Copper More Furniture and Collectibles

This is a stunning large brass and copper airplane model made in France circa 1960. The piece features an impressive all-metal jet plane model on a thi...

A special chess set in solid hand-patinated brass. Handcrafted in the North to order. Available in a range of materials and finishes, Otterburn can tru...

This umbrella stand is in brass and cooper. It has been made in Italy in the 1960s. The rod and the base are in brass, and the casing is in copper. The rod is finished at the top b...

This is an absolutely exquisite rare Cooper-gilt ,silver-gold and three Sterling Silver angels Chalice originated from Augsburg (Germany ) in th...

A three-panelled feature screen in patinated brass, inspired by one of the iconic bridges which cross the River Tyne. Hand crafted in the North to order. Custom sizes and finishes ar...

Nautical compass on gimbal made by Filotecnica Milano of the early 1900s. The compass consists of a copper and glass vessel; at the bottom, a metal stem is attached to which rests t...

A solid oak full size Arts & Crafts Billiard, Snooker or Pool table, circa 1910 in the style of George Montague Ellwood and manufactured by Burroughes & Watts of London. Standing ...

This elegantly appointed illuminated original French Art Deco hall tree, hand-hammered in iron, comes complete with hat, coat, umbrella, and shelf accommodations. The linear design is complemented by six round copper hooks, while a griotte marble-topped console at the center offers both anchoring and a convenient surface. An unusual frosted tubular glass light placed rightfully just below the sunrise motif top shelf of this coat rack, serves as a gentle glow, night light, or entry beacon. The original, long, rectangular beveled mirror provides a practical check before leaving or upon return. This foyer rack...

Fabulous simple yet elegant design by Walter Von Neesen for Chase circa 1935. Brass & copper stylized in the form of a arching cat. Rare find. In excellent vintage condition with min...

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...

Complete Set of Six Graduated Copper Haystack Measures, English, Early Victorian An exceptional and complete set of six antique graduated copper haystack measures, dating to the early Victorian period, circa 1830–1860. These traditional English measures range from 1 gallon down to ⅛ gill and retain their classic conical 'haystack' form, each with a bold flared rim and side handle. Each vessel is fitted with a lead verification plug stamped by a local authority, affirming their use as standardised liquid measures. The set exhibits a handsome warm patina with polished surfaces, highlighting the rich pink hue of the copper. Some historical repairs and light dinks are visible, consistent with age and practical use. Volumes: 1 Gallon 1 Pint ½ Pint 1 Gill ½ Gill ⅛ Gill Heights: From approximately 10 cm to 29 cm. A fine and increasingly scarce complete set, ideal for collectors of antique weights and measures...

