Wood Wardrobes and Armoires

Outstanding Art Deco Armoire or Wardrobe in black piano lacquer from France around 1930. Mahogany body, outside in black piano lacquer, polished to high gloss. Double metal trim on t...

A modern rustic-style oak two-door cabinet with mirrored herringbone parquetry doors. It is adorned with elegant Verde Bronze knobs and rests upon tapered legs. Dimensions: 38" w x...

Great rustic cabinet in distressed oak. Shelves and rustic door latches. Can be made in custom sizes and finishes. Made in Los Angeles by Dos Gallos Studio...

circa 1870 19thC French Faux Bamboo Walnut Mirrored Armoire We can also customise existing pieces to suit your scheme/requirements. We have our own workshop, restorers and finisher...

La Permanente Mobili Cantù, wardrobe, maple, mirrored glass, brass, Italy, 1950s This charming armoire of Italian origin is beautifully crafted and manufactured by La Permanente Mob...

French Provincial 18th century walnut carved armoire with double scroll top and 2 doors with carved border.

Introducing a stunning piece of furniture that will elevate any room's decor - the Hand-Made Tall Armoire made in France, Early 1900s. This armoire is a rare find, crafted with care ...

This masterful and exceptionally proportioned Modernist wardrobe by André Sornay shows why his stature as one of the most important designers ...

Traditional rustic wood dresser. Made by unknown artisan from Spain, circa 1930. In original condition, with minor wear consistent with age a...

French antique Louis XV Armoire in walnut with glass panels. A fine and impressive armoire whose wood exhibits a beautiful patina, France, mid...

Often mentioned alongside Paolo Buffa and Gio Ponti as one of the most relevant furniture designers of the Italian Mid-Century Modern era, Vittorio Dassi designed many different piec...

French Provincial Walnut two door hinged armoire with scrolled floral & shell carving , original polished steel hardware, brass escutcheons, and terminating on cabriole feet. Late 18...

Modernist two door wardrobe designed by Hermann John Hagemann and manufactured by Thonet or Mücke-Melder, c. 1930. The wardrobe is made of chrome plated tubular steel and walnut vene...

Armored jewelry armoire in matte Canaletto walnut or polished white bird’s eye maple and 24 karats gold hardware. Inside, safe with biometric o...

Elevate your space with the Mid-Century Drexel Highboy Armoire. Crafted by Drexel, this timeless piece offers ample storage with a blend of drawers and ...

Very stylish Art Deco walnut chest of five drawers originating from England and dating to the 1930's. It has stunning walnut veneers with original Art Deco handles...

An exceptional Mission or Arts & Crafts style media cabinet or armoire By L. & J.G. Stickley USA, Circa Late 20th Century Solid quarter sawn oak, with hammered copper hardware. M...

Wonderful 18th century English painted oak two door wardrobe / linen cupboard. Can be fitted with a hanging rail or shelving. Dismantles for ease of access. 1780. Code: 8635 Dimens...

A late 18th century Italian armoire cabinet in the Baroque style with handsome, elongated bun feet. Circa 1780. This cabinet has been han...

Enhance your living space with the epitome of luxury furniture - the Cupid Chest of Drawer II. This exquisite piece, crafted by the talented Joao Botelho, is a true masterpiece that exudes elegance and sophistication. The sleek lines and strong frame of this remarkable chest of drawers are complemented by luxurious textures that will leave you irresistibly drawn to it. What's more, the wider and larger size of this furniture is adorned with beautiful brass accents from Buster and Punch...

Neri and Hu Set of Two Stay Vanity Table and Stay Clothes Stard and Stay Screen For Cassina STAY VANITY TABLE The Stay Vanity Table is a low table-console, part of the Stay access...

This striking Baroque “Wellenschrank” (wave cabinet) was crafted in Nuremberg, Southern Germany around 1730 and represents the highest level of craftsmanship of its period. The cabin...

