1840s Furniture

A very fine 19th century Satinwood centre table by Holland & Sons. The table is of finely figured Satinwood with a circular tilt-top above a baluster column with three S-scroll and l...

We are delighted to offer for sale this rare fully restored circa 1840 show framed Chesterfield tufted hand dyed brown leather library reading chair...

Pair of antique Regency hall chairs. The chairs are mahogany with a white lacquered finish.  

19th century flame mahogany chiffonier, having a shaped and moulded carved scrolled pediment above a shaped shelf with a flame mahogany pan...

Great image of fish. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown with original hand color. Published,...

This noble pair are the product of the workshop of Joseph Angell, 1 and II. They are carefully copied from others made in the "tea-picker" pattern by the great Hugenot silversmith Pa...

An ebonized English walnut center table in the ‘Egyptian Style” of the late Empire period. Four elongated lion legs resting atop Ivory sph...

Pair of Victorian Georgian sterling silver serving trays. Made by William Ker Reid in London in 1846. Each: Serpentine and gadrooned with oval well. On shoulder engraved armorial wit...

A pair of carved giltwood mirrors, each having connected cartouches, with framed of s-and c-scrolls, waves, and rocaille, surmounted by a carved and gilt phoenix, the top cartouche d...

A Beautiful pair of 19th century Louis XVI style Russian cobalt blue hand-diamond cut to clear crystal covered urns/vases, attributed to Imperial Russian glass...

The rectangular black marble and pietra dura top is set above a walnut base naturalistically carved with C-scrolls, lilies and foliage on a central lily support with outswept dolphin feet. At the back are two cabriole legs headed by shells and equally ornate carving. The inlaid decoration comprises a central sunburst within a patchwork border of specimen marbles and fossils including: Madrepore, Petworth, Portoro, Brocatelle, Sicilian Jasper and ‘Duke’s Red’. The top of the base is stamped ‘Artist R. Tudsbury Edwinstow. nOTsh.’ circa 1840. Measures: Height 33in, 84cm Width 60in; 152.5 cm Depth 361/2in, 92.5 cm Provenance: Oberton Hall: “The Grecian-black marble top, with its ribbon-banded tablet and polychromed pietre dure compartment is a masterpiece of the Derbyshire Black Marble Works at Ashford and Old Royal Museum, Matlock. It was probably designed by William Adam (d.1873) who succeeded to the Works in 1831. A trade sheet illustration of the Museum featured a related table, where the Museum was noted as being ‘under the Especial Patronage of his Grace [Charles Cavendish, 6th] Duke of Devonshire/Minerals and Shells/Inlaid Tables/Mawe’s Original Royal Museum, Matlock-Bath. The finest Spar, and elegantly engraved Black Marble Ornaments, Chimneypieces etc, London Jewellery’.” Please see page 60 for further information on Ashford Marble...

A fine quality antique Victorian silver four piece tea and coffee set in exceptional, original condition. The set comprises a coffee pot, tea pot, milk jug and sugar basin, the latte...

Large early Victorian box, Mahogany on oak, England circa 1840 Large body in mahogany veneered on oak. In the lid with fan inlay work in maple. Standing on 4 carved feet. Inside with 1 brass...

The dining table, crafted from birchwood, stands as a testament to the elegance and craftsmanship of the mid-19th century. Dating back to around 1840, this exquisite piece is in supe...

Beautiful French 19th century golden wood Louis Philippe period mirror with very nice flower details on the frame. Nice quality.

An early Victorian armchair in mahogany with curved top rail, scrolled arms, turned front legs and saber back legs. Seat is upholstered in a tufted, beige/camel-colored leather with ...

Great image of Indian pigeons. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. ...

Great image of a bat. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. Published...

Very nice and early overture music box, probably by Lecoultre (alltough unsigned). The key wind mechanism plays 4 overtures with a nice and bright tone on a very fine comb. The fad c...

The print features a collection of marine gastropod mollusks, more commonly known as snails, each with distinctive shell shapes and ornamentations: 1. **Cérith (Cerithium)**: This i...

Beautiful small antique mahogany chest of drawers with 4 drawers in perfect condition. The chest of drawers has a beautiful age...

