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Charlotte Perriand Mid-Century Modern Wood Architectural Piece, circa 1960
About the Item
Discover a rare piece of Mid-Century Modern design with this Charlotte Perriand architectural piece, originally designed for Les Arcs France in 1960. Made of high-quality wood, this piece has been carefully preserved in its original condition, with only minor wear consistent with its age and use, which adds to its unique character.
Charlotte Perriand (1903-1999) was a French architect and designer who studied at the École de l'Union centrale des Arts décoratifs from 1920-1925. She collaborated with Le Corbusier and Pierre Jeanneret until 1937, designing innovative tubular steel furnishings and system furniture. In 1937, she and Pierre Jeanneret designed a mountain chalet made of sheet aluminium, which they showcased at the Exposition Internationale des Arts et Techniques dans la Vie Moderne. She went on to become a design consultant to the Japanese Board of Trade in 1940, which influenced her later designs with overtones of Japanese form.
This piece is a testament to Perriand's legacy, showcasing her unique approach to modern design. With its clean lines, high-quality materials, and exceptional craftsmanship, it's a stunning addition to any Mid-Century Modern collection. Whether you're a collector, designer, or simply an admirer of unique design, this Charlotte Perriand architectural piece is sure to impress.
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Arquitectural piece designed by Charlotte Perriand for Les Arcs France in 1960.
In good original condition, preserving a beautiful patina, with minor wear consistent with age and use.
Charlotte Perriand (1903-1999) She was born in Paris in 1903 and attended the École de l'Union centrale des Arts décoratifs from 1920-1925. Charlotte Perriand designed furniture made of anodized aluminium and chromium-plated steel, showing it at the 1927 Salon d'Automne in Paris. After meeting Le Corbusier, Charlotte Perriand worked with him and Pierre Jeanneret until 1937. The revolutionary tubular steel furnishings and system furniture designed by the three were presented as Équipement de l'habitation (home equipment) at the 1929 Salon d'Automne, where they were widely acclaimed. In 1930 the Union Des Artistes Modernes (UAM) was founded in Paris, a group that viewed itself as a countermovement challenging such establishment organizations as the Salon d'Automne and also advocated Art Deco and Modernism. From 1931 Charlotte Perriand showed her own work solo there. In 1937 Charlotte Perriand and Pierre Jeanneret collaborated on designing a mountain chalet of sheet aluminium, which they showed at the Exposition Internationale des Arts et Techniques dans la Vie Moderne and later they came up with plans for prefab houses made of aluminium. In 1940 Charlotte Perriand became a design consultant to the Japanese Board of Trade. She lived in Japan until 1946 and from then on Charlotte Perriand's designs reveal overtones of the Japanese feeling for form, as shown by the 1953 chair Synthèse des Arts.
- Creator:Charlotte Perriand (Designer)
- Dimensions:Height: 92.92 in (236 cm)Width: 55.12 in (140 cm)Depth: 2.37 in (6 cm)
- Style:Mid-Century Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960
- Condition:Repaired: subjections. Wear consistent with age and use.
- Seller Location:Barcelona, ES
- Reference Number:Seller: RL.14.03.23.GB.8801stDibs: LU1427233281842
Charlotte Perriand
A pioneer of modernism in France, Charlotte Perriand was one of the most influential figures in 20th-century design and architecture. In her long career, Perriand’s aesthetic grammar constantly evolved, moving from the tubular steel furniture of the Machine Age to a lyrical naturalism.
Perriand’s studies at the Ecole de L'Union Centrale de Arts Decoratifs left her enthralled by Le Corbusier and his vision of a new, rational architecture. In 1924, she joined his studio to design furniture along with Pierre Jeanneret, Corbu’s partner and cousin. Together, they devised some of the finest examples of early modernist furniture, including two icons of the era: the B306 chaise with its swooping frame and hide upholstery; and the chunky, steel-framed Grand Confort club chair. Collaborative design produced another Perriand triumph: in the early 1950s, she and Jean Prouvé were engaged to produce desks, worktables and bookcases for the University of Paris. The bookcases — slim pine shelves with brightly painted aluminum dividers — are minimalist masterpieces.
By the end of that decade, Perriand’s aesthetic had changed completely from the earliest days of her career. She produced a series of furniture in ebonized wood: chairs with gentle S-curve legs, front and back; tables with elliptical tops. In the mid-1960s, she adopted an almost rustic look, designing simple chairs with dowel-cut frames and rush seats. Yet everything in Perriand’s oeuvre is beautiful, whether it’s the centerpiece of a décor or an accent. Charlotte Perriand’s work is in every great design collection, public and private. Works on these pages will show you why.
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