Seating

A rare, matched pair of ebonised armchairs from The Baroque & Baroque-Revival Periods & An Antiquarian, Baroque stool - From a private, furniture collection, acquired to represent three different periods of European manufacture & collecting of ebonised furniture...

A set of two original Baroque chairs, South German, 18th century. This unique set of Baroque chairs is made of walnut. The chairs have beautiful...

This is a good pair of early 18th century Italian Baroque hall chairs. The chairs are in overall good condition considering their three hundred years of use. The appropriate upholste...

Interesting mechanical folding chair/table from the Victorian period. The chair backrest folds down to become a table surface, this style known as patent, or proto furniture was popu...

A beautiful 19th century Italian polychrome casapanca wood storage hall bench having a carved back with the hinged lid opening to reveal a storage well, raised on shaped bracket feet...

One of the most representative furniture of the Belloni "Il Classico" collection. Extremely refined armchair inspired by the Baroque style. Finely hand carved in Italy by skilled ca...

A pair of multifunctional bleached Oak Swedish carvers or side chairs. Featuring scrolled arms, decoratively carved seat backs and front frieze. The chairs have been reupholstered in a warm mid-tan leather. Perfect as dining table or handsome decorative statement side chairs.

Hardwood frame with upholstered seat made in Germany in the 1880s.      

A fine Italian, 18th century parcel-gilt and turquoise painted caned canapé with a shaped back decorated with shell-carved crest, scrolling armrests on a serpentine seat on cabriole ...

Pair of American Victorian rosewood side chairs with filigree carved crest and button tufted red velvet upholstery.

Authentic Southern Italian, Sicilian throne, as it has been traditionally used in the large rural estates for the padrone, for the noble chief. Seating height would be perfect for a modern writing desk. The seating upholstery is quite firm, giving a good support. The carvings depicting the rising sun on top, the sea, and acanthus for a long life. The armchair can be dated around 1715. Carefully restored. All the carvings are complete, and fully original. Upholstered with an exclusive linen velvet by Maison Charles Burger...

19th century French bench made from oak. The back is exquisitely hand carved with two differents motifs, surrounded by decorative carvings. The sides are made up of matching decorati...

A most handsome pair of Italian mid-19th century Baroque st. dark oak and leather throne armchairs. Each chair is raised by elegant topie shaped feet below block reserves and unique ...

An Italian carved-wood Baroque armchair from the 18th century, possibly older. This antique chair from Italy has meticulous hand-carvings throughout, with particular emphasis along i...

Very rare rocking chair made and designed by Micheal Thonet and Anton Fix , circa 1860. The beautiful rocking chair was made with curved woodworking, a techn...

A fine late Victorian Chesterfield, of typical from with turned walnut legs and refurbished castors, reupholstered in deep buttoned distressed black leather.

A rare, late 17th century. ‘X’ stretchered, ebonised, oak stool upholstered in 17th century verdure tapestry Unusual simulating ebony which was phenomenally expensive and only found in Royal and aristocratic collections at this time This stool is sophisticated, elegant and refined and the flying bird on the tapestry is a charming and unusual feature. The fine turnings, and x-stretcher evolved into the design of late-17th century English furniture in response to Continental fashions. At the same time, cabinet makers responded to the fashion for expensive Oriental laquered furniture by ebonising or black-japanning...

Original cane and black finish, stamped Thonet. Beautiful lines.

18th century Italian giltwood armchairs.

Pair of Barocchetto Neapolitan sofas, supported by eight curved and carved legs, the under-the-top shaped band is decorated with sun-shaped and rocaille carvings, represented again...

Rustic Baroque style chair from northern Sweden. The chair is a country furniture from the first half of the 19th century. The model itself is from...

Solid wood with various inlays. Beautifully turned. This type of furniture was very popular in Europe in the 19th century.

A rare late-17th century French walnut, commemorative, open, vernacular, naive, folk armchair with incised initials 'JFP' on the left hand side block and 'dFP' on the right hand side...

A museum quality, late-17th century, walnut, upholstered sleeping armchair • Exceptionally rare model; one of the first models of upholstered armchair with the addition of the wings intended to conceal draughts. • Transitional form : many of the carved features are characteristic of Baroque furniture dating from 1680 and the incorporation of upholstery is influenced by the desire for comfort post restoration of Charles II introducing French fashions to the English court. • Striking, statement piece. The cresting, “H” stretcher and scrollwork carving which features throughout the chair inject gravitas. • Practical size and ergonomic comfortable design, suitable for regular use. The original, carved, walnut cresting supported by a pair of dragons with scrollwork either side of a central stylised leaf spray. The shaped rectangular back with wings. The sweeping arms with carved scroll ends supported by tapering turned uprights emerging from blocks. The rectangular seat supported by double scroll carved and column turned legs joined by an ‘H’stretcher which mirrors the shape of the back in the centre with finial, column turned side and back stretcher and back legs. Exceptional original colour and patina. c.1690. CONDITION : re-upholstered in a recreation of 17th century, Italian, bargello embroidery which is characteristic of the period. Tiny marks, wear and losses as expected throughout the armchair. The finial is a C19 or early C20 replacement. The stretcher has suffered from worm damage and there are replaced sections at either end of 1” and 1½ “ respectively, and an area to the left of the finial has been filled. This work was not done by me and has some age to it and the finial was probably replaced at the same time. The armchair is sturdy and suitable for regular use. PROVENANCE: Private Collection, Cheyne Walk, London RELATED : Few sleeping chairs...