Heading : Tunbridge ware jewellery cabinet with perspective cubework Date : c1840 Period : Victoria Origin :Tunbridge Decoration : Cover and double doors decorated with perspecti...

Mid-19th century oak carved bucket on stand, possibly Scandinavian, the bucket has two brass handles and the stand has one brass band, bother the stand and bucket has lovely naive ca...

Great image of parrots. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after cpt. Brown with original hand color. Publish...

Carrying old silver plate marks Elkington & Co. in 1845, this attractive, Victorian, Antique Silver Plated Mirror Plateau, features an orna...

We are delighted to offer for sale this stunning pair of early 19th century Prie Dieu chairs made with solid walnut frames and the original thatched sears A great pair of occasion...

What a wonderful page turner. Realistically carved in the form of a monkey, the turner has that beautiful smooth patina from years of handling. Probably French CIRCA 1840.

A Rare Botanical Study of Exotic Flora by Hoola van Houten* This beautifully hand-colored botanical illustration by Hoola van Houten features an exotic flowering plant, carefully ...

A mid-19th century English mahogany butlers tray on the stand features a rectangular tray with a surrounding gallery. On a folding X-frame stand with woven straps to accommodate the ...

Old Map of Shropshire by Samuel Lewis, 1844: Telford, Shrewsbury, Oswestry, Bridgnorth, and Wellington This 1844 map of Shropshire is an antique engraving from Samuel Lewis' Topogr...

A Pair of Early 19th Century Meissen Porcelain Figures of Swans. This pair of swans portrays the graceful form of these birds with a level of artistry that is truly exceptional. The...

TableCloth Materials: Wool and Silk Fabrics, 1847 Currently (August 2023) a book with reference to different fabrics of the time can be seen at the Met museum in new york We have spe...

Rosewood Portico Regulator Mantel Clock Housed in a fine quality Rosewood portico case with boxwood stringing, turned pillars with brass capitals, gilded cast foliate bezel and stan...

French miniature Louis LVI style secretary with fall front opening and bronze doré Mounts. Circa 1840.

Meissen stunning figurine group: Harlequin and girl Measures: height 7.28 inches width 6.69 inches depth 4.13 inches Manufactory: Meissen Hallmarked: Blue Meissen Sword Ma...

Handsome wall sconces.

We are delighted to offer for sale this exceptionally rare Gothic Revival circa 1840 solid oak partner desk with top drawer writing slope and side bookcases made by either Gillows of Lancaster or Pugin Where to begin, this desk has been on a journey, when I first received the piece it looked like it had been French polished and waxed around 20 times, it had a very clumpy sticky finish, my restorers have stripped back all that horrible guck, they have then lightly stained and French polished it the correct way which has kept all the period patina and simply made it golden, The leather top and writing slope top has been replaced with fully aniline natural cattle hide leather that was plain, I’ve then had my leather polishers dye it this gorgeous whisky brown colour. Lastly there was various small timber repairs which have been done with antique timber...

This is a fantastic oil painting within a fine paint decorated and gilded frame Trumeau mirror from the 1840s era. The frame is gilt and a green color and features a depiction of a h...

French Porcelain Figure of a Pug Dog on a Pillow, Jacob Petit, circa 1840.

Hallmarked in London in 1842 & 1844 by Robert Garrard II, this very rare pair of graduated Antique Sterling Silver Wine Coasters, feature pierced sides, silver bases, and engraved co...

A magnificent large pair of baluster shape, early Baccarat Opaline Enamelled Cherub Vases. Each vase is decorated in fine polychrome enamelling depicting t...

An etagere with long, narrow proportions, crafted of high quality mahogany with a glowing patina, with two shelves of solid, single planks of hand-hewn mahogany, the top shelf with r...

This mid-19th century French pewter soup tureen exemplifies classic elegance with its round form, elevated base, and ring-shaped carrying handles. The lid is adorned with an almondin...

This superb original geological map of the United Kingdom of Great Britain and Ireland by James Wyld, produced in 1844, is a remarkable Victorian artifact. Description: Explore th...

Since 1991, a stone's throw from the Eiffel Tower, we have been a family business specializing in the Purchase, Sale, Traditional Cleaning, Restoration - Conservation, Expertise - Es...

