Mid-18th Century Furniture

In two parts with molded cornice over three over three drawers. The base with three drawers. Bracket feet. Original handles.

Italian Rococo heavy brass tilting vanity mirror.

This elegant antique jar was hand-crafted in Spain circa 1760; round in shape with narrow base and neck, the vessel features a rolled rim at the top accented with a mustard color gla...

A Very Attractive Late 18th Century Mahogany Serpentine Shaped, Georgian Dressing Table Mirror, Of Unusually Large Proportions, Having Elegant Shield Shaped Plate, Over Shaped Base W...

1751 Giovanni Battista Piranesi Engraving - Veduta del Castello dell'Acqua Felice Description: This exquisite engraving by Giovanni Battista Piranesi, *Veduta del Castello dell'...

An original antique engraving of two Buddhist temples in Thailand, also known as Siam historically. The upper part of the engraving is labeled "COUVENT de Talapoins," which refers ...

An exquisite example of French Rococo artistry, this antique fireplace mantel dates to the mid-18th century, circa 1740–1760, during the reign of Louis XV. Crafted from rare Rouge Ro...

Blue Delft blue and white plate with a rare geometric decoration of a central 6 lobbed star. Condition: some usual wear, minor chipping to the rim. Unmarked, mid half 18th century

An old master style 18th century allegorical painting representing youth and old age, and/or beauty and wisdom, depicted by a beautiful young ...

18th century Swedish painted rococo armchair, circa 1755-1774. Early painted finish with losses. Hand-carved, turned and mortise and tenon joinery. Seat newly covered in white ticking.

Expertly crafted in France during the 18th century, this antique limestone trough exudes timeless charm and adds a touch of European elegance to any space. Perfect for use on farms o...

A pair of diminutive delft vases with hand-painted blue floral and foliate decoration in a white ground on shaped bodies having hexagonal top collars above larger shoulders tapering ...

Circa 1760 Large 18thC Welsh Oak Vernacular Dresser Base. Three drawers on square legs with shaped apron and an arrangement of drawers. Exceptional patination and colour. sku 1070 W1...

A very attractive George II Period, 18th century Elm carver armchair, Retaining Exceptional Colour & Patina Throughout, Having Elegant Ribbon Carved Pierced Splat Back And Scrolling ...

Enhance your space with a touch of elegance with our Italian White Veined Carrara Marble Wall Fountain. Handcrafted from the 18th century, this small wall fountain boasts luxurious w...

Heading : Worcester porcelain sauce boat with strutting birds Date : 1753-1755 Period : George II Origin : Worcester, England Colour : Polychrome Pattern : Floral polychrome band to ...

Map of the Persian Empire circa 1750 by Tirion – Hand-Colored Dutch Map This finely detailed antique map titled "Nieuwe Kaart van 't Ryk van Persie" (New Map of the Empire of Persia...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

A pair of mid-18th century George III period mahogany Library Gainsborough armchairs, having serpentine top rails above set back arms, with serpentine seats, supported on chamfered l...

A fine circa 1740 English George II period 'pillar and claw' or tripod table of robustly drawn form and solid mahogany construction, the circular single-board top revolving on 'bird-...

18th century French Louis XV walnut table with shell carving & side drawer.    

A rare pair of diminutive 18th-Century Dutch Delft faience Chinoiserie style plates with hand painted lovely cobalt blue and white figures in a landscape scene. One plate is pierced,...

Chinese Export Porcelain Pronk La Dame au Parasol Plate Circa 1740 This Chinese Export Porcelain Plate, Circa 1740, is decorated after a design by Cor...

Swedish rococo walnut armchair circa 1740-1769. Finely hand-carved in a nice, large scale. Excellent condition. Stable, sold and sturdy. Mortise and tenon joints. Exquisite carved de...

Very fine English George III country house mahogany architect's desk/library table having richly grained single board top with molded edge over single wide drawer with pull out and d...

This is a rare wooden sculpted man figure carved and lacquered in polychrome. This elegant piece hails from the Mid-18th Century, Venezia. The curved shape, on the front and on the s...

Mid-18th Century hand-carved 1750 Venetian Baroque walnut sofa, three-seat with armrests. Remarkable work by Venetian cabinetmakers. The 18th C...

