17th Century Furniture

17th century and later oak refectory dining table, the cleated plank top on four baluster turned supports united by perimeter stretcher. Some gaps between top boards.

Thailand, Ayutthaya Kingdom, 16th-17th century gold gilt bronze temple Buddha, measuring 60 inches tall This beautiful Buddha sculpture will bring s...

A fine & large antique 17th Century French carved walnut statue of Saint Peter, circa 1680. The statue is finely carved from walnut and depicts Saint Peter holding a bible in his ha...

A pair of handcarved mid 17th century oak wall panels with a handsome, even patina and string for hanging. Each are of beautiful quality after more than 370 years and well-carved for...

A French religious tapestry from Paris, circa 17th century, size 11' H x 11' W. This magnificent handwoven wool and silk wall hanging envisions the marriage of the New Testament figures, Mary and Joseph, with the High Priest flanked by Mary and Joseph at center and a dove above them, and with the central figures attended by a noblewoman and a group of men, and with a mother and child seated in the right foreground. The central scene is enclosed within a border that is characterized by upper and lower central cartouches, supported by putti. It contains a star above, and the armorial of Pierre Guischard below. Six additional cartouches containing the symbols of the Evangelists run through the rest of the border, interspersed with fruiting and flowering elements, decorative swags, and birds. Pierre Guischard (1614-1701) was doctor of Theology of the Holy Faculty of Paris and Great Master of the College of Navarre in Paris, Advisor, Chaplain and King Louis 14th...

This is a hand painted Chinese Export porcelain dish, which we date to the 17th century, Ming Dynasty, Tianqi or Chongzhen c.1620-1640 The dish is fairly thickly potted with a fai...

This is really very early and has incredible presence in person. Looks like many of the artifacts I've seen in the museums. It originated from the countryside of France and is a grea...

Late 17th Century Italian chestnut Frattino style antique trestle table features 2 ancient solid top planks with end frames, trestle base crosspieces and forged iron joinery pins. With is superior details including dovetail joinery, present a fine rustic antique look for use as a primitive table for display, or communal style dining -or even in a contrasting modern setting. Measures: 98.2" L x 27.6" W x 28.9" H, 2" thick double slab top with 4" end frames 16" chair space at table ends 64.3” space between bases for 3 chairs with 11.9" chair push-in space to crossbeam 26.9" arm chair clearance. **We can reproduce this antique style in any size you require. See pricing below for standard dining table sizes - made in Italy by our craftsmen** We offer finish options on aged hardwoods which may be very distressed like this original antique Italian chestnut table, or for example, formal & smooth on premium Italian walnut. - Natural blonde shellac - Classic shellac - Espresso Dark stain shellac - Moro blackened shellac *Gloss, satin & distressed painted finishes also available to order *Also available in Old Chestnut, Poplar, or Walnut with smooth or brushed grain finish. **Larger table sizes, narrow widths, and single slab tops available by quote. **Available on our next container shipment. Expedited shipping service available by quote. Larger table top sizes, narrow widths, single slab tops, and aged Italian walnut are available - please contact us for a custom quote. Bellini’s Old World Collection...

The 17th Century Flemish Aubusson Tapestry portraying a woman traveling or walking with her child is a captivating depiction of everyday life...

This is a beautifully hand painted Chinese Export porcelain Plate from the Qing, Kangxi period, 1662-1722. The plate is finely potted with a carefully cut base rim and a lovely rich...

Very happy and delighted with this new arrival. A very nicely potted, shaped and painted blue and white Kosometsuke piece in nice cobalt blue! Visible in the pictures is a lidded box...

An antique Persian Iranian Safavid dynasty hand woven embroidered textile. The textile of two parts decorated with hand woven floral motif on the beige background on the one part and...

Circle of ALESSANDRO ALLORI Portrait Of a Young Man Wearing A Ruff Wall Art , possibly portrait of a young Nobleman Oil on Wood Panel , unsigned . signs of restoration , normal wood panel cracks due to centuries and elements as seen in the pictures but overall great piece of Art. Alessandro di Cristofano di Lorenzo del Bronzino Allori (Florence, 31 May 1535 – 22 September 1607) was an Italian painter of the late Mannerist Florentine school. In 1540, after the death of his father, Allori was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. This incredible Artwork painting would be beautiful addition to collectors or to decorate a law office a library , Hallway , Living room a man's room or as a great elegant gift idea for an office space and house warming . Antique dealer West Hollywood Melrose Ave La Cienega Blvd . On top of a dresser a semainier a secretaire or in the background of your desk , this outstanding painting with the hand carved wood gilt frame will be the touch of old world adding the charm history and elegance to your decore . This beautiful portrait of a gentleman is very versatile and can go with any design, rustic farm , elegant space , formal setting , modern or old world European charm . overall good shape, recanvassing so many of the wonderful Art In the prime of his career, Allori headed one of the "two most important workshops in Florence in the second half of the 16th century" (the other being headed by Santi di Tito...

