English Furniture

Decorate an office or a den with this elegant framed dog pastel painting. Created in England circa 1880, and set in the original carved oak frame, the drawi...

Devonshire drawn by Richard Creighton with reference to the Unions Artist Richard Creighton Engraved by J&C Walker Sculp Published in Samuel Lewis Topographical Dictionary 1831, a...

Marble Ionik console by Oeuffice Edition of 8 + 2AP 2015 Materials: Roman travertine stone Dimensions: L 220 x W 60 x H 68 cm. Kapital is a series of limited edition tables and stools based on essential forms, reminiscent of primordial stone capitals and simple geometric assemblages commonly found in classical architecture. The distinct and characteristic profiles, proportions and details found in classical orders inspired these works as a simplified reinterpretation with a contemporary twist. Oeuffice was founded in 2011 as a collaboration between Nicolas Bellavance...

Pair 19th century hand-coloured aquatint etchings depicting scenes from the “Fores’s Coaching Incidents” series. Mounted behind glass in gilt and ebonized frames, this pair were pain...

0231 Rare Edwardian chrome plated height adjustable standard lamp, having reeded column with adjustable mechanism, four decorative supports and four downswept legs with paw feet. Thi...

A rare Minton Art Deco porcelain figurine titled Pierette designed by Fred Cooke and dating from around 1930. This delightful standing figurine stands moun...

1967 Alcan Golfer of the Year Championship By Arthur Weaver. A colourful golf lithograph signed by the artist, Arthur Weaver, of the 18th green at St Andrews. The picture depicting Gay Brewer putting on the 18th green at St Andrews (Royal and Ancient Golf Club) in the 1967 Alcan Tournament. Gay Brewer beat Bill Casper by four strokes in a playoff to earn the biggest jackpot ever given to a tournament winner at that time. Title of the print, 18th Green, Royal & Ancient, Alcan Tournament, October 1967, Winner Gay Brewer, U.S.A. 'Putting'. Published in 1968 by Frost & Reed Limited of Bristol and London, England. Copyright in all countries, including the U.S.A. Foreign. Image size, H. 51 cm W. 64 cm Size with border, H. 59 cm W. 70 cm The Alcan Golfer of the Year Championship, also known as the Alcan Open, was an international golf tournament played from 1967 to 1970. It was sponsored by Alcan Aluminum Ltd. of Canada, a long-time corporate sponsor of professional golf on international circuits. The tournament was dreamed up by a Montreal magazine publisher named Hilles Pickens and a Montreal radio broadcaster named Doug Smith. The idea was to use four tournaments in the U.S. and four in Great Britain to qualify for a tournament at St Andrews. They sold the idea to Aluminium Ltd. of Canada, which was at the time changing its name to Alcan. Alcan thought the tournament would be a fine way to promote the new title with both the public and big buyers all over the world. Arnold Palmer and Jack Nicklaus had qualified to play in the tournament but sent their regrets, as did top U.S. money winners Dan Sikes and Julius Boros. For big-name attractions the tournament had to rely on Casper, Brewer and Doug Sanders. Casper and Brewer played fine golf at the windy St Andrews course and after three rounds they were tied with England's 22-year-old Brian Barnes, at four under par. On Sunday Barnes fell back and come the 18th hole Casper and Brewer were tied at 283. The playoff was played on the Monday over the full 18 holes. St Andrews "The Home of Golf" is on the Fife Coast of eastern Scotland and is considered the oldest and most iconic golf course in the world. The Old Course is 6721 yards with a par of 72. It is famous for the 'Swilcan Bridge' spanning the first and 18th holes and 'Hell Bunker'. Everyone who plays the 18th hole walks over the 700-year-old bridge, with it featuring in many iconic pictures of St Andrews. The Old Course remains a public golf course, open to all and apart from the clubhouse for the Royal and Ancient, there are clubhouses overlooking the links for The St Andrews Golf Club...

