1970s Seating

Hand carved and gold leaf finished whimsical wooden bench carved as a majestic cat. The seat is covered in a plush leopard print button tufted upholstery, adorned with a pair of beau...

Mohair modular sofa, 1970s Germany. Designer unfortunally unknown. 6 pieces in beige / champagne color mohair. 2 corners, 3 mid / chairs and 1 ottoman. Place them as you please. Seat...

This daybed is a creation of Christophe Gevers, famous Belgian architect. This piece comes from a real-estate complex in Cap Camarat. Belgians have acquiered flats in this vacation d...

Vintage Italian Mid-Century Modern lounge chair or club chair. Beautiful and unique shape. Made entirely from a foam structure with a wooden base and reupholstered in quality ochre c...

Italian perfectly proportioned and comfortable chrome bench with cotton satin green stripes fabric in a mint shade. Quite difficult to find pleasing benches and we believe this one i...

On the lookout for a statement piece that exudes vintage charm and sophistication? Look no further than the Danish Brown Leather Lounge Chair by Farstrup, Denmark 1970. This exquisit...

Pair of Vintage Italian Mid-Century Modern lounge chairs or club chairs. Modules can be used as a modular sofa or modular seating set. Beautiful and unique shape. A 1970 design and p...

The set of 4 of these striking Hombre chairs comes in the most popular color combination of black leather/black wooden frame. The leather of the chairs is in very good condition and ...

Set of four 'Dialogo' chromed dining chairs by Afra and Tobia Scarpa for B&B Italia, 1970s. The 'Dialogo' model, also known as 'Dessau' model in later production (or 'Dialogo Dessau)...

Set of two Roland Wilhelmsson for Karl Andersson & Söner Solid Pine Wood Chairs Sweden 1970s These are a set of two solid pine chairs designed in the 1960s by Roland Wilhelmsson and...

A pine and brown leather sofa designed and produced by Hämeen Kalustaja, Finland, 1970s. Seat height 14”.

Designer: Marcello Cuneo Manufacturer: Mobel Italia Design Period: 1970 to 1979 Country of Manufacture: Italy Style: Italian, Italian Modern Detailed Condition: Very Good Original Vi...

B&B Italia chaise lounge Le Bambole 1972 design by Mario Bellini Italian chaise made of heavy foam and newly upholstered in ivory boucle. A great design from the 1970s.

Super comfortable lounge chairs model Zinzolo, designed by Vittorio Varo and manufactured by Plan interior design, Italy 1970. These large puffy lounge chairs really capture the vibe...

Afra & Tobia Scarpa for Maxalto Set of 12 'Africa' Dining Chairs in Walnut, Leather and Brass Italy 1975. These magnificent set of 12 'Africa' dining chairs, designed by Afra and T...

Upgrade your living space with the stunning Maison Regain sofa set. This large set surely is an eye-catcher and will beautifully merge comfort and style. Whether you're entertaining ...

B&B Italia chaise lounge Le Bambole 1972 design by Mario Bellini Italian chaise made of heavy foam and newly upholstered in leather A great design from the 1970s.

B&B Italia chaise lounge Le Bambole 1972 design by Mario Bellini Italian chaise made of heavy foam and newly upholstered in leather A great design from the 1970s.

Afra & Tobia Scarpa for Maxalto Set of eight 'Africa' Dining Chairs in Walnut, cognac brown Leather and Brass Italy 1975. These eight 'Africa' dining chairs, designed by Afra & Tobi...

Pair of 1970 Percival Lafer lounge chairs in a beautiful honey suede upholstery with rosewood bases. Produced by Lafer S.A. - These chairs are in good vintage condition with a beauti...

Pair of iconic "Californian" lounge chairs by 1970's design legend Jacques Charpentier. All original graphic blood orange suede upholstery with very minimal wear. Stainless steel ba...

