More Furniture and Collectibles

Vintage, theatrically created for celebrities in a violet iridescent raw silk fabric with highly embellished dramatic paisley design of hand-hooked metallic embroidered gold and silv...

This fun red, white and blue geometric quilt is in fine condition and a very good size. Will fit a queen or king bed.

This is the standard and essential reference book for any collector or dealer of rare Irish Georgian silver. 369 pages profusely illustrated with...

Matthew Boulton Master silversmith 1760-1790 by Eric Delieb and Michael Roberts. New York: Clarkson N. Potter, Inc., 1971. First edition hardcover with dust jacket. 144 pp. A study o...

Based on a 1930 Model A. Mfr by the all American company. This Hot Rod was made in the 1950s as part of the tether car craze. Sometimes cut up with gas engi...

Sotheby's: The Garbisch collection, Vol. IV, May 1980. Important American furniture, and Related Decorative Arts. First edition softcover, 184 lots of important furniture photographed...

Stunning pair of large and heavy art-glass elephant bookends designed by Lars Hellsten for Orrefords, in vintage original condition both of them are signed.

Midcentury era magazine wrought iron stand with twist accents, decorative heart center, and floral pattern throughout, circa 1950.

Farthing Hall by Hugh Walpole & J.B. Priestley. Doubleday, Doran & Co., 1929. Stated first edition hardcover no dust jacket. A novel consisting of letters between Mark French, who a ...

Christie's Auction New York Important Jewels December 8, 1993 #7806. First edition catalog. 293pp. with 611 lots photoed in color and fully described....

Two enamel on copper shallow trays by Edward Winter. Abstract designs in blue. One round with paler geometric pattern signed “Ed Winter.” 6" D. One square with round center and a...

First edition, published by Paris-Muse´es association, 2002. Signed copy by Madame Carven to a friend. A catalogue for an exhibition held at Musee Galleria in 2002, tracing the his...

Blaske Collection American Historical flasks by Norman C. Heckler. Robert W. Skinner, Inc, Bolton, Massachusetts, 1983. The former Blaske Collection i...

Maison Baguès attributed faux bamboo green Lucite magazine rack. Delicate magazine rack comprised of brass and green Lucite panels. The rack is in go...

A piece of Italian history in your home: Adolfo Pariani founded his business in 1903. They were the first Saddlery in the whole world that used a saddle tree that was flexible which meant it was elastic and shock-absorbing. Since then Selleria Pariani supplied personalities of the 20th century, such as George Patton...

This book is the catalogue for an exhibition at the Alvar Aalto Museum in 1994. With essays by Aalto himself, Kirmo Mikkola, Juhani Pallasmaa, Kristian Gullichen and Kaarina Mikonran...

Société d'Optique et de Mécanique Berthiot (SOM Berthiot) was a French manufacturer of optics and photographic lenses. They produced C and D mount motion picture lenses for professio...

Louisiana Architecture 1714-1830 by Fred Daspit. Lafayette: The Center for Louisiana Studies, 1996. First edition hardcover with dust jacket. 357 pp. An extensive study of architectu...

Bruno Gambone ceramic pitcher in blue glazed ceramic, Italy from 1958. Measures: H 23 x B 22 x D 15 cm.

Sotheby's: The Garbisch Collection, Vol. 2, May 17, 1980, important French furniture, European porcelain Vertu, and rugs. First edition hardcover with dust jacket. 588 lots of import...

Chinese Trade Porcelain, First edition by Michel Beurdeley. Charles E. Turtle Company, Rutland, Vermont, 1962. Tipped-in color frontispiece and 24 tipped-in color plates, 100 monochrome text figures, 244 monochrome figures in the appendix. A through explanation of Chinese export porcelain and its debt to the west; historical surveys of the Far Eastern connections to al of the countries named...

Henry Matthews sterling silver and enamel belt, shoe buckles and button set for Alexander Clark Manufacturing Company, London, England.

First edition, published by Thames and Hudson, 1987 This biography, written by Peter Adam, a friend of Eileen Gray in her later years, and admirer of her work, documents with many...

Blanket Owned by the U.K.'s Notorious "Dr. John Bodkin Adams." Free shipping within the United States and Canada. Look him up under "creep factor def con four” certainly not in the spirit of good taste but more in the spirit of a commitment to bring to the table the unique by definition items that for whatever reason ignite the senses, we present to you. A blanket that once called the seat of Dr. John Bodkin Adams’s Rolls Royce home. Who is Dr. John? None other than Britain’s second most notorious serial killer...

Small Endearments, 19th century quilts for children by Sandi Fox. New York: Charles Scribner's Sons, 1985. Signed and inscribed hardcover with dust jacket. 164 pp. An overview of the...

A very nice flicker book, American girl champions. Flicker No.15. High Dives. This is a unusual flicker book, showing two high dives. Flicker books where...

