17th Century Furniture

The Rare and Important 17th Century Spring Driven Table Clock by the Celebrated Maker, Henry Jones. Provenance dating back to 1745. Owned by Captain Alexander Raitt A very rare an...

A highly important Japanese export lacquer cabinet with depiction of the Dutch East India Company tradepost Deshima and the annual Dutch delegation on its way to the Shogun in Edo Edo period, circa 1660-1680 H. 88 x W. 100.5 x D. 54 cm This cabinet includes a later European japanned stand, but also a modern powder-coated steel frame. The latter can be designed and added to your specific needs. The sides and front of the rectangular two-door cabinet are embellished in gold and silver hiramaki-e and takamaki-e on a black roiro lacquer ground with a continuous design. The two doors depict a long procession of numerous figures travelling on foot and horseback along buildings and a pagoda into a mountainous landscape. This is the annual court journey, Hofreis, of the Dutch from Nagasaki to the Shogun’s court in Edo. Three horseback riders are dressed as Dutch merchants and a fourth figure, probably het Opperhoofd, is seen inside a palanquin, norimon. Just about to cross the bridge, two men are carrying a cabinet like the present one. Many Japanese figures on either side of the procession are engaged in various activities; some play musical instruments on board of small boats, others are fishing; figures inside buildings are depicted playing go, and farmers are tending to their rice paddocks. The upper part of the right door shows a large mansion, probably the local daimyo’s castle, with men kneeling before a man in the central courtyard. The court journey fits in with the foreign policy of the shogunate which accorded a role to the VOC alongside China, Korea, and the Ryukyu Islands who also had to pay tribute. However, the VOC employees were traders, having low status in Japan’s social hierarchy, and they were received with less deference than were the state embassies from Korea and the Ryukyu Islands. Nevertheless, the contacts with the Dutch were a welcome source of information to the Shogun about Europe and European science and technology. The left side of the cabinet depicts, in mirror image, a rare view of the artificial fan-shaped Deshima Island, the trading post for the Dutch in Japan. The island, where the Dutch flag flies, is surrounded by small Japanese boats and an anchored three-masted fluyt (cargo ship), flying Dutch flags, with on the stern the VOC monogram. On the bottom right a busy street of Nagasaki is shown, bordered by shops and leading up to the stone bridge. On the island the trees are beautifully painted, two cows can be seen, and the flagpole, all in very fine detail. Dutchmen and enslaved Malay are visible outside the buildings and two Japanese figures, probably guards, sit in a small hut in the centre. A maximum of fifteen to twenty Dutchmen lived on the island at any time and soldiers or women were not allowed. Restrictions on Deshima were tight, and the merchants were only allowed to leave the island by special permission. The Opperhoofd had to be replaced every year, and each new Opperhoofd had to make a court journey to pay tribute, present gifts, and to obtain permission to Margaret Barclay eep on trading. In the distance, many birds fly above the hills and a four-story pagoda can be seen. The right side of the cabinet is painted with other horse riders and their retinue journeying through mountains. The pair of doors to the front open to reveal ten rectangular drawers. The drawers are decorated with scenes of birds in flight and landscapes with trees and plants. The reverse of the left door with two thatched buildings, one with a ladder, underneath a camelia tree with large blooms; the right door with a three-story pagoda nestled among trees and both doors with a flying phoenix, ho-oo bird. The cabinet, with elaborately engraved gilt copper mounts, hinges, lock plates and brass handles, is raised on an 18th-century English japanned wood stand. A pair of large cabinets...

Good late 17th century English or Welsh oak gateleg table, the oval top over balustrade silhouette slap ends, one with drawer, the swing legs of simple ...