Early 19th French yellow copper cauldron with iron folding handle, polished.

A Large Pair of Antique Italian Grand Tour Period Multi-Marble Columns Turned to Lamps. These are truly beautiful in quality, size, condition, and material. Each is expertly hand-car...

Louis Philippe Center Table with original marble top.

Handsome 19th century German Biedermeier cherry wood and ebony inlay commode. Circa 1840. A fine addition to any home!

Mid-19th Century French Louis Philleppe Period Savonnerie Carpet  15'8" x 20'8" - 478 x 630

We are delighted to offer for sale this stunning very rare oversized Gothic Revival circa 1840 Victorian wine cooler or planter A very nice decorative and well made piece, the Lio...

Great image of a bat. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. Published...

An outstanding large antique Victorian console table, made in England and dating from around the 1840-1850 period. Crafted of the utmost quality, it is a large and impressive size. ...

Antique print titled 'S.A.R. Madame Marie d'Orléans, Duchesse Alexandre de Wurtemberg'. Large lithograph of Princess Marie of Orleans, Duchess of Württemberg with her son, Philip...

These beautiful hand-colored botanical illustrations, drawn and lithographed by the renowned artist Walter Hood Fitch, were featured in Sir William Jackson Hooker's *"Curtis's Botanical Magazine,"* published in London in 1847. Fitch was one of the most prolific and skilled botanical illustrators of the 19th century, known for his ability to capture the intricate details and vibrant hues of the plants he depicted. Sir William Jackson Hooker, a famous British botanist and the director of the Royal Botanic Gardens, Kew, commissioned these illustrations as part of his work to document newly discovered plants from around the world. The *Curtis’s Botanical Magazine* has been published since 1787 and remains one of the longest-running botanical periodicals. Detailed Descriptions of Each Plant #### 1. **Dipladenia Rosa-campestris** (*Hortul. ex Veitch*) - **English Name**: Rose Dipladenia - **Description**: This illustration showcases *Dipladenia rosa-campestris*, a striking flowering plant known for its showy pink to deep red trumpet-shaped flowers. Native to tropical regions of South America, particularly Brazil, *Dipladenia* belongs to the family Apocynaceae and is prized in horticulture for its vibrant blooms and ability to climb. Fitch's illustration emphasizes the waxy leaves and the vivid color of the petals, bringing the plant to life on the page. #### 2. **Begonia fuchsioides** (*Hook.*) - **English Name**: Fuchsia-flowered Begonia - **Description**: The *Begonia fuchsioides* is depicted with its characteristic red, pendulous flowers, which closely resemble the blooms of fuchsia plants. This species of Begonia is native to tropical regions and is popular for its delicate, bell-shaped flowers and glossy leaves. Fitch’s attention to the arrangement of the leaves and the contrast between the flowers' vibrant red and the soft green leaves provides a lifelike representation of this exotic plant. #### 3. **Agalmyla staminea** (*Blume*) - **English Name**: Staminate Agalmyla - **Description**: This illustration captures the unique red tubular flowers of *Agalmyla staminea*, a plant native to Southeast Asia. The species is part of the Gesneriaceae family and is known for its bright, showy flowers that grow in dense clusters. Fitch’s careful rendering of the plant’s leaves and the intricate veining, along with the vibrant red flowers, highlights his talent for bringing the botanical subject to life with both scientific accuracy and artistic flair. ### About the Makers #### **Walter Hood Fitch** (Artist and Lithographer) Walter Hood Fitch (1817–1892) was one of the most influential botanical artists of the 19th century, working primarily with Sir William Hooker and later his son, Joseph Dalton Hooker, at Kew Gardens. He produced thousands of illustrations for various botanical publications, including *Curtis’s Botanical Magazine*, where he was responsible for the majority of its plates from 1834 to 1877. Fitch’s mastery of lithography allowed him to create richly detailed and accurate depictions of plants, with a particular talent for illustrating both the botanical structure and the vibrant colors of flowers. #### **Sir William Jackson Hooker** (Director and Editor) Sir William Jackson Hooker (1785–1865) was a prominent British botanist and the director of the Royal Botanic Gardens, Kew. Under his leadership, Kew Gardens expanded its collection of plants from around the world, and Hooker was instrumental in promoting the scientific study and illustration of these species. As the editor of *Curtis’s Botanical Magazine*, Hooker collaborated with Fitch to document and share the beauty and diversity of plants with the scientific community and the public. ### The Lithographic Technique Lithography, particularly chromolithography, was a crucial innovation in botanical illustration. Fitch was skilled in the traditional method of lithography, where an image was drawn onto a stone plate with a greasy substance and then inked for printing. Hand-coloring was often applied afterward to bring the prints to life, as seen in these illustrations. This method allowed for highly detailed, accurate representations of plants and their botanical features, making it invaluable for both scientific study and aesthetic appreciation. ### Conclusion These prints from *Curtis’s Botanical Magazine* reflect the height of botanical art in the mid-19th century. The combination of Walter Fitch...

