Steel Chairs

This Cab 412 dining chair was designed by Mario Bellini for Italian manufacturer Cassina. It's the Dining chair version. The classic Italian masterpiece in dining rooms. It is uph...

Post modern Nardis black stool by Nobu Tanigawa for Fasem. Nobu Tanigawa "Nardis" black bar stools for Fasem Italy, Set of Two. Pair of Nardis bar height stools with black rubber lik...

Anton Lorenz (1891–1966) Timeless, early edition Bauhaus Model SS33 cantilevered armchair by Anton Lorenz for Thonet, circa 1930, ...

Spring Collection Soft Heart chair designed by Ron Arad in 1988 for Moroso. This example is from the early 1990s. The base of the chair is weighted w...

Set of 6 chairs by Boris Tabacoff Christofle edition Boris Tabacoff (Bulgaria 1927-1985 France) is a Bulgarian designer who is part of the post-war Ecole de Paris (1945-2000). He ...

This pair of Spaghetti chairs was designed by Giandomenico Belotti for Alias, in Italy, during the 1980's. They have chromed steel frames and orange straps. All PVC straps are still ...

A Rare and Unusual Pair of French Mid-Century Maison Jansen Polished Steel and Leather Folding Chairs. Each is hand-made with intricate detail and fantastic craftsmanship. They are m...

These Cantilever vintage chairs are Italian classics. In the manner of Marcel Breuer this chairs are strongly inspired by the Bauhaus Movement. The thick saddle vegetal tanned leat...

Egon Eiermann (German 1904 - 1970) for Wilde & Spieth "SE 68" Chairs (designed 1951), four (4) in original orange finish, with curved back and seat attached to t...

Set of 3 Vintage Swiveling chairs by Eames for Herman Miller. One black, one gray and one dark yellow.

One Pair of Original Toledo chairs Overall Dimensions: 15 1/2" x 17" x 31" high Seat Height: 18".

African style chairs, mid-century seat added, hand-painted in black and white, multi-lacquered with 2k varnish I am particularly interested to give value to overlooked, already us...

Rare "B34" armchair with a tubular steel frame, creamy canvas and dark stained beech wood armrests designed by Marcel Breuer in 1929 and produced by Thonet during the 1930s. Good and...

Great early set of ten black "Standard" chairs, style 305 manufactured by Atelier Prouve in the 1950s. Offered as a complete set. Molded plywood seats and backs, bent steel enamele...

This heavy and solid but at the same time elegant Timeless chair was designed by Antonio Citterio for the Italian Flexform manufacture during the 1980s. This chair has a chromed stee...

Vintage Cantilever chair by Centro Studi for Matteo Grassi Modell MG. This Cantilever chair is an Italian classic. In the manner of Marcel B...

1980's remake of a classic Thonet chair, steel, chromed, seat artisticly painted in the manner of minimalism. Through my work I transform each chair into a unique and individual obj...

Structurally, the chrome frame imitates the backward position of an armchair – yet without armrests, instead finding its comfort in its Cognac leather seat...

Poul Kjærholm for E. Kold Christensen, pair of lounge chairs model 'PK20', leather, chrome-plated steel, Denmark, 1968 A highly modern design that embraces clear lines and curvaceous shapes. A cantilever chair is all about ease and comfort as it provides the characteristic bending function, and together with the high backrest and head cushion, a pleasant seating experience is guaranteed. Kjærholm used chrome-plated steel for the base and black leather for the seating, materials that fit within the modernistic aesthetics of this chair. Poul Kjærholm (1929-1980) was a Danish designer and cabinetmaker. He had a particular interest in different construction materials; especially steel which he considered a natural material with the same artistic fineness as other natural materials. Poul Kjaerholm was employed at Fritz Hansen for about a year, where he designed a number of noteworthy chair prototypes. In 1955 Poul Kjærholm initiated his collaboration with manufacturer Ejvind Kold Christensen, which lasted until Poul Kjærholm's death in 1980. In 1982, Fritz Hansen took over the production and sales of "The Kjærholm Collection", developed from 1951 to 1967, designs, which are logical to the minute detail with an aura of exclusivity. In 2007 Fritz Hansen added two new pieces to the Kjærholm Collection. Pieces that were never in production before, the PK8...

Made in Italy, 1976. This is the model Cassiopea, designed by Gae Aulenti for Elam, Meda. These chairs feature a chromed tubular steel structure and leather seat and back-rest. They ...

PL19 also known as Tre Pezzi armchair with black enameled steel tube structure, upholstered in white Mongolian goat wool. Designed by Franco Albini & Franca Helg for Poggi, Pavia...

