Renaissance Case Pieces and Storage Cabinets

Superb 19th century Antique French Dark Oak “Hunt Cabinet”, Bookcase, Vitrine or Display Cabinet! Direct from France, and one of several exquisite glass door bookcase/cabinets from...

This rare Renaissance cabinet is richly decorated on the doors and drawers with carvings depicting the four seasons, and on the uprights and the entablature, alternating flower bouquets inlaid with mother of pearl. This is a beautifully conceived piece of furniture, representing a crowned portico with its entablature and cornice. The upper body Articulated separately in a ternary rhythm, as with the lower body, the upper part opens with two carved doors. The doors are framed by both the lateral uprights and the casing. There are cartouches carved into the casing in which mythological figures are depicted with flower bouquets. On the doors: On the right: Spring, a female figure crowned with a wreath of leaves, holding a basket full of flowers. She is wearing necklaces and bracelets on each arm, with drapery discretely wrapped around her body and is standing on a winged putti’s head. On each side are depicted a tree and a village with a steepled church. Above her head floats the three signs of the zodiac corresponding to the season: Aries, Taurus and Gemini. On the left: Summer, a bearded man crowned with ears of corn and bearing armfuls of corn. He is standing on a similar winged putti, flanked by a tree and an ear of corn. The following three signs of the zodiac appear: Cancer, Leo and Virgo. On the uprights and the central casing a number of smaller figures seem to represent virtues and vices that newly wedded couples should aspire to and avoid. On each side, at the bottom of the uprights, there is a dog representing fidelity. Above, a lion embodies power, wisdom, and justice. In between, on the left upright, there is a figure of noncombatant Athena wearing a helmet and holding a spear, an arrow pointing down and in her left hand, a shield, symbol of protective power. On the right upright, the goddess Venus controls the arrow of Cupid. The iconography here acts as a clear reminder of the required virtues that both parts of a young couple need to fulfill: fidelity, power, wisdom and justice. For him, the goddess Athena focuses on the power. Whereas for her, it is Venus who shows how to control Cupid’s arrow. On the central casing at the bottom, by way of contrast, there is a peacock, a symbol of pride and at the top, a monkey representing lust and mischief. In between, a woman holding a chain and a cup full of precious stones while on the floor sits a half empty opened casket. This can be interpreted as a symbol of extravagance. Above, the entablature, decorated with male figures resting on leaking urns, may symbolize the passing of time. They are flanked by two consoles decorated with acanthus leaves and separated by flower bouquets (inlaid with mother of pearl). Finally on top, a cornice acts as a crown for the piece of furniture. The lower body The moulded base stands on four round, flattened feet. Represented on the doors: On the left: Autumn, a stocky, naked man crowned with vine leaves, holding fruits in his right hand and with his left, picking a bunch of grapes from a climbing vine. Standing on a mound, he is surrounded by a vine and a hill, at the foot of which a man presses the grapes in a big vat after the harvest. Above the climbing vine appear the signs of Libra, Scorpio and Sagittarius. On the right: Winter, an elderly man wearing a fur cloak...

17th Century, Tuscany Solid Walnut Carved Wardrobe This charming solid walnut wardrobe was crafted in Tuscany in the 17th century. The structure features two large front doors adorne...

From Niagara Furniture a Vintage Baker Mahogany Sideboard in excellent condition, with the top have recently been French polished to give it a straight from the showroom look. Simpl...

Italian Renaissance style display cabinet of 1900 original in hand-carved solid ebonized fir, with two original glass doors of the time. Patinated cream white color. Three internal ...

Original lock and key This piece of furniture shows no recess on its upper part. It opens with one folding-door and one drawer within the belt. Burgundy and Lyon regions subordina...

Italian Renaissance wedding cassone Origin : Northern Italy, Between Milan And Bologne Period : 15th Century Height : 55 cm Width : 156.5 cm D...

19th century Spanish Renaissance buffet was sculpted from dense, old-growth oak with glorious full relief depictions. Set upon a brilliantly...