Vintage French bergère lounge/ armchair in orange mohair Large, comfortable lounge chair with ornate gilted detailing throughout. Has buttons...

Antique curved back carved walnut armchair with a very unusual form. Early construction / beautifully aged rich color / great old surface. Best guess is 18th century Italian. Direct ...

Two chairs with slightly different decors, carved of walnut or walnut and beech. Cf. stylistically: Bauer/Märker/Ohm: European Furniture from Gothic to Art Nouveau, Museum für Kunsth...

Four chairs with a sofa in Dresden baroque style. Walnut freed and felted. Rich gilded bronze appliqués, on the backs with perimeter bar contours. Saxony, circa 1880-1890. Dimensi...

A Swedish period Baroque three-chair back carved-wood sofa, with upholstered seat, from the 18th century. This fabulous hand carved wood bench features three carved back splats for resting, flanked within wood arm rests at each far end. The top rail is adorn with four finials...

Sofa bench Swedish Baroque Period 1650-1750 brown black, Sweden. A sofa bench made during the Baroque Period 1650-1750 in Sweden / Northern Europe. The seat has been reupholstered in...

- Characterful open armchair injecting atmosphere into any interior - Pared down form with a contemporary feel - Tactile with original patina and thick modern leather. - Character...

Italian Rococo style (19th Century) walnut square bench with scroll form legs connected with a replaced stretcher and a gold velvet upholstered seat.

- Newly upholstered in velvet fabric - Wooden legs have been refurbished - Height of seat 43 cm.   

New white cast aluminium two seats garden bench. Very comfortable and resistant. Its finish makes it able to withstand the inclement weather. The paint is epoxy resin that is pas...

We are delighted to this stunning fully restored late Victorian club sofa with Thomas Chippendale style claw & ball feet A truly remarkable find, I have only ever seen one or two ...

Fine French Louis XIII armchair. Made in the 17th century from walnut and equipped with hidden out sliding tray supports as a extra feature. We restored this armchair and reupholster...

Unique body, solid rosewood. Initials on the frame. Trapezoidal, profile-trimmed frame on strongly curved legs with applied Akkanthus, ending in plastically carved claw feet. High, b...

Beautiful pair of Italian 19th century carved wood armchairs in Rococo Baroque style newly upholstered in white fabric with very elegant shape and great color of wood to highlight th...

A large, vintage, country house, knole armchair upholstered in a kelim textile A Classic country house piece with the high back and wings creating a ...

We are delighted to offer for sale this lovely pair of extremely ornate hand carved American eagle armchairs. What can I say, these have to be the mo...

Good early 18th Century Franco-Flemish walnut armchair with arched upholstered back over shaped arms and upholstered seat over"horsebone" (os de mouton) shaped legs joined by similar...

Salon set neo baroque / rococo, circa 1930 to fully restore.  

19th century carved walnut folding scissors Savonarola bench or settee featuring a gentleman in the back. Typical of the Italian Renaissance with carved Florentine backs (no shows in the picture) . This pair created in the 19th century, most likely 1840s-1850s, are in perfect condition. The Savonarola chair is a type of folding chair with an X frame when viewed from the front or back. It was designed to fold so it was portable and used during campaigns or other outdoor pursuits. The title Savonarola comes from the name of Italian Renaissance Dominican friar, Girolamo Savonarola, who is renowned for his clash with tyrannical rulers and corrupt clergy. To fold this interestingly beautiful chair you must first remove the back rail which simply slides upward out of slots in the arms, then push the arms together to fold. This pair would make perfect hallway or entryway chairs...

19th century carved walnut folding scissors Savonarola bench or settee featuring a lion shield in the back. Typical of the Italian Renaissance with carved Florentine backs (no shows in the picture). This pair created in the 19th century, most likely 1840s-1850s, are in perfect condition. The Savonarola chair is a type of folding chair with an X-frame when viewed from the front or back. It was designed to fold so it was portable and used during campaigns or other outdoor pursuits. The title Savonarola comes from the name of Italian Renaissance Dominican friar, Girolamo Savonarola, who is renowned for his clash with tyrannical rulers and corrupt clergy. To fold this interestingly beautiful chair you must first remove the back rail which simply slides upward out of slots in the arms, then push the arms together to fold. This pair would make perfect hallway or entryway chairs...

Wimbledon-Furniture Wimbledon-Furniture is delighted to offer for sale this exceptionally rare fully stamped King Edward VII estate used smokers bac...

