Ivory More Furniture and Collectibles

A medical instrument from the first half of the 19th century. A Piorry stethoscope, indivisible, in ebony wood and ivory. Pierre Adolphe Piorry was inspired by the invention of René ...

A Very Fine German 19th Century Louis XVI Style Burr Walnut Bechstein Concert Grand Piano, Serial No. 5655. The beautifully crafted Grand piano, raised on three tapered barrel shaped legs, with an intricately carved ornate music desk and original keys. Circa: 1872. Length: 80 inches (203.2 cm) Width: 59 inches: (149.9 cm) Height (top closed): 38 5/8 inches (98.1 cm) C. Bechstein Pianofortefabrik C. Bechstein Pianofortefabrik AG (also known as Bechstein) is a German manufacturer of pianos, established in 1853 by Carl Bechstein. Before Bechstein Young Carl Bechstein studied and worked in France and England as a piano craftsman, before he became an independent piano maker. His first pianos were made for other companies. C. Bechstein C. Bechstein piano factory was founded on 1 October 1853 by Carl Bechstein in Berlin, Germany. Carl Bechstein set out to manufacture a piano able to withstand the great demands imposed on the instrument by the virtuosi of the time, such as Franz Liszt. In 1857, Hans von Bülow (Liszt's son-in-law) gave the first public performance on a Bechstein grand piano by performing Liszt's Piano Sonata in B minor in Berlin By 1870, with endorsements from Franz Liszt and Hans von Bülow, Bechstein pianos had become a staple in many concert halls and private mansions. By that time three piano makers, all of which were founded in 1853, became established as the industry leaders across the world: Bechstein, Blüthner and Steinway & Sons. In 1881 Bechstein began supplying pianos to Queen Victoria. A gilded art-case piano was delivered to Buckingham Palace, followed by several more Bechstein pianos to Windsor Castle and other royal residences. By January 1886 they were among the piano manufacturers holding a Royal Warrant as a supplier to the Queen. Several British embassies across the world acquired Bechstein pianos. In 1885, Bechstein opened a branch in London, that eventually grew to become the largest showroom and dealership in Europe. By 1890 showrooms had been opened in Paris, Vienna, and Saint Petersburg. On 31 May 1901, Bechstein Hall, built at a cost of £100,000, was opened next to the company's London showroom at 36-40 Wigmore Street. Between 1901 and 1914, C. Bechstein was the largest piano dealership in London. At that time, Bechstein was patronized by the tsars of Russia, the royal families of Spain, Belgium, the Netherlands, Italy, Sweden, Norway, Austria and Denmark, and other royalty and aristocracy. The list of royal clients of Bechstein may be found on the soundboard of vintage Bechstein pianos made before the Second World War. The list is part of the original Bechstein trademark logo; it can be seen under the strings in the center of a piano's soundboard. The signature of Carl Bechstein The years from the 1870s through 1914 brought Bechstein their most dramatic increase in sales. In 1880 a second Bechstein factory was opened in Berlin, and the third factory was opened in 1897 in Berlin-Kreuzberg. Production reached 3,700 pianos annually in 1900, and 4,600 in 1910, making Bechstein the largest German manufacturer of high-end pianos. At that time, about three quarters of production went to international markets, especially Britain and the Commonwealth, and Russia. Carl Bechstein died in 1900, and the Bechstein company continued to operate under the management of his sons. Between 1900 and 1914 C. Bechstein was one of the leading piano makers in the world, employing 1,200 craftsmen and workers by 1913 and making five thousand pianos per year. First World War C. Bechstein suffered huge property losses in London, Paris, and St. Petersburg during World War I. The largest loss was in London. Although the company's position in the United Kingdom was initially unaffected, with the company still listed as holding a Royal Warrant in January 1915, Warrants to both King George V, and his wife Queen Mary were cancelled on 13 April 1915. Bechstein was not the only musical concern to be affected by growing anti-German sentiment: there were earlier attempts, led by William Boosey, to boycott German music altogether. In 1915, despite being a Baronet and Privy Counsellor, Sir Edgar Speyer, who was then funding the Proms, was forced to leave the country. Following the passing of the Trading with the Enemy Amendment Act 1916 the British arm of the company was wound-up on 5 June 1916, all Bechstein property, including the concert hall and showrooms full of pianos, were seized as "enemy property" and closed. In 1916 the hall was sold as alien property at auction to Debenhams for £56,500. It was renamed Wigmore Hall, and then re-opened under the new name in 1917. All 137 Bechstein pianos at the Bechstein showrooms were confiscated too, and became property of the new owner of the Hall. After a dispute with his brother, Edwin Bechstein left the company and was paid off. Eventually the Bechstein factory resumed full-scale production during the 1920s. At that time, technical innovations and inventions of new materials and tools, as well as improvements in piano design and construction, had allowed Bechstein to become one of the leading piano makers again. The most successful models were the updated "A"-185 and "B"-208 grand pianos. The upright pianos became more popular after the war, and C. Bechstein were successful with its upright pianos Model-8 and Model-9, both of which have been considered the finest upright pianos. As the company was changed into a joint-stock company 1923, Edwin Bechstein and his wife Helene, bought themselves back into the company as shareholders. In 1930 the company collaborated with German electrical goods manufacturer Siemens under Nobel laureate Walther Nernst to produce one of the first electric pianos...