Carved helper, France, circa 1880. Very good condition, after professional renovation. Wood: oak dimensions: height 100 cm width 147 cm depth 62 cm

This rare Dutch cabinet is made of the finest oak in the tradition of the Dutch Renaissance during the “Dutch golden age” This cabinet is made in t...

19th Century French Renaissance Two-Tiered Bookcase ~ Bibliotheque is an impressive example of the refined Renaissance style, sometimes referred to as Henri II, with architecture tha...

Antique Italian Pietra Dura Hardstone Wood Ormolu Cabinet on Stand Italian, Late 19th Century Height 227cm, width 141cm, depth 46cm Rich in detail and craftsmanship, this magnific...

Impressive antique 19th century Italian Renaissance style large sideboard. Made entirely of carved walnut wood. The carving work is spectacular made by a great master of wood. We ask...

Rare carved Renaissance cabinet Period : 2nd half 16th century, ca. 1570 Origin : France, Burgundy or Languedoc This cabinet embody the produ...

Beautiful and rare Dutch Renaissance two-door cabinet. This cabinet stems from an era in Dutch history that is called "the golden age'. This cabinet has the typical arched panelled doors and is called a 'poortkast' or portal cabinet. It is made in the best quality solid oak. It stands on ebonized bun feet with an ajour cut skirt. The panelled doors have a hand-carved arched top. The top corniche has beautiful hand-carved elevated panels depicting cupids holding garlands. The whole cabinet is enriched with inlaid parts of ebony...

Exceptional neo Renaissance bookcase forming desk. This monumental piece consists in a lower part forming drop-front desk supported by two pillars with drawers. The lateral parts each open with a moulded door. The bookcase occupies the upper part, opening by four windows...

Whereas many pieces of furniture during the Italian Renaissance were heavily painted or inlaid with decorative motifs, French examples utilized hand-sculpted elements as the predomin...

This beautiful carved Renaissance front section was a part of a built in cabinet. The carvings are typical for Bretagne area in France and it can be ...

With flat hinged top opening to a open compartment. The curved case carved with a crest and figures and various designs. Bracket feet with trefoil form apro...

An elegant Mahogany Writing Table Red Leather top by Niagara Furniture is a perfect fit for use either at home or in the office. Features include a three panel green genuine full gra...

An exceptional 18th-century French Renaissance cabinet, sourced from the French Alps. Masterfully hand-crafted from solid oak, this two-piece ensemble showcases exquisite and elabora...

Renaissance flat lid storage chest and trunk from the 19th century. It can also be used as a coffee table or sideboard Handcrafted by a danish cabinetmaker in the early 19 century w...

Very beautiful trunk from the Renaissance period, very nicely carved with palm leaves and acanthus leaves in an architectural setting. Four Ionic co...

A large and impressive 17th century European cabinet. Made in two parts, both with elaborate carved decoration and burled panels and details. The upper cabinet with heavy overhanging...

Very elegant Italian Renaissance style drinks dry bar cabinet with beautiful carved walnut wood, slant central door and nicely shaped bottom pedestal stand. The piece has all around ...

Antique Grand Italian Renaissance Walnut Buffet will make an unforgettable statement in your family room or entertainment room! Crafted from select walnut in its entirety, its impre...

A tall walnut cabinet buffet, having a plank top with dentil moulding above a single drawer. The recessed paneled doors with iron pulls, flanked by Doric columns sitting on multi-moi...

This incredible Italian secretary desk, attributed to the renowned 19th-century master carver Luigi Frullini, is a museum-worthy example of Renaissance Revival craftsmanship. Execute...

Gothic Renaissance Revival Carved Walnut Dragon Griffin Sideboard Buffet Cabinet. Item features two-part construction with ornate carvings throughout including dragons/griffins and f...

Rare monumental Hunt style Renaissance Revival cabinet by Alexander Roux 1870 museum quality piece. Carved out of solid oak with numerous rich details...