Pair of carved walnut armchairs covered in “petit point” embroidery Turin, circa 1750 They measure 33.8 in (86 cm) in height; 17.32 in (44 cm) in height to the seat; 25.98 in (66 cm...

18th C Brass-Mounted Allegorical Motif Enamel Snuff Box, Attributed to the Fromery Workshop The Cartouche-shaped bombe box, the hinged lid applied with rais...

An important pair of period child's berge`re chairs, of painted walnut; each oval padded backrest in gadrooned frame, outswept arms with padded elbow rests o...

A late 18th-century Swedish Baroque cupboard or storage kitchen cabinet, showcasing timeless craftsmanship and practicality. This striking piece features dry-scraped historic black p...

This is a very unique marble-hardstone original antique fireplace surround. The hardness of the stone reflects the light in the room. Only a few mantels were carved out of this kind ...

In two parts. With double dome cornice with brass central ho-ho bird over a pair of paneled doors opening to two shelves with a lower section of drawers and cubbies. The base section...

Our Louis Philippe mirrors are a popular pick! This one is free of any blemishes in its reflection and is held by a sturdy wood gilt frame. It has traveled from 19th century France t...

“Priced per square foot” antique terracotta flooring. Origin: France. Approximate measurements: 14 1/2" length x 8 1/2" width x 3/4...

Original oil on canvas painting of Biblical or historical motif with what appears to be an aging king surrounded by attendants. Unknown artist, no signature. Old label on back of pa...

A black, antique Swedish Gustavian one part bureau, secretaire made of hand crafted painted Pinewood, in good condition. The Scandinavian writing table, desk is composed with a writi...

A very good large silver swing handle basket of pierced oval form. The arched swing handle with two cast female busts arising from a leaf capped double C-scroll support. The cast and applied rim of shaped foliate and floral entwined decoration. The central bowl of the basket engraved with a rocaille cartouche containing an armorial. The top of the handle is decorated with a leaf form cartouche within which is the crest of a deer. The sides of the raised basket with hand cut pierced decoration. The whole standing on four cast and applied legs, decorated with a beautiful scrolling foliate design rising to high relief female faces, on leaf-form pad feet. Hallmarked to the underside for London 1747 by Edward Aldridge. The underside of the handle bears the lion passant and maker’s mark, both struck twice. This is a beautifully decorated and impressive piece of early Georgian silver...

18th Century English wingback armchair.Reupholstered traditionally and covered in Ralph Lauren linen fabric.Circa 1760.

Exquisite and important pair of circa 1740 George II Anglo-Irish regency console or side tables in the manner of William Kent having original ver...

Coffee, Aloe, and Date Trees – Exotic Botanical Engraving, Dutch, c.1730 This large and finely detailed copper engraving showcases three important tropical and subtropical plants: t...

Botanical Engraving of the Coffee Plant – Dutch Colonial Period, c.1737 This exquisite botanical engraving depicts the coffee plant in detailed scientific form, as it was studied an...

The frames of carved Beech with shaped and carved shield backs and shaped seats on elegant carved fluted legs, all upholstered in linen with a beautiful printed design.

Using Japanese “Urushi” lacquer in a beautifully untouched and sleepy condition, on later stand, This Japanese lacquer cabinet on the stand has...

Chinese Export Porcelain European-subject Punch Bowl, Sailor's Farewell and Return Bowl with Royal Navy Ship, Circa 1765-75 The Chinese Export porcelain bowl has two images of a sailor and his wife, one known as the sailor's farewell and the other the sailor's return. The farewell depicts the sailor leaving his wife who hugs him as he is about to depart as he points to the Royal Navy Ship with the Blue Ensign just offshore. The sailor's return depicts the sailor depositing watches and coins into his wife's upraised apron. Between the images are large painted flowering branches and the interior has similar painting. Dimensions: 10 1/4 inches x 4 1/2 inches high (26.04 cm diameter x 11,43 cm high) Provenance: With Elinor Gordon; Ruth Nutt Collection Sailor's Farewell and Return Bowl with Royal Navy Ship, Condition is very good with some fading to the en grisaille sails. Reference: David S...