A very elegant carved ivory & 14 karat gold cameo brooch & pendant, Italy, circa 1870. This very lovely cameo is carved as a beautiful Pre-Raphalite maiden, the cameo is finely & dee...

A very rare unique example of British late Victorian 19th century Ivory and rosewood walking stick/cane. Carved Ivory clenched fist holding a r...

Bronze Mounted Steinway Model M Baby Grand Piano A Model Of Francois Linke Dimensions : Height 43 in., Length 67 in., Width 56.25 in A Gilt-Bronze Mounted Steinway & Sons Baby G...

This curved sword has a blued steel German blade with an ivory cross-hatched grip bearing silver and gilt mounts in the form of a lion’s head and mane. ...

Ivory diptych sundial for latitude 48 degrees with vertical and horizontal dials, pin gnomon for Italian hours and lunar volvelle. Compass needle and glass cover. On the plain back ...

The brooch is finely made of carved and inlaid ivory depicting a grape branch with vine leaves and bunches, rich in movement and even minimal details. Deep three-dimensionality and m...

Large apothecary's ivory mortar Indo-Portuguese 17th century 16,7 x 10,4 cm Cites certificate number 2022/BE01446/CE

Miniature with female subject, watercolor on ivory. The frame, in waxed fruit wood, is square in shape with a circle inside. The circle is bordered by a gilt brass decoration which f...

Fine Georgian mahogany bow fronted stick barometer. Bow fronted glass set in front of the silvered register plate with sliding vernier controlled by an ivory turned knob. Concertina ...

large 17th century turned apothecary's ivory mortar and pestle Germany 17th century Cites certificate number IT/CE/2023/MI/01110 18,6 x 7 cm ; pestl...

Oval miniature with brass gilt frame, painted watercolour on ivory, depicting a bust of a woman wearing a cap. England end of XVIII century. (SHIP TO EU ONLY)

On a tripod base with ivory peduncles, a leg with a wavy profile rises. The brass half meridian is connected to it, which at its ends supports the axis of the small globe. The base i...

Brass and ebony wood pantograph, in its original mahogany box. The wheels are made of ivory. The instrument shows the signature of the maker Lennel à La Sphére à Paris. France 1780. ...

Snuffbox, Musky Agate and 18 K gold. Miniaute watercoulor on ivory depicting a white dressed woman. Tortoise shell gold piquet framed. France, circa 1810. ...

Round snuffbox, made out of gold, ivory and tortoiseshell. Purely neoclassic, the surfaces are plain. The base shows a rim round shaped. Same and symmetrical profile also on the cove...

18 K gold and tortoiseshell snuffbox with oval miniature painted on ivory, depicting a woman bust in a square gold frame. Maker marks: Pierre Andrè M...

Round silver snuffbox with embossed iris flowers. The miniature, painted watercolor on ivory, depicts a woman with a crown of roses in her hair and a pearls necklace. Signed A. Baron...

17th century apothecary's ivory mortar Apothecary's ivory mortar 9 Indo-Portuguese 17th century Cites certificate number IT/CE/2023/MI/01108 11 x 9,5 cm