Eames Molded Plywood Folding Screen for Herman Miller
View Similar Items
Eames Molded Plywood Folding Screen for Herman Miller
About the Item
- Creator:Charles and Ray Eames (Designer)
- Design:
- Dimensions:Height: 68 in (172.72 cm)Width: 60 in (152.4 cm)Depth: 2.25 in (5.72 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Circa 1990
- Condition:
- Seller Location:Centreville, VA
- Reference Number:1stDibs: LU8365236788992
Charles and Ray Eames
Charles Eames and Ray Eames were the embodiment of the inventiveness, energy and optimism at the heart of mid-century modern American design, and have been recognized as the most influential designers of the 20th century.
As furniture designers, filmmakers, artists, textile and graphic designers and even toy and puzzle makers, the Eameses were a visionary and effective force for the notion that design should be an agent of positive change. They are the happy, ever-curious, ever-adventurous faces of modernism.
Charles (1907–78) studied architecture and industrial design. Ray (née Beatrice Alexandra Kaiser, 1912–88) was an artist, who studied under the Abstract Expressionist painter Hans Hofmann. They met in 1940 at the Cranbrook Academy of Art in suburban Detroit (the legendary institution where Charles also met his frequent collaborator Eero Saarinen and the artist and designer Harry Bertoia) and married the next year.
His technical skills and her artistic flair were wonderfully complementary. They moved to Los Angeles in 1941, where Charles worked on set design for MGM. In the evenings at their apartment, they experimented with molded plywood using a handmade heat-and-pressurization device they called the “Kazam!” machine. The next year, they won a contract from the U.S. Navy for lightweight plywood leg splints for wounded servicemen — they are coveted collectibles today; more so those that Ray used to make sculptures.
The Navy contract allowed Charles to open a professional studio, and the attention-grabbing plywood furniture the firm produced prompted George Nelson, the director of design of the furniture-maker Herman Miller Inc., to enlist Charles and (by association, if not by contract) Ray in 1946. Some of the first Eames items to emerge from Herman Miller are now classics: the LCW, or Lounge Chair Wood, and the DCM, or Dining Chair Metal, supported by tubular steel.
The Eameses eagerly embraced new technology and materials, and one of their peculiar talents was to imbue their supremely modern design with references to folk traditions. Their Wire chair group of the 1950s, for example, was inspired by basket weaving techniques. The populist notion of “good design for all” drove their molded fiberglass chair series that same decade, and also produced the organic-form, ever-delightful La Chaise. In 1956 the Eames lounge chair and ottoman appeared — the supremely comfortable plywood-base-and-leather-upholstery creation that will likely live in homes as long as there are people with good taste and sense.
Charles Eames once said, “The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests.” For very good collectors and thoughtful interior designers, a piece of design by the Eameses, the closer produced to original conception the better, is almost de rigueur — for its beauty and comfort, and not least as a tribute to the creative legacy and enduring influence of Charles and Ray Eames.
The collection of original Eames furniture on 1stDibs includes chairs, tables, case pieces and other items.
- Eames Molded Fiberglass Armchair for Herman Miller "Seafoam Green"'By Charles and Ray EamesLocated in Centreville, VAEames Molded Fiberglass Armchair for Herman Miller "Seafoam Green"' Arguably one of the 20th century’s most beloved designs, the Eames Shell chairs remain a sought after design classic nearly 55 years later. The molded fiberglass chairs are the result of Charles and Ray’s 6 years of experimenting with molded plywood to create a single shell form. Unable to successfully create the single shell with molded plywood at the time, Charles & Ray saw an opportunity to fulfill their vision using a new material: fiberglass. Charles Eames famously said, “The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests.” The Molded Shell Chairs...Category
Vintage 1950s American Mid-Century Modern Lounge Chairs
MaterialsFiberglass
- La Fonda Arm Chair by Eames for Herman MillerBy Charles and Ray EamesLocated in Centreville, VAThis arm chair is one of two new fiberglass chairs Charles and Ray Eames designed in 1961, inspired by request from Alexander Girard, who needed seating for his new Manhattan restaurant, La Fonda Del Sol. Some collectors call these “La Fonda” chairs after the restaurant where they were first installed. Because Girard wanted chairs with seat backs no higher than dining table tops, Charles and Ray Eames designed the Eames La Fonda Arm Chair...Category
