Gio Ponti & Lio Carminati Midcentury Armchair "Conte Biancamano" for Bonacina

An architect, furniture and industrial designer and editor, Gio Ponti was arguably the most influential figure in 20th-century Italian modernism.

Ponti designed thousands of furnishings and products — from cabinets, mirrors and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan, and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in the spheres of modern art and design.

The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre.

In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern, but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged, and after the conflict, Ponti — along with designers such as Carlo Mollino, Franco Albini, Marco Zanuso — found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, and colorful; equally elegant and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes, and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo and others.

Ponti's signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.)

Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956.

Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph, which was written for the London show, offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic.

Find a range of vintage Gio Ponti desks, dining chairs, coffee tables and other furniture on 1stDibs.

In the 1950s, Italian furniture producer Bonacina was passed from founder Giovanni Bonacina to his son, Vittorio Bonacina. Vittorio had a finger on the pulse of modern furniture design and moved Bonacina forward through collaborations with acclaimed mid-century creators like Gio Ponti, Renzo Mongiardino, Gae Aulenti, Joe Colombo and Franco Albini. Albini’s Margherita chair endures as one of Bonacina’s most iconic designs.

For more than 130 years, Bonacina has fostered the fine art of rattan weaving. The company’s vast collection of alluring furniture pieces was developed under four generations of the Bonacina family. Bonacina is now leading a rattan resurgence with its line of beautiful and stylish chairs, including lounge chairs and armchairs.

Bonacina was founded in 1889 by Giovanni in the renowned Italian furniture-making region of Brianza. He drew on the area’s history of basketry, using local cane and reed, in addition to Southeast Asian rattan, to weave furniture. Every piece of Bonacina furniture was and continues to be handmade.

Vittorio’s son, Mario Bonacina, helmed the company in the 1980s. Mario embarked on a project to release updated versions of some of Bonacina’s historical pieces. He continued working with modern designers and encouraged a company ethos of environmental sustainability.

Mario’s son, Elia Bonacina, joined the company in 2012. In 2013, Elia designed the Eris rattan lighting fixture, bringing a fresh perspective to the company's catalogue. In 2015, he acquired the Italian furniture brand Pierantonio Bonacina, which was started by another Bonacina family branch, and established a joint venture named Bonacina1889 s.r.l.

Bonacina’s exceptional designs have earned the company accolades at international exhibitions, including top prizes at the Triennale Milano and multiple Compasso d’Oro awards. Today, Bonacina retains the use of traditional materials and techniques while looking to the future. Most recently, it expanded into the outdoor furniture market.

On 1stDibs, find vintage Vittorio Bonacina furniture.