Antique wardrobe from around 1900. Very good condition. Wood: Mahogany Dimensions: height 244 cm / width 162 cm / depth. 62 cm

A mahogany and oak gentleman's wardrobe by Compactom Ltd. of London. Fitted with labeled compartments, trays and rails. Opening to reveal a fully fitted ...

A gorgeous highly figured burl grain wood credenza dresser by Roland Carter for Lane. Circa 1970s. There are two drawers, one on each side. The large cabinet doors conceal three different shelves. Very good vintage condition. Minor flaws as expected with age. See photos. DIMENSIONS Height: 32 in. Width: 67.75 in. Depth: 18 in. This iconic piece pairs equally well with mid-century modern, Hollywood regency, post-modern and contemporary interiors. We currently have this burl credenza dresser in our gallery paired with a pair of yellow swivel chairs...

19th Century Biedermeier Wardrobe Prague Walnut Biedermeier circa 1830 Dimensions: H x W x D: 180 x 122 x 50 cm Description: Two-door piece of furniture standing on skirted square...

It is the captivating patina of the warm pine that captures one's attention in this lovely armoire. Note the two lower drawers and red painted interior. Upper decorative crown is eas...

Armored jewelry armoire with inside safe. Numeric digital keypad and emergency key. Available in 4 finishing options; see information below for detail...

Important and rare antique solid walnut cabinet, 19th century. Characterized by a refined hand carving of the wood on the front doors. The...

Lane Staccato Brutalist Mid Century Oak Armoire This armoire measures: 36 wide x 19 deep x 63.25 inches high All pieces of furniture can ...

Impressive oak baroque armoire that dates from the late 1700's into early 1800's. Note the heavily paneled doors, massive crown all resting on large bun feet. Restored, later professionally painted in layered shades of antique white and light gray; all lightly distressed to fit the age of this stately armoire. Any scratches, cracks, dings, or age related separation are reflective of age and do not detract from the beauty nor function of this large oak armoire...

circa 1800 Large 19thC French Oak Armoire sku 1946 W173 x D60 x H227 cm Internal shelf depth 45 cm Weight 159 kg

Early 19th Century Norman marriage oak armoire. Finely hand carved throughout with a scrubbed back bleached finish and original iron fittings.

This beautiful quality Arts and Crafts carved oak hall robe/cupboard or wardrobe, circa 1900s, features a clothes rail, coat hooks and a shelf inside.

An Italian Painted Bookcase, Late 19th Century Home decor and Interior design. Provenance: Private Australian Collection. Dimension: Height...

English Victorian mahogany armoire cabinet with 4 doors have a carved design framing a burl wood panel with a fretwork design cornice

19th Century French Louis XVI Mahogany wardrobe, the breakfront top with carved detail above a large central bevelled mirror door flanked by two narrow well-figure panelled doors. Op...

This is a unique and monumental Dutch Baroque cupboard called “Kussenkast" from the late 17th century, probably circa 1670-1680. Made of rosewoo...

Liberty and Co. attributed to Leonard F Wyburd,. A rare Arts and Crafts oak wardrobe with carved stylized floral details and hand wrought...

Custom made three-door wardrobe / armoire, designed and manufactured by GMD Berlin, exclusively presented in our Rudolf Vichr Collection. These high-quality, handmade furniture in a...

Afromosia Double Wardrobe by Robson & Sons Ltd of Newcastle Upon Tyne - Mid 20th Century British Design Discover a piece of British furniture history with this elegant Afromosia dou...

From Northern Spain, constructed of solid walnut, the rectangular top with molded edge a top a conforming case housing shelves and three drawers, the doors paneled with solid walnut,...

Gillows. An Arts & Crafts Glasgow style Arts & Crafts oak treble wardrobe with ebony and walnut stylized floral inlays to the cornice and further leaf style inlays to the door tops a...

