Thalassa Console by Hubert Le Gall

A series of curved brass sheets form the base of Sinestesia encapsulating the solidity and expressiveness of metal. With rounded edges, the leaf-like top of the console rests on the...

For the OMG-GMO project, Robert Stadler borrows the forms of these engineered fruit and vegetables to create ten ceramic, hand-painted objects that ironically transform the organic into something structural and functional. Conceived as a series of small-scale monuments, these objects both criticise and mock human manipulation of nature: a slice of a Japanese rectangular seedless watermelon becomes a stool, zucchini bend in a perfect L shape to create a set of shelves, and wheel-like aubergines support a glass coffee table, as a reference to Gae Aulenti’s Tavolo...

Leaf Wall Console by Pol Quadens Limited Edition Of 8+4 Pieces. Dimensions: D 30 x W 200 x H 7 cm. Materials: Mirror-polished stainless steel. Pol Quadens was born in Brussels. His...

Oasi Console by WM Metal Design Dimensions: D 48 x W 127 x H 140 cm. Materials: Aluminum. Oasi is a stunning aluminum sideboard with a design as deci...

A large studded light beech console with two horizontal tops separated by vertical uprights and finished with a rainbow motif. By André Sornay (1902-2000), France 40s.

Beige tree console shelf by Elisabeth Hertzfeld Materials: Fenix Laminate Dimensions: D 35 x W 53 x H 6.5 cm The founders, Mia and Torben Koed, deci...

Stacked marble console by Samuele Brianza Dimensions: 130 x 30 x 130 cm Materials: - Paonazzo Marble 16 blocks - Raw waxed steel rectang...

Vodo is a collection made up of folded sheet metal structures and solid wood shelves fixed by a joint. Whether it is our bench, stool, console or bookcase, Vodo will be perfect for a...

Wall console lines all in solid walnut wood with 2 drawers.       

Writing desk designed by Le Corbusier in 1957. Relaunched in 2010. Manufactured by Cassina in Italy. Defying the laws of physics, going beyond what we normally understand by the conditions of equilibrium, this bookcase is nothing short of a manifesto for Cassina’s design and construction capabilities. After a lengthy period of research and development, ably assisted by state-of-the-art technology, the company’s designers created a production prototype of the original 1940 piece that architect Franco Albini made as a one-off for his Milan home. Respecting the authentic underlying concept of the design, with its compelling experimental feel, as well as its surprisingly spare, linear looks, today’s model preserves the minimal ideal of the original: a feeling of air and light so that the books and objects seem to float free. Thus does Cassina restore to the contemporary world of design one of its most emblematic artefacts, a piece that has acquired the status of a work of art, as magical now as it was when it was first seen. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Charles-Edouard Jeanneret, known as Le Corbusier, was born in La Chauxde-Fonds, in the Swiss Canton of Jura, in 1887; and died in France, in Roquebrune-CAP-Martin, on the French Côte d'Azur, in 1965. At the beginning of his career, his work was greeted with some reluctance due to its supposed "revolutionary" character and the radical aspect it acquired through his "purist" experiments; In any case, already at that time, he received the recognition he deserved and the admiration of the majority. His message is still being assimilated by an increasing number of people in the profession, but his eccentric avant-garde attitude should be properly taken into account for the use of rational systems in his planning method, as reflected in extremely simple modules and forms based on functional logic. "A functionalism that does not tend to exalt the mechanical function to the detriment of the symbolic but rather to the rejection of the symbol, which he now considers obsolete and insignificant, and the recovery of the practical function as a symbol of new values" (¹) In his activities as an urban planner, architect and designer, his method of study continued to develop, sometimes going from one extreme to another in a complex plastic language. Some examples of this are: Unité d'Habitation, Marseille (1946-52); the Chapel in Ronchamp (1950-55); the Dominican Monastery «La Tourette» (1951-56); the Zurich Center (1964-65) the Hospital in Venice (1965). The same dedication will be found in the design of diverse furniture, such as: the furniture of "Equipement intérieur de la maison" (tables, chairs, sofas and armchairs) designed for the Salon d'Automne in 1928 with Pierre Jeanneret and Charlotte Perriand and “Casiers Standard...