A French 17th century period Louis XIII walnut side table with single drawer and barley-twist base. This French side table features a rectangular planked top with rounded edges sitti...

This is a historical sea chart titled "Carte Generale des Costes d'Irlande, et des Costes Occidentales d'Angleterre avec une Partie de celles d'Ecosse," which translates to "General Map of the Coasts of Ireland and the Western Coasts of England with a Part of Scotland." The map was first published in 1693 in the atlas "La Neptune Francois," created by Jaillot and published by Pieter Mortier in Amsterdam. This initiative was started by the French minister Colbert to improve maritime navigation. Details of the Map: 1. **Geographical Coverage:** - The map primarily focuses on the Irish coast. - It also includes the west coast of England and Wales. - Parts of the west coast of Scotland are also depicted. 2. **Inset Map:** - There is a detailed inset map showing the area around Chester and the course of the River Dee. 3. **Features:** - **Depth Soundings:** The Irish Sea is detailed with depth soundings to assist in navigation. - **Coastal Towns and Islands:** Numerous coastal towns, islands, and geographical features are indicated. - **Rhumb Lines:** The map includes extensive rhumb lines, which are lines used by navigators to plot a straight-line course. - **Key:** There is a key describing the quality of the terrain along the coast, important for navigators to understand the nature of the coastal landscape. 4. **Labels and Annotations:** - **Coastal Settlements:** Ports, forts, and villages along the coast are labeled. - **Geographical Features:** Islands and other significant features are marked. 5. **Artistic and Practical Elements:** - The map is printed on thick paper and is hand-colored, reflecting contemporary coloring techniques. - Detailed lines and soundings are included to help ships navigate around the numerous small islands and narrow inlets safely. 6. **Historical Context:** - The map was part of a significant French maritime project aimed at improving navigation and charting European waters more accurately. - It reflects the high level of cartographic skill and knowledge of the late 17th century. This map would have been a valuable tool for mariners of the time, providing them with crucial information about the coastal features, depth soundings, and safe passage routes around the complex coastlines of Ireland, England, and Scotland. About the Makers and the Atlas **1. Alexis-Hubert Jaillot (1632-1712):** - **Background:** Jaillot was a prominent French cartographer and publisher in the 17th century. He was known for his detailed and accurate maps and atlases. - **Work:** He collaborated with other notable cartographers of his time and played a key role in improving and publishing detailed maps. Jaillot's work was characterized by its precision and artistic quality. - **Contribution:** He was instrumental in the creation of "La Neptune Francois," a maritime atlas aimed at improving French naval navigation. **2. Pieter Mortier (1661-1711):** - **Background:** Mortier was a Dutch engraver, publisher, and mapmaker based in Amsterdam. He was well-known for his high-quality prints and maps. - **Work:** Mortier published several important atlases and maps, often collaborating with other cartographers and engravers. His work was recognized for its detailed craftsmanship and accuracy. - **Contribution:** Mortier published "La Neptune Francois" in Amsterdam, making significant contributions to maritime navigation by providing highly detailed sea charts. About the Atlas "La Neptune Francois": **1. Purpose:** - The atlas was created as part of an initiative led by Jean-Baptiste Colbert, the French minister of finance under King Louis XIV. The goal was to enhance the accuracy and availability of maritime charts for French naval and commercial vessels. - "La Neptune Francois" was designed to be a comprehensive and detailed reference for navigators, covering various European waters with a focus on the French coast and adjacent regions. **2. Content:** - The atlas includes a series of sea charts, each providing detailed information on coastal regions, depth soundings, rhumb lines, and other navigational aids. - The maps were printed on high-quality paper and hand-colored, reflecting the artistic standards of the time. **3. Historical Significance:** - "La Neptune Francois" was a landmark in the history of cartography, representing a significant advancement in the accuracy and detail of maritime maps...

