Armchairs

Antique French Baroque Carved Mahogany Fireside Throne Chair Newly Upholstered in Metallic Rose Gold Brazilian Cowhide Antique rare French Mahogany Baroque...

Beautiful armchair from an elite Venetian bourgeois family, whose design is also an inspiration. The armchair is made of gilt wood in the mighty frame, with 4 supporting feet, each f...

Fine tall German late 17th century Baroque walnut throne armchair with a rectangular arched padded back and seat covered in 17th century Gobelin depicting ‘Susanna and the Elders’ wi...

19th Century venetian baroque armchairs in hand carved walnut, wax polished with straw seat. Canopy of the seat recently made in perfect condition Excellent as head of the table, ...

Pair Antique Italian Baroque giltwood armchairs with Damascene Silk are a gorgeous example of the style rendered only as the Italian master ...

Beautiful armchair taken over by an elite Venetian bourgeois family, whose design is also an inspiration. The armchair is made of gilded wood in the mighty frame, with 4 supporting f...

- Elegant period armchair injecting character to any interior - Practical, sturdy and suitable for regular use - Re-upholstered in a 19th century, rust, mohair velvet faced with ru...

This magnificent set of three French antique Louis XVI (ca 1770) gold gilded armchairs originated from the region of Avignon. These stunning original armchairs are elegant and charac...

Gorgeous Baroque throne armchair made of full nutwood in Italy. The armchair was completely new upholstered inside / outside with red velvet, the cushi...

Pair of Spanish colonial style armchairs, having leather both seats and backs, and brass nailheads. Measure: Height to the arm: 28.74in.

Magnificent pair of walnut hand carved cardinal armchairs with royal antique red velvet with golden metal threats upholstery. These extraordinary la...

Two Magnificent French Armchairs with respective Stools early 19th Century armchair measurements: H: 96cm x 76cm c 75cm stool measures: 45cm x 45cm x 50cm Hight wood and italian silk...

This antique Italian Rococo 17th century throne armchair sourced in a palazzo in Rome, features swirls, curls and foliate motif richly hand carved...

A early 18th century walnut French wingback armchair. This Louis XIV model is also known as Os de Mouton or 'Sheepclaw feet'. The shape of the feet were a provincial take on the gild...

Extraordinary and exquisite set of original Louis XV salon gold gilded chairs with curved wood edges, intricately carved surfaces and Grey Green Pat...

Egyptian Revival Ebonized armchair with a pierced carved back, arm support, and caned seat on paw feet.

Consisting of three armchairs and seven side chairs, this superb giltwood suite was made in Italy in the nineteenth century. With slight variations in t...

Splendid pair of armchairs designed at the end of 1800, of fine French manufacture. The armchairs are in oriental style as you can see from the sinuous and curved shapes and woven d...

Pair of Venetian hand painted armchairs in white antique painting and giltwood Green Velvet in back and seats Beautiful hand paintings in both backs.

A fine pair of walnut Baroque Italian armchairs dating to the middle part of the 17th century retaining parts of extremely old leather seating. Italian circa 1650-70. T...

Pair of Venetian hand painted armchairs in white antique painting and giltwood Green Velvet in back and seats Beautiful hand paintings in both backs.

Pair of armchairs in carved and gilded wood. 19th Century Covered in green damask fabric, Measures: W. 70 - D. 70 - H. 100 Cm Good conditions.

A 19th Century Baroque armchair with original leather clothing from Sweden in dark wood.  

For full item description be sure to click on CONTINUE READING at the bottom of this listing. Offering one of our recent palm beach estate fine furniture acquisitions of a Pair of A...

Louis XVI style pair of carved armchairs, Spain, 1900s Good antique condition with some minor marks from used and age. Beautiful Solomonic c...

Original and unique Baroque armchair. This beautiful armchair dates back to 1750-60 and comes from Southern Germany. The oak chair stands out for its beautifully hand-carved details....

English armchair / bench, 18th Century Height 93 cm Width 119 cm Depth 60 cm Weight 80 kg Armrest height from seat 17 cm Seat height 37 cm Seat width 114 x 33 cm Manufactur...

