Dutch Chairs

Prismania high back chair by Elise Luttik. Limited edition Dimensions: D 48.5 x W 70 x H 150 cm Materials: polycarbonate transparent shell with a prismatic polyester film, steel, epoxy. Also available with black base. Palazzo is the youngest addition to the Prismania collection. The new high back chair puts you on a throne, empowering you with a royal backdrop of rainbow colors. At one point you barely see the transparent chair...

Optique bench by Albert Potgieter Designs Dimensions: D 55 x W 160 x H 45 cm. SH: 45 cm. Materials: Mahogany wood. The Optique Bench is the flag ship piece of our art furniture ...

Modernist Dutch children chair, manufactured in by unknown manufacturer in Holland, circa 1950. In good original condition, preserving a beautiful patina.  

Bauhaus chair by unknown designer, probably Gispen. Manufactured in Holland, circa 1930. In good original condition with minor wear consistent with age ...

Haha Chair made in brightly coloured clay, designed in a bid to inject some fun into daily and common objects. The shape of the chair is made by Dutch artist Hugo Beheregaray to ...

Bauhaus chair by unknown designer, probably Gispen. Manufactured in Holland, circa 1930. In good original condition with minor wear consistent with age and use. Some restoration...

Schöner und eleganter Mid-Century Modern Hochlehner. Design von Dirk van Sliedrecht für Rohe Noordwolde. Klassisches niederländisches Design aus den 1960er Jahren. Gestell und Sitz a...

Originally commissioned by the Zuiderzee Museum Enkhuizen, Hutten designed the Zuiderzee chair. He took the typology of the most common traditional Dutch chair for many centuries, th...

Matrix bench by OS and OOS Dimensions: 141.2 x 30 x 42.1 cm Materials: Powder-coated Steel The Matrix project is and began as a system to allow for endless configurations and c...

Dinner for 1 by OS and OOS Produced by DiSé Dimensions: 50 x 60 x 106 cm Materials: Aluminium The chairs are based on layers, where sheets of aluminum look almost draped over ...

Dinner for 2 by OS And OOS Produced by DiSé Dimensions: 50 x 60 x 95 cm Materials: Aluminium. The chairs are based on layers, where sheets of aluminum look almost draped over ...

Gijes Bakker Strip chairs, grip hole added, hand-painted and multi-lacquered in high gloss, 2021 Through my work I transform each chair into a unique and...

Richard Hutten is known for his conceptually innovative and more importantly, sustainable design. Graduated from the Design Academy Eindhoven. Richard developed his own subtle and sober design style. In 1992 he broke through internationally with his very functional, no-nonsense “No Sign of Design Chair” that was the first of the iconic series. This “H-Thing" is a unique piece! Currently Richard Hutten is one of the internationally renowned leading figures in the industry. His work can be found in over 50 museums in the world, including MoMA New York, Victoria & Albert Museum London, Stedelijk Museum Amsterdam...

This prototype Stedelijk Chair was designed for the Stedelijk Museum in Amsterdam. The chair is not produced because of director change at the Ste...

Richard Hutten is known for his conceptually innovative and more importantly, sustainable design. Graduated from the Design Academy Eindhoven. Richard developed his own subtle and sober design style. In 1992 he broke through internationally with his very functional, no-nonsense “No Sign of Design Chair” that was the first of the iconic series. This L-Thing is an unique piece, one of a kind! Currently Richard Hutten is one of the internationally renowned leading figures in the industry. His work can be found in over 50 museums in the world, including MoMA New York, Victoria & Albert Museum London, Stedelijk Museum Amsterdam...

Prismania Chair Signed by Elise Luttik Dimensions: D 48.5 x W 70 x H 79 cm Materials: Polycarbonate transparent shell with a prismatic polyester film, ste...

Set of 3 Fragments stools by Geke Lensink Dimensions: D43 x H61 cm Materials: earthenware, handpainted graphics After graduating from ArtEZ University of the Arts, Geke Lensin...

High back lounge chairs by Koene Oberman, circa 1960. Originated in Denmark In good original condition, with minor wear consistent with age and use, preserving a beautiful pati...

Magnificent and ultra rare Art Deco Modernist side chair. Design by Jan Brunott. Striking Dutch design from the 1920s. Solid oak frame with original black lacquered lining. The seat has been re-upholstered with a cognac velvet...

Midcentury industrial chair designed by Rob Parry, circa 1950 in Holland. It features a black lacquered tubular metal frame and is uphols...

Set of four dining room chairs by the Dutch designer A.A. Patijn for Zijlstra Joure made in Cherry Wood and upholstery. Excellent restored condition, re-upholstered. Netherlands, 195...

The minimalist chairs designed by Cees Braakman in 1960 belong to his Japanese Series. They are made of very dark green lacquered afro-teak and over time they have been fitted with ...

Quirky folding chair ... great eyecatcher.

