Wood Wardrobes and Armoires

This quality vintage oak tallboy chest from G Plan (E Gomme) is circa 1930s. In the manner of Heals Inside there's a cupboard with a shelf, and two drawers to the bottom

circa 1820 Large 19thC French Fruitwood Armoire sku 965 W168 x D65 x H243cm

A large oak storage cabinet with doors, drawers and drop-front panel design by Osvaldo Borsani, manufactured by Arredamenti Borsani Varedo, Italy, 1945 This substantial storage cabi...

Qing dynasty red and black lacquer armoire with relief carving & gilt paintwork. The from of the cabinet features 14 panels each hand painted with a different scenic ranging from war...

This large, industrial catalog cabinet with multiple flat drawers was made during the 1930s and comes from Artist's Atelie. It is made of high-qual...

An important and richly carved Swedish armoire cabinet from the Baroque period with handsome bun feet. Provenance on the inside of the left door, dates the piece to 1772 (Anno 1772)....

A very fine antique French Provincial burl chestnut & fruitwood armoire bonnetiere, circa 1750. The armoire is made from the most beautiful burl chestnut and various fruitwoods, to the top is a removable stepped crown, below is a raised burl panel inlaid with an ebony and fruitwood star shaped device. The cabinet has single paneled door with incredible burl chestnut panels, plenty of storage to the interior, can receive shelves or a hanging rail, the door having one long iron hinge & the original large reticulated iron lock plate with original key and lock. The door opens and closes with ease and the lock and key function perfectly. The base is fitted with a single drawer, original lock with wonderful iron handles & reticulated backplates, the lock plate elegantly decorated with two iron 'trees', the shirt having a lozenge shaped inlay with a stylized compass design, the bonnetiere is raised on tuned feet. This cabinet is in very good antique condition, we have been selling fine antique French furniture...

Create an immediate sense of grandeur and architectural significance with this monumental vintage breakfront cabinet. Designed in the elegant French Provincial style, this three-part...

A wonderful pair of 19th century tapered gilt painted wedding cabinets. Very good condition, stunning as a pair.

This is a unique 2 door 4 drawer Gustavian Style Wardrobe. its been restored and repainted with Milk Paints Oyster White.

- 1930s, Czechoslovakia - maker: Rudolf Vichr Prag - green color right according to R. Vichr sample book colors (see the pictures) - hand polished, high shine - interior refurbished ...

Very impressive monumental in scale armoire cabinet having handsome molding on top and paneling. Two sets of doors open to storage inside. Top part has two glass adjustable glass s...

Four bays of Amuneal’s collector’s shelving system is used to create this modular wardrobe unit with silvered oak shelves, dresser, vanity table and m...

- Good original condition with some signs of use - Chrome plated tubular legs with signs of use - This item will be shipped dismantled outside of EU. - Wood renuver oil - Cleaned

An exquisite 18th century Dutch Bombe Kast or linen press in fine Cuban mahogany with all of the original bronze d'ore mounts. From the mid-1700s, this Kast stylistically follows the...

Porte manteau attribué à Roger Feraud 1960's

Grand 18th century Spanish armario or wardrobe armoire constructed from oak. Features a coffered case fronted by two large doors. This massive cabinet made in Spain features beautifu...

French Reconstruction armoire model S154 by René Gabriel for the "Service des Constructions Provisoires". René Gabriel insisted on the importance of the finish for this collection, ...

Wonderful Art Deco wardrobe from the 1920s. High-quality solid teak corpus with three doors, four shelves, two internal drawers, shoe rack and a typical base. The top and one side ar...

This large antique Art Deco wooden armoire or wardrobe cabinet is circa 1940. The cabinet has a clean, geometric design with gentle curves and simple details and is beautifully handc...

Reclaimed Wood Cabinet Armoire. Beautiful antique patina, these are solid and sturdy ready for daily use, use for a wardrobe, hideaway clutter, or store china or linens. Great in a ...

circa 1780 Large 18th century French painted pine armoire sku 1405 Measures : W174 x D65 x H190 cm.