17th century oak armchair re-upholstered in navy faux faur The faux fur creates a cosy, funky, fun, modern, individual, interpretation of...

Armchair Swedish Early Baroque period gilt leather Sweden. An armchair in a generous size made during the Carolean Baroque Era 1650-1720 period in Swede...

from the Emilia Romagna region of Italy, having an arched and shaped slightly reclining backrest and fitted seat, with curving carved open arms, raised on tall turned legs joined by ...

Hand-carved in Italy in the 1600’s, this pair of elegant walnut armchairs features a rich foliate and floral needlepoint upholstery. The chairbacks, seats and aprons of each chair has been covered by embroidery patterned with green, gold, and pink flowers and a subtle metallic silver border. The fabric is affixed to the wood frames by hundreds of iron nailheads. A pair of finials in the shape of curled leaves with fruit top...

A richly carved walnut Italian throne chair. This arm chair could make a wonderful statement in any room. Use it for a desk chair, next to a fireplace, an office or in the living roo...

Late 17th century Italian walnut square back armchair with bobbin turned arms, legs and stretchers, the whole possessing good rich color and crisp t...

Louis XVI style pair of carved armchairs, Italy, 1900s Good antique condition with some minor marks from used and age. A set of two antique baroque side chairs hand-crafted out of walnut wood in a good condition. This set of dining chairs features a walnut color with a beautiful patina finish, hand-carved details through the entire frame, and intricated engraving leather...

A fine Italian 19th century Baroque style carved walnut figural throne armchair, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon...

19th century 2 armchairs solid walnut, all-round carved with historicism ornaments, backrest each side crowned by lion's heads with wide open mouth, scissor legs with baluster crossb...

Stunning & rare Italian venetian highly carved walnut Baroque upholstered arm chair~~ Besarel~~mid-19th century We recently had the good fortune to obtain this rare work of art~~an antique carved walnut arm chair...

Specially designed armchair take on a neo-baroque style. This accent furniture is a great head turner piece in any living space. An eye catching black-gold upholstered fabric part of...

From the Hollis Collection, a custom Baroque style armchair in an ebonized finish. Side Chair also available. 1 yard customer’s own material.

Pair of Sicilian armchairs in red lacquer in the style of Barocco 1700, lacquered in red lacquer, the Sicilian and delicate style of great passion and design, a pair of very rare arm...

A ruler worthy throne like armchair. The upholstery fabric and pattern can be customisable cater to your personal stylistic and preferences. Comes together with an extra plush of padding for comfiness. Laid on the hand carved wooden frame...

Armchairs Pair Baroque Swedish 1650-1750 Gray Velvet Sweden. A pair of large armchairs made during the Baroque period in Sweden. Upholstered in a dark grey cotton velvet with brass n...

This is a good pair of early 18th century Italian Baroque hall chairs. The chairs are in overall good condition considering their three hundred years of use. The appropriate upholste...

Adding a sophisticate touch to your room with a golden beige armchair decorated with gold leaf finishes. Elegantly wrapped with our own design of damask upholstered fabric. Outstandi...

A sensational and extremely unique pair of Italian early 19th century Baroque polychrome and giltwood armchairs. Each rare armchair is raised by han...

True essence of the artisanal work is shown through this luxurious classic two seater sofa. A highest quality blend of fabric choice and texture, the recreation of luxe indigo - gold tone of the velvet stripes and frill over the beautiful damask upholstered back seat. The solid wood hand carving...

A handsome set of four Italian late 18th century Baroque st. walnut and giltwood armchairs. Each chair is raised by elegant lightly scalloped shaped supports at each side with elegan...

Bringing the 18th century french palace furniture style to your luxururious living space. The grand armchair's rounded embelished arms and legs are in...

19th century Swedish late Baroque style arm-chair from Skelleftea Vasterbotten, Northern Sweden. Charming unusually armchair with fantastic hand-carved upper part & colorful color. ...

