1740s Furniture

A beautiful hand-colored engraving from Johann Michael Seligmann's collection, which was based on the earlier works of George Edwards. The text on this image is in German, Latin, a...

Antique map titled 'A General Map of Eastern and Western Tatary, commonly call'd Tartary; drawn from the Particular Maps of the Jesuit Missionaries'. Rare antique map of Tartary, C...

Bernard Picart was the maker of this specific engraving. Bernard Picart (1673–1733) was a renowned engraver known for his detailed and highly skilled work, particularly in illustrati...

Evocative lamp made from a candelabra period of the 1700s Baroque (or Neo-Baroque), whose main feature is the presence of a putto - or cherub - with golden wings. The lamp is a candl...

Original hand-colored antique bird print showing an American Kingfisher from the book "A Natural History of Uncommon Birds" (1743-1751) by George Edwards. This hand-colored engraving showcases the bird perched on a branch, holding a fish in its beak. The kingfisher is characterized by its distinctive plumage, with a slate-blue back and wings, a speckled tail, and a prominent crest on its head. Its body is white underneath with some pinkish hues near the breast. The bird's sharp beak is shown spearing a fish, emphasizing its hunting prowess. The surrounding environment includes a simple background with water and vegetation, highlighting the bird's natural habitat. This illustration is part of an increasingly rare and treasured collection of natural history artwork from the 18th century. George Edwards (1694–1773) was an English naturalist and ornithologist who is often referred to as the "father of British ornithology." His most famous work, "A Natural History of Uncommon Birds" (1743-1751), and its continuation "Gleanings of Natural History" (1758-1764), contain detailed illustrations and descriptions of many bird species, many of which were little known or newly discovered at the time. Edwards' work is highly regarded for its accuracy, artistry, and contribution to the field of ornithology. About George Edwards: 1. **Early Life and Career**: - Born in Stratford, Essex, Edwards was apprenticed to a tradesman in London. However, he developed an interest in natural history and began studying birds, insects, and other animals. - He spent some time traveling in Europe, studying various collections of natural history specimens. 2. **Publications**: - **"A Natural History of Uncommon Birds" (1743-1751)**: This work is a collection of 210 hand-colored engravings of birds. It is known for its meticulous attention to detail and accuracy in depicting bird species. - **"Gleanings of Natural History" (1758-1764)**: This series continued the work started in "A Natural History of Uncommon Birds" and included additional birds as well as other animals. - His publications also included detailed observations and descriptions, making them valuable not only for their artistic merit but also for their scientific content. 3. **Artistic and Scientific Contributions**: - Edwards was known for his ability to combine artistic skill with scientific precision. His illustrations often depicted birds in lifelike poses and settings, showing their natural behaviors. - He collaborated with and was influenced by other naturalists and illustrators of his time, such as Carl Linnaeus and Mark Catesby. - Edwards' works were used by Linnaeus in the development of his system of taxonomy. 4. **Legacy**: - George Edwards' contributions to ornithology and natural history have had a lasting impact. His detailed and accurate illustrations helped to advance the study of birds and influenced subsequent generations of naturalists and artists. - His books remain highly prized by collectors and are considered important historical documents in the field of natural history. ### "A Natural History of Uncommon Birds" and Its Importance: - **Illustrations**: Each illustration in Edwards' work was carefully hand-colored, and the engravings were often accompanied by descriptive text that included observations about the birds' habitats, behaviors, and physical characteristics. - **Scientific Accuracy**: Edwards took great care to ensure the accuracy of his depictions, often working from specimens he had observed firsthand. - **Influence**: The work was well-received in its time and remains a significant reference for ornithologists and historians. It contributed to a greater understanding and appreciation of bird species from around the world. Overall, George Edwards' work represents a critical intersection of art and science during the Enlightenment period, capturing the beauty and diversity of the natural world while contributing to the scientific knowledge of his time. ------------- The bird depicted is a Belted Kingfisher...

Description: Antique map titled'Theatrum Historicum pars Orientalis.' Finely engraved historical map with a profusion of details. It shows the Middle East and Asia. Decorative ti...

This image is an antique colored etching from a botanical work by J.W. Weinmann, titled "Duidelyke vertoning eeniger duizend in alle vier waerelds deelen wassende bomen, stammen, kru...

Antique Hand-Made French Studded Safe. France, circa 1740. Heavy in weight and pre-French Revolution private safe from Marseilles, France.