Rare Osvaldo Borsani and Arnaldo Pomodoro double bed model no. 8604, Italy, 1962 Spectacular color coordination a Masterpiece. Numbered brass pieces, original bedsprings and origin...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning original Arts & Crafts Shapland & Petter Hall stand with hand hammered Copper panels over a Walnut frame with inset sheild mirror Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very good looking well made and decorative hat glove coat and scarf rack, this one is rare as it has the central mirror and its an earlier than usual example circa 1900 Made by Shapland & Petter, a full blub on their life and works can be found below In terms of the condition it is straight and solid, the piece sits well in any setting and looks decorative and very English country house, we have cleaned waxed and polished the timber, there is one hook slightly bent, otherwise its in fine order Dimensions Height:- 205cm Width:- 113cm Depth:- 40cm Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask Shapland and Petter of Barnstaple Introduction This Barnstaple based company manufactured some of the finest pieces of furniture in Arts and Crafts style but very little has been written about the company or the pieces they produced. It a great shame that whilst Shapland and Petter pieces have been illustrated in books and auction catalogues they are invariably attributed to other makers such as Liberty and Co in London or Wylie and Lochhead in Glasgow. With this feature, we intend to inspire a more thorough appreciation of the work of the company; readers are invited to help with the task by sending photographs and information. Collectors and auction houses are now showing significantly more interest in Shapland and Petter pieces. The company, based in Barnstaple, England produced a very wide range of furniture in several different styles including many pieces in period reproduction and municipal style for town halls and commercial premises alongside their superb Arts and Crafts range Distinctive features of their superb Arts and Crafts style are the use of heart shaped piercing, geometric shapes with angled arches and the application of repousse copper panels. Decoration with marquetry, metal inlay, mounting of ceramic and enamel cabochons were techniques which they mastered with a combination of state of the art technology and traditional craftsmanship. Most distinctively, the pieces were extremely well made, with care and very best quality materials The growing interest in Shapland and Petter has raised many questions about the origins of the firm, and the sources of influence on their designs, some of which resemble designs by Ashbee, Ballie Scott, Voysey and Talwin Morris. Links have been assumed with Liberty and Co with the supposition Shapland and Petter worked on commissions for Liberty. There appears to be little evidence to support many of the assumptions which have developed around the company and this article is intended to help to start the discussion and to stimulate research The History of Shapland and Petter The Museum of North Devon in Barnstaple have an archive of Shapland and Petter which includes some company records and a small display of furniture and related items. The following text gives history of the company and is reproduced from the display boards in the museum with kind permission of North Devon Museums For over 100 years the Shapland and Petter factory has stood at the end of Barnstaple Long Bridge. Manufacturers of doors, door sets, and custom wood interiors, NT Shapland and Petter Ltd are still one of the towns largest employers. The company was established by Henry Shapland (b. 1823), a cabinet maker by trade. He embarked on a voyage to America in 1848, where he was inspired by an invention for a wave-moulding machine. He was only allowed to see it if he left the country immediately. Returning home with only rough notes, he reproduced the machine and in 1854 began a cabinet making business in one room at the Raleigh woolen mill in Pilton. Later the firm moved to Bear Street in Barnstaple. Henry Petter was an accountant who entered into partnership with Mr Shapland. The business progressed and in 1864 they bought the Raleigh Factory where Shapland first began his work. Success was rapid, but in 1888 the building burnt down. Immediately work began on a bigger and better factory - their present site by the Long Bridge - which included many modern inventions The two Henrys died within two years of each other - Petter in 1907 and Shapland in 1909. In 1924 Shapland and Petter merged with the Barnstaple Cabinet Company, producing North Devon's biggest industry. During the First World War Shapland and Petter's skilled craftsmen turned their hands to wooden propellers for the aircraft of the Royal Flying Corps. After the war, public tastes changed, and hand carved furniture was too expensive for many. Shapland and Petter's output now included elegant veneered pieces with smooth Art Deco lines. The company fitted out Pullman carriages and ocean liners and made hand-carved church furniture. The famous England Rugby Captain W. W. Wakefield was appointed Company Director in 1927. Throughout the depression of the late 1920's and early 1930's the company still managed to produce high quality work Furniture manufacturing continued until the outbreak of the Second World War in 1939. Many workers left to fight, while the factory worked on Air Ministry contracts for ammunition boxes. After the war came radio cabinets and laboratory and contract furniture, until eventually large quantities of doors were being produced for hospitals, hotels, schools, offices and other buildings. Examples of Shapland and Petter's work can be seen all over North Devon. In Barnstaple, the shop front at 109 High Street is a good