Renaissance cabinet from Burgundy Or Lyon Region Origin : Burgundy Or Lyon, France Period : Second Half 16th Century, C. 1580 Height : 209cm Length : 184cm Depth : 71cm Good condition Walnut wood, original keys and keyholes Around the middle of the 16th century the conception and ornamentation of French furniture evolves. The start of major building projects, such as the castle of Fontainebleau, gives artists a new impulse. Inventive and rich formulas are developed there, before spreading to all of Europe thanks to engravings and printed leaflets. Furthermore, Italian artists working on such construction sites bring French artists and patrons a renewed taste for the Antique. Regarding the art of furnitures, the most complex scenes and figures are drawn from illustrated books, ornament and emblem compendiums and engraving compilations. Rather than copying those images the artisans feed their inspiration and decline the motifs in numerous variations. The ornamental grammar marks a return to the Antique : palm leaf, acanthus, egg-and-dart, greek, scroll, fluted pilaster… It is in Primaticcio’s and Il Rosso’s stuccos made around 1540-1550 that we have to look for the origin of leather cut-outs, masks, chimaeras, harpies, sheathed figures, fruit and flower garlands that soon enrich every pieces of French furniture. The structure of the pieces of furniture also evolve thanks to the re discovery of Antique architectures, rigorously used as a model. This cabinet presents an imposing structure and a rich and original decor exemplifying the production of the late 16th century, infused with Italian, Antique and Fontainebleau influences. It stands on a moulded base ornate with palm leaves. It opens with four door-leaves and two drawers in the belt. Six whimsical terms divide the facade. The lower body is horizontally divided by three sheathed female terms. The two standing on the lateral posts are topped with fruits while the body is covered by acanthus leaves carved with precision, belted at the waist. The term standing on the central door-jamb is crowned with laurel leaves and is draped in the Antique fashion. A wincing mask hides the key hole. The two door-leaves are centred by a beautiful mask carved in a strong relief. They wear stylised feathered headdress and are set on draperies. Straps, leather scrolls, acanthus leaves and a shell are spread around the masks. The recessed panels are secured in frames ornate with acanthus leaves. The belt is flanked by two large mouldings enriched with variations of acanthus leaves. The drawers are carved with choux bourguignons and palm leaf motifs minutely executed. The consoles between each drawer bear tormented wincing masks, showing horns as if they were fauns or imps. The upper body is framed by two male terms characterised by a strong and nervous musculature, their manhood hidden by drapes secured thanks to a winged lion head. The term on the left appears to be younger and is wincing while the one on the right has a beard. The central female term brings contrast with her youth and sensuality. As it is the case on the lower body, the key hole is hidden behind the mouth of a faun’s mask placed on the drapes barely covering the intimacy of the caryatid. The panels of the upper body present an idealised architecture comprising pilasters and sinuous broken pediments. The pilasters are flanked by two satyrs with goat legs. In the centre appears an important lion mask. The terms of the upper body support the cornice. The entablature carries palm leaves and roses alternating as well as an egg-and-dart frieze. The cornice is adorned with acanthus motifs. On the sides, the carving is executed flat. A central rose is surrounded by scrolls, flowers and choux bourguignons. We can admire the variety of the elements employed. The artist vary with great genius many different ornamental motifs : palm leaf, egg-and-dart, laurel leaf, roses, scrolls … But the artist went even further as each profile and each face is individualised and presents different features. You can take a look at the faces of the satyrs flanking the upper body’s panels. The talent of the artist is undeniable. It makes no doubt the patron who commissioned this cabinet was an aesthete looking for the greatest quality. The artist who authored this cabinet had a great mastery of composition both in the general design and in the individual panels. They probably drew inspiration from engravings and drawings made especially for the making of this piece of furniture or not. They seem to be familiar with the style of Jacques Androuet du Cerceau. Indeed, we can find in Du Cerceau’s engravings the same juxtapositions of leather cut-outs, masks and fruits. The terms and caryatids used on the facade could very well be inspired by his work as well. The cabinet-maker was also undoubtedly observant of Hugues Sambin, the most famous cabinet-maker and sculptor in the Burgundy of the time. Like Du Cerceau, Sambin left an important ensemble of models particularly useful for the design of cabinets. His publication De l’Oeuvre de la diversité des termes dont on use en architecture (1572) was an essential book for every artisan. All the motifs testify of the artisan’s high knowledge of forms as well as the precision of their tools : super imposition of ornamental elements, foliages, architectural cut-outs, flat and high reliefs alternating, palm leaves inscribed in circular spaces, wincing faces. It is also a testimony of the artisan’s familiarity with Italian and Fontainebleau productions. Because of the proficiency of the cabinet-maker in so many different models, this cabinet truly is a master-piece authored by the hand of an authentic master. The generous carvings executed with great rigour and virtuosity evoke an origin close to Burgundy and Lyon workshops. This cabinet was made by a master of the region during the Second French Renaissance. Literature BOCCADOR Jacqueline, Le mobilier français du Moyen-Âge à la Renaissance, Édition d’art Morelle Mayot, 1996 BOS Agnès (dir.), Mobilier du Moyen âge et de la Renaissance, La collection du musée du Louvre, Louvre éditions...