A unique set of thing and a burned thing. A playful collaboration by Richard Hutten and Maarten Baas. Just one of a kind The set is in private collection of Richard Hutten.

Exquisite piece of Dutch design, this model 020 chair designed by Bruno Ninaber van Eyben which was manufactured by Artifort, The Netherlands 1977. This ...

Aluminum concretion shelf by Studio Julien Manaira. Dimensions: 123 x 47 x 141 cm. Materials: aluminium and stainless steel. The concretion project consists of sand-casting aluminium in a base of stainless steel tubes to form objects. The tubes are placed and cut to certain heights according to what the gross object’s dimensions will be. The shapes of each horizontal surface are then prepared by hand without following any precise plan. Each pouring of aluminium is at the same time forming surfaces of the object as well as connecting elements together. The aim of this process is to create a strong relation between two types of metal: the industrial stainless steel and the brut hand-cast aluminium, that comes visually as an extension of the first one. The two types of metal have two opposite relation to time, the industrial tube can’t be placed in time, only resulting from a continuous chain of production when the hand-cast part captures the very moment of formation of the object. This opposition is not meant to compare which materiality is best, but to enrich each other by their difference, and therefore stimulate the Julien Manaira (France, 1992) successively studied industrial design (La martinière, Lyon) and fine arts -option product design (Esad, Reims). in 2015 he came to Amsterdam to follow a temporary master program (Materialisation in Art and Design) at the Sandberg Institute where he graduated in 2017 before opening his studio in the same city. His graduation project ‘The once liquid plastic’ was awarded by the RADO Star Prize 2017 and the 3rd prize of the Pure Talent Contest at IMM Cologne 2018. In the last years, he exhibited his works in different established and recognized organizations such as Paris Design Week, IMM Cologne, Design Parade Hyères, and Milan Design Week. He was commissioned by different companies, among which Nilufar Gallery, Nubikk, Van Dijk Store as well as private clients. The main focus in his practice is setting processes that allow the manufacturer or him to be mentally and physically involved in the transformation of material towards an object. He believes that this empowerment is a way to engage deeper the audience or user’s perception, and therefore create a stronger connection with the object. Serendipity, combining industrial and artisanal material, are examples of how he aims to create objects that are able to communicate their undergone transformations. Iris Box...

Timber armchair by Onno Adriaanse. Signed and numbered. Dimensions: D 74 x W 60 x H 80 cm. Materials: stained pine wood, clear satin coating. Also ...

Aluminum rational jigsaw chair by Studio Julien Manaira Dimensions: 65 x 46 x 94 cm Materials: brushed and waxed aluminum The intention behind this project is to highlight the traces from the actions of the maker. In this sense, the choice of the jigsaw is deliberate and allows a strong physical relation between maker and material, that will remain tangible in the final object. Each of these cuts is unique and have their own character emanating from what happened on the very moment of the making. They stand out from the regular and smooth cuts realized digitally in a factory. Digital and manual inputs have equal importance in the objects. They communicate their differences in order to create a strong dynamic between the two methodologies of work. Without suggesting which is better, they create their own narrative and are the reflection of two temporalities: the digital work is continuous when the manual work is the track of a particular moment. The created objects intend to be the presentation of these approaches of the material. The dynamic and anarchic way of cutting by hand respond to the linear and supervised vision of the computer-cut elements. The pieces intend to be functional objects carrying the narrated discussion between the controlled and uncontrolled treatments of the material. Julien Manaira (France,1992) successively studied industrial design (La martinière, Lyon) and fine arts -option product design (Esad, Reims). In 2015 he came to Amsterdam to follow a temporary master program (Materialisation in Art and Design) at the Sandberg Institute where he graduated in 2017 before opening his studio in the same city. His graduation project ‘The once liquid plastic’ was awarded by the RADO Star Prize 2017 and the 3rd prize of the Pure Talent Contest at IMM Cologne 2018. In the last years, he exhibited his works in different established and recognized organizations such as Paris Design Week, IMM Cologne, Design Parade Hyères, and Milan Design Week. He was commissioned by different companies, among which Nilufar Gallery, Nubikk, Van Dijk Store as well as private clients. The main focus in his practice is setting processes that allow the manufacturer or him to be mentally and physically involved in the transformation of material towards an object. He believes that this empowerment is a way to engage deeper the audience or user’s perception, and therefore create a stronger connection with the object. Serendipity, combining industrial and artisanal material, are examples of how he aims to create objects that are able to communicate their undergone transformations. Iris Box...

Black metal frame and red and white polyester seating and back. In used but original condition.  

Highly wanted industrial stacking chairs by Pagholz. Galvanitas, never seen in this Two-toned coloring with black frame. The backside of the shells are in darkbrown or wenge and the ...

A very rare “Albatros” chair designed by Gerrit Rietveld, manufactured in the Netherlands around 1951. This chair was designed for the holiday houses “Hessenheem” in Markelo, the ...