example, and the interior of the old Lloyd's Bank, now Chamber's Brasserie, was also Shapland's work. Examples of carving by Shapland's men can be seen in two chairs and a reading desk in Barnstaple Parish Church As cabinet makers, Shapland and Petter employed up to 350 people at a time. There were designers, carvers, cabinet makers, machinists, polishers, and labourers. The company was one of the first to install American labour-saving devices and was keen to adopt the most up-to-date machinery The fire of 1888 at the Raleigh Cabinet Works was a huge loss for the company. However, it resulted in a new factory which was altogether more modern and better equipped. The new building by the river was arranged into blocks. The production line began with the saw mills and ended with the finishing rooms. There was modern machinery in every department - one of their saws was the first of its kind in Britain. Water sprinklers and electric lights were a necessity - this factory would not burn down As well as the furniture production, Shapland and Petter imported timber by sea and rail. The new factory 's facilities were exceptional Shapland and Petter were renowned for excellent design and workmanship. The carvers were highly skilled, serving seven year apprenticeships and attending classes at the Barnstaple School of Art. Ornately carved furniture required up to a hundred tools The factory produced made to order woodwork for banks, hotels, and shops; mantelpieces, paneling and staircases. They fitted out Pullman railway carriages, the London Guildhall, and Edgar Wallace 's dining room as well as houses like Tapeley Park in North Devon Much of the work involved intricate leaded glass panels, or inlaid fruitwood designs, like the white bedroom suite shown in the exhibition here. This type of work is typical of Art Nouveau 1895 to 1910, inspired by the fluid shapes of plants and flowers Many pieces were made from standard designs. There were hundreds to choose from, and a selection could be seen in local and London showrooms and in catalogues. Although mass-produced, this furniture was well-made by skilled technicians and modern machinery Arts and Crafts designs of Shapland and Petter The development of the Arts and Crafts Movement in the South West of England has not been written up in any detail though we do know of the Art Potters of Barnstaple from the excellent book of this name by Audrey Edgeler. Less is known of the Barnstaple Guild of Metal Workers. We know of the Bath Cabinet Makers and the Newlyn School of Industrial Art in Cornwall but very little has been written about the furniture makers of Barnstaple in Devon The establishment of a large cabinet making firm in Barnstaple is not remarkable in itself; there were several cabinet makers in the area. What is interesting is that this particular Barnstaple firm should become a leading maker of Arts and Crafts furniture, copying the styles of the leading Architect designers and creating their own unique style Critics may point out that as their work was commercially driven and reliant upon machines it therefore does not really qualify as Arts and Crafts. Whilst the company was highly innovative in machine technology, they also employed many craftsmen who worked with their hands in woodcarving, marquetry work, design and application of decorative copperwork and other artistic embellishment in the true Arts and Crafts tradition. Anyone who has experience of Shapland and Petter workmanship knows the level of craftsmanship invested in each piece Sources of inspiration There appears to be no evidence to link any known architect, artist or designer to the Shapland and Petter company. Their designs appear to have been created solely by their own internal design staff none of whom appear to have published or registered their work in any other context C. R. Ashbee who established the Guild of Handicrafts visited Barnstaple in 1893 and provided a twelve week course on the design and decoration of furniture. It is presumed that this visit was hosted by Shapland and Petter, and that their own staff and those from other local furniture makers attended the course. Ashbee appears to have been unimpressed by the commercial attitudes he encountered and apparently disappointed at the lack of interest in his (high minded) lectures. What is interesting however is the similarity between some of his designs and those used by Shapland and Petter, particularly in respect to inlaid floral design. Perhaps he left a lasting influence which has not yet been verified There has been some speculation on the influence of Scottish designers, particularly because of the use of Glasgow rose designs which are typical of the Glasgow School, and particularly of Talwin Morris. There are also several designs which use similar motifs to those used by Baillie Scott, the use of two doves in flight for example. More research is needed to trace possible links here. One thing that is clear is that there was a great deal of copying and selling designs in the furniture industry at the time and a nineteenth century survey on the furniture trade recorded that '' Barnstaple pays the best prices for designs ..'' Collaboration with other companies There is evidence that Shapland and Petter organised a wide network of companies to retail their products and hence many pieces have the labels of retail furnishers added. Little is known of their marketing in Europe and America but it may be that many Arts and Crafts pieces were sold abroad. Shapland and Petter had excellent access to rail and shipping lines for importing timber and presumably for exporting their finished products The extent of their collaboration with other companies is yet to be ascertained but there is evidence that their suppliers included the Della Robbia Pottery, Pilkingtons Tile...

