Prototype Richard Schultz for Steelcase Sheet Metal Dining Chair from Circa 1985

Many of today’s most popular outdoor furniture designs exist thanks to the talents of designer Richard Schultz. Working in his fluid mid-century modern style, Schultz introduced a wealth of unimposing pieces to gardens and outdoor spaces that proved highly influential in the decades that followed. The airy shapes and timeless appeal of his vintage patio furniture and other works reflect his motto: “Form follows technique.”

Born Moses Richard Schultz in Lafayette, Indiana, in 1926, he displayed an early talent for building steam engines in his family’s basement. Although he had an aptitude for engineering, Schultz's struggles with mathematics later prevented him from completing his engineering coursework at Iowa State University. He joined the U.S. Navy, working as a radio operator. Following his military service, he enrolled at the Institute of Design in Chicago.

After he graduated in 1950, Schultz traveled to Europe, where he spent the summer sketching. When he returned to the United States in 1951, he applied for a position as a designer at the furniture manufacturer Knoll Inc. It is said that Florence Knoll — the company's cofounder and a visionary designer in her own right — hired him on the spot based solely on his sketches.

At Knoll's production facilities in Pennsylvania, Schultz was initially tasked with supporting Italian-American designer and metalsmith Harry Bertoia with the Bertoia Wire collection.

Schultz’s 715 chaise longue, with its adjustable frame and signature solid wheel, paired well with Bertoia’s celebrated woven steel-wire work. It was acquired in 1963 by the Museum of Modern Art for the institution's permanent collection. Another iconic piece Schultz produced around this time was the Petal table. Its wooden “petal” tabletop and enameled metal base were inspired by the plant known as Queen Anne’s lace.

In 1966, one of Schultz’s most esteemed series, the Leisure collection (reissued in 1992 as the 1966 collection), was developed when Florence Knoll requested some outdoor furniture for her Florida home that could withstand the salty ocean air. Schultz designed a line of aluminum patio coffee tables and lounge chairs that were not only fashionable and comfortable but also wouldn't rust.

In 1972, Knoll laid off its designers as part of the company's cost-cutting measures at the time. Schultz's role was a casualty of the reorganization, and he started his design studio — Richard Schultz Design — out of a Pennsylvania farmhouse. He enjoyed success with another of his influential pieces, the Paradigm office chair, which he sold to furniture manufacturer Stow & Davis in 1978. In 2012, Knoll acquired Richard Schultz Design and reissued many of his classic works.

Schultz is recognized today for having been one of the 20th century’s most celebrated outdoor furniture creators.

Shop vintage Richard Schultz tables, seating and other furniture on 1stDibs.

The Michigan-based furniture maker Steelcase has a long and distinguished history, but collectors focus on its vintage office furniture and desk chairs from the 1950s to the ’70s, when, along with such companies as Knoll and Herman Miller, the firm helped define the aesthetics of American mid-century modernism.

Steelcase was founded in Grand Rapids in 1912 as the Metal Office Furniture Company, promoting steel desks and other furnishings as safer, fireproof alternatives to wooden pieces at a time when smoking in the workplace was common. Boston’s first skyscraper — the 32-story Customs House — was furnished by the company in 1915. Frank Lloyd Wright, an American architect and furniture designer whose work had a profound influence on the shape of modern life, turned to the firm in 1937 to fabricate the enameled metal chairs and desks for his Johnson Wax Headquarters in Racine, Wisconsin.

In the 1950s, when Steelcase formally adopted the name it still uses today, the company developed a sleek and functional style employing rectilinear chrome frames for glass-topped tables and upholstered seating pieces. The look is similar to that of the minimal, Bauhaus-inspired designs of Florence Knoll, another icon of furniture design who helped shape the ethos of the postwar business world. 

By the 1970s, Steelcase had enlivened its styling, offering such pieces as chairs and side tables designed by Gardner Leaver, with circular bases and curving supports. As you will see on these pages, Steelcase designs offer a perfect foundation for a modernist decor, with a touch of flair.

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