For sale is a good quality 17th century carved oak coffer, remaining in good condition, showing signs of wear commensurate with age and use. Width: 123cm Depth: 54cm Height: 64cm

Title: 1616 Petrus Bertius Map of Cambay and Gujarat, India Description: This early seventeenth-century map, titled Descriptio Cambaiæ, was published in 1616 by Petrus Bertius, a ...

17th Century Florentine Pillow, 18"x10"—a luxurious blend of velvet and silk, showcasing intricate Renaissance-era Italian artistry. This elegant piece reflects timeless sophisticati...

Lane Accent 991-05 Mid Century Walnut Side End Table Rare and hard to find vintage Lane table with a great unique design. Has condition issues as sh...

17th century Ottoman Cushion - pillow Finest quality Ottoman cushion opulent hand crafted silk embroidery and fringed trim. Cushion with a rich, colorful and traditional Ottoman appe...

An antique Persian Iranian Safavid dynasty hand woven textile blanket. The textile decorated with flowers and paisley ornaments. The reverse side is covered with orange colored linen...

Called portière, these antique wall hanging tapestries were handwoven in Aubusson, France in the late 17th Century (c 1680s). They both feature floral and foliage decor in a beige pa...

A superb Chinese yellow and russet nephrite jade carving of a mythical beast, Ming Dynasty (1368 to 1644) or earlier, China The mythical beast is portrayed with feline features, i...

This old French Limestone fountain was hand carved in the mid 17th century and installed in a French countryside home. The piece has been well preserved throughout the years and was ...

A French early 17th century large scale period Louis XIII oak wardrobe with two doors over one drawer, geometric décor and original hardware. With this piece, we are in the middle o...

Chaucer, Geoffrey The Workes of our Ancient and Learned English Poet, Geffrey Chaucer, Newly Printed London: Adam Islip, 1602. Second Edition. Folio, 13 x 8 3/4 inches (328 x 223 ...

Grand scale French 17th Century toile fabric wall painting. Circa 1670.

17th century carved two piece chest of drawers from Scotland made from walnut and rosewood. The top is banded and has a beveled edge surrounding a four board top. The sides are hand ...

17th century gothic carved oak green man buffet, serving table This is an elegant example of furniture carved in the Gothic style of Green Man Oak, w...

A Flemish Figural Tapestry Panel Dating from late 17th century Hand woven in naturally dyed wools and silks Depicting a Maiden playing a musical instrument within a garden setting...

Wonderful late 17th C bleached oak Dutch linen cupboard. 1690. Reference: 7411 Dimensions 66 inches (168 cms) Wide 20 inches (51 cms) Deep 74.5 inches (189 cms) High

A 17th-century carved applewood sculpture of the Lady of Sorrow is a representation often associated with Catholic icons, particularly depicting the Virg...

A French Aubusson Biblical tapestry from the late 17th century, depicting King Solomon and the Queen of Sheba seated on a throne at center, flanked on either side by attendants, to t...

This is an original detailed engraving of the greater coat of arms of Sweden, referred to in Swedish as "Svea rikes huvudvapen." The engraving was printed in Paris in 1669 according to Erik Vennberg. The coat of arms is elaborately detailed, with each escutcheon representing a component of the Swedish empire, including the arms of the House of Vasa among others. At the center, the shield is crowned with a regal crown, symbolizing the Swedish monarchy. Two regally posed lions, a common heraldic symbol of courage and strength, support the shield. The entire composition is topped with a mantle that looks to be teeming with various heraldic motifs, representing the unity and history of the Swedish nation. The intricacy of the work is indicative of the period's engraving techniques, with each line meticulously carved to bring out the opulence and intricate detail of the symbols. The coat of arms is a visual representation of the sovereignty and history of Sweden. The engraving is attributed to Jean Le Pautre, a notable French engraver from the 17th century, while the author of the work is Erik Dahlbergh...

Wonderful and rare 17th century walnut stool from England. This is a very rare form with a cabriole and Spanish foot, which was a very popular style that came to England from Spain ...

A Pair of late 17th century oak corner cabinets Each with an interior shelf. Left door latches with a locking right door. Doors with with raised beveled p...

A very striking late 17th century English Commode. Beautifully constructed from handsome walnut with a shaped top over conforming case with 3 drawers flanked by paneled pilasters. Ve...

A French Aubusson “Louis XIV” allegorical tapestry from the late 17th or early 18th century, depicting an allegory of Spring, with Flora crowned b...

Stunning life-size carved wood sculpture of a man's head dating from circa 1700 in the south of Europe.  

Royal House Antiques Royal House Antiques is delighted to offer for sale this very rare, original circa 1650 William III hand carved Jacobean Tester four poster...