As soon as 1540 France's second Renaissance is in the making, intimately linked to the rediscovery of the Antique world. The development of the printing and engraving industry allows the spread of artworks and models in many cities and countries. The Italian influence can be perceived in every artistic field. While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form themselves to this new style. In Italy they get acquainted with the work of Leo Battista Alberti the first to theorize perspective (De Pictura, 1435-36) and architecture (De re oedificatoria, 1541). Those two publications would have a revolutionary impact on arts. Furniture is marked by the work of the most famous Italian architects of the time as well as French architects. Indeed Philibert de l'Orme competes with Alberti and by the end of his life publishes several treaties including one devoted to a theory of architecture (1567). Unfortunately he would not live to complete the second volume. In this treaty he expresses his interest for mathematical norms applied to architecture, copied from the Antique. His journeys in Italy allowed him to accumulate the most sophisticated references. Jean Bullant, another architect of great talent also theorizes his practice. He establishes rules characterizing Greco-Roman art staying faithful to Vitruvius. Following this new inspiration the structure of furniture evolves. From then on appear columns, capitals, cornices, friezes and architraves. The ornamentation uses this inspiration as well with egg-and-dart, palm leaf and rose adorning the most beautiful pieces. In Lyon, crossroad where meet merchants from everywhere those new experiments are welcomed. Lyon florishing printing industry allows the spreading of models and treaties essential to the artist's work. Thus the first publication of Vitruvius' De Architectura in France would be printed in Lyon in 1532. Artists from Lyon rediscover and familiarize themselves with the Antique knowledge very early. They adopt those new ideas and use them in their own creations. Lyon cabinet-makers re interpret Antique architecture and Italian Renaissance palaces to give their pieces a pure and harmonious architectural structure. Grooved pilasters are particularly favored. They are topped by capitals of diverse orders always respecting the sequencing with simpler ones for the lower levels and the richest ones on the higher levels. As for the ornamentation, one of the great distinctiveness of Lyon workshops remains the architectural perspective illusions, drawing inspiration from Tuscany. True masterpiece of the Second French Renaissance this important cabinet illustrates Lyon workshops' taste for fine Italian architecture inspired by Antiquity. An architectural perspective of great quality is treated in symmetry on each panel. This two-bodied cabinet without recess stands on four rectangular feet. The base comprises a molding, a palm leaf frieze and is bordered by a braid. The lower body is divided by three grooved pilasters with Tuscan capitals framing two door-leaves. The two panels are encircled by a moudled frame with palm leaves. They are finely carved with a decor of fantasized architecture depicting an Italian Renaissance palace erected symmetrically on each side of a grooved pilaster. On the ground floor a door opens through a stilted arch while the stories are opened with mullioned windows, dormers and occuli. Two large pegged-boss cladded pillars support the entablature enriched by a palm leaf frieze upon which stands an arch whose coffered intrados is centred by a rose. Behind this arch a pyramid appears, standing in front of a second facade with a window topped by a broken curvilinear pediment under a cul-de-four with a shell. The checker flooring gives depth to the low-reliefs creating vanishing points structuring the panels and guiding the eye of the observer. A thin laurel braid highlights the belt of the cabinet where are located two drawers. Their facades are adorned by palm leaves in hoops. The upper body is encircled with palm leaves. The same ternary division as in the lower body appears. However, the pilasters are topped by Ionic capitals with volutes and egg-and-dart. The door-leaves are framed with flowers. On the panels the artist has designed another architectural decor. On the foreground open two arches on top of grooved pilasters with rectangular capitals adorned with palm leaves. The arches are enriched with braids and the coffered intrados bears a decor of roses. The spandrels also bear a flower decor. In the background another arcature hosts a fluted grooved column topped with double basket acanthus capital, characteristic of Corinthian order. The triangular pediment is interrupted by a choux bourguignon. A large cornice crowns the cabinet. It stands on pilasters and forms an entablature comprising a palm leaf frieze and an egg-and-dart, triglyph and palm leaf cornice. The cabinet's sides have also been carefully considered. The lower body's panels are enriched with an arch rising above a broken pediment portico hosting a twisted column. Flowers garnish the spandrels. An architectural facade completes the decor. The upper body's panels present two arches supported by a facade opened with dormers and mullioned windows as well as cartouches (one bears the inscription 1580 dating the cabinet) suggesting the interior of an Italian Renaissance palace, confirmed by the chandeliers. The flooring leads our gaze to a second arch with a broken curvilinear pediment where stands a flower vase. This arch opens onto a perspective of another facade along a road. Inside the cabinet, on the lower body door-leaves appear two designs. On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross. In the bottom part is inscribed « Dure uiator abis nihil haec spectacula curas / Pendenti cum sis unica cura Deo. / Tota suo moriente dolet natura Magistro. / Nil qui solus eras caussa dolenda doles. ». The signature [Christoff Swartz Monachiensis pinx[it] / Ioa[nnes] Sadeler sculp[it]] tells us it was made by Johan Sadeler I (1550-1600) after Christoph Schwartz (1548-1592). This engraving belongs to an ensemble depicting the Passion of Christ Johan Sadeler executed in 1589 after an altar piece painted by Christoph Schwartz for the private chapel of Renée of Loraine, wife of Duke William V of Bavaria. This altar piece made of nine copper panels has been destroyed during the 19th century. The Crucifixion panel once in the centre of the altar piece is the only one that survived and is today kept in Munich's Alte Pinakothek. On the left door appears Saint Francis receiving the stigmata. The inscription says : « Signastidomine Servum Tuum. Franciscum. Signis Redemptionis Nostrae ». This Renaissance cabinet with an architectural decor appearing as much in the structure faithful to Antique rules...