Jean Prouve´, reclining chairs, steel and canvas, France, design circa 1930, manufactured by Tecta, 1983 This very rare folding chair was designed by Jean Prouve´ in 1930. Originall...

Pareja de sillas apilables diseñadas por Svante Schöblom para la firma sueca Overman en la década de los 1960’s. Aunque editadas en varios colores, el diseño en blanco se adapta a cu...

One of Karl Springer’s most popular and versatile designs, the Regency Arm Chair features a slightly tilted back for maximum comfort. The frame is mirror polished stainless steel wit...

Four Stiletto chairs by Arrben made in Italy 1960s. The chairs are made of thick black leather and a dark chrome finish, all in good vintage condition....

Mid-Century Modern outdoor patio pair of folding chairs designed by Salterini. The chairs are made of mesh and tubular steel. In good vintage c...

First generation Eames DKR-2 Eiffel Tower base side chair with the distinct splayed feet and the black base (which was only released in the early version). ...

Rare all wicker (back & seat) high chair from Arthur Umanoff. Well designed ergonomically and very comfortable. Solid, sturdy construction made of thick enameled steel rod lace...

This sleek modern rocking chair features a tufted vinyl seat with stylish chrome frame. Mounted wooden rockers ensure a fluid rocking motion, while padde...

Two very cool chairs designed by W.H.Gispen for the Dutch company KEMBO. The chairs are from the ‘innovative’ 1950s and they show it. The chairs are stil...

Whimsical set consisting of four fine Italian-made leather chairs belonging to the 1960s. The frame is made of chrome-plated steel and has a single foot of semi-rectangular shape, in...

An early inventive (not to mention shapelier) version of the ubiquitous Ice Cream Parlor Chair. Note that the two circular loops are looped twi...

Set of 6 unique folding chairs. Seat & back collapse in a unique way, folding towards each other part. Chairs have been painted and recovered but the vinyl on a few chairs is undone,...

Designed by Jonas Bohlin, hand-signed. Produced in Sweden, 1990.

Elephant Chair; Fauteil Éléphant; Bernard Rancillac; Limited Edition; 37/100; 1985; 1980s; Bedside Chair; Side Chair; Lobby Lounge Chair; Reading Ch...

Dinning chair in solid iron and curved plywood designed by Antoni de Moragas i Gallissà, member of “Grup R”, the Catalan rationalist architect’s collective who recovered in 1950s the...

Mid-Century Modern tubular steel chair with green fabric. By unknown manufacturer from France, circa 1950. In original condition, with minor wear consistent with age and use, pre...

The SE 68 multi-purpose chair by Egon Eiermann is instantly recognisable with its unmistakable silhouette and continues to claim its status as a Mid-Century icon. Frame chrome-pla...

Italian Mid-Century Modern Brown leather and steel high stool, 1980s High stool with rectangular seat and back in brown leather. The structure is in tubular steel. Visible black sti...

90s, Danish design by Alfred Homann, set of six "Ensemble" chairs, original good condition. Manufactured by Danish furniture manufacturer Fritz Hansen in about 1990. Original red furniture...

Dinning chair in solid iron and plywood produced by Italma in 1960s.

Harry Bertoia for Knoll International bird chair and ottoman. This iconic lounge chair and ottoman were originally designed by Harry Bertoia in 1952 and manufactured by Knoll Interna...

Beautiful and rare pair of chairs designed by Giancarlo Piretti for Castelli. Seat and back in red fabric. Black enamelled aluminum Stackable chairs Eternal and indestructible chair.

For sale is this lovely and rare set of two Gluon Chairs by Marc Newson, produced by Moroso in the ‘90s, and no longer in production today. The Gluon Cha...

1950's Vintage folding chair row in beech History Folding chairs have been in use for thousands of years in many cultures, including ancient Egypt and Rome. They were even commonly used in churches as liturgical furniture in the Middle Ages. On July 7, 1911, an African-American man named Nathaniel Alexander of Lynchburg, Virginia patented a folding chair. According to his patent, Nathaniel Alexander designed...

- Steel frame with wooden seat and backrest - Height adjustable - Original brown paint - Branded "Rowac" on one leg - Original maker badge to the underside of the seat - Made by...

Director style armchair in chrome and brown suede. Alessandro Albrizzi (1934-1994). Italy, 1965. Completely original condition.  

A rarely seen example with its ottoman. Minimalist design upholstered in Knoll leather. Some degradation to structural strapping. Signed with Manufacturer's decal.

Charles Eames for Herman Miller fiberglass DSX shell chair. Circa 1970. Retains all it's plastic glides. Shock mounts are in good condition with no visible drying or cracking. Struct...