This is an original detailed engraving of the greater coat of arms of Sweden, referred to in Swedish as "Svea rikes huvudvapen." The engraving was printed in Paris in 1669. The coat of arms is elaborately detailed, with each escutcheon representing a component of the Swedish empire, including the arms of the House of Vasa among others. At the center, the shield is crowned with a regal crown, symbolizing the Swedish monarchy. Two regally posed lions, a common heraldic symbol of courage and strength, support the shield. The entire composition is topped with a mantle that looks to be teeming with various heraldic motifs, representing the unity and history of the Swedish nation. The intricacy of the work is indicative of the period's engraving techniques, with each line meticulously carved to bring out the opulence and intricate detail of the symbols. The coat of arms is a visual representation of the sovereignty and history of Sweden. The engraving is attributed to Jean Le Pautre, a notable French engraver from the 17th century, while the author of the work is Erik Dahlbergh...

An exceptional hanging lantern clock from the 17th Century. The clock is housed within a hooded glass case with Grecian style carved columns, gadrooning and acanthus scrolled accents...

This is an antique Tudor Rose mortar and pestle. An English, bronze apothecary instrument, dating to the mid 17th century, circa 1650. Accessorise your counter tops with this deligh...

Sharing with you this exceptionally nice Chinese porcelain Plate from the Kangxi period. It has a dark cobalt blue figural scene at the court in an unusual shaped compartment. Surro...

An antique Persian Iranian Safavid dynasty hand woven embroidered textile, circa 17th century, showcases the dynastys intricate craftsmanship. Featuring a central green section adorn...

We present this elegant antique Italian chest of drawers dating back to the 17th century, Louis XIV period. An extremely refined chest of drawers, whose characteristics suggest its c...

A William and Mary Gilt-Japanned Chinoiserie cabinet on gilt wood stand. The cabinet depicting Court and rural scenes, with pierced and engraved strapwork mounts and elaborate escutc...

From a crazy collection that was kept in storage for decades! All new UNUSED vintage 60's/70's Rugs! WILTON Circular Blue Purple Rectangulars Rya Rug Creator: Hojer Eksport Wilton ...

A very good oak side table having overhanging two-plank top with wide cleated ends over single drawer with central escutcheon and a pair of turned wood knobs over tapered and ring-tu...

Description Charles II sterling silver tankard, John Ruslen, London, 1680. Decorated with vertical grooves separated by horizontal circular bands, handle with engraved initials, "JM"...

A Window Through Time: American Chippendale Mirror, 1750-1820 Behold a relic of a bygone era, a testament to the enduring elegance of American Chippendale craftsmanship. This mirror...

Important Antwerp Cabinet In tortoiseshell, ebony And Bronze, theater in ebony and bone marquetry

Walnut was the most frequently used in the furniture of the time in Spain, and its forms also respond to this source. Although their presence was frequent in houses of a certain leve...

Italian precious original 17th century pair of decorative columns , Torchères, hand-carved walnut gold leaf covered, on a tripod base.

Germany Frechen Circa 1620 – 1650 Bellarmine or Bartmann jug with a flower medallion. A salt-glazed and iron-engobed bellarmine with a narrow neck, sphe...

A French Aubusson historical tapestry from the late 17th-early 18th century, depicting a knight embracing a woman in classical dress, beside a man carrying a sword on horseback, a wo...

A Chinese blue and white Kraak plate, the central roundel depicting birds and floral design in a waterside, the rim with panels enclosing foliage and decorative objects. Period: Late Ming-Early Qing Dynasty (17th century) Type: Blue and White Porcelain Provenance : Acquired early 2000s from Southeast asia(Probably from Shipwreck) Reference : 1) Sotheby's London 12 November 2019 - STYLE: Private Collections - Lot 12 (Price range : 3,000GBP-5,000GBP / Type : Closely related) 2) Christies NEW YORK - 1–11 MAY 2018 - THE COLLECTION OF PEGGY AND DAVID ROCKEFELLER: ONLINE SALE - Lot 1405 (Price realised : 5,625 USD / Type : Highly related) * Kraak Kraak porcelain is a type of Chinese export porcelain that was produced during the late Ming Dynasty, especially during the reign of the Wanli Emperor (1573-1620). It is famous for its distinctive design and style. Kraak ware...

This exquisite blue and white Dutch Delft vase was crafted in the late 17th century. Its excellent chinoiserie decoration epitomizes 17th-century Europe's fascination with Chinese po...