiful Art Nouveau lamps from Denbac, France c1910. Flamed sandstone urns shaped lamp bases with distinguishing drip glazed de...

Well-decorated slip pot with cherries and birds, a good size with a diameter of 32, the glaze is very colorful.

Depiction of a young, beautiful, barefoot dancer with artfully pinned-up hair, adorned with a ribbon of rose petals, and with her gaze lowered, in a softly falling, sleeveless dress ...

Exquisite pair of glazed ceramic vases from Tamegroute, a village located in the Draa River Valley, in southern Morocco. Historically, it served as a center of learning and religion ...

From Creil and Montereau Faïenceries, a Terre de Fer ironstone plate in the Sunflower pattern called ‘Tournesol’, France, circa 1895 – 1900. The Art No...

Majolica Art Nouveau asparagus plate unsigned Keller et Guerin Saint Clement Every important French manufactures produced at the end of the 19th century asparagus and artichoke sets...

Majolica dragonfly wall pocket by Fives Lille, circa 1900.   

Hector Guimard was a renowned French architect and designer who is best known for his Art Nouveau style. He was born in Lyon in 1867 and later moved to Paris, where he became a promi...

Antique porcelain beer jug with a tin lid Southern German Historicism A typical humorous depiction of the time: 'A Sunday afternoon in the mountains'. (Written in old German letter...

Kähler ceramic lamp with a height of 23 cm to the socket. Beautifully decorated with a glossy Isabella glaze with flowing black and green Art Nouveau designs. Signed "HAK" on the bo...

Stunning design and good condition, hand crafted oakwood wall coat-rack with unique tiles. This rare and highly stylish Art Nouveau / Jugendstil coat rack is entirely original and i...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Stylized Art Nouveau eosin green porcelain fox sculpture by Zsolnay of Hungary, circa 1940s. Gorgeous piece with an iridescent finish that is in very g...