Series 7 Chairs by Arne Jacobsen for Fritz Hansen Vintage MCM Molded Teak, Pair
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Series 7 Chairs by Arne Jacobsen for Fritz Hansen Vintage MCM Molded Teak, Pair
About the Item
- Creator:Fritz Hansen (Maker),Arne Jacobsen (Designer)
- Dimensions:Height: 30 in (76.2 cm)Width: 19.5 in (49.53 cm)Length: 30 in (76.2 cm)
- Sold As:Set of 2
- Style:Scandinavian Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1978
- Condition:This pair is in wonderful vintage condition with age appropriate wear. One chair retains its original plastic bowl shaped bottom cover with manufacturer name and date; however, it is missing on the second chair.
- Seller Location:Topeka, KS
- Reference Number:Seller: 414-SEA-1241stDibs: LU1873310724633
Arne Jacobsen
The eye-catching work of the Danish architect and designer Arne Jacobsen often introduces new collectors to mid-20th century furniture. With their fluid lines and sculptural presence, Jacobsen’s signature pieces — the elegant Swan chair and the cozy-yet-cutting edge Egg chair, both first presented in 1958 — are iconic representations of both the striking aesthetic of the designers of the era and their concomitant attention to practicality and comfort. Jacobsen designed furniture that had both gravitas and groove.
Though Jacobsen is a paragon of Danish modernism, his approach to design was the least “Danish” of those who are counted as his peers. The designs of Hans Wegner, Finn Juhl, Børge Mogensen and others grew out of their studies as cabinetmakers. They prized skilled craftsmanship and their primary material was carved, turned and joined wood. Jacobsen was first and foremost an architect, and while he shared his colleagues’ devotion to quality of construction, he was far more open to other materials such as metal and fiberglass.
Many of Jacobsen’s best-known pieces had their origin in architectural commissions. His molded-plywood, three-legged Ant chair (1952) was first designed for the cafeteria of a pharmaceutical company headquarters. The tall-backed Oxford chair was made for the use of dons at St. Catherine’s College, Oxford, whose Jacobsen-designed campus opened in 1962 (while still under construction). The Swan, Egg and Drop chairs and the AJ desk lamp were all created as part of Jacobsen’s plan for the SAS Royal Copenhagen Hotel, which opened in 1960. (The hotel has since been redecorated, but one guest room has been preserved with all-Jacobsen accoutrements.)
To Jacobsen’s mind, the chief merit of any design was practicality. He designed the first stainless-steel cutlery set made by the Danish silver company Georg Jensen; Jacobsen’s best-selling chair — the plywood Series 7 — was created to provide lightweight, stackable seating for modern eat-in kitchens. But as you will see from the objects on 1stDibs, style never took a backseat to function in Arne Jacobsen’s work. His work merits a place in any modern design collection.
Find authentic Arne Jacobsen chairs, tables, sofas and other furniture on 1stDibs.
Fritz Hansen
When the Copenhagen-based furniture maker Fritz Hansen opened for business more than 140 years ago, the company — which today styles itself The Republic of Fritz Hansen — adhered to the traditional, time-honored Danish values of craftsmanship in woodworking and joinery. Yet thanks to the postwar innovations of Arne Jacobsen and others, Fritz Hansen would become the country’s leader in Scandinavian modern design using new, forward-looking materials and methods.
Fritz Hansen started his company in 1872, specializing in the manufacture of small furniture parts. In 1915, the firm became the first in Denmark to make chairs using steam-bent wood (a technique most familiar from birch used in the ubiquitous café chairs by Austrian maker Thonet). At the time, Fritz Hansen was best known for seating that featured curved legs and curlicue splats and referenced 18th-century Chippendale designs.