Made in 1904, the border design on this set of Wedgwood dinner dishes was inspired by designs in Josiah Wedgwood's mid-18th century First Pattern Book. The red berries and beige leaves on the vine combine perfectly with the creamy color of the creamware plate. The result is a subtle beauty. The underside of the dishes has an impressed mark for Wedgwood and "W G" for August 1904. Dimensions: diameter 9.25" x .75" height Condition: Excellent Price: $1120 Background of Early 20th Century Wedgwood: In the late 19th century, Wedgwood designs were mostly influenced by the Aesthetic and Arts and Crafts movements. In 1904 Wedgwood promoted John Goodwin...

RIO Out Pendant by Kaia Dimensions: Ø90 x 2.5 x 2.7 cm LED technology, 24 V*, warm white 2700 K, 4070 source lumens, Energy class A; lifetime 60 000 h. Materials: brushed brass, acry...

A beautiful set of 12 early 20th century English Royal Doulton plates. Finely decorated with raised gold. Stamped Royal Doulton England on th...

This piece was retailed at Shreve & Stanwood Co. and manufactured in Birmingham, England in 1866. 1860-1869 Shreve, Stanwood & Company. Benjamin Shreve worked with James D. Stan...

Pair Wedgwood chinoiserie plates. Rare pair of early Wedgwood chinoiserie pearlware plates with fantastical Oriental imagery in cobalt underglaze ...

Stainless steel mirror, Semicircle by Theodora Alfredsdottir (Champagne) Materials: Mirror Dimensions: 50 x 50 cm Also Available: Circle, Rectangular in different colors (silver...

This is a stunning serving dish made by H&R Daniel in about 1827. It is made in the popular Shrewsbury shape and has a beautiful red dahlia in the centre. This dish would have belonged to a large dessert service. We have several items of this service for sale, please see second picture and separate listings. The H & R Daniel porcelain factory was founded by Henry Daniel, son of a family of master colour makers. He headed up the decoration department in the famous Spode factory where he oversaw all the beautiful early Spode decorations. In 1822 he opened his own factory with his son Richard, creating a truly iconic body of work with the most subtle colours and beautifully painted flowers and landscapes. The Daniel factory was the last true cottage industry among the English potteries, resisting the increase of industrialisation and mass production. This resulted in extraordinary and unrivalled quality, but it probably also led to the factory having to close its doors in 1846 because it could no longer compete with others who did modernise. Daniel porcelain can be hard to identify as the factory was only around for about two decades, and Daniel items have therefore become true collectors' items. This dish is potted in the Shrewsbury Shape, which was first designed in 1826 for the Earl of Shrewsbury...

Antique Victorian Staffordshire flatback figure of a young boy dressed as a sailor holding his toy boat. In lovely original condition. H 16cm...

Impressive pair of vintage wall sconces with an eccentric mix of materials featuring ostrich eggs decorated with amethyst stones, antelope...

We are is delighted to offer for sale this stunning original English circa 1880-1900 brass with marble base hat glove and coat stand. This is a bit of a ...

A 19th Century Victorian fire grate in the Georgian manner probably by T. Elisley. A high arch back plate with a cast central urn and trailing bellflowers each side, flanked by shap...

This is a beautiful teacup and saucer made by Coalport in 1840, which was the Rococo Revival period. The set is decorated with a warm beige ground with gilt floral patterns and beaut...

A 19th century Victorian brass oil lamp having a pretty tulip shaped white and green elegantly etched glass shade with a single burner stood ...

Goldfinch Fine large folio stipple engraving with hand colour. On Turkey Mills Wattman paper. Overall dimensions: 35.3 x 26 cm Issued in Brookshaw’s scarce monograph: Six...

A very fine large antique English hand-blown Nailsea glass flask with trailed patterning dating from around 1860. The flask of oval shape has a narrow fun...

Royal Worcester ivory porcelain.