Beautiful and rare Italian post modern cockpit shape leather and steel side chair, 1980s Chair or small armchair with round seat in black sky and back in satin steel rod with three-l...

Good vintage condition with trace of age and use for this set of four Bikini chairs designed by Charles and Ray Eames for Herman Miller. Some rust spots on the metal. Original from 60s.

German Mid-Century Modern pair of dark wood single shell and chromed steel rods legs chairs, 1960s Set of two German chairs, with single shell in dark wood, ...

Post modern tripod chair in yellow enameled steel with an oak seat and accents.

Set of two chairs with thin steel frames and upholstered seat and backrest. Upholstery has been reneewed with Mohair fabric (by Kvadrat).

Mid-Century Modern 40\4 white chairs by David Rowland for GF Furniture, 1963 Three model 40/4 chairs, born as waiting room seats, are stackable, but...

These Cantilever vintage chairs are Italian classics. In the manner of Marcel Breuer this chairs are strongly inspired by the Bauhaus Movement. It is the thick saddle vegetal tanne...

Egon Eiermann chair Modell SE 68 for Wilde & Spieth. This is the brighter seating version .It is not stackable. Brown Hopsak fabric and black feet. Produced in 1993 and in good co...

Set of six 605 Quinta chairs with a black steel rod frame seat and back in bent perforated sheet metal. Designed by Mario Botta for Alias in 1985 (This chair is no longer in production). The Quinta chair it's an architecture you can sit on, this design clearly shows the inspiration of iconic designer as Le Corbusier, Louis Kahn, and Carlo Scarpa, an exemplary of this iconic chair is also exhibited at the Museum of Modern Art. Mario Botta was born in 1943 in Mendrisio. After working as an apprentice draughtsman for the Lugano-based architect Tita Carloni, he moved first to Milan and then to Venice, where he enrolled at the department of Architecture at the IUAV. He completed his degree in 1969 with a thesis tutored by Carlo Scarpa – after having met Le Corbusier and Louis Kahn, who were later to be sources of inspiration – and returned to Switzerland to open his own professional firm, which at the time dealt mainly with detached family private homes. These included the villas in Riva San Vitale (1971-1973), Ligornetto (1975-1976) and Morbio Superiore (1982-1983), in which Botta treated the theme of the home as a refuge, which protects and reassures its inhabitants. These were buildings with a character that was ironic and, in a certain sense, monumental, obtained for example (in the case of Morbio) through rigorous symmetrical compositions and a particular use of raw concrete blocks set in a linear pattern and alternated with strips of silvered brick which, on the contrary, were set at 45 degrees. Partially dug into the hillside, the villa was also characterised by a theme which was particularly dear to Botta and which had already been explored in Riva San Vitale; the net distinction between solids and voids, the latter appearing to have been dug out of the building. Between 1980 and 1990, Botta associated with artists and intellectuals from all walks of life and took numerous long trips abroad. Together with Gabriele Basilico and Edoardo Sanguinetti, he published “La Casa Rotonda”, and he became friends with Max Huber, Nicki de Saint Phalle, Dante Isella, Harld Szeemann, Robert Frank and Alberto Flammer. In 1986, the MoMA in New York dedicated a solo exhibition to his work, and the Swiss architect received his first contracts for public buildings and from abroad, debuting with the Cultural Centre in Chambéry (1984-1987). In Japan, on a challenging triangular lot of only one hundred and sixty square metres, a space which remained from the opening of a new highway, Botta built a small building which, with its clarity and strength of image, attempted to stand out in the midst of the chaos that surrounded it, thanks to a thick masonry curtain raised on the main façade, in which slabs of grey marble are crossed with horizontal fissures which erode the angles and cancel the perception of the number of floors which make up the museum. The church of Mongo, on the other hand, was the first step in a long series of places of worship, including designs for the churches of Pordenone (1987-1992) and Sartiana (1987-1995), for the cathedral of Evry (1988-1995), for the basilica of Santa Maria degli Angeli on Mont Tamaro (1990-1996, for the Giovanni XXII church in Seriate (1994-2000) and for the Cymbalista synagogue in Tel Aviv (1996-1998). In each of these, light plays a predominant role as a prime generator of space and a measure for the definition of time that passes with the various phases of the day, the months and the seasons. Light is, however, the main symbolic element, representing through its variations the uneasiness of humankind in the face of divine perfection. In this same period, the scheduling for the construction of a new School of Architecture, the Mendrisio Academy, took place. Inaugurated in 1996, it offered an alternative approach to teaching in contrast to the Swiss University system, in which an important role is played by humanistic subjects and by a copious group of well-known international professors: from Rykwert to Benevolo, Burkhart, Campos Baeza, Dal Co, Frampton, Mendes da Rocha...