Crafted from solid oak in the 1970s, these four barstools are a testament to the enduring quality of vintage furniture. Featuring a distinctive hammerhead back design, these barstools exude a sense of sophistication and charm. The gently curved top rail, reminiscent of a hammerhead shark's distinctive shape, adds a unique touch to their overall aesthetic. Each barstool has been meticulously crafted by skilled artisans, ensuring durability and longevity. The solid oak construction provides exceptional strength, making these barstools both reliable and robust for daily use. The rich, warm tones of the oak wood add a touch of natural beauty to any space, enhancing the overall ambiance of your home, bar, or kitchen. The ergonomic design of the barstools offers optimal comfort, allowing you and your guests to sit back and relax for extended periods. Whether you are creating a cozy corner in your home or setting up a stylish bar area, these vintage oak barstools...

Mario Bellini "Camaleonda" modular sofa for B&B Italia, Italy, 1970, four elements. "Camaleonda" is an icon, rediscovered. A special project made possible this limited edition of "...

This set of 2 chairs was made in the style of Gae Aulenti. The light linen upholstery contrasts with the orange tubular steel frame. The chairs are in good condition. Do not hesitate...

De Sede 600 non stop chocolate brown 18 element sofa, 1970s Beautiful distressed chocolate brown sofa by De Sede. This item needs to be reuphols...

The iconic Togo sofa, originally designed by Michel Ducaroy for Ligne Roset in 1973 has become a design Classic. This five-piece modular set is incredibly versatile and can be confi...

Set of 4 Scandinavian minimalistic stackable Nuova X-line chairs designed by Niels Jørgen Haugesen for Hybodan AS, Denmark, 1970s. Chairs have a chromed steel frame and perforated me...

Best known for his interiors, Mr. Bennett`s projects include residence in New York, London, Venice and Rome, as well as his own quarter, a Manhattan apartment atop the Dakota, a coun...

Bellissimo SET di due sedie Giovanni Offredi Saporiti, Anno 1970. SET di due sedie disegnate da Giovanni Offredi e prodotte da Saporiti nell'anno 1970. La Struttura è in ABS laccato...

Carlo Scarpa (1906- 1978) was an Italian architect and designer heavily influenced by the history of Venetian culture, materials and landscape. in 1926 obtained his diploma of Profes...

A 4-piece ‘Pianura’ sofa designed by iconic Italian designer Mario Bellini for Cassina. This sofa features a solid walnut wooden frame which has been refinished. It retains it’s orig...

1970's French pair black metal framed chairs with curved polished palissndre back support. Decorative brass accents. X base stretcher. Seat rec...

Beautiful vintage stacking chairs by Bruno Rey for Dietiker. The chairs are in a nice and warm beechwood. Probably from the 1980s, made in Swi...

RIMA was founded in 1920, specialising in manufacturing metal furniture and Gastone Rinaldi took over the company from his father in 1948 becoming the designer. Many of his designs r...

Dino Gavina began his activity as early as the 1940s with objects for theater sets, his great passion. Convinced of the need for design that was modern but also rich in poetry, he gr...

Artifort, sofa, leather, metal, The Netherlands, 1970s This cubic sofa features clear lines that result in a bold look. The backrest and armrests are on the same height. The patinat...

Cognac leather office chair designed by the renowned Italian designer Guido Faleschini for I4 Mariani. This swivel desk chair, part of The Pace Collection, captures the essence of th...

This stylish pair of Safari armchairs from the 1970s exudes timeless charm with its combination of buffalo leather and sturdy beech wood. The leather was recently cleaned, but still ...

An iconic mid century design, the De Sede DS-61 is no longer in production making it a collectible piece from the furniture manufacturer. Fully upholstered in soft cedar coloured leather, this three seat sofa features a slimline frame with curved edges to create a soft silhouette. Six back and seat cushions and two additional side cushions are upholstered in matching leather and mirror the shape of the armrests. Simple yet incredibly chic, this DS-61 sofa...

This pair of cane and brass armchairs from the mid-century modern French Riviera era is bursting with glamour. The pair was designed by Nucci Valsecchi and produced in Italy in the early 1970s, and it almost looks as though it hasn’t been touched since then. The cubic design and chic materials will lend the room a curated feel. A light brown and golden cane...