The pieces are slip cast in London, made from stoneware in small batches. The hand painted details around the rim of each item in the collection is created by glaze in a complimentar...

Very rare late 19th Century, "The Original Holden's Mannikins", original vintage theatrical Vaudeville play linen backed one-sheet movie poster (one sheet; measures 28" x 42", actual poster size 27" x 41". Early Vaudeville Marionette, Automata and Mannequin poster with vibrant colors, another one can't be found. The playbill poster features vibrant illustrations of Clowns, Skeletons, Royalty, Cowboys, Mimes, Nurses, Fairies... This poster has an address for a theatre in St. Martin Paris, France. From the book; The Holdens: Monarchs of the Marionette Theatre by John McCormick The Holden family were the most celebrated English marionette performers of the nineteenth century. The trajectory of the Holdens provides a vivid example of developments in entertainment across the century. Having begun on the fairgrounds, they moved on to large halls, theatres and music halls. At the height of their popularity, when they had two main companies in operation, the Holdens were even better known abroad than at home. Their name was almost synonymous with puppetry, and they were credited with every innovation in marionette theatre. Then, with the advent of cinema, their business suffered a rapid decline. Based on extensive archival research and lavishly illustrated with photographs, sketches, diagrams, playbills and posters, The Holdens: Monarchs of the Marionette Theatre explains why the Holden shows had such impact and were so frequently imitated. Below are two newspaper reviews from 1903 and 1907. Holdin’s Mannkins Location: New York City Theater: New York Date: 1903 Type: Marionette, Automata and Manikin This is another of Mr. Keith’s acts and it is safe to say that we have never seen marionettes in this country before. The general fitting up of the act is great—had a fine stage with a full set of scenery, and everything is first class order—strongly, and it is hardly possible to conceive how people can produce the effects that they do by the manipulation of strings. Every move made by these little figures is absolutely natural and life-like, and the audience were quick to appreciate this fact and were most hearty in their applause. The act is closed with a transformation feature which was very pretty and attractive. It is an exceptionally strong turn throughout. 24 minutes, full stage. Source: University of Iowa, Keith-Albee Vaudeville Collection, Manager Reports, 2 September 1902-3 September 1903. Holden’s Manikins Location: Philadelphia Theater: Keith's Date: 1907 Type: Marionette, Automata and Manikin 22 min, F.S., 2 shows. On at 8:04. This is a children’s feature. I doubt whether it would be so well received at any other than about Christmas time, but it quite won the house. The manikins performs various simple stunts, such as dancing, Punch and Judy comedy, etc. The finish of the act was a spectacular feature without moving figures, which did not run as smoothly as it should have done. However, the act will certainly please the little folks and it cannot be conceived how the wooden manikins can be manipulated so life-like. Holden got a good hand on his appearance after the act...

A superb pair of antique English Staffordshire zebra figurines, circa 1920. These charming zebras are hand painted with fine details and would be p...

The centre of this Davenport porcelain plate is decorated with a hand painted scene of a farmhouse on the edge of a dense wood, with sheep grazing in a meadow in the foreground, on t...

This very pretty Royal Worcester porcelain Blush Ivory part teaset consists of seven tea cups, seven side plates and five saucers. They are all decorated w...

This large footed silver plated serving tray is marked by an unknown maker, and originates from England and dates to approximately 1920 and done in a Victorian style. This large oval...

This long pile, coarsely woven long carpet shows a beige seafoam field with an open diamond lattice allover pattern, within a brown border with trompe l'oeil strapwork forming cartouches enclosing bouquets. A massive carpet...

Set of 6 Art Deco silver coffee spoons with tri-color Enamel, Elkington & Co. Birmingham 1936 The red, white and blue enamel finial theme could...

This is a beautiful set of eleven Hammersley and Company English wide rim soup bowls. They were exclusively made for Ovington Brothers in New York, which...

A nice pair of mid-century glass inkwells with brass hinged lids and a shield on top. English lap desk style purchased by a private collector who trav...