Late 19th/Early 20th c., Tibet. A hand hammered copper moniastic instrument with pierced silvered brass cuffs and telescoping length. This item came from Barbara J. Walters NYC apartment and was one of the exceptional, diverse, and fascinating articles the legendary journalist accumulated over her long life. One can but wonder the story behind her acquiring this horn - a gift from a Tibetan dignitary, a travel souvenir. Who knows? One thing is for certain, this item would make for a wonderful conversation piece. The Tibetan trumpet...

Original and elegant cooper wire bracelet, circa 1990. All purchases are covered by our Buyer Protection Guarantee. This item can be returned within 7 days of delivery. We ship world...

AMBIANIC presents 1960s Copper Blue Earrings artisan Taxco Mexico .88 x 1 x .63 D Original preowned condition Refer to images

Exceptional dressing / vanity polyptych folding screen (5 panels). Mahogany structure with inlays / marquetry of different essences with floral motifs. Copper handles, hinges and...

Sismology Screen by Atelier Demichelis Limited Edition, Numbered and Signed Dimensions: W 150 x D 4 x H 185 cm Materials: Patinated Brass and Copper...

This original 18th century frame is silver gilded over copper. It is elaborately embossed and chiseled. The cartouche is surrounded by rocaille and volute motifs. The Carta is mounte...

Vintage Beech Shop Display Glove Stand circa 1930s Maker : Harris & Sheldoon Ltd B, Ham Mounted on Brass & Copper Telescopic stand Beech Carved Hand for glove Display. Brass & Cop...

Unique mid-century artistic wall unit or room divider made of metal with two wooden benches and sculpture by Jelínek (signed).

Stunning Art Deco wood airplane propeller model mounted on a geometric wood and metal display. This Art Deco model airplane is crafted from solid wood and features a lovely, warm pat...

Four excellent Civil War-era daguerreotype portraits, each framed in elaborate gold foil. Three images (woman and children) appear to be hand-colored and gilded. These portraits are presented in a fantastic carved gutta percha "Union Case", decorated with a mother, child, and dog on cover and guilloche-style geometric engraving on back. Amazingly, this case appears to be the same one held by the woman in the upper left-hand photograph...

Stamp composed of a set of small welded copper plates forming a bird motif. These stamps were to be printed on the drapery. Indian work, circa 1900.

Spectacular replica of the parade shield of King Henry II with two swords Add a royal and historical accent to your interior with this beautiful replica of the parade shield of King...

A stunning, large brass table scale, made near the turn of the century, England. The scale is no longer operational, but still makes an mighty impact on a space. The scale is made of...

This is a unique custom surfboard featuring a marquetry deck with copper inlay, designed and hand-crafted by the w o o d p o p studio which specialises in...

3 ½ inch gauge model of the 4-6-0 steam locomotive the Black Knight. Circa 1955. Mounted on a display track. Length of Locomotive: 31 inches - 79 cm. Length of Tender: 19 inches -...

Shapland and Petter in the Liberty style. An Arts & Crafts oak music or storage cabinet with slightly angled sides. The top display area with stylized cut-out to the back and extend...

Fantastic folky oversized 19th century mustard over copper Lightning rod ball on a professional iron stand. The base is a plank of original work that the...

A very cool modernist ebonized wood and mixed metals (sterling, brass & copper) "Crucifixion" plaque / wall sculpture by Talleres Monasticos - work...

An antique French counter or grocer scale in ebonized hardwood and mahogany inlay with white marble top, circa 1880. The scale is made of hardwo...

These wall-mounted basketball hoops combine marble, onyx, copper and hand-woven cotton thread to pay homage to the ancient elements of their inspiratio...

An extraordinary historical Nautical rope winding Ship's Windlass from the great age of exploration and commerce reinterpreted as a standing table. The windlass section is antique wi...

This exquisite Tetsusabiji Uchidashi Gomai Dou Gusoku (Five-Plate Russet Iron Embossed Cuirass Armor), crafted in the 18th century, exemplifies the pinnacle of Edo-period samurai arm...

Early 19th century English bed warmer. Made in England circa 1830, the piece is dressed with a hickory handle, and features a copper vessel w...

Mats Theselius for Källemo AB, limited edition 'Rörligt Objekt' folding screen or room divider, no. 30/100, patinated copper, wood, Sweden, after 1989 Designed by Mats Theselius for...

Hand made. Hammered copper Amazing. Almost sci-fi. I have never seen anything like this before. Possible ex museum collection. Two plaques on the front and back that would have held...