Wonderful set of 6 natural history prints. Original hand colored lithographs. After drawings by Cpt. Brown. Published by Fullarton, 1847 Unframed.

This is a fine and unique antique Royal Worcester porcelain landscape dish, circa 1840 in date. The Worcester Royal blue oval sha...

Heading : Nathaniel Mills silver vinaigrette with naturalistic grille Date : Hallmarked in Birmingham in 1841 Period : Victroia Origin : London,...

With bulging eyes, a somewhat snarling expression with baring teeth.

We are delighted to offer this very rare and important suite of five fully restored C Hindley & Son’s dining chairs circa 1844-1845 These are a very important and substantial set of chairs, they have been fully restored to include being stripped back to the bare frames, all the timber has been washed back and French polished , they have then been resprung using the original period coil sprung bases, new webbing fitted, then upholstered with premium Italian cattle grade fully aniline plain natural leather which has been individually hand nail tacked in place using antiqued studs, lastly hand dyed six times and antiqued to give it this one off cigar brown colour. These chairs have been on a journey as mentioned and they are true investment pieces, ready to serve the new owner for decades to come. Usually, I wouldn’t take dining chairs through such an expensive process however the carving to the legs is so sublime they warranted the treatment, I have never seen such beautiful Lion’s mains and terminating with hairy paws with recessed castors, these are simply put the finest dining chairs on the market anywhere in the world today you can buy. Dimensions Height:- 94.5cm Width:- 57cm Depth:- 74cm Seat height:- 50cm ABOUT THE CABINET MAKERS Hindley, Charles & Sons Berners Street & Oxford Street, London; cabinet makers, upholsterers and retailers (fl.c.1820-1892) Charles Hugh Hindley (b.1792- d.1871) was the son of Christopher, a merchant in Mere, Wiltshire. He moved to London with an elder brother to live with his uncle, who was possibly running the London branch of the Wiltshire business. In 1817 Charles joined the upholstery firm of Benjamin Merriman Nias at 32 Berners Street. Within a few years he bought the Nias business with a £1,000 investment from his family. Despite his business being described as a 'carpet warehouse' in London directories from 1820-1841, by the mid-1830s upholstery and cabinet work had joined his repertoire and he had taken on more showroom space next door at 31 Berners Street. Family records of the 1840s showed that individual custom-order business expanded to also ‘supplying established furnishing houses with goods on wholesale terms’. Jobs ranged from supplying Pentonville Prison with 100 hair mattresses and pillows, to altering spring roller blinds, to fulfilling private commissions with suites of parlour furniture. Hindley was the father of eleven children with three involved in the business: Charles Hugh (b. 1818), Frederick (b. 1820), and Albert Daniel (b.1822). Charles Hugh and Frederick joined the family firm about 1832, thus establishing the family partnership, Charles Hindley & Sons. Albert Daniel learned the carpet manufactory and trade in Kidderminster and eventually established a carpet manufactory in Liversedge, Yorkshire, supplying the family’s London store and others. In 1845 he patented an early tufted carpeting technique. Charles Hindley & Sons acquired the firm, Miles & Edwards in September 1844, including their premises at 134 Oxford Street. Both companies operated from this address until 1845 when Miles & Edwards was closed. The purchase of Miles & Edwards enabled Hindley & Co. to compete with other West End firms by offering everything from cabinet making and upholstery to painted decoration and interior design for the middle and upper class market. In a sample of 737 orders from October 1842-June 1845, six per cent of the clientele were upper and lower aristocracy with approximately seventy per