Italian Modern Rosewood Wall Unit/Bookcase by Gianfranco Frattini for Bernini

Stylish freestanding wall units boasting bookmatched walnut veneer (ca. early 1970s, Italy). Each comes with a black vinyl seat (more for decoration than practical use). The first un...

Versatile freestanding wall-unit/bookcase in oak, walnut, and pine with aluminum, steel, and brass accents by Jitona (1968, Lomnice nad Lužnicí, Czechoslovakia). Five bays can be assembled in total if all pieces are utilized together - seven pine rails, three long shelves, three long cabinets (including one that is half drawers/half open storage), three long glass fronted cabinets, two shorter cabinets, three shorter glass fronted cabinets, and one drop-down cabinet/bar with glass shelves. All cabinet shelves are removable, though not adjustable. Feet for the cabinets and rails are all adjustable, and the disks on the rails offer stability and protection to both floors and ceilings when adjustments are made. The longer pieces displayed as the three bay unit are all 35.25" long, while the shorter pieces displayed as the two bay unit are all 29.5" L. The configuration options for this highly functional unit are limitless. The bar cabinet, five-drawer walnut chest, glass-fronted cabinets, door-fronted cabinets, and two shelves can be custom-assembled based on requirements/aesthetic preference; the shorter pieces just need to be arranged within the same two bays. The legs for all cabinets can be removed, though, depending on the heft of the items displayed/stored, wall-mounting might be required if the weight is too great for the rails alone to adequately support. The 29.38" high cabinets with legs (if using the legs) must be arranged at the bottom, leaving 64.75" of usable rail height for mounting the other pieces. There are some fleabites to the glass (mostly to the edges concealed by the wooden frame when closed) along with light wear the wood consistent with age/use. Conservatively restored and in very fine, vintage condition. Assembled as a 5-bay unit as shown in the fifth image: Measures: H: 105.38" x L: 171" x D: 16". Assembled as a 3-bay unit with the longer pieces: H: 105.38" x L: 109.63" x D: 16" Assembled as a 2-bay until with the shorter pieces: H: 105.38" x L: 62" x D: 15.63" Each piece of the 3-bay system's measurements - * Two cabinets with doors: Exterior - H: 29.38" (with legs) / 18.5" (without) x L: 35.25" x D: 15.75" / 16.75" (with pls) Interior - Height above the shelf: 7.25" / below 8.25" x L: 34" x D: (shelf) 13.25" / lower surface 14.25" * Drawers: Exterior - H: 29.38" (with legs) / 18.5" (without) x L: 17.5" x D: 15.75" / 16.75" (with drawer pls) Interior (each drawer) - H: 2" x L: 15.38" x D: 13.25" * Small cabinet: Exterior - H: 29.38" (with legs) / 18.5" (without) x L: 17.5" x D: 15.75" / 16.75" (with pls) Interior - Height above the shelf: 8.25" / below 8.25" x L: 16" x D: 14.38" * Glass-fronted cabinets: Exterior - H: 24.5" x L: 35.25" x D: 9.75" Interior - Height above the shelf: 11" / below 11.5" x L: 34" x D: (shelf) 8" / lower surface 9" * Three shelves - H: 0.63" x L: 35.25" x D: 9.75" Each piece of the 2-bay system's interior measurements - * Two cabinets with doors: Exterior - H: 29.75" (with legs) / 18.63" (without) x L: 29.5" x D: 15.63" / 16.63" (with drawer pls) Interior - Height above the shelf: 8" / below 8.5" x L: 28" x D: (shelf) 13.13" / lower surface 14.38" * Glass-fronted cabinets: Exterior - H: 24.25" x L: 29.5" x D: 10" Interior - Height above the shelf: 11.13" / below 11.25" x L: 28" x D: (shelf) 7.75" / lower surface 8.13" * Bar cabinet: Exterior - H: 18.25" x L: 29.5" x D: 10" / 25.88" (when open) Interior - Height (excluding shelves): 16.88" x L: (left side) 9" / (right side) 18.5" x D: 7.75" (shelf) Rails alone: H: 105.38" (the height can be adjusted via a rail extender to, which will be included, and can be increased to 108") x L: 0.88" x D: 5" Cabinet legs...

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LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...