Antique 19th Century Embossed Copper and Brass Gun Powder Flask.

A reclaimed 1970s vintage industrial large copper and brass German cargo pendant. Made by Wiska, a German manufacturer of industrial fixtures and fittings. Reclaimed from supertankers and professionally restored in the UK ready for use in modern interiors. Specifications: Diameter 45cm Height 65cm Bulb E26/E27 Edison Screw There is a mechanical feature which allows the light to be tilted using the wing nuts and hanging frame...

Pair of Art Déco bronze bookends with marble base designed by Alexandre Kéléty for Etling Paris By: Alexandre Kéléty, Etling Paris Material: bronze, marble, metal, copper Technique:...

Circa 1920s pair of Port & Starboard ship's oil lanterns, English. Handsome copper with brass mounts and scrolled plaques with fresnel glass lens on each over red & green conforming ...

Late 19th Century Ships Binnacle by W. Hartmann. Binnacles are an important navigation tool. They are often in the helm of the ship and allow sailor to maintain the correct course. This beautiful example has an octagonal case made from oak with brass fittings and removable copper dome...

Mid-20th century golden and black brass chess set with wooden board/box by Hans Teppich, Israel By: Hans Teppich Material: metal, copper, wood, zinc, bra...

AMBIANIC presents Modern Exotic Wood Brass and Copper Vintage Belt Buckle 2. 25 x 1.5 x .25 Preowned original vintage condition Please refer to images provided.

A rare and unusual German Jugendstil copper and brass smokers companion or candleholder formed as a goat pulling a sleigh the design attributed to renowned sculptor Ignatius Taschner...

Name: A new polite Cloth stand designed by Ryosuke Harashima.Made of copper pipes and brown glass. STATEMENT: The morphing of Emon-Kake (Kimono garment r...

Rare repoussé copper belt signed Burkiellaro for Lorenzo Burchiellaro, Italian sculptor, produced circa 1950. In fine condition.

Early 19th century fine copper work picturing Jesus Christ talking to children, illustrating famous "let the little children come to me" biblical recommandation. Restauration product...

Table or sculpture made by Ryosuke Harashima. This work is made of antique Japanese antique sled that was used for caring bamboo charcoal at kiln, coper ...

Very wide Dutch 19th century oak coat rack with carved angels A Dutch 19th century oak coat rack with angel heads cut out and 9 copper h...

Vintage Beech Shop Display Glove Stand circa 1930s Mounted on Brass & Copper Telescopic stand Beech Carved Hand for glove Display. Brass & Copper Columns & Fittings, Base with C...

Presenting a cute Chinese cloisonné enamel egg with wood Stand, early 20 century. The Height is including the Height Stand.

American Nautical brass Perko marine lantern with the original Fresnel lense, exterior side mounts, vents, and locking interior oil font. Stamped ...

Mid-Century Modern vintage brass and copper standing ashtray, which was designed by Carl Auböck and manufactured by Workshop Carl Auböck, Vien...

Lofty Tibetan Dungchen ceremonial long horn crafted with copper and brass in a dramatic telescoping sculptural form. Retracted height: 25".

The price is for the lot It is an Espater de garn, a very original and striking product, nothing common of that size and It is a set of copper and wrought iron utensils and skimmers ...

1960s vintage brass and copper umbrella stand italy

This original 18th century frame is gilded over copper. It is elaborately embossed and chiseled. The cartouche is surrounded by rocaille and volute motifs. The Carta is mounted on a wood backing and rests on two linear bases. It is very rare to find the original altar glory prayer still present inside. It explains the part of the Mass being performed. This is an extremely special museum piece for any ecclesiastical collection. Measurements: W 14 ½” x H 14” x D 1” Weight: 1 lb 8 oz  

For samurai warriors, the functionality of their armor was as vital as its striking beauty—both elements held equal importance. This orange-laced armor is one of the rarest and most stunning complete Edo-period samurai suits ever crafted, designed for a military leader to convey the gravity of his power and warrior spirit at a single glance. This particularly rare armor...