Description: Antique map titled 'Kaart van het Zuidelykste Gedeelte van Zuider Amerika (..) - Carte de la Partie Meridionale de l'Amerique Meridionale (..)'. Detailed chart tracking the route of Capt. George Anson's ship The Centurion in 1745. The chart shows the tracks of Anson's ships around South America & Cape Horn to the Juan Fernandes Islands, with notes on currents and positions. In 1740 Capt. George Anson (1697-1762) of the Royal Navy, was given command of a squadron of ships. As England was at war with France and Spain, Anson's task was to intercept and capture a Spanish treasure...

Title: Striking 18th-Century Engraving of Papal Chronology and Symbols of the Vatican This beautifully detailed 18th-century engraving, 'Pontificum Romanorum Series Chronologica'...

A good & large antique English early Georgian oak ‘Mule Chest’ coffer, circa 1740. A very good sized antique mule chest from the Lancashire area, located in the Northwest of England ...

Artist or Maker: Johann Wilhelm Weinmann Title: "Lilium album peregrinum. Lilium buliferum, Knöpfigte Feuer Lilien. Lilium croceum minus, Feuer Lilien." Medium: Colored etching Catal...

This is an antique map titled "Nieuwe Kaart van Tartarie," which translates to "New Map of Tartary." The map was created by Isaak Tirion, a prominent Dutch cartographer and publisher...

This English mahogany cabinet was likely the upper half of an English secretary converted to a cabinet in the nineteenth century with a later ...

Large Baroque two-door cabinet standing on baluster legs, with two drawers in the tall base section. The front is structured by three undulating half-column pilasters and features ar...

The engraving presented here exhibits two male figures, each bearing a unique expression and hairstyle, likely echoing the artistic style of Raphael's Renaissance works. On the left,...

This is an original antique architectural design for a pulpit in baroque style dating approximately between 1740 and 1760. The artist responsible for this design is Franz Xaver Hab...

Artist or Maker: Johann Wilhelm Weinmann Title: "Lilio asphodelus luteus. Lilio asphodelus phoeniceus. Lilium album" Medium: Colored etching Source: "Duidelyke vertoning eeniger duiz...

An exceptional, fine and impressive antique Georgian English sterling silver sugar caster by Samuel Wood; an addition to our silver teaware collection This exceptional and large a...

Antique map Holy Land titled 'Het beloofde landt Canaan doorwandelt van onsen Saligmaker Jesu Christo neffens zyne Apostelen'. Antique map of Israel ...

Title: 18th-Century Engraving of European Monarchies with Heraldry and Imperial Regalia This intricately detailed 18th-century engraving, *Statua Regum et Ropotorum P.C.N.*, offer...

This double-engraved page featuring the titles "The Apparel of the Hottentot Men" and "The Apparel of the Hottentot Women" are from the 18th-century book "The Present State of the Ca...

This magnificent 18th-century bed is a stunning example of period craftsmanship and artistry. The bed features intricately carved and gilded wood, demonstrating expert woodworking te...

With underglaze blue and red decoration.

Bernard Picart was the maker of this specific engraving. Bernard Picart (1673–1733) was a renowned engraver known for his detailed and highly skilled work, particularly in illustrati...

An outstanding 18th Century Danish paint decorated and profusely carved kas or armoire, the double domed to with rich faux marble arched cove moldings, the front with two applied car...

Artist or Maker: Johann Wilhelm Weinmann Title: "Lilio asphodelus luteus. Lilio asphodelus phoeniceus. Lilium album" Medium: Colored etching Source: "Duidelyke vertoning eeniger duiz...

A very good large silver swing handle basket of pierced oval form. The arched swing handle with two cast female busts arising from a leaf capped double C-scroll support. The cast and applied rim of shaped foliate and floral entwined decoration. The central bowl of the basket engraved with a rocaille cartouche containing an armorial. The top of the handle is decorated with a leaf form cartouche within which is the crest of a deer. The sides of the raised basket with hand cut pierced decoration. The whole standing on four cast and applied legs, decorated with a beautiful scrolling foliate design rising to high relief female faces, on leaf-form pad feet. Hallmarked to the underside for London 1747 by Edward Aldridge. The underside of the handle bears the lion passant and maker’s mark, both struck twice. This is a beautifully decorated and impressive piece of early Georgian silver...

Boiserie realizzata con sei pannelli in carta dipinta posta su tela. La boiserie è stata composta su misura per l’appartamento moderno dell’ultima proprietà, inserendo i sei pannelli...

