Edo Cabinets

New finds from Kominka (old traditional style house) in Ibaraki pref., Japan. There're several type of wheeled Tansu - "Kuruma Dansu" in Japanese - and...

This chest of drawers is a rare piece with a good overall construction, with linear decorations on the doors. Judging from the metal parts, it seems to be quite old. Since the origin...

19th c. Kuruma tansu - cabinet on wheels. These were used to store belongings and the wheels made them easy to move outside during house fires, which were...

Incredible example of Asian lacquer carving. Standing over seven feet tall, this monumental display shelf was produced in Japan at the end of the Ed...

New finds from the Kominka (old traditional house) owned by an old-established family in Nagano prefecture, Japan. This 2-tier large Mizuya tansu (Kitchen chest) is the product of m...

An Extremely Fine and Very Important 17th Century Japanese Lacquer Cabinet on French Giltwood Stand of Regence Period circa 1680-1690 Provenance Likely acquired by Herman Willem ...

Handsome antique Japanese Gyosho Bako Peddler's chest. Practical piece with incredible iron work which all moves very easily with no rust or resistance. Very well built and stable pi...

An extremely fine, elegant and rare late 17th Century Japanese lacquer cabinet, from the Eco period, on later lacquered black stand. Japanese circa 1690 Provenance A private Scottish collection This outstanding cabinet is a fascinating fusion of east and west. The cabinet itself would have been made in Japan, c.1690, and is decorated to the outside with hiramaki-e lacquer. This technique involves the use of sprinkled gold powder which adheres to the lacquer surface. On the best pieces, as with this example, many layers are added in order to create areas of high relief and give depth to the surface decoration. The taste of the Japanese workshops in this period was often for quite restrained pieces with plenty of the black background visible, unlike some of the busier Chinese lacquer or European japanned examples produced around the same time. The Japanese makers seemed content to rely on the outstanding quality of the lacquer itself, regarded by most experts as the finest lacquer ever produced, and did not see the need to cover every surface believing that less was more in this respect. The lacquer here is used to produce a mountainous scene with buildings on the bank of a river, the other side of the river with more buildings and a contrasting flatter and forested landscape. The fine perspective achieved is the result of the clever use of raised and flatter areas in the lacquer itself in combination with the drawing of the design itself. Another remarkable aspect of this piece is the fine metalware throughout, but particularly the lockplate / hasp, hinges and foot mounts to the front. This is all beautifully cast and engraved contrasting against the black background. Interestingly another cabinet on stand with near identical metalwork was advertised in the Burlington Magazine, November 1913, with the dealer W. Williamson and Sons of Guildford. The lacquer on that piece is similarly refined and it seems likely that both pieces came from the same workshop. The European influence in our piece can be seen in both the later ebonised stand and in the japanned decoration which has been applied to the inside of the doors and is also very fine indeed. This consists of two panels with birds of prey perched on branches in colours set against a golden background. The cabinet has a recent Scottish provenance and so it is likely that the ebonised stand was made in Britain though such pieces were made throughout Europe as a way of quite literally elevating these imported pieces of eastern lacquer as in Japan these would have been used on the floor. Inside the cabinet there is a combination of more Japanese lacquer and lock plates and European drawer handles. Most of the lacquer drawer fronts incorporate mountainous scenes and birds in combination, with a few purely one or the other of the two subjects. Again the lacquer is in excellent condition and is of exceptional quality with multiple layers of relief used in one single scene in many cases. As mentioned above, Japanese lacquer is the most technically brilliant of the eastern lacquers and, as such, was highly prized by collectors and connoisseurs throughout Europe when this piece was made. The acquisition of such pieces would only have been possible for a small group of incredibly wealthy individuals, largely royal or high ranking courtiers or merchants connected with the East India trade...

A stunning and unique antique Japanese tansu chest with two interior drawers that sits on a custom made contemporary black metal stand. Th...

Using Japanese “Urushi” lacquer in a beautifully untouched and sleepy condition, on later stand, This Japanese lacquer cabinet on the stand has...

Exceptionally large and rare lacquer cabinet. According to the heraldry, visible on the headgear in one of the panels, it was made for the Inaba family, a high ranking Daimyo family,...

Cabinet by Ryosuke Harashima. Name: Casa Do Walk Collection: STILLIFE A chest for ship with a key door. With four legs that imitate a stilt building structure, it looks like a house that going to walk. STILLIFE STILLIFE is not to redesign old Japanese folk tools but also to have a dialogue with the tools. Morphing "old folk tools" into a "more attractive still life" by giving it a modern interpretation. "Tsukumo God" which we Japanese...