In the next few decades, the company promoted simple, plain chairs with slatted backs and cane or rush seats designed by such proto-modernist masters as Kaare Klint and Søren Hansen. Still, the most aesthetically striking piece Fritz Hansen produced in the first half of the 20th century was arguably the China chair of 1944 by Hans Wegner — and that piece, with its yoke-shaped bentwood back- and armrest, was based on seating manufactured in China during the Ming dynasty. (Wegner was moved by portraits he’d seen of Danish merchants in the Chinese chairs.)
Everything changed in 1952 with Arne Jacobsen’s Ant chair. The collaboration between the architect and Fritz Hansen officially originated in 1934 — that year, Jacobsen created his inaugural piece for the manufacturer, the solid beechwood Bellevue chair for a restaurant commission. The Ant chair, however, was the breakthrough.
With assistance from his then-apprentice Verner Panton, Jacobsen designed the Ant chair for the cafeteria of a Danish healthcare company called Novo Nordisk. The chair was composed of a seat and backrest formed from a single piece of molded plywood attached, in its original iteration, to three tubular metal legs. Its silhouette suggests the shape of the insect’s body, and the lightweight, stackable chair and its biomorphic form became an international hit.
Jacobsen followed with more plywood successes, such as the Grand Prix chair of 1957. The following year he designed the SAS Royal Hotel in Copenhagen and its furnishings, including the Egg chair and the Swan chair. Those two upholstered pieces, with their lush, organic frames made of fiberglass-reinforced polyurethane, have become the two chairs most emblematic of mid-20th-century cool. Moreover, the Egg and Swan led Fritz Hansen to fully embrace new man-made materials, like foam, plastic and steel wire used to realize the avant-garde creations of later generations of designers with whom the firm collaborated, such as Piet Hein, Jørn Utzon (the architect of the Sydney Opera House) and Verner Panton. If the Fritz Hansen of 1872 would not now recognize his company, today’s connoisseurs certainly do.
Find a collection of vintage Fritz Hansen tables, lounge chairs, sofas and other furniture on 1stDibs.
- Scand Modern Arne Jacobsen Series 7 Black & Chrome Office Chair by Fritz HansenBy Arne Jacobsen, Fritz HansenLocated in Topeka, KSHandsome Scandinavian Modern Arne Jacobsen Series 7 black & chrome office chair designed by Fritz Hansen. Beautiful condition, keeping in mind that this is vintage & not new so will have signs of use and wear. There are a few dents & nicks as you would expect with age & wear. It has been touched up & has a new coat of urethane. Please see photos & zoom in for details. We attempt to portray any imperfections. Circa 1993. Note: Shipping is possible via parcel which may reduce shipping costs Sculptural, functional, and comfortable! The Series 7 chair was designed by Arne Jacobsen for Fritz Hansen in 1955 and is an icon in modern furniture history. The Fritz Hansen website states that the chair is made from 9 layers of pressure molded veneer for strength, flexibility, and durability despite its slender form. This one was made in 1993 and it is comprised of a molded black painted plywood seat which is uniquely shaped for the human body. Ergonomically enjoyable!! It has the chrome four-star leg base with chromed hooded wheel casters. It’s incredibly versatile, with unique character and unmatchable comfort. It is manually adjustable in height, and it swivels! It will make the perfect office or desk chair in your Scandinavian Modern or mid-century modern style home office or den. Fritz Hansen was founded in 1872, when Fritz Hansen, a Danish carpenter, founded his own furniture company and in 1915 introduced his first chair in steam bent wood. In 1934, Fritz Hansen began his collaboration with Arne Jacobsen resulting in some of the famous, classic icons of Danish Design including the “Ant” in 1952, the Series 7 in 1955, the Grand Prix in 1957, the Swan in 1958, and the Egg in 1958. Other famous collaborations have resulted in Piet Hein’s super-elliptical table from 1968 and in 1982 Fritz Hansen acquired the rights to a major part of Poul Kjaerholm’s furniture collection. Since the 1980s continuing into the new millennium, Fritz Hansen has added new designs to the collection including the Essay table...Category
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