Pair of dining chairs, fabric, lacquered wood, Italy, 1970s Italian dining chairs that have a strong resemblance to Augusto Savinis 'Pamplona' chair (1965) and Afra & Tobia Scarpa's...

Please feel free to reach out for accurate shipping quote to your location. Harvey Probber eight piece sectional sofa. Appears to have wool blend f...

This sofa was designed by Michel Ducaroy for Ligne Roset in the 70’s. He devoted 26 years of his life to the head of Ligne Roset’s design department. It was in 1973 that he designed ...

This ‘Hunter Lounge Chair’ with its original ottoman, was designed in 1962 by Torbjørn Afdal, and manufactured by the Norwegian company Bruksbo. It's a relaxing chair with a simple ...

Camaleonda sofa, designed by Mario Bellini and manufactured by B&B Italia in 1972. The set features two big modules with two backrests and one armrest. Green linen velvet upholster...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

A pair of Cuingam lounge chairs designed by Jonathan De Pas, Donato D’Urbino and Paolo Lomazzi for BBB Bonacina in 1976. These stately chairs retain their original cognac leather with ruched detailing. Imprinted ‘BBB Cuingam Modello Depositato Meda Italy’ on acrylic base. Sourced in Italy, 1970s. Jonathan De Pas (1932-1991), Donato D’Urbino (1935-) and Paolo Lomazzi (1936-) are Italian designers who began working together in 1966. They are best known for their unconventional pop art designs, many of which are in the permanent collections of the Museum of Modern Art in New York and the Centre Pompidou in Paris, among others. Their most iconic pieces include the Joe Sofa, 1970 and the “Blow” armchair...

Solid pinewood dining chairs by Ate van Apeldoorn. We also have a matching pinewood dining table available. Chairs are in used condition.

The iconic Togo sofa, originally designed by Michel Ducaroy for Ligne Roset in 1973 has become a design Classic. This two-piece set can be configured into one large sofa or used a...

Set of four “Monk” dining chairs designed by Afra and Tobia Scarpa for Molteni in 1973. Made of cognac leather and walnut. Fully restored in Italy. Interesting is the ‘flat’ shape o...

Carlo Bartoli, dining chair ‘920’, leather and chromed steel, Italy, 1971 This subtle and modest chair features beautiful dark brown leather with tubular chromed steel. The frame o...

Antonin Suman for TON, +80 armchairs model E4309, lacquered beech, fabric, Czech Republic, 1977 A large set of dining chairs that were designed ...

Dining chair, yellow leatherette, metal, Italy, 1970s Comfortable Italian dining chair in yellow leatherette. The eye-catching colored upholstery emphasizes the round shaped seat a...

Designed by Bruce Hannah and Andrew Ivar Morrison for Knoll, this Sling sofa is a fantastic example of 1970s design. Inspired by sail boats, the Sling sofa features an industrial ...

Lounge chair and ottoman, beech, cane webbing, leather, Italy, 1970s This beautiful lounge chair and ottoman is made in Italy in the 1970s. Made in a geo...

Amazing pair of German Art Deco style armchairs, manufactured in the 70s. Characterized by the pursuit of both functionality and aesthetics, Art Deco furniture aspired to elegance a...

Discover the timeless Organic Modern elegance of the original 1970s Le Bambole Italian sofa set with beige woven wool upholstery in superb condition. A Mid-Century Modern Italian masterpiece by the renowned Italian designer Mario Bellini and manufactured by B&B Italia. It was an instant success on launch in 1971. Today, it commands an extreme desirability as it's timeless playful aesthetic fits so well with both period and contemporary interiors. This vintage collection combines luxurious comfort, captivating aesthetics, and a rich history. Crafted with utmost precision, the set consists of three armchairs, one corner armchair, and one ottoman...

Designed by Hans J. Wegner for GETAMA, this GE 151 archair is a Classic example of Mid-Century Modern design. Featuring angular black painted beechwood frames and arms, the newly restored chair...