Anonymous Kano school artist 17th century "Karako Asobi: Chinese Children at Play" A two-panel Japanese Furosaki screen. Ink, pigment, gofun and gold-leaf on paper. This small Japanese Karako folding screen vividly depicts various games played by children wearing wearing elaborate Chinese T'ang dynasty costumes. They are dressed in plumed and tasseled hats, ornate jackets, baggy pants, and cloth slippers typical of T'ang period Chinese court dress. The children are depicted pulling a younger child along in a cart, carrying another child as if an important official, riding a wooden horse, leading a puppy and carrying a tethered bird. Executed in fine-quality pigments on gold leaf, the detail, variety and size of the figures is noteworthy. Also notable is the size of this screen itself, which denotes it as a Furosaki screen. A Furosaki screen is part of the equipment used for the Japanese tea-ceremony. It is traditionally placed on tatami mats behind the brazier highlighting the utensils and providing a focal point. Karako is a Japanese term used in art with the depiction of Chinese children playing...

A magnificent Antique Charles II Lidded Tankard with a traditional straight sided tapered body. The Tankard has an large engraved armorial opposite a substantial scroll handle. The 17th century Tankard...

17th century William and Mary burr walnut cabinet on chest, circa 1690. England. Concealing two secret compartments. The Cabinet The cross-grain cornice...

Italian Renaissance style carved cassone floor trunk with polychromed and gold trim (17th Cent.)

A superb Walnut and pollard oak chest on stand from the reign of King William & Queen Mary (1689-1702) England. The rectangular top with ogee moulded edge, above two short and two ...

Spanish 17th century oak refectory table with 2 carved drawers & apron supported on turned legs with stretcher at base.  

A Rare Blond Olive Oyster William and Mary Chest of Drawers, Circa 1690, England. This exceptional chest of drawers is constructed from hand-cut oysters of horizontally sliced oliv...

A rare Japanese export lacquer medical instrument box Edo-period, 1650-1700 L. 19 x W. 6 x H. 8.5 cm This unconventionally shaped lacquer b...

A Dutch-colonial ebony two-door cabinet with silver mounts Coromandel Coast, probably Masulipatnam, circa 1650-1680, the silver later H. 64.5 x W. 75 x D. 46 cm The present cabinet...

A relatively small and extremely attractive late 17th century English eight-day spring-driven double basket table clock signed on the backplate Asselin London, dating to the period c...

A fine Charles II oak table with single drawer featuring a carved strapwork front with brass double drop pulls, having overhanging three plank top with ...

A fine and rare mid-17th century ebony veneered architectural table cabinet of diminutive proportions, circa 1640. Augsuerg. The moulded ebony veneered cabinet is surmounted with a...

A beautiful, rare solid silver Anglo-French octagonal pocket sundial with compass by Michael Butterfield, circa 1700. The sundial is made for a latitude of 44° and could be used in places in the south of France such as Avignon and elsewhere along this parallel. The elaborately engraved base plate has a Roman chapter ring on which the gnomon (a triangular flap) casts its shadow. It is signed by the maker in the following manner: Butterfield A Paris. On one side is a glazed recessed compass with a blued steel hand to position the instrument in such a way that the time can be read. The hinged triangular gnomon is richly engraved and in the shape of a bird’s head. The folding gnomon and cut corners enable the dial to be carried in the pocket. The underside shows the latitudes of various Southern-French places in the relevant areas Its maker Michael Butterfield was an English instrument maker who based himself in 'Le Quay de l'Horloge' of Paris from circa 1685. These types of dials, often replicated by other makers, became known as Butterfield Dials...

An English 17th century lantern clock made of brass and iron, circa 1665-1670. The clock consists of going and striking trains, as well as a...

A fine and rare 17th-century William and Mary olive oyster floral marquetry lace box, circa 1685. England The cross grain olive moulded and holly banded top is centred by an oval of...

India, Goa, 17th century The box, overall inlaid with a delicate pattern in ebony and bone in teak reserves bordered by brass-studded ebony, is of oblong shape. The corners, lock-pl...

Antique Map of the Frankfurt Region by Johannes Janssonius circa 1650 Hand-Colored This rare and beautifully detailed antique map titled Territorium Francofurtense depicts the reg...