Margaret Gilmour, attributed. A Scottish School Arts and Crafts brass planter with flaring top and hand-formed detail depicting a Galleon stood on Gi...

In classic architecture, a large patera (or paterae plural) like this would have once embellished a frieze or wall of a prominent building or house. This oval patera is a beautiful example of 18th century architecture, showcasing ornate details of the period. It is made in Coade stone, a famous and innovative material of its time, developed by industry pioneer Mrs Eleanor Coade. Image source: ‘Coade etchings of many designs of Paterae, 1770s-1780s’ from Mrs Coade’s Stone by Alison Kelly

Set of 3 19th Century English Garniture set.

An extremely rare and unusual pair of space age vintage pod chairs. They were made in England, they date from the 1960’s. The design is so stylish a...

Instruments brass candlerholder set by Homefolks Limited edition Dimensions: D 5.8 x W 10.8 x H 5.3 cm (each) Materials: brass Featuring key-like handles and geometric shapes, ...

French Faience Asparagus Strainer and Serving Dish Offered for sale is a late 19th-century hand-painted French faience asparagus strainer and servin...

Fine antique Victorian ornate gilded clock set with charming ornate cupids and flowers. The clock is an 8 day movement with original hands and a cupid...

Yellow Aesthetic Minton Porcelain Plate in the style of Japonism creations made by Christopher Dresser. Round plate adorned with an oriental fan representing a lovely and colorful bi...

An unusual pair Arts & Crafts Roberts & Belk Sheffield silver plated ‘cat’ ball end knife rests the design attributed to renowned Scottish born desig...

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely 1747 British Map Showing the Kingdom of Judah on the West Coast of Africa This 1747 Negroland m...

This set of twelve dinner plates were made by the well known Wedgewood factory of England in approximately 1900 in a Victorian style. The plates a...

Early 20th century Smiths Astral [Great Britain] shipboard brass clock, circa 1930. A brass case with inset beveled glass panel that reveals a silvertone...

A fine English Neoclassical porcelain plate. By Coalport. Decorated throughout with alternating red and blue geometric patterns, gil...

Art Deco mercury glass lined silver plate ice bucket with cover and boar tusk handles.

Decorate an office or a den with this elegant framed dog painting. Created in England circa 1880, and set in the original carved frame, the drawing depicts a cocker spaniel poodle mi...

Granite black base with a matte finish and shade. Estimated processing time is 2 weeks from order confirmation. Pictured with a Mini Globe LED E27 Bul...

A lovely set of three authentic antique 19th-century hand blown mercury glass decorative vases from England. These stunning vases have stylish shapes in a beautiful patina and would ...

Regency hall lantern. This classic lantern is based on a 19th-century six-sided original. Superbly cast, it demonstrates a range of techniques, fr...

Redstart Fine large folio stipple engraving with hand colour. On Turkey Mills Wattman paper. Overall dimensions: 35.3 x 26 cm Issued in Brookshaw’s scarce monograph: Six ...

This is a W & T Avery makers brass and cast iron beam scale. The top of the pillar, is adorned with cast iron scrolls and a heart. There is one brass pan a...

Pair of cast hardened white brass candlesticks in patented Martinoid. The acanthus leaf capital is supported by a cluster column on a square gadroon edged base. Cast from an 18th century English Silver...

12 Cauldon first class steamship or yacht dessert plates, Each one gold encrusted rims with central crest of a red, white and blue with "D" Racing Pennant . Retailed by Higgins & Sei...

A good pair English Staffordshire pottery figures portraying a Seated man and woman with a Basket containing flowers dating from around 1...

A large vintage serving platter featuring the harvest fruit brown and white transfer-ware pattern by the celebrated English pottery firm, John...

A magnificent antique Victorian solid silver basket with a heavy clear glass liner. This Basket is of substantial size and features an intricate pierced and chased patterns. The Rim ...