Aldo Tura wall coat rack green goatskin, Italy, 1968.  

René Lalique (1860-1945) Gros Gland Feuille Moulded-pressed and patinated glass hatpin Chiseled metal mount First introduced in 1912 Illustrated in...

Shagreen Breakfast Tray: Measures: 22" x 14" x 11"

Azurite is a copper carbonate, usually found in combination with other copper minerals such as its much better known green brother malachite. The mineral is full blue in color and is virtually opaque with a silky sheen. Azurite usually forms in oxidation zones of copper deposits, where secondary to malachite other minerals such as chrysocolla and naturally solid copper can...

Green glazed earthenware Passover Seder plate made by Jewish DPs in the Föhrenwald displaced persons camp. Decorated on the rim of the plate is a ...

COLORADO STATE FLAG OF EXCEPTIONAL QUALITY, MADE OF SILK, CIRCA 1911-1920’s, EXTRAORDINARILY RARE IN THIS PERIOD AND THE EARLIEST EXAMPLE THAT I HAVE EVER ENCOUNTERED Early state flags are few and far between. While I am asked for them constantly, most states did not actually have official flags until the 20th century. On May 6th, 1911, Colorado became among the last to adopt a design. The project of doing so was spearheaded by the Denver Chapter of the Daughters of the American Revolution. The bill was introduced by Senator W.H. Sharply and adopted by the Eighteenth General Assembly. The artwork was the product of A.C. [Andrew Carlisle] Carson, President of the Ohio Society of Colorado. The meanings behind the elements in the design are as follows: The large letter "C" stands for Colorado and simultaneously for the Centennial State (Colorado entered the Union in 1876, the year in which our nation celebrated its 100th anniversary of independence), as well as the Columbine State (reflecting the state flower). The red color is included due to the fact that the word Colorado translates to scarlet or red in Spanish. The circle represents the sun, while the gold color symbolizes all-the-year sunshine, Colorado’s status as the greatest gold state, and one Columbine color. It was also included so that the Colorado state flag would have one more color than the U.S. flag. The color white reflects Colorado’s status as the greatest silver state, its eternal mountain snow, and one Columbine color. Lastly, the shade of Yale blue symbolizes all-the-year blue sky and one Columbine Color. Members of the D.A.R. were proud to note that this was also their color. Made sometime between the initial year of the adoption of this design and the 1920’s, this particular flag is the earliest Colorado example that I have ever encountered. The blue and white bars, red “C,” and golden circle are a’’ made of silk taffeta. This was a costly fabric, reserved for the best material a flag-maker produced. The flag is constructed in the manner of a battle flag, to be carried on foot. Squarish in its overall profile, silk was the fabric of choice for flags employed in this function, due to the fact that it was light weight, and thus practical for hand-carrying, while simultaneously formal in appearance, appropriate for the sort of ceremonial use that military presentation often demands. The style of the hoist is also typical for field or parade use. Here the fabric was rolled over to form an open sleeve, through which a wooden staff could be inserted. The sleeve is lined on the interior with black cotton. Leather tabs, at the top and bottom, fit over metal posts on the staff, designed to accept them, to fix the flag in its proper position. The bars were pieced and joined with lineal machine stitching. The hoist and fly ends were finished and hemmed by the same method. The devices are double-appliquéd (applied to both sides) with a machine buttonhole / blanket stitch. Though machines that produced buttonholes were, remarkably, available alongside the earliest standard machines, in the 1850’s and 60’s, the use of this sort of stitch in a running format, for appliqué work, remained highly unusual, even as late as the first half of the twentieth century, probably because it used a ton of thread when compared to the zigzag or satin stitch. It could be expected to appear more often in the hands of a maker of very fine flags, that employed embroidery machines and commissioned custom, fancy work of all sorts. Though unsigned—in no way uncommon in early examples, which were seldom signed—that is precisely the sort of firm that produced the Colorado flag...

1970s organic modern polychromed three panel folding screen/room divider Usa, Circa 1970s A shapely 'roundel' example, fitted with three tapering panels each one with floating gree...

“The History of Jewelry: Joseph Saidian and Sons” A beautiful coffee table book published by Rizzoli This book is over 170 years in the making chronicling some of the greatest jewels and gems of all time handles over the past four generations of our family business. Perfect for all lovers of art, history and jewelry. Highlighting a carefully curated selection of our inventory. Some of which have never before been seen by the public. This book offers a unique way of exploring the world of vintage jewelry for experts, newcomers, and anyone with an interest in the topic. Every piece of jewelry tells a story, and none more so than the exquisite pieces in this book, which have passed through several notable owners. Each chapter is centered around a particular piece of jewelry and the way in which it is emblematic: a previous owner, an exemplary design or dominant material. From an array of historic pieces...

Fantastic colors and condition Tex coco Indian weaving bolster pillows. Sold as a pair.