Hallmarked in London in 1693 by Thomas Allen, this handsome pair of William & Mary period, Antique Sterling Silver Candlesticks, are in the traditional fo...

Important and Extremely Rare William and Mary Pollard Oak and Walnut Chest of Drawers, Circa 1680-1700. England This Is an important and extremly rare chest of drawers from the Will...

A 17th century side table in oak having molded edge top over single drawer with double drop pulls on turned legs joined by a splendid crossed stretcher with shaped arms. Lovely patin...

A large early English bog oak paneled back settle, circa 1680. Of generous proportions, with a series of railed panels on back and carved elements above, shaped downward sloping arm...

This exceptional iron cast fireback of 750 kg, richly decorated, was made at the end of the Renaissance, around 1624. It bears in its center a shield wit...

Good 17th century English oak two paneled coffer, the planked flat top over heavily carved stiles and rails, the two panels with carved arches, the whole with excellent color and pat...

This exquisite William and Mary period chest of drawers, crafted in the late 17th century, showcases outstanding artistry in both form and material. The chest is constructed from ric...

An excellent traditional Charles II Solid Silver Spoon in the simple, elegant puritan style. The Spoon has the initials SG engraved on the back of the handle. Made in London, England in 1669 by Stephan Venables. Approx. Weight - 52g Approx. Length - 18.3cm Approx. Width - 5.1cm This 17th...

17th century French walnut cabinet. A two-part cabinet in Dutch style.

A fine Japanese pictoral style lacquer cabinet with gilt-metal mounts Kyoto, Edo period, 1670-1690 Decorated in Japanese relief lacquer work, black lacquer ground decorated...

A superb Charles II month duration floral marquetry longcase clock by the well-known maker John Wise, c. 1680-85. Measure: 10". The case is of the highest quality and decorated throughout in very attractive floral marquetry depicting spring flowers and birds showing a high level of sophistication with a glazed circular lenticle to the door. Similarly, the rising hood is decorated with blind frets around the top and surmounted by a shallow caddy decorated by five gilt wooden ball finials. It is flanked by prominent gilt brass-capped solid barley twist columns, with blind fretted panels to the sides. The month-going nicely finned and knopped five pillar movement has reversed going and striking trains, the striking train (on the right) being regulated by a small outside countwheel. The going train has anchor escapement and a seconds pendulum. The movement is fronted by a 10-inch brass dial with an unusual narrow silvered chapter ring, seconds ring and date aperture. It has elaborate cherub-head spandrels in the corners and is signed along the bottom John Wise Londini Fecit. The middle is finely matted, whilst the time is indicated by a fine pair of blued-steel hands, the hour hand richly pierced. The maker John Wise was born in Banbury shortly before 17 March 1624, the date of his baptism. He was the son of John and Ann Wise and a cousin of Joseph Knibb...

17th century Frankfurt German Faience Blue & White chinoiserie Trumpet-neck Bottle Vase, circa 1680-90. The vase is decorated in underglaze blue and white with a chinoiserie landscape with a Chinese figure with banana plants...

A Fine and Rare 17th Century William and Mary Olive Oyster Table Circa 1680-1700 – England This exceptional William and Mary olive oyster table exemplifies the height of late 17th-c...

Dutch Delft large underglaze blue chinoiserie dish, circa 1660-1680. The large circular Dutch Delft chinoiserie dish, after the Chinese tra...

Fine and rare Charles II period (1660-1685) oak chest on frame with etched mother of pearl and bone inlay, the top with molded edge over alternating narrow and deep drawers flanked a...

Atrractive pair of 17th century Narcissus botanical engravings, by Basilius Besler. Besler (1561-1629) was a prominent botanist and apothecarist in Nuremberg. He was tasked with cura...

Fine Italian baroque walnut trestle table, the bold top fashioned from a single plank, standing on balustrade-turned trestle ends joined by bar stretcher over sled feet, the whole wi...