17th C. Italian Tuscan Walnut Cabinet, original lock & key, original back (very good antique condition, never touched) H: 73.5 D: 22.5 W: 80.75 ...

RARE PIECE Magnificent Antique French Renaissance Style Carved Oak Dresser ​A truly exceptional and heavily carved antique dresser, displaying the rich, ornamental style of the...

~Direct from France~ ~Stunning antique French server/sideboard with opulent hand carved details that are seldom found on a server~ ~Large size and three open shelves make this piece excellent for a dining room, den, kitchen, and yes, some clients use them for home office organization...

16th Century Italian Renaissance Painted Marble Lacquer Wooden Cabinet (1500s) An extraordinary Italian Renaissance wooden cabinet from the 1500s awaits the discerning collector. Thi...

Bring elegance and artistry to your dining or living room with this richly carved antique sideboard. Crafted in Italy circa 1870, the long antique credenza is built of solid walnut a...

An impressive dry bar / tv cabinet reclaimed from The Plaza Hotel of NYC in the 1990s. Drawing inspiration from French and Italian styling. A tall case made from mahogany with mirrored beveled hutch doors. This stately piece would have been used within one of the hotel suites. Features an ornately carved crown, chamfered stiles, applied foliate and cabriole legs. Opens via brass acorn hardware...

A rare and unusual antique Italian walnut table-top cabinet (now also wall hanging cupboard), 17th century and later elements, with handsome warm rich dark patina and interesting pro...

Antique 17th Century Dutch oak and ebony two-door Renaissance cabinet. This extraordinary cupboard is made of the finest quarter-sawn oak...

An Italian Renaissance Style Walnut Studiolo Cabinet, 17th Century Description: A renaissance style studiolo of architectural form in walnut, the exterior entablature with risen gal...

A RARE RENAISSANCE WALNUT CABINET WITH ITS FREESTANDING CARVED COLUMNS ORIGIN : FRANCE, BURGUNDY PERIOD : 16th CENTURY Height : 218 cm Length : 152 cm Depth : 67.5 cm Walnut Thi...

On the left post of the lower body, is written the date 1596 in a cartouche This cabinet has two bodies. The upper part, set back, is moulded and carved. At the bottom, the cabine...

A high quality piece of office furniture from Niagara Furniture our Country Estate Two Drawer File is made from the finest burls available. The top of the cabinet is covered in a ful...

One of the most complicated items that we produce at Niagara furniture our Burled Oval Partners Desk is also one of the most popular. The top section of the desk consists of a three-...

This elegant single-door cabinet was made in the Southern part of the Netherlands in the late 17th century. It was made in the best quality quarter-sawn oak in the tradition of the Dutch Renaissance during the “Dutch golden age”. The piece is of exceptional quality and was made completely in watered oak...