Title: "Kaartje van't Eiland Sumatra en de Maleidse Kust gelegen na de stelling van de G. de L'Isle" Published by Jacob Keizer and by Jan de Lat Creator: Keizer, Jacob, active 1706...

This engraving is from the Johann Michael Seligmann's collection, based on the works of George Edwards that was published in 1743. The text in the image is in both German and Latin...

Architectural design with the central elements depicted in the engraving: the Baroque design of the pulpit, the inclusion of a Corinthian column which suggests a classical influence, and the presence of a staircase plan indicating the approach to the pulpit. Dating approximately between 1740 and 1760. The artist responsible for this design is Franz Xaver Habermann, and it was published by Johann Georg Hertel I in Augsburg. The design shows a richly decorated pulpit and archway, typical of the Rococo style, which is known for its elaborate ornamentation, asymmetry, and curves. This image is one of four numbered plates related to this work. The detail in the engraving is meticulous, showcasing the elaborate aesthetic that characterized much of the European art and architecture during the mid-18th century. Franz Xaver Habermann (1721–1796) was a German engraver and etcher who was active during the 18th century, a period marked by the Rococo style. Although not as widely known as some of his contemporaries, Habermann contributed significantly to the graphic arts during his time. Habermann's work often featured architectural designs, such as the intricate pulpit depicted in the image you've provided. He was skilled in creating prints that detailed elaborate decorative schemes and architectural fantasies, which were popular during the Rococo period. His creations were known for their intricate details and the fluidity of their lines, capturing the lightness and ornamental excesses that characterized Rococo design. Johann Georg Hertel I, who published Habermann's work, was part of a notable family of engravers and publishers in Augsburg, a city that was an important center for publishing in Europe at the time. The Hertel family played a significant role in disseminating artistic and architectural designs through their publications. While specific details about Habermann’s life and training may not be as well-documented as those of major artists of his time, his surviving works suggest that he was a highly skilled engraver who had mastered the Rococo style, contributing to the spread of this aesthetic through his printed works. His designs would have influenced the tastes of the period, both within Germany and across Europe, where the appetite for such elaborate designs was significant. More in detail about this engraving: This engraving features a detailed representation of a Baroque-style preacher's pulpit, intricately designed and placed upon a Corinthian column, demonstrating the grandeur of religious architecture during the Baroque period. The pulpit is richly adorned with elaborate scrollwork, acanthus leaves, and possibly religious iconography, all common elements in Baroque ecclesiastical design. A significant feature of this print is the inclusion of architectural details such as the Corinthian column base, known for its ornate capital with acanthus leaves and scrolls, which supports the pulpit above. This classical element signifies stability and order, providing a stark contrast to the exuberant decoration of the pulpit itself. To the right of the pulpit, there's a tall, slender window filled with panes that could either be clear or stained glass, framed by an ornate window arch...

English Queen Anne Mahogany upholstered wingback chair with flanking flared wings, flanking scrolled arms, carved shell knees, and resting on the original pad feet with rear squared ...

Title: 1742 Covens & Mortier Map of the Persian Empire by Guillaume De L'Isle This remarkable 1742 map, "Carte de Perse," was originally designed by Guillaume De L'Isle, a preemin...

Antique map titled 'Dominia Anglorum in praecipuis Insulis Americae ut sunt Insula S. Christophori, Antegoa, Iamaica, Barbados nec non Insulae Bermudes vel Sommers dictae. Die Englis...

Antique map titled 'Nubie, Abissinie et Cote d'Ajan'. Map of Abyssinia, Sudan and the Red Sea by Robert Vaugondy. Covers from Arabia and Egypt south to M...

This is a beautiful hand carved, gessoed and gilded George II mirror. Dating from the mid eighteenth century. This incredibly large mirror is stunning and actually downright imposing...

Title: Striking 1740 Engraving of Colossus Depicting King Nebuchadnezzar's Dream Description: This vibrant 1740 engraving, titled *Colossus Monarchic Statua Danielis Dan. II. 31*...

An English Georgian period red japanned pier mirror retaining an old possibly original beveled mirror plate. The piece is decorated in in an elegant restrained fashion the pierced cr...

We are delighted to offer for sale this very rare and important 18th century hand craved Italian circa 1740 Tete a Tete conversation settee What a find, I have never seen another ...

This early American Colonial chair features curved splats in back and turned front legs and double upright supports on three sides. The front supports are also turned, with turned fi...