The outside and inside rectangular back and seat re-upholstered, during its last ownership, with an off-white and grey/blue cotton/linen mix fabric faced with close nailed brass stud...

Classic bergere armchair with cushion, decorated with dark walnut finish and patinated gold leaf. Both internal and external upholstery is in high-end Italian fabric with classic-sty...

A pair of multifunctional bleached Oak Swedish carvers or side chairs. Featuring scrolled arms, decoratively carved seat backs and front frieze. The chairs have been reupholstered in a warm mid-tan leather. Perfect as dining table or handsome decorative statement side chairs.

A large, vintage, country house, knole armchair upholstered in a kelim textile A Classic country house piece with the high back and wings creating a ...

One of the most representative furniture of the Belloni "Il Classico" collection. Extremely refined armchair inspired by the Baroque style. Finely hand carved in Italy by skilled ca...

A very fine pair of palatial Venetian walnut carved mid-19th century Baroque figural throne armchairs, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon (1662-1732). The ornately carved thrones, each flanked with figures of standing males supporting a branch-carved armrests with vines. Raised on cabriolet scrolled legs. Provenance: The Castello di Giove in Umbria, Italy, circa 1870-1880. Height: 54 1/4 inches (137.8 cm.) Width: 37 1/4 inches (94.6 cm.) Depth: 32 inches (81.3 cm.) Andrea Brustolon (20 July 1662 – 25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures. Biography He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-80 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon's working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini's baldacchino in the Basilica of St Peter's. His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini's Cathedra Petri. The gueridon, a tall stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized figural gueridons, endlessly reproduced since the eighteenth century, found their models in Brustolon's work. His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the baroque tendency to develop a form three-dimensionally in space. Brustolon's walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture; they are constructed of elaborately carved figures. The framework of Brustolon's chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and male figures carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc. The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, males and reclining river-gods (see ref.). For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra. In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon's preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel...

Authentic Southern Italian, Sicilian throne, as it has been traditionally used in the large rural estates for the padrone, for the noble chief. Seating height would be perfect for a modern writing desk. The seating upholstery is quite firm, giving a good support. The carvings depicting the rising sun on top, the sea, and acanthus for a long life. The armchair can be dated around 1715. Carefully restored. All the carvings are complete, and fully original. Upholstered with an exclusive linen velvet by Maison Charles Burger...

A most handsome pair of Italian mid-19th century Baroque st. dark oak and leather throne armchairs. Each chair is raised by elegant topie shaped feet below block reserves and unique ...

A museum quality, late-17th century, walnut, upholstered sleeping armchair • Exceptionally rare model; one of the first models of upholstered armchair with the addition of the wings intended to conceal draughts. • Transitional form : many of the carved features are characteristic of Baroque furniture dating from 1680 and the incorporation of upholstery is influenced by the desire for comfort post restoration of Charles II introducing French fashions to the English court. • Striking, statement piece. The cresting, “H” stretcher and scrollwork carving which features throughout the chair inject gravitas. • Practical size and ergonomic comfortable design, suitable for regular use. The original, carved, walnut cresting supported by a pair of dragons with scrollwork either side of a central stylised leaf spray. The shaped rectangular back with wings. The sweeping arms with carved scroll ends supported by tapering turned uprights emerging from blocks. The rectangular seat supported by double scroll carved and column turned legs joined by an ‘H’stretcher which mirrors the shape of the back in the centre with finial, column turned side and back stretcher and back legs. Exceptional original colour and patina. c.1690. CONDITION : re-upholstered in a recreation of 17th century, Italian, bargello embroidery which is characteristic of the period. Tiny marks, wear and losses as expected throughout the armchair. The finial is a C19 or early C20 replacement. The stretcher has suffered from worm damage and there are replaced sections at either end of 1” and 1½ “ respectively, and an area to the left of the finial has been filled. This work was not done by me and has some age to it and the finial was probably replaced at the same time. The armchair is sturdy and suitable for regular use. PROVENANCE: Private Collection, Cheyne Walk, London RELATED : Few sleeping chairs...