Art Deco- streamline 3-door wardrobe designed by Arch. Hana Kucerová-Záveská (Czech, 1904–1944) and manufactured by Robert Slezák Company, circa 1935. The outstanding form of this wa...

Designed passionately and exquisitely by the incomparable talents, the Cabinet was created to grace the most regal of dining rooms with its elegance and splendor. Inspired by the aristocratic palaces of the Alexandrian pashas of Egypt, the mother of pearl Cabinet...

Circa 1880. 19thC large French ebonised mirrored armoire. With adjustable shelves, drawer, original hardware & key. Sourced from the South of Fra...

Beautifully carved 18th century. Walnut armoire.

Seamlessly constructed and lacquered black, this pair of spectacular Ming-dynasty compound cabinets provided the perfect blank canvas for painted scen...

A rare and exceptional modern Art Deco skyscraper armoire or wardrobe dresser. By Charles Pfister for Baker Furniture. USA, 1980s Primavera...

Introducing a remarkable 19th-century Catalan Spanish Baroque wardrobe, skillfully hand-carved from solid walnut and featuring Tuscan-inspired ...

A stunning and very eye catching mid-19th Century French later painted armoire. This beautiful piece is elegant in its design and eye catching with its colourful painted diamonds on ...

Guillerme et Chambron for Votre Maison, sideboard, solid stained oak, brass, France, 1960s This charming large sideboard is made by the designer duo Guillerme & Chambron. This parti...

André Sornay for Atelier Sornay, cabinet, mahogany, wood, metal, France, 1960s Iconic midcentury cabinets by French designer Andre Sornay. With its geometric design and the combinat...

Twenty lockable drawers are lined for all kinds of jewelry. The three large bottom ones do not have locks. The upper part has two pull-out necklace bars and two folding ones, adjustable mirror and secret compartment. Travel box, safety deposit box...

Made-to-measure Bauhaus wardrobe designed by Hermann John Hagemann and Manufactured by GMD Berlin. The four door wardrobe is made of chrome plated metal and walnut veneer.

This is a unique Gustavian style Wardrobe. its been restored and repainted with Milk Paints "Oyster White"

Antique George III mahogany gentleman’s wardrobe or linen press having two mahogany doors which open to reveal a fitted interior of four original sliding trays, one long drawer with ...