This is an original copperplate engraving on vellin-type paper, dating from a French edition of 1727-1738 of the monumental work "Cérémonies et Coutumes Religieuses..." by A. Moubach...

Fine Irish 18th century mahogany tea table, the well figured single plank top with dished edge over deeply scalloped apron and standing on graceful cabriole legs ending in well-forme...

Antique George I quality walnut chest of drawers having a quality walnut rectangular top with a moulded edge above two short and three long walnut crossbanded drawers with attractive...

Plate 17 from "La Methode et Invention nouvelle de Dresser les Chevaux" portrays William Cavendish, the first Duke of Newcastle, providing instructions to Captain Mazin in the art of...

This is perhaps one of our favorite pieces and one of the most sophisticated and uniquely finished chests from the mid 18th century. An English - King George III, Hepplewhite flame m...

This engraving by Nicolas Pigné, part of the "Recueil de XC Têtes tirées des Sept Cartons des Actes des Apôtres" collection, shows a stark contrast between two figures. On the left, ...

Title: "Kaartje van Natolie en Syrie opgesteld door de Hr. Lucas en de Hr. Guil de L'Isle en andere auteuren" The title "Kaartje van Natolie en Syrie opgesteld door de Hr. Lucas en...

Description George II sterling silver tankard, Joseph Jackson, Dublin, 1749. Slightly flared body with circular base and a wavy, chiseled decoration along the underside. Domed, hinge...

A fine English mid-18th century mahogany secretaire / secretary / bookcase / china cabinet. Of lovely, deep, rich color, patina and quality. George III-period, circa 1760. The bold, detachable, swan-neck pediment carved with 'Gothic' open fretwork, spiral rosettes and a dentil cornice. The pediment is centred by a small platform below which is a fluted panel. The bookcase / china cabinet section with two, thirteen-pane glazed doors, with three original adjustable shelves with applied beadings for the display of china etc. The base with a pull-out writing section fitted with small drawers, two of which have secret releases. These secret drawers are faced with blind-fret 'Gothic' tracery, and centred by a carved, shaped arch. The base with three cock-beaded drawers, and raised on its original bracket feet which are faced with blind fret. This fine, sophisticated and well-proportioned example of a secretaire / secretary / cabinet / desk / bookcase is remarkable for having survived in its original state including all swan-neck handles and locks. Of superb quality, color, patination, and well figured throughout. With mahogany drawer linings: further confirmation of its superlative quality. Measures: 42" wide (107 cm) 23" deep 58.5 cm) 95" high (241 cm) - without cartouche. A related antique bureau cabinet...

This Queen Anne demilune side table is of a rare diminutive size. The cabriole legs terminate in typical Queen Anne pad feet. The double top opens ...

This is an 18th-century hand-colored engraving from Johann Michael Seligmann's collection, displaying a parrot species. Here’s the transcription and translation of the visible text: ...

With outward scrolling armrests; raised on foliate-carved cabriole front legs terminating in ball and claw feet.

Bold 18th century Portuguese period side chair with scroll and stylized lion tail carving, the upholstered balloon seat over scrolled and outward rolled apron, standing on boldly car...

18th Century Meissen Porcelain Figurine 'Pair of Lovers' 'Liebespaar' circa 1745 Sitting lovers, designed by Johann Joachim Kaendler, above a base covered with plastic flowers and l...

This gate leg table has a drawer with incised thumb nail molding and a brass tear drop pull, which is old but not original. There is exposed peg construction. Width of the table cl...

Meissen Porcelain Figurines, Pair of seated Musician figures. 14cm high figures, Crossed swords mark to rear of base, c1745. Both figures mounted in an 18th Century ormolu arbour ...

AUTHOR: COMMON PRAYER. TITLE: The Book of Common Prayer: And Administration of the Sacraments: And Other Rites and Ceremonies of the Church of England: Together With the Psalter, o...

Royal House Antiques Royal House Antiques is delighted to offer for sale this super rare suite of Twelve original 1740-1760 dated hand water coloured prints after George Edwards 169...

Text: "Le cheval étant sur son plan naturel, pour faire voir la plus parfaitte posture du Cavallier" Translated: "The horse being in its natural position, to show the most perfect ...

Good 18th century English oak six plank chest, the simple top with original iron strap hinges and lock hasp over bootjack sides having arched feet and ...