cent gentry or middle class. The aristocratic clientele included the surnames of Hoare, Kirland, Drummond, Montefiore, Ashburton and Rothschild, and the Oriental Club at 18 Hanover Square (1824). Commissions were also executed for: Lady Fetherstonaugh at Uppark: bills dating 1852 and 1862 for furniture and curtains C B E Wright of Bolton Hall, Yorkshire: decorative wood panels The Earl of Dudley at Himley Hall, Staffordshire: a carved gilt wood centre table with mosaic top, dated 1845 and a bedroom suite (sold by Hampton & Sons, July 1924) Sir Clifford Constable at Burton Constable (1849) George Hammond Lucy at Charlecote Park: carpeting (19 December 1844) The Duke of Cleveland at Raby Castle The Duke of Argyll, the Duke of Newcastle Lord and Lady Burton of Burton-on-Trent Sir William Eden of Windlestone Hall, Durham. Buckingham Palace: a small supply of Chintz wall covering for some rooms (1855) Surviving marked furniture by Hindley & Co. includes a stamped Regency kidney-shaped desk, veneered in yew and panelled with boxwood and ebony inlay, ornamented with finely-chased mounts and beadings, c.1830 [Connoiseur, November 1978], which is possibly the one illustrated in Gilbert (1996), fig. 498, and a walnut writing table with a raised set of drawers, 1840s, stamped C. Hindley & Sons, illus. (Gilbert (1996), fig. 497 and sold by Sotheby’s, 5 August 1981, lot 209. The staff at 134 Oxford Street comprised management, sales staff, designers, foreman, clerks, cabinet makers, chair makers, upholsterers, carvers, carpenters and French polishers. They also contracted tradesmen specialising in particular decorative and finishing techniques; such as Joseph Spong, a japanner, and William Stannard, a carver and gilder, who supplied significant orders, 1845-46. Stannard was also recorded in the stock book for ‘Repairing, Cleaning and Varnishing 18 Paintings [frames] £9.0.0’. Family records describe several employees: ‘a large and very ancient carpenter named Tomlinson… a cabinetmaker named Westbrook... [and] a foreman named Sorrel’. Charles Hindley & Sons showed a large Gothic sideboard at the Great Exhibition in 1851, inspired by Pugin (illustrated Microulis, Studies in the Decorative Arts (Spring/Summer 1998) p. 86) and they exhibited a Gothic bookcase and large sideboard at the 1862 International Exhibition, London (illustrated Microulis, Studies in the Decorative Arts (Spring/Summer 1998) p. 88). Both were elaborately carved pieces, described in the Art Journal Illustrated Catalogue as ‘evidence of sound judgment and advanced taste in the designer, and of able and skilful workmanship’. They also participated in the Building Trades Exhibition at the Agricultural Hall, Islington, 1883 [The Furniture Gazette, 7 April 1883]. They exhibited Japanese leather papers at the Manchester Fine Art & Industrial Exhibition, 1882, and were awarded a silver medal for embossed leather wall hangings at the Calcutta International Exhibition, 1883 [The Furniture Gazette, 18 November 1882 & 10 May 10 May 1884]. They also participated in the Workman’s Exhibition at Central Hall in Holborn, 1890 [The Furniture Gazette, 15 April 1890]. The designers did not sign their work but about fifteen different people were probably involved during the fifty-year period. One designer who worked in the late 1880s was J. Armstrong Stenhouse. He and the cabinet makers, G. R. Mackenzie, D. MacLennan and D. F. Lavach, as well as the carver, F. Lucas, worked on two Hindley exhibition pieces for the 2nd exhibition of the Arts and Crafts Society, London An archive of 114 drawings (now at the Metropolitan Museum of Art) was collated by Charles Albert Hindley (1863-1947), a grandson of the founder. These designs c.1844-1883 (some illustrated in ?Microulis, Furniture History?(2001), figs 1-16.), reflected the current trends of reinterpreted styles such as Gothic and Louis, and several seated furniture designs were labelled with specific commercial names such as the ‘Victoria Chair...