Very beautiful baroque closet made of solid cherry wood. The back panel is made of pine wood as usual. The wardrobe is in very good restored condition. The interior layout can be cre...

Antique German Baroque Armoire or Cabinet with two doors built in the mid-1700’s, based on the hardware and construction. The Antique Armoire is...

Wall unit or wardrobe, walnut, Italy, 1970s This striking wall unit from the 1970s reflects a bold modernist approach with an architectural appearance. Crafted from rich walnut, the...

An early 19th century Louis XV style French petite armoire, or wardrobe, from the Loire Valley. Made of solid cherry with scroll carving on the door panels and simple circular carved details at the top and on the apron. Original iron hardware and working lock and key. Interior is 20" deep and has one new shelf. The inside opening is 49" high by 46" wide. Heavy and well-crafted with mortise and tenon joints and pegged construction. Chestnut as a secondary wood. Waxed patina. This short armoire...

Chinese Qing Dynasty wedding cabinet in black lacquer with red accents featuring large circular brass medallion hardware on two 45 inch high doors above two drawers. The interior is...

Mid Century Danish Teak Plinth Base Armoire This armoire measures: 41 wide x 19.75 deep x 55.75 inches high All pieces of furniture can be had in what we call restored vintage cond...

Single mirrored wardrobe by Stag Furniture in oak. Re-finished. U.K circa 1960. H 182cm x W 91cm x D 56cm

Classic Antique French Louis XIII Armoire or Cupboard over 300- years old and remarkably still intact and functions as intended. In collecting and purchasing Louis XIII furniture for...

Customized four-door wardrobe, manufactured by GMD Berlin, exclusively presented in our Rudolf Vichr Collection. These high-quality, handmade furniture in a classic modern timeless ...

Decorative carving in the panels and crown add a sophisticated touch to this small two door pine armoire with an aged patina from years of use. The doors are held in place by a small...

This mid century wardrobe in teak was produced in Great Britain by G Plan in the 1960s. Wardrobe with two doors, inside there are: handrail. The teak elements have been cleaned clean...

We love this Louis XVI style mahogany vitrine from France, crafted during the 1870s. Topped with an antique piece of red marble that is surrounded by a pierced brass gallery. Three s...