This original antique engraving is part of the collection "Recueil de XC Têtes tirées des Sept Cartons des Actes des Apôtres," and showcases two male profiles in a classical style. ...

This is an antique map titled "Nieuwe Kaart van Tartarie," which translates to "New Map of Tartary." The map was created by Isaak Tirion, a prominent Dutch cartographer and publisher...

Antique map Holy Land titled 'Het beloofde landt Canaan doorwandelt van onsen Saligmaker Jesu Christo neffens zyne Apostelen'. Antique map of Israel ...

18th-Century Miniature Oil Portrait Fine miniature portrait depicting a gentleman from the late 17th century, dressed in period attire. Medium...

This engraving of the Black Indian Cuckoo is a fine example from George Edwards' ornithological works, part of his A Natural History of Uncommon Birds or Gleanings of Natural History...

Plate 24 from "A General System of Horsemanship in All Its Branches," (La Methode et Invention nouvelle de Dresser les Chevaux). William Cavendish Duke of Newcastle's work on equestr...

This etching and engraving, titled "Gazel (Gazelle)," is a meticulous depiction of a gazelle standing gracefully. The artwork showcases the gazelle's slender body, delicate legs, and...

A George II period, mahogany small drop-leaf dining table, Circa 1740. Featuring a solid, high quality, very well figured, mahogany top of square-ish form. Constructed from 3 leaves ...

The title 'Quadrupede Nomme Kanguroo, Trouve sur la Cote de la N'le Hollande' refers to an uncolored engraving depicting a Kangaroo, originally found and described during Captain Cook's first voyage, later rendered by George Stubbs in the English account. This French version offers a portrayal of the Kangaroo encountered on the coast of New Holland (Australia) during that expedition. The Kangaroo illustration, an integral part of the narrative from Cook's exploration, became renowned due to its significance in the documentation of newly discovered fauna. George Stubbs, a celebrated artist, interpreted and immortalized this image in the English account of Cook's voyage. This uncolored engraving presents a historical representation of the Kangaroo, an iconic symbol of Australia's unique wildlife, as observed and documented during a pivotal period of exploration. The illustration stands as a testament to the scientific curiosity and documentation prevalent during early voyages of discovery, contributing to the understanding and documentation of the natural world in the 18th century. The print is in good condition, considering its age, but does have a few slightly visible vertical creases and some soiling. Nevertheless a very representable print of a few hunderd years old (1744). Description: This engraving is based on the first illustration of a “Kangaroo” an Australian species, drawn by George Stubbs from a specimen collected at Endeavour River in 1770 by James Cook’s crew while the Endeavour was being careened and issued in the official accounts of the voyage of the Endeavour. This iconic image captured the public’s imagination for over sixty years and was the first depiction of any Australian animal in western art. Confusion exists as to the original species described, based on the specimens brought back by Cook and the subsequent painting by Stubbs. This situation arose in the comparisons of drawings and photographs which are the only records of the lost original specimens, with Parkinson’s sketch made on 23rd June 1770 at Endeavour River and the later Stubbs painting...

Chinese Export Porcelain Armorial En Grisaille Soup Plates, Pair, Circa 1745 Chinese Export porcelain armorial en grisaille services are unusual to find. This striking pair of soup...

This original antique hand-colored engraving by Johann Michael Seligmann is a representation of the Golden Thrush, derived from George Edwards' "Natural History of Uncommon Birds" and "Gleanings of Natural History." The artwork was part of Seligmann's own work, "Sammlung Verschiedener Auslandischer und Seltener Vogel," which translates to "Collection of Various Foreign and Rare Birds," published in 1749. The engraving contains several lines of text in different languages, likely identifying the bird and giving references to the work it was derived from. Here’s the transcription and translation of the visible text: - "Gallula Bengalensis." - This is Latin, likely the scientific name of the bird at the time, which translates to "Bengal Gallula" or "Bengal Thrush." - "N:o 80./VII.Heft." - This seems to be a reference to the plate number and the volume or issue number of the collection. - "Le Grive Dorée, Icterus." - In French, this means "The Golden Thrush, Icterus." 'Icterus' refers to the genus that includes birds commonly known as orioles, which are often characterized by their yellow and black plumage. - "Goldbrostel." - This could be an old or regional name for the bird in German, which might translate to something like "Gold Breast" referring to the bird's golden chest...

The image is an original antique handcolored plate from "A Natural History of English Insects" published in 1749 by Eleazar Albin. Albin, likely of German origin and known initially ...