Vintage 1960s American Mid-Century Modern Armchairs
MaterialsSteel
- La Fonda Arm Chair by Eames for Herman MillerBy Charles and Ray EamesLocated in Centreville, VAThis arm chair is one of two new fiberglass chairs Charles and Ray Eames designed in 1961, inspired by request from Alexander Girard, who needed seating for his new Manhattan restaurant, La Fonda Del Sol. Some collectors call these “La Fonda” chairs after the restaurant where they were first installed. Because Girard wanted chairs with seat backs no higher than dining table tops, Charles and Ray Eames designed the Eames La Fonda Arm Chair...Category
Vintage 1960s American Mid-Century Modern Armchairs
MaterialsSteel
- Eames Molded Plywood Lounge Chair Metal Base (LCM), Circa 1950sBy Charles and Ray EamesLocated in Centreville, VAThe Eames LCM (Lounge Chair Metal) features sheets of premium face veneer on both sides of the seat and back. The wide variety of wood available adds to the versatility and beauty of...Category
Vintage 1940s American Mid-Century Modern Lounge Chairs
MaterialsPlywood
- Fauteuil Direction by Jean Prouvé for VITRABy Jean ProuvéLocated in Centreville, VAThe chair was intended for offices, but also for classrooms, which earned it the sobriquet of “teacher’s chair”. Fauteuil Direction is especially suited for dining room seating or a...Category
Vintage 1950s Swiss Mid-Century Modern Armchairs
MaterialsSteel
$2,500 / item - Artek Armchair 406 by Alvar Aalto for ArtekBy Alvar AaltoLocated in Centreville, VAArmchair 406 combines simple elegance with comfort. Since wood changes over time, the armrests are formed from a single piece that is then split in half, ensuring that as the chair ...Category
Vintage 1930s Finnish Mid-Century Modern Lounge Chairs
MaterialsBentwood
$2,000 / item
- Charles and Ray Eames for Herman Miller Plywood Folding Screen Ash Veneer 1950sBy Charles and Ray Eames, Herman MillerLocated in Cathedral City, CAThis is an iconic piece of American design history, designed by Charles and Ray Eames in 1946, for Herman Miller. This example is one of the earlier versions produced between 1946-1955. The veneer is a warm ash. The connecting fabric is a cotton canvas and allows for the screen to bend in a multitude of ways producing a screen in a variant of formations and also allows the screen to fold nearly flat for storage or shipping. A true classic! We have included several detail photos so you can get a true picture of condition, As is common with these older screens...Category
Mid-20th Century American Mid-Century Modern Screens and Room Dividers
MaterialsAsh, Plywood, Canvas
- Original 1950s Eames for Herman Miller FSW-6 Folding Screen Room DividerBy Charles and Ray Eames, Herman MillerLocated in Brooklyn, NYAn early molded plywood screen divider in calico ash, designed by Charles & Ray Eames, manufactured by Herman Miller. The screen's ingenious design allows it to be formed into a vari...Category
Vintage 1950s American Mid-Century Modern Screens and Room Dividers
MaterialsAsh
- Eames 6 Panel Oak Room Divider by Herman MillerBy Charles and Ray Eames, Herman MillerLocated in Toledo, OHEames 6 panel oak room divider by Herman Miller. Designed by Charles and Ray Eames and Manufactured by Herman Miller in the 1940's. A durable woven polypropylene mesh connects the 6 ...Category
Mid-20th Century Screens and Room Dividers
MaterialsOak, Bentwood
- Relay Screen by Kathy Stanton for Herman MillerBy Herman MillerLocated in Chicago, ILc. 1980s. Corrugated orange plastic with black plastic trim. Made by Herman Miller in Michigan.Category
Vintage 1980s American Mid-Century Modern Screens and Room Dividers
MaterialsPlastic
- Charles and Ray Eames FSW 8 Panel ScreenBy Charles and Ray EamesLocated in West Palm Beach, FLA Birch Plywood and canvas screen Early production Original finish.Category
Vintage 1940s American Screens and Room Dividers
MaterialsBirch
- Early Rare Eames Screen Room Divider FSW-6 in RosewoodBy Charles and Ray EamesLocated in Seattle, WAAn extremely rare first generation Eames FSW-6 privacy screen, in Rosewood Veneer at 68 height, with cotton fabric connector in good condition, no tears, fraying at the end. Rosewo...Category
Vintage 1970s North American Mid-Century Modern Screens and Room Dividers
MaterialsRosewood, Plywood
Recently Viewed
View AllRead More
The 21 Most Popular Mid-Century Modern Chairs
You know the designs, now get the stories about how they came to be.
A Guide to Herman Miller’s Most Iconic Furniture
The prolific manufacturer has partnered with many of the world’s top designers since opening its doors in 1923. Here are some of the company’s greatest hits, which helped transform the American home and office.