Framed Botanical Engraving, Johann Wilhelm Weinmann. Johann Wilhelm Weinmann (German 1683-1741) Published in Amsterdam & Ratisbon, 1736-45....

Broken arched triangular stepped cornice above a pair of doors with arched mullions flanked by another shorter conforming pair, the base with a pair of panelled doors flanked by a narrower pair, plinth base. Provenance: Hyde Park Antiques...

Decorative 18th century wooden Phoenix bird with polychrome lacquer. From Henan Province, China. Untouched original condition. Measures: Height bird 21...

Bernard Picart was the maker of this specific engraving. Bernard Picart (1673–1733) was a renowned engraver known for his detailed and highly skilled work, particularly in illustrati...

18th-century Staffordshire Creamware Cauliflower Creamer Jug, Probably by William Greatbach/ Josiah Wedgwood Lead-glazed earthenware, Circa 1765 The creamware creamer jug has a bal...

This stunning vintage Ikat pillow, crafted in 1850, boasts a striking geometric design in burnt orange, beige, and teal. The sharp contrasts and rhythmic symmetry make it an eye-catc...

Small cabinet with 1 door. Hand painted with decorative floral motives. Dated: 1738. Inside has 2 shelves, a small drawer is missing.

18th-Century Brazilian Devotional Shrine from Minas Gerais A rare and historically significant 18th-century Brazilian devotional shrine from Minas Gerais, an exceptional piece of col...

A polychrome charger with a parrot perched on a ring in the center, with interesting asymmetrical landscape elements showing a basis in early 18th century design. The spareness of th...

18th Century Whieldon-type Tortoise-shell Teapot and Cover, Circa 1765 The tortoise-shell molded teapot and cover is decorated with a molded design of gr...

Swiss alp painted cupboard

English sterling silver cup from 1760 in Georgian style by a London-based silversmith. It comes from the collection of W. Allston Flagg. It measures 4'' in diameter by 2 1/2'' in height, weighs 4.9 ozt, and bears hallmarks as shown. According to his 1971 obituary from the New York Times, "W. Allston Flagg, an investment banker and former governor of the New York Stock Exchange, was a collateral descendant, and namesake of Washington Allston, the early 19th-century American painter. His studies at Harvard were interrupted by Navy service in World War I as a submarine chaser commander. He returned to active duty as a lieutenant commander in World War II. Mr. Flagg succeeded his father, Washington A. Flagg, as a partner in the brokerage firm of Post & Flagg and continued as a partner in Harris, Upham & Co. after their merger. He was a past president of the Piping Rock Club in Locust Valley...

A Very Large and Rare German Ormolu Mounted Meissen Porcelain Three Piece Clock & Candelabra Garniture Set. This impressive set consists of three pieces: a center clock and two candelabras, each adorned with the most intricate and delicate details that have been executed to perfection. Each three armed candelabra is remarkably elaborate with foliate arms that are embellished with gilt-covered beautifully twisted branches and curling leaves on an ornate botanically-inspired base. Embraced by the arms of the candelabras are two 18th Century Meissen Porcelain figures of musical lovers, dressed in brightly detailed traditional clothes. The round clock face, with roman numerals, a white base, and ornate hands is surrounded by a flourish of gorgeous gilt foliage, exuding an air of elegance and refinement. Perched atop the clock is a stunning Meissen Porcelain figurine of a beautiful woman posed in mid-movement, her dress aflutter, and baring her leg as she gazes up at her left hand which is holding a bunch of grapes, while also grasping a wine goblet in her lowered right hand, representing the festivities of the moment. Surrounding the clock and extending down both sides the gilt foliate leads the eye to two cherubs each admiring tiny vases of exquisitely detailed flowers. Below the cherubs, on either side, are four white ceramic pillars...

A fine quality mid 18th century Chippendale period carved giltwood Mirror, having leaf scrolled cartouche above shaped frame flanked by fruit and flower borders with pierced “C” scro...

We are delighted to offer for sale this stunning original 1738 dated Antique German Marriage wardrobe / Folded linen cupboard in the oldest and most original paint I have ever seen I have recently purchased a very large collection of these original, antique painted wardrobes...