Kyoto, circa 1680 The writing box has bevelled edges and a kabusebuta (overhanging lid), and is completely covered in black lacquer in maki-e and decorated in gold, silver and red h...

17th century Chinese porcelain blue-glazed circular pill box from the Hatcher Collection, painted in different tones of blue with a central prunus flower on a wave pattern ground tha...

Title: 1685 Alain Manesson Mallet Map of Hokkaido, Iesso, and Company’s Land Description: This engraved seventeenth-century map, titled Terre de Iesso, was published in 1685 as pa...

Italian Renaissance-style (17th Century) carved walnut panel full size headboard with large post footboard (includes: headboard, footboard, and rails).

The only huge carpet known to have left the Imperial Palace in Beijing's Forbidden City, formerly in the Perenchio collection, is the famous Tiffany carpet, 9.99 metres long and once 9.68 metres wide, but since reduced to 7.20 metres wide. The carpet was originally made in three parts to fit around the columns of an unknown hall, and was reportedly last used in China in the private temple of the Empress Dowager Cixi. It was purchased for Louis Comfort Tiffany of New York, who owned it for more than thirty years. The Tiffany carpet is currently attributed to the end of the Ming dynasty and is thought to have been made in the first part of the 17th century. The field pattern is composed of a repeating design of rows of lotus flowers on a soft beige ground, originally deep red, overlaid in the centre with a medallion formed by a blue line edged in ivory and pinched in the four corners. The field is enclosed by two borders on the same colour, which reappears beyond the borders to create a wide band around the outer edge. The inner border is composed of a lattice of stepped squares filled with a swastika, with a large rosette at each intersection. The outer border is a double version of the swastika fret. A section of the field is shown here, and a few other fragments survive. The Tiffany carpet clearly forms a link between the carpets made during the late 16th century and those made in the late 17th century. Examples with an identical flower design or the same specific ‘heavy’ weave are now referred to as the ‘Tiffany’ type after this most important carpet. Other carpets of this type include one in the Nelson-Atkins Museum in Kansas City and one in the Metropolitan Museum of Art, New York. The Tiffany type...

A Rare and Important 17th Century Miniature Japanese Lacquer Cabinet, 19 cm H, 17cm W, 16.5cm D. The exquisitely decorated cabinet depicts fine floral raised scenes to each side. l...

Extraordinary Dutch Louis XIV Smuiger, executed in Gris d'Ardenne marble. This chimneypiece was made circa 1700 for a small farmers residence in Haarlem. Simple but beautiful cur...

This monumental 17th-century Flemish mirror is crafted in the grand Baroque style. The magnificent frame is veneered in exquisite tortoiseshell with wave-moulded bands of ebony providing a flawless accent. Tortoiseshell and ebony were both among the most precious and coveted materials of the 17th century, and are used to their utmost effect in this exceptionally rare looking glass. Flemish glassworkers enjoyed a reputation of excellence beginning in the 16th century. These skillful craftsmen are credited with the invention of the tin-mercury method of mirror-making, a process that made polished metal mirrors obsolete. They employed and excelled in a number of decorative techniques in creating the frames, including marquetry, japanning (Dutch and Flemish japanning was of the highest quality, surpassing even the English), and the use of tortoiseshell veneering...

Very good William and Mary period single drawer side table with richly figured top and having single drawer with turned legs joined by molded "X" stretcher and having turned knob fin...

Lovely Charles II period English oak side table. The richly patinated oak top with heavy thumb molded edge over single drawer with double molded panels standing on block and ball tur...

This circular well from the Louis XIV period is entirely carved in stone. The shaft of the well is composed of an eight pieces arrangement forming a "boudin" molding. The curbstone is marked by the patina of time and is thus irregular in shape. The base of the well is surmounted by a stone structure composed of two trapezoidal molded stones that hold a wooden winch and its chain. The whole base is topped by a one piece stone roof, the upper edge of which forms a four slope roof. While on one stone is engraved the date "1830", we believe that this stone well...