This is a very beautiful pair of elegant dining chairs hand carved in solid oak. Their shapes are gorgeous and the proportions makes them an important presence in a dining room. Dee...

Outstanding antique 19th century Victorian antique mahogany inlaid armchair having an unusual beautifully shaped top rail with a quality satinwood inlaid panel. It boasts a pretty he...

A pair of French 19th-20th century Baroque style carved walnut and needlepoint upholstered hall throne armchairs with raised carved armrests and fluted conjoint legs. The tapestries ...

Quality set of four antique mahogany dining chairs with a lovely tall back, carved shaped top lovely carved open splat to the centre, newly recovered drop in seats, standing on taper...

A fine, large, late 17th century, Flemish, open armchair in the style of Daniel Marot with an upholstered seat This fine, armchair is an, unusually, large size and the carving is of exceptional quality reflecting the status of the owner it was made for. It is sturdy and in usable condition. Chairs of this type, with tall, intricately carved backs, were placed in rows against a wall forming part of the decoration of a room. The carving of the back of this chair is French in style and was based on decorative prints by Daniël Marot The cresting carved with a profusion of acanthus leaf scrolls. The back with fine, pierced carving. The mid-section with a central flowerhead with scrolled shields above and below ornamented with flowerheads acanthus leaf crestings. Two pairs of carved ‘S’ scrolls ornamented with acanthus leaves either side. The tapering turned sections surmounted by ionic capitals and supporting back of the scroll arms carved with acanthus leaf ornament. The front arms supported by baluster and tapering turned sections ornamented with acanthus leaf carving. The legs joined by a shaped ‘H’ stretcher with central finial, on bun feet. The upholstered seat reupholstered in a bargello woven in tones of blue, green, red and gold faced with braid and brass studwork. The back of the chair has an incredible, 19th century, oak support from the cresting to halfway down the back, which has been beautifully carved to conform with the open sections of the back, and two braces down the length of the back. There are also two oak supports behind seat blocks at the top of the legs. These repairs are sensitive to the model of chair and have become part of its character and features in their own right and they are very interesting from a conservation history perspective. There are two old repairs to a small break in the cresting on the right hand side and the hairline cracks are visible, an old repair to a small break in the top right of the central splat with a small piece added and a visible hairline crack. The right side of the back has noticeable worm damage on the right seat block which is probably the root cause of the break on the block on this side from impact as the chair probably fell backwards at some point and either onto its right side or it hit something on that side and the block weakened by worm gave way as the damage to the chair is localised on the far right side. Because the backs are high on these Daniel Marot chairs they are top heavy and invariably do have damage to the backs and crestings from impact damage so this is not unusual. The right block has been repaired thoroughly and is stable and there is no live worm in the chair. It would be possible to disguise these repairs but I have left them as they are consistent with the 19th century date of the supports and conform with museum standards. A full set of photographs...

Large deep 17th century Spanish oak bench, or settee, in aged dark brown color. Long with deep seat. Sturdy mortise and Tenon construction, all ori...

Pair of baroque chairs with carved backs with pinnacles, balustraded columns and shell decoration and H-shaped bracing between the curved legs.   

Stunning pair of baroque style Savaranola chairs having rich ashwood frames and supple newly upholstered black leather seats with brass nailheads.

A pair of northern Swedish antique baroque chairs from the mid to late 1700s, around 1770. The chairs are provincial and have a stately appearanc...

Baroque Armchair, South Germany 19th century, walnut finely carved. Covered with a beautiful gobelin. In good condition. The armchair chair will be shipped from Germany. Shipping cos...

Pair of baroque chairs made of solid oak with openwork backrests with an upholstered centre bar and carved vegetable décor with shell ornament on the curved frame. The chairs are covered with blue velvet. Shown in: Eller, Möbel des Klassizismus, Louis XVI and Empire, Munich 2002, p 204:301; and W. Schwarze, Antike deutsche Möbel...

A very fine pair of palatial Venetian walnut carved mid-19th century Baroque figural throne armchairs, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon (1662-1732). The ornately carved thrones, each flanked with figures of standing males supporting a branch-carved armrests with vines. Raised on cabriolet scrolled legs. Provenance: The Castello di Giove in Umbria, Italy, circa 1870-1880. Height: 54 1/4 inches (137.8 cm.) Width: 37 1/4 inches (94.6 cm.) Depth: 32 inches (81.3 cm.) Andrea Brustolon (20 July 1662 – 25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures. Biography He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-80 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon's working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini's baldacchino in the Basilica of St Peter's. His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini's Cathedra Petri. The gueridon, a tall stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized figural gueridons, endlessly reproduced since the eighteenth century, found their models in Brustolon's work. His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the baroque tendency to develop a form three-dimensionally in space. Brustolon's walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture; they are constructed of elaborately carved figures. The framework of Brustolon's chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and male figures carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc. The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, males and reclining river-gods (see ref.). For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra. In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon's preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel...

A fine pair of 19th century Portuguese mahogany hand carved benches. Elaborately carved and detailed with pawed feet