Nice 17th century chest in brown chesnut. Hand carved facade panel with geometrics decorations. Plinth with brace decorations, dovetail assembly with wrought iron wardware. Add a re...

The lower part of the facade is adorned with a foliated and fruit garland. The facade’s central panel bears a low-relief decor framed by a rais-de-cœur frieze. The central scene a...

Important two-tiered sideboard attributed to H.A. Fourdinois made in natural and carved wood : the lower part made up of four panels, two concave ones and two doors, richly ornated with a polychrome enameled floral decoration and gilt bronze plaques. A large dual drawer is surmounted by the upper part of the sideboard, opening with two glazed doors, framed by detached columns. The entire unit is topped with a pediment onto which a female bust is carved in relief within a medallion on a gilt background. With a matching set of twelve chairs. The Forney library in Paris preserves order registers of the Fourdinois as well as sketches books and pictures representing pieces of furniture made by the Fourdinois workshops. In this documentation, some elements enable us to link this sideboard with Henri-Auguste Fourdinois’ productions, such as the large scrolls linking the upper part to the lower part of the sideboard, as well as the detached columns carved at their lower third. (picture n°1 attached) Notebook containing ink-sketches coming from the Fourdinois workshop shows a project for a pelmet, beautified with a centering trophy composed of a torch and a quiver within in a foliage wreath, this motif obviously reused by the Fourdinois on the central decoration of the panels of our sideboard. (picture n°2 attached) The firm of Fourdinois, considered during the Second Empire as the greatest furniture manufacturer in Paris, was founded in 1835 by Alexandre-Georges Fourdinois (1799-1871). It was developped in the context of the Expositions Universelles. At the time, the firm already produces furniture of the Neo-Renaissance style, such as a dresser that won the Great Medal at the London Universal Exhibition of 1851. The son, Henri-Auguste Fourdinois (1830-1907), joined the firm in 1860 and will become head of the firm in 1867. The high quality of his designs was remarked at the Universal Exhibition in 1862, when the jury awarded him two medals « for Excellence of Composition and Execution ». Henri-Auguste, now sole in charge, brought the firm to the summit of its achievements at the 1867 Universal Exhibition in Paris by winning the Grand Prize for his stand. Apart from the commissions he executed for the « Mobilier de la Couronne », he also produced high quality furniture for the Parisian bourgeoisie. The firm is at its zenith during the years 1862-1880. At this time, it is considered as an example to follow for other cabinet-makers, whether they are French, British or American. Through the quality of execution and the extreme care taken in the decoration of furniture, H.-A. Fourdinois was particularly appreciated by Napoleon III and Eugenie...

An imposing and richly detailed French Renaissance Revival buffet à deux corps, crafted in the 19th century from solid oak. This exceptional piece embodies the opulence and artistry ...

A beautiful early 18th-century four-door Renaissance cupboard in the best quality solid oak and walnut veneer. The cupboard boasts a warm honey color combined with deep gloss and a r...

This Mahogany Two Door Bookcase from Niagara Furniture can be used to display your most valued collectables. This bookcase is a perfect size to fit i...

Antique Neo-Renaissance Revival writing desk. Made of walnut featuring Neoclassical styling with high relief figural carvings of cher...

Spanish Renaissance style (17th Century and Later) wrought iron mounted walnut vargueno on later stand with a fall front enclosing 3 long drawers.

Antique French carved oak storage cabinet Renaissance Roman Centurion 19th cent ~Direct from the Brittany region of France, an ornately hand carved an...