A fine and impressive small antique 17th century English sterling silver mug; an addition to our silverware collection. This fine and impressive antique William & Mary* sterling silver mug has a cylindrical tapering form. The surface of this hand raised silver mug is embellished with the impressive engraved chinoiserie decoration depicting simplified figures farming. The decoration to the body incorporates an organic bordered cartouche ornamented with the contemporary engraved initials 'SH'. The body of this sterling silver mug is further embellished with bands of tooled decoration, in addition to applied moulded decoration to the upper and lower rims. This 17th century silver mug is fitted with an impressive cast silver S scroll handle ornamented with thread decoration. Such examples from this period are rare to the market and becoming increasing difficult to locate. * This period of history saw the co-reign of King William III and Queen Mary II from 1689 until her death in 1694. Mary was the princess royal and daughter of Charles I and William III, who was also known as William of Orange, was the sovereign Prince of Orange from birth, Stadtholder of Holland, Zeeland, Utrecht, Guelders, and Overijssel in the Dutch Republic from the 1670s. NOTE: After surviving the Great Fire of London the records at the London Assay office were destroyed by fire in 1681; their catalogues and documentation began again in 1697. Due to this unfortunate event we are unable to associate a maker to this mug. Condition This 17th century silver mug is an excellent gauge of silver, excellent quality and in excellent condition. The engraved decoration is all crisp in keeping with age. Full hallmarks struck to the underside of the mug are very clear. Reflections in photographs may detract from the true representation of this small antique silver...

Important Charles II Olive Oyster Floral Marquetry Table Firmly Attributed to Royal Cabinetmaker Gerrit Jensen, Circa 1680. England This rare and exceptional 17th century Charles II...

This oval gold snuff box is inscribed with a crest of ‘a stag trippant’ within mantling of upright ostrich plumes tied with a bow, all below a ducal coronet and above a cypher of the entwined initials ‘B.A.B.’ for Anne of Buccleuch. English, circa 1670. Provenance: Anne, 1st Duchess of Buccleuch Anne Scott, 1st Duchess of Buccleuch (1651-1732) was a wealthy Scottish peeress. After her father died when she was a few months old, and her sisters by the time she was 10, she inherited the family’s titles. She was married, at 12 years old, to James, 1st Duke of Monmouth, the eldest illegitimate son of Charles II, then 14. Following the king’s death in February 1685, James spearheaded an anti-Catholic revolt to depose the new king, James II, and claim the throne from his uncle. The brief Monmouth Rebellion ended in defeat and James, by then Duke of Monmouth and Buccleuch, was executed for treason. The Duchess had six children by Monmouth, and a further three by her second husband, Charles, 3rd Baron Cornwallis, whom she married in 1688. She died in 1732 and was succeeded by her grandson, Francis, Earl of Dalkeith. The style of chasing used on this box is very reminiscent of a signed piece in the Gilbert...

A strongbox was a type of travelling chest and these types of boxes were more common in England than anywhere else where they were fabricated between 1660 and 1720. The earliest proo...

17th Century Flemish Garden tapestry depicting a serene countryside landscape. Woven in wool and silk, this tapestry displays an exquisite sense of artistry and depth. Two charming animals are depicted in the foreground surrounded by lush foliage revealing a view towards the formal gardens...

A pair of walnut end tables with a single drawer by Harvey Probber in two-tone walnut and brass accent.

A rare silver reliquary arm with relic bone, with the coat-of-arms of Cosme Roger (1671-1710), bishop of Lombez, France, with original bone relic Poss...

An exceptional, fine and impressive antique Charles I English sterling silver chalice; an addition to our collectable range of 17th century silverware. This exceptional antique Char...

Jan Frans van Bloemen called Orizzonte (Antwerp 1662-Rome 1749). A Late 17th early 18th century Italian landscape with figures of the Roman Campagna. ...

An exceptional, fine and impressive 17th century German silver Beaker made in Augsburg; part of our continental silverware collection This exceptional antique 17th century silver beaker...