As soon as 1540 France's second Renaissance is in the making, intimately linked to the rediscovery of the Antique world. The development of the printing and engraving industry allows the spread of artworks and models in many cities and countries. The Italian influence can be perceived in every artistic field. While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form themselves to this new style. In Italy they get acquainted with the work of Leo Battista Alberti the first to theorize perspective (De Pictura, 1435-36) and architecture (De re oedificatoria, 1541). Those two publications would have a revolutionary impact on arts. Furniture is marked by the work of the most famous Italian architects of the time as well as French architects. Indeed Philibert de l'Orme competes with Alberti and by the end of his life publishes several treaties including one devoted to a theory of architecture (1567). Unfortunately he would not live to complete the second volume. In this treaty he expresses his interest for mathematical norms applied to architecture, copied from the Antique. His journeys in Italy allowed him to accumulate the most sophisticated references. Jean Bullant, another architect of great talent also theorizes his practice. He establishes rules characterizing Greco-Roman art staying faithful to Vitruvius. Following this new inspiration the structure of furniture evolves. From then on appear columns, capitals, cornices, friezes and architraves. The ornamentation uses this inspiration as well with egg-and-dart, palm leaf and rose adorning the most beautiful pieces. In Lyon, crossroad where meet merchants from everywhere those new experiments are welcomed. Lyon florishing printing industry allows the spreading of models and treaties essential to the artist's work. Thus the first publication of Vitruvius' De Architectura in France would be printed in Lyon in 1532. Artists from Lyon rediscover and familiarize themselves with the Antique knowledge very early. They adopt those new ideas and use them in their own creations. Lyon cabinet-makers re interpret Antique architecture and Italian Renaissance palaces to give their pieces a pure and harmonious architectural structure. Grooved pilasters are particularly favored. They are topped by capitals of diverse orders always respecting the sequencing with simpler ones for the lower levels and the richest ones on the higher levels. As for the ornamentation, one of the great distinctiveness of Lyon workshops remains the architectural perspective illusions, drawing inspiration from Tuscany. True masterpiece of the Second French Renaissance this important cabinet illustrates Lyon workshops' taste for fine Italian architecture inspired by Antiquity. An architectural perspective of great quality is treated in symmetry on each panel. This two-bodied cabinet without recess stands on four rectangular feet. The base comprises a molding, a palm leaf frieze and is bordered by a braid. The lower body is divided by three grooved pilasters with Tuscan capitals framing two door-leaves. The two panels are encircled by a moudled frame with palm leaves. They are finely carved with a decor of fantasized architecture depicting an Italian Renaissance palace erected symmetrically on each side of a grooved pilaster. On the ground floor a door opens through a stilted arch while the stories are opened with mullioned windows, dormers and occuli. Two large pegged-boss cladded pillars support the entablature enriched by a palm leaf frieze upon which stands an arch whose coffered intrados is centred by a rose. Behind this arch a pyramid appears, standing in front of a second facade with a window topped by a broken curvilinear pediment under a cul-de-four with a shell. The checker flooring gives depth to the low-reliefs creating vanishing points structuring the panels and guiding the eye of the observer. A thin laurel braid highlights the belt of the cabinet where are located two drawers. Their facades are adorned by palm leaves in hoops. The upper body is encircled with palm leaves. The same ternary division as in the lower body appears. However, the pilasters are topped by Ionic capitals with volutes and egg-and-dart. The door-leaves are framed with flowers. On the panels the artist has designed another architectural decor. On the foreground open two arches on top of grooved pilasters with rectangular capitals adorned with palm leaves. The arches are enriched with braids and the coffered intrados bears a decor of roses. The spandrels also bear a flower decor. In the background another arcature hosts a fluted grooved column topped with double basket acanthus capital, characteristic of Corinthian order. The triangular pediment is interrupted by a choux bourguignon. A large cornice crowns the cabinet. It stands on pilasters and forms an entablature comprising a palm leaf frieze and an egg-and-dart, triglyph and palm leaf cornice. The cabinet's sides have also been carefully considered. The lower body's panels are enriched with an arch rising above a broken pediment portico hosting a twisted column. Flowers garnish the spandrels. An architectural facade completes the decor. The upper body's panels present two arches supported by a facade opened with dormers and mullioned windows as well as cartouches (one bears the inscription 1580 dating the cabinet) suggesting the interior of an Italian Renaissance palace, confirmed by the chandeliers. The flooring leads our gaze to a second arch with a broken curvilinear pediment where stands a flower vase. This arch opens onto a perspective of another facade along a road. Inside the cabinet, on the lower body door-leaves appear two designs. On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross. In the bottom part is inscribed « Dure uiator abis nihil haec spectacula curas / Pendenti cum sis unica cura Deo. / Tota suo moriente dolet natura Magistro. / Nil qui solus eras caussa dolenda doles. ». The signature [Christoff Swartz Monachiensis pinx[it] / Ioa[nnes] Sadeler sculp[it]] tells us it was made by Johan Sadeler I (1550-1600) after Christoph Schwartz (1548-1592). This engraving belongs to an ensemble depicting the Passion of Christ Johan Sadeler executed in 1589 after an altar piece painted by Christoph Schwartz for the private chapel of Renée of Loraine, wife of Duke William V of Bavaria. This altar piece made of nine copper panels has been destroyed during the 19th century. The Crucifixion panel once in the centre of the altar piece is the only one that survived and is today kept in Munich's Alte Pinakothek. On the left door appears Saint Francis receiving the stigmata. The inscription says : « Signastidomine Servum Tuum. Franciscum. Signis Redemptionis Nostrae ». This Renaissance cabinet with an architectural decor appearing as much in the structure faithful to Antique rules...