AN EXCEPTIONAL MUSEUM QUALITY, ITALIAN, RENAISANCE WALNUT CASSETTONE WITH A FITTED BUREAU IN THE UPPER PART & EXCEPTIONAL BAMBOCCI CARVING, LOMBARDY - This exceptionally rare, museum quality, piece of early furniture was conceived and crafted as an artwork of the finest quality of its time. Throughout time it has been a luxurious, statement piece which has protected it, and fortunately it has survived in virtually, original condition. - This magnificent cassettone exudes the character and quality of the finest, late-Renaissance furniture. Northern Italian Renaissance furniture often had the sides, legs or angles, 'a Bambocci', incorporating carved figures which were considered unique sculptures in their own right. - The putti on this cassettone are beautifully carved and of sculptural quality. Each angel has one arm raised to heaven, a poignant touch. - The lion’s paw feet are a classical feature and make a great statement. - This cassettone was conceived to have visual impact through the quality of the carving, as well as being very practical with the writing compartment fitted in the top part. - It has survived in very original condition with a few small repairs and losses, and the colour and patina are warm and lustrous. - This cassettone is illustrated Illustrated in C. Alberici, Il Mobile Lombardo, Milan, 1969, p. 45, one of the seminal works on Lombardy furniture, and has been in two renowned collections. The hinged top in two sections faced with a solid moulded edge. The front part has a fall front and opens to reveal a writing compartment. The fall front retains its original lock and is concealed with a false drawer which is above three drawers. All with moulded panels, escutcheons and retaining the original iron handles. The front ends have exceptional, bambocci, carved putti raising their arms to heaven above trailing foliage. Standing on magnificent lion's-head carved feet. The sides are panelled. Exceptional original colour and patina. Literature : Illustrated in C. Alberici, Il Mobile Lombardo, Milan, 1969, p. 45. A Gonzalez-Palacois, Il mobile in Liguria, Genova, 1996 illustrates related pieces Measures: Length 147 ½ cm. 58 in, height 104 cm. 41 in, depth 75 cm. 29½ in, Provenance: Coll. Private Azzate The Collection of Sandro and Lidia Orsi, Ca’ Mera, Varese. Regarded as one of the most beautiful homes in Lombardy, Ca’ Mera, the country house of Sandro and Lidia Orsi was filled with beautiful objects from many different epochs. A renowned antiquarian from Milan, over his lifetime Sandro and his wife Lidia revived the Renaissance and Baroque character of the house and instilled their own unique vision into the interiors, which culminated with the creation of a Kunst – or Wunderkammer. “I have never seen such an example of poetical taste”, Sir John Pope...

Oakwood Original lock and key   This beautiful and robust chest stands on square feet ending in flattened buns. The base presents plain mouldings. The facade is divided in four panel...

This rare and rich decorated Renaissance dresser was made during the Dutch Golden age in the southern part of the Netherlands currently Belgium. It was made around 1670 and most likely in Antwerp. The dresser was made in the finest quality watered European oak and decorated geometric-shaped walnut veneer panels. The cabinet has two wide doors and two drawers above. The drawers are flanked by carved lion heads with brass rings. The right drawer is equipped with an authentic working lock and key. The doors are decorated with geometrical star-like walnut inlaid raised panels. The doors are flanked by large twisted Solomonic columns decorated with brass nails. The righthand door features its authentic lock and key with a brass ajour cut keyplate. The dresser has a wax finish with a great patina built up over 350 years. This piece of furniture was made by highly skilled craftsmen by the use of the best materials available. It is among the best furniture that was produced during the golden age and even now its craftsmanship is unprecedented. The dresser is highly original and in perfect shape for a piece of furniture over 350 years old. It was gently cleaned in our atelier and a new protective wax coat was applied. The Dutch golden age the 17th century was an important century for the Netherlands. The region separated from the Spanish Empire and formed its republic. Dutch merchants...

Impressive antique 19th century Italian Renaissance sideboard set of two. Made entirely of carved walnut wood. The carving work is specta...

On offer here is a very rare Dutch cabinet made of the finest European summer oak in the tradition of the Dutch Renaissance during the “Dutch Golden...

This late nineteenth century French Henri II vitrine is constructed of hand-carved walnut and features beveled glass on three sides. Hand carved acanthus leaves detail the sides and ...