Finn Juhl Chest

Owing to the company’s collaborations with many leading designers and artists over time, vintage Baker furniture is consistently sought after today. The heritage brand’s chairs, dining tables, desks and other pieces are widely known to collectors and design enthusiasts for their fine craftsmanship and durability.

Within a few decades of its launch, Baker Furniture Company evolved into one of the largest and most important furniture manufacturers in the United States and became known for its high-quality production standards. Siebe Baker and business partner Henry Cook founded the original iteration of Baker Furniture Company in 1890 in Allegan, Michigan, after immigrating to the United States from the Netherlands. Allegan is a small town west of Grand Rapids, which, at that time was home to Widdicomb Furniture Co. and more and was known as America’s furniture capital. The company manufactured doors and interior moldings and introduced a combination desk and bookcase in 1893. In the early 1900s, Siebe became the sole owner of the business.

Among others, stage designer Joseph Urban and modernist designer Kem Weber contributed designs to Baker in the 1920s. In 1932, under the leadership of Siebe’s son, Hollis, who started at the company as a salesman but took the reins when his father passed in 1925, Baker Furniture introduced bedroom pieces and debuted its Manor House collection, which made reproductions of European furnishings available to the American market. (Hollis was an avid traveler and procured antiques overseas for the company to reproduce in the United States.) Soon, Baker Furniture Company moved to Holland, Michigan, and eventually opened showrooms in Grand Rapids and elsewhere.

Pioneering Scandinavian designer Finn Juhl created a Danish modern line for Baker in 1951, and the company produced his award-winning Chieftain chair for a short time. In the late 1950s, Baker introduced the Milling Road label to reach a younger audience with stylish but less costly furnishings like console tables, walnut dining chairs and more, and in 1961, British furniture designer T.H. Robsjohn-Gibbings introduced a modern neoclassical line at Baker.

The 1960s and ’70s saw the introduction of historic reproduction furniture lines such as Woburn Abbey and the Historic Charleston collection, which remain very popular to this day. In 1990, Baker was licensed to produce a furniture line from Colonial Williamsburg. That same year, the Smithsonian Museum introduced Baker’s Chippendale chair into its permanent collection and the Grand Rapids Art Museum dedicated an exhibition to Baker’s 100th anniversary, a showcase that included 150 pieces of furniture Siebe Baker had collected as part of a larger assortment that had served as inspiration for his designs.

Today, vintage Baker furniture, such as its elegant mahogany nightstands and teak credenzas — particularly those crafted by Finn Juhl — sees high demand online and elsewhere. The company continues to produce contemporary collections with well-known designers such as Bill Sofield, Barbara Barry and Kara Mann and remains on par with some of the highest quality furniture in the industry.

Browse vintage Baker armchairs, sofas, coffee tables and other furniture on 1stDibs.

Along with Hans Wegner, Arne Jacobsen and Børge Mogensen, Finn Juhl was one of the great masters of mid-20th-century Danish design. Juhl was the first among that group to have his work promoted overseas, bringing the character of the nation’s furnishings — and the inherent principles of grace, craftsmanship and utility on which they were based — to an international audience. 

A stylistic maverick, Juhl embraced expressive, free-flowing shapes in chair, credenzas and sofa designs much earlier than his colleagues, yet even his quietest pieces incorporate supple, curving forms that are at once elegant and ergonomic.

As a young man, Juhl hoped to become an art historian, but his father steered him into a more practical course of study in architecture. He began designing furniture in the late 1930s, a discipline in which, despite his education, Juhl was self-taught, and quite proud of the fact. 

Juhl’s earliest works, designed in the late 1930s, are perhaps his most idiosyncratic. The influence of modern art is clear in his 1939 Pelican chair: an almost Surrealist take on the classic wing chair. Critics reviled the piece, however; one said it looked like a "tired walrus." Juhl had tempered his creativity by 1945, when the workshop of Danish cabinetmaker Niels Vodder began to issue his designs. Yet Juhl’s now-classic NV 45 armchair still demonstrates panache, with a seat that floats above the chair’s teak frame.

Juhl first exhibited his work in the United States in 1950, championed by Edgar Kaufmann Jr., an influential design critic and scion of America’s most prominent family of modern architecture and design patrons. (Kaufmann’s father commissioned Frank Lloyd Wright’s design of the house “Fallingwater.”) 

Juhl quickly won a following for such signature designs as the supremely comfortable Chieftan lounge chair, the Judas table — a piece ornamented with stylish inlaid silver plaquettes — and the biomorphic Baker sofa. After an article authored by Kaufmann on Juhl and his work appeared in the U.S.-based magazine Interiors in 1948, he began receiving American commissions. 

Kaufmann commissioned Juhl to create the exhibition design for, and contribute pieces to, the 1951 edition of the Good Design shows he organized for MoMA and Chicago’s Merchandise Mart. Baker Furniture asked Juhl to design for the firm, and he produced a collection of chairs, tables and cabinets, and, later, the 1957 sofa. 

Scandinavian modernist seating, such as the chairs and sofas Juhl created for Baker, became immensely popular in postwar America, as the seeds of the Scandinavian style that Juhl sowed took root and spread in the United States. Juhl and his work featured prominently in the landmark show “Design from Scandinavia,” which opened in 1954 at the Virginia Museum of Fine Arts and traveled to 24 museums in the U.S. and Canada; over three years, it was seen by more than a million people.

Juhl’s furniture — as well as his ceramics, tableware and accessories — has an air of relaxed sophistication and elegance that is unique in the realm of mid-century design.

Find vintage Finn Juhl armchairs, coffee tables, desks and other furniture for sale on 1stDibs.