An elegant modernist wall-mounted coat rack from the 1950s. An original and old vintage object, designed and manufactured by the Austrian architect and designer Carl Auböck. The fram...

Neoclassical style closet in lacquered beech, production Fabbrica di Mobili "Luigi Gatti" Turin. Three-panel front with chamfered mirrors juxtaposed with gouged columns, carvings wit...

A Minimalist Mid Century modern wall-mounted coat rack, equipped with five „5“-shaped polished solid brass wall hooks. This is an early model from the early 1950s, designed and execu...

Magnificent Louis XV period wedding cabinet in molded and carved walnut, opening two beautiful triple-paneled doors in scalloped burl walnut, a large drawer with lock in the lower pa...

Vintage 3-door wardrobe made in the 60s. This vintage 3-door wardrobe from the 1960s combines timeless design with practical functionality. Offering generous storage behind its thre...

Carved Armoire in Bleached Oak, France, 1940s A sculptural heirloom echoing the geometry of French provincial ritual forms Monumental yet delicately resolved, this French armoire fr...

Safety Smart gold finish, lockable drawers, structure in solid mahogany, covered with polished brass dipped gold.

Splendid Italian 1940s Art Deco wardrobe.  

French Armoire Style One Door 78" tall Narrow Adjustable Shelves Linen Press Cabinet Storage Bookcase MINT!

Paolo Buffa, wardrobe or large cabinet, chestnut, Italy, 1940s This rare wardrobe exudes subtle decorative charm and is the work of the talented Italian designer and architect Paolo...

Very fine traditional antique French armoire with a useful and hard to come by 12” depth. A carved bonnet over a frieze with carved cross motif. With the Classic shaped and carved burled door panels with patinated metal escutcheons (lacking a key). Five newer custom shelves...

Custom made cabinet designed and manufactured by GMD Berlin, exclusively presented in our Rudolf Vichr Collection. These high-quality handmade furniture in a Classic, timeless design...

This lovely walnut wood shoe cabinet shows that practicality can be elegant. The cabinet features two walnut wood doors decorated with large, black G...

A beautiful cabinet from the rural south of Germany dating from 1826. The cabinet was once given as a wedding gift. This cabinet is made of solid pine and is hand-painted in vibrant ...

"""La matière a une âme, il faut savoir l’écouter."" — Pierre Chapo " An authentic expression of French primitive craftsmanship, this 19th-century oak cabinet embodies the raw simpli...

Charming rustic French Louis XV-style armoire, crafted from hand-sanded wood, circa 1880. This beautifully aged piece has been carefully hand-sanded to reveal the warm wood grain a...

Antique wardrobe from the 19th centuries. Furniture in very good condition. Dimensions: height 260 cm / width 112 cm / depth. 57 cm

Solemn and ceremonial, this petite armoire stands like a devotional column—its oak façade incised with rhythmic motifs that echo both liturgical ornament and rural craftsmanship. The...

English Victorian mahogany armoire cabinet with 4 doors have a carved design framing a burl wood panel with a fretwork design cornice

An antique wardrobe from the end of the 19th century. Furniture in very good condition. Dimensions: height 258 cm / width 159 cm / depth. 50 cm

French Art Nouveau walnut and inlaid floral design 3 door armoire cabinet with shelf on bottom and top with spindle sides. (signed: LOUIS MAJORELLE).  ...

Cupboard from the rural south of Germany, dating from around 1850. The cupboard was probably given as a wedding gift. This cupboard is made of solid pine and is hand-painted in sligh...

Original “Compactom” Art Deco Gentlemans Walnut Wardrobe This is an amazing piece it is a fully fitted Gentleman's Wardrobe, the wardrobe has 2 wide and deep doors to the front, whe...

19th century large French black mirror cabinet. The cabinet is made of oak. With two adjustable shelves and a drawer at the bottom. The mirror is facet cut. Original hardware and key...

circa 1780 Large 18thC English Pine Armoire Cupboard sku 2071 W184.5 x D65 x H211 cm Weight 168Kg