Terrazzo chair by Stefan Scholten. Dimensions: L 45 x W 43 x H 81 cm. Materials: aluminium. Also available in various colours and stones. Stefan ...

In the functional art piece 'Goo Lounge Chair', Schimmel and Schweikle were interested in the history of ornaments and how they were always added as a visual decorative element to an...

Sculptural chair made of oak wood in the Netherlands around 1930. This heavy piece of dutch design is in a good condition but it shows sign of age. ...

Nice iconic and rare set of 6 early Result chairs with birch plywood seats and backs. Designed for Ahrend de Cirkel in 1958 and these specific chairs were manufactured in 1965. The R...

Mother of pearl chair Sustainable design: Plastic waste into timeless design...? - Measures: L 48 x W 54.5 x H 74.5 cm (Seat: H43.5cm) - Recyc...

Foldable chairs, chrome-plated metal and plywood, The Netherlands, circa 1930 This very large set of midcentury Dutch School chairs would be a gre...

Values comfort chair by Geke Lensink Dimensions: D 42.5 x W 49.5 x H 69 cm Materials: wenge wood After graduating from ArtEZ University of the Arts, Geke Lensink started worki...

Values Power Bench by Geke Lensink Dimensions: D40 x W100 x H62 cm Materials: ash wood, rock crystal and crochet wool After graduating from ArtEZ University of the Arts, Geke ...

The Vow Bench by Geke Lensink Dimensions: D36 x W210 x H50 cm Materials: alaskan yellow cedar, cushion and knitted After graduating from ArtEZ Univ...

To bee or not to bee... outrageous beauty and seating comfort. In addition to the frivolous look of this duo they also seem to invite us cordially to use their comfortable service with their open arm rests. Ideal for your conservatory, garden shed...

Set of 3 Fragments stools by Geke Lensink Dimensions: D43 x H61 cm Materials: earthenware, handpainted graphics After graduating from ArtEZ University of the Arts, Geke Lensin...

Fragments stool by Geke Lensink Dimensions: D 43 x H 61 cm Materials: earthenware, handpainted graphics After graduating from ArtEZ University of the Arts, Geke Lensink starte...

The Vow Chair by Geke Lensink Dimensions: D40 x W100 x H50 cm Materials: alaskan yellow cedar, cushion and knitted After graduating from ArtEZ Univ...

Teak dining chairs with light blue upholstery. Wood has been refinshed and joints have been checked and glued

Large batch of Original S21 stackable and switchable school chairs made by Galvanitas from the 60s - 70s in the style of the designs of Friso Kramer, Wim Rietveld and Jean Prouvé. W...

Easy chair designed by Dom Hans van der Laan for the Abbey Church of St. Benedictusberg, Vaals in the Netherlands. Manufactured, circa 1980. Lacquered wood seat and backrest with co...

2 Dutch Pander & Zonen Art Deco side chairs 2 wooden Side chairs with velvet fabric seat upholstery, made by Pander & Zonen, ca 1920 Pander is known as a furniture factory in the Netherlands, but also built aircraft from wood between 1924 and 1934 and had an aircraft factory, which was located in The Hague and later at the company's wood yard in Rijswijk. In 1887 Hendrik Pander , the son of Klaas Pander (1819-1897), opened the Pander Meubelfabriek in The Hague with a large furniture...

Industrial Galvanitas S22 Compass / Pyramid School chairs from the 1960s. The chair has a light gray coated metal frame, a plastic molded seat with closed shell in a red color. This legs are very easy stack able on each other. In this way you create a fixed row of seats...

Redemption coffee table by Albert Potgieter Designs Dimensions: L 45 x W 45 x H 80 cm Materials: oak wood and Fruitleather Product is customizable. “Look and Feel designs”, thi...

Lensvelt MVS CN chair by Maarten van Severen. Chair.   

Teak plywood dining chair on black metal base. Some small veneer damages at the back of one chair. Friso Kramer is the son of architect Pi...

At the intersection of industrial design and craftsmanship, Sho's sculptural works are both minimalistic and multi-layered. Every piece of collectible design is handmade by Sho himse...

Optique chair by Albert Potgieter designs Dimensions: H 85 x D 45 x W 45 cm Seat H 45 cm Materials: Ashwood “Look and Feel designs”, this is th...

Easy chair designed by Dom Hans van der Laan for the Abbey Church of St. Benedictusberg, Vaals in the Netherlands. Manufactured, circa 1980. Lacquered wood seat and backrest with co...

This is a very special, fun and playful chair. The so called 'Pregnant Chair' was designed by Trent Jansen in cooperation with Marcel Wanders for Moooi....

In copytopia, Pierre Castignola questions the benefits of the patent as part of the intellectual property system using one of the most recognizable o...

A wonderful pair of leather wing back armchairs. Dating to the latter part of the 20th century these chairs have been realised by the finest Dutch craftsmen, the solid wood frame uph...