Set of Ten Dining Chairs Model 4751 and 3758A, Designed by Kaare Klint

Armchair ‘The Red Chair’ Model 3758A designed by Kaare Klint for Rud. Rasmussen, Denmark, 1930s. Mahogany, leather upholstery, and brass. This example was produced after 1930. The design detailing of this magnificent chair...

Set of twelve dining chairs ‘The Red Chair’ model 3949 designed by Kaare Klint for Rud Rasmussen Cabinetmakers, Denmark, 1928. Mahogany and leather. These examples were made in the...

Set of three chairs ‘The Red Chairs’ model 3949 designed by Kaare Klint for Rud. Rasmussen Fabrik, Denmark, 1928. Cuban mahogany, Niger leather, upholstery and brass nails. Marked. Our set of three ‘The Red Chairs’ model 3949 designed by Kaare Klint – they are known as ‘the small Red Chairs...

Pair of armchairs model 3758 A designed by Kaare Klint for Rud. Rasmussen, Denmark. 1927. Mahogany and leather. Model designed in 1927 for the Danish Museum of Decorative Art prod...

Set of six dining chairs model 78 designed by Niels O. Möller for Möller Höjbjerg, Denmark, 1962. Brazilian rosewood and woven cane. Stamped. Purchased by the present owner's pare...

‘The Propeller Stool’ model 8783 designed by Kaare Klint for Rud. Rasmussens Cabinetmakers, Denmark, 1930. Canvas and ash. Signed. Kaare Klint was the father of Scandinavian moder...

Mahogany frame covered in Indian red leather designed by Kaare Klint in 1927 for the lecture hall of the Danish Museum of Art & Design in Copenhagen and manufactured by Rud Rasmussen...

The Barcelona chairs were designed between 1927 and 1932 by Kaare Klint, who is considered to be the father of modern Danish furniture design. This chair was made by cabinetmaker R...

Rare armchair model no 3758A / ‘The red chair’ designed by Kaare Klint. Produced by Rud. Rasmussen in Denmark.

Armchair model 3758 A in original red indian leather and mahogany base. Model designed in 1927 for the Danish Museum of Decorative Art, produced by Rud Rasmussen in the 1940’s. Signed with manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Kaare Klint, Harkær, pg. 28-30. Dansk Møbelkunst Gennem 40 Aar: 1927-1936, Jalk, pg. 169. Danish Chairs, Oda, pg. 22-23. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

Set of 4 Chairs in Mahogany and Leather by Kaare Klint Dining, 1930s Additional Information: Material: Cuban mahogany and niger leather with brass rivets Style: midcentury, Scan...

Rare early matching set of four Kaare Klint "Red Chair" chairs in oak, red naugahyde and brass nails. Executed by Rud Rasmussen, circa 1936, in amazing all original condition. Underside with partial manufacturer's paper label RUD. RASMUSSENS/SNEDKERIER. Kaare Klint (1888-1954), a Danish architect and designer, was a pioneering figure in the realm of modern Danish furniture design. Renowned as the father of Danish modernism, Klint played a pivotal role in shaping the functional and aesthetic principles that defined Scandinavian design in the early 20th century. His approach focused on craftsmanship, functionality, and a deep appreciation for traditional forms. As a professor at the Royal Danish Academy of Fine Arts, he influenced generations of designers. Klint's carefully researched furniture designs are based on functionality, proportions adapted to the human body, craftsmanship, and the use of high-quality materials. Notable examples of his work include the Propeller Stool (1927), the Safari Chair and the Deck Chair (both 1933), the Church Chair (1936), and the Circle Bed...