Side Chairs

A nice pair of hand painted golden yellow cane seat fancy chairs, branded “L. Barnes” on the underside, circa 1820. Paint decorated in a musical motif crest , the shaped back splat f...

Antique Federal side chair. Made from mahogany with curly mahogany back splat. Features a scrolled form with turned crest rail and cane seat. Front turned legs are connected to th...

Early 20th Century Set of Four Federal Style Satinwood Inlaid Mahogany upholstered seat Side Chairs. Chairs appear to have been refinished down the road. Measure 18" in width, 19" in...

2 S. Bent & Bros Hitchcock style colonial windsor thumb back side chairs. Made from maple with a black finish, stenciled back and gold trim. S. Bent & Brot...

Antique set of six comb-back windsor side chairs, circa 1840, having comb crest rails above bamboo-turned spindles, over a carved plank seat, raised on bamboo-turned legs braced by d...

Pair of American Federal mahogany side chairs with carved splat backs, removable upholstered white muslin seats, and terminating on the or...

Exhibiting the finest lines and perfect sense of proportion to be found in any form of the period, this rare and incredibly beautiful chair is a work of art in it's purest expression...

With Classic form with select mahogany with burl panels.

Exhibiting the finest lines and perfect sense of proportion to be found in any form of the period, this rare and incredibly beautiful chair is a work of art in it's purest expression. Flawless balance of proportions is clearly calculated in each member, every part of the chair bringing harmony to the form. Clearly a form originating in New York, there is a set of chairs identical in almost every detail crafted by John Townsend in Newport, Rhode Island - were it not for that set of chairs being labeled, they would never have been attributed to Newport, as the flared French leg is very rare and almost exclusively found in New York. This form was at one point attributed to the shop of Elbert Anderson in New York due to his label being the only currently documented drawing with this precise chair; however, the discovery of the Townsend chairs and a handful of unattributed chairs with minor variations, the attribution is no longer applied to this form. The pierced splat of the shield back features a three-dimensional carved patera beneath a halo of twisting ribbon, draperies flowing from beneath this into and through carved flowers flanking the patera - this is an almost surreal and remarkable design, juxtaposing architecture against nature until they literally become one, the draperies pouring like liquid from the flower motif. The whole is supported by a flor-de-lis beneath a long acanthus leaf, terminating in a criss-cross of splatwork; note in particular the asymmetrical nature of this criss-crossed splat, very intentionally resulting in distinctly varied angles. The flawless replication of this in each of the four splats indicates a certain genius in the hand of this artisan, his attentions shattering the perfect calculations and mirror symmetry of the rest of the splat. The seat has a soft bow to the front, the upholstery nailed over the edge with a thin row of brass tacks - these have not been removed to examine the original arrangement of the brass tacking, though typically these would flow in a swag or double-pinned formation. The underside of the chair is joined in the corners with diagonal cross braces dovetailed into the chair frame. We have not microanalyzed the secondary woods, though a visual analysis suggests mostly white pine blocking, a chestnut back seat rails and ash side and front rails. The legs give a distinct elongating effect to the chairs, each molded and outsplayed in the French manner. The legs are flawlessly formed, each tapering in at a uniform but unpredictable rate, curling outward just above the ankle - the molded appeal of the leg is crisp and precise. Of a form that is nearly without peer, the few chairs of this form identified over the last century now reside mostly in museum and private collections. One chair is held in the permanent collection at the Metropolitan Museum of Art in New York, [acc. no. 2012.63] with provenance from Christies, where it sold in 2012 from the collection of Joseph Ott for $50,000 [sale 2635, lot 156]; the only difference is the legs having stringer inlaid form rather than the molded form in the present chair. Identical form in every detail other than the patera, which is inlaid, can be found in a single side chair offered in the early 1970's by the firm of Israel Sack...

RARE AND EXCEEDINGLY FINE AMERICAN FEDERAL CARVED MAHOGANY SIDE CHAIR New York c. 1790-1800 with original surface, Inscribed underneath in graphite "E.W." Exhibiting the finest l...

RARE AND EXCEEDINGLY FINE AMERICAN FEDERAL CARVED MAHOGANY SIDE CHAIR New York c. 1790-1800 with original surface Exhibiting the finest lines and perfect sense of proportion to b...

RARE AND EXCEEDINGLY FINE AMERICAN FEDERAL CARVED MAHOGANY SIDE CHAIR New York c. 1790-1800 with original surface Exhibiting the finest lines and perfect sense of proportion to b...