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20th Century Swedish Svensk Tenn Cuban Mahogany Coffee Table by Josef Frank

$5,900

About

A vintage Swedish Art Deco period coffee table made of hand carved Cuban mahogany wood finish, designed by Josef Frank and produced by Svensk Tenn. Model 974 in good condition. Wear consistent with age and use, circa 1920-1930, Sweden, Scandinavia. Josef Frank was born in 1885 in Baden, Austria and passed away in 1967 Stockholm, Sweden. He was an architect, artist, and designer. Frank studied architecture at the Vienna University of Technology and was a founding member of the Vienna Werkbund. Frank was considered one of the most prestigious designers in the Stockholm design company Svensk Tenn. Svenskt Tenn is a Swedish interior design store founded in 1924 in Stockholm, Sweden by a Swedish teacher and pewter artist Estrid Ericson. In the early time, Svenskt Tenn was appointed as a royal warrant. Later on, Ericson and the pewter artist Nils Fougstedt, she produced modern pewter objects. In 1925 the Svenskt Tenn won a gold medal at the 1925 Exposition des Arts Decoratifs et Industriels in Paris, France. Further on, in 1932, Ericson hired the well known Austrian architect and designer Josef Frank. Today the Svenskt Tenn is owned by the Kjell and Maerta Beijer Foundation.

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    Ships From: West Palm Beach, FL
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About Josef Frank (Designer)

Austrian architect and furniture and fabric designer Josef Frank was a leading voice for a gentle, humane modernism. His advocacy of warm, comfortable, eclectically styled environments was highly influential in his adopted country of Sweden, and it’s now widely regarded as a harbinger of the backlash against doctrinaire modernism and the embrace of the homespun that occurred in the late 1960s.

The son of a successful Viennese textile manufacturer, Frank studied architecture at Vienna Polytechnic, graduating in 1910. From the first years of his practice, he marched counter to the orderly, symmetrical architectural layouts and decors prescribed by contemporaries such as Adolf Loos. Frank drafted rooms of varying shapes and called for flexible interior-design arrangements. His furniture pieces are light and easy to move — and his chairs are always made of wood, most often with lushly curved steam-bent arms and slatted backs. Frank openly loathed the tubular steel furnishings and “machine for living” aesthetic promoted by Le Corbusier and Ludwig Mies van der Rohe and other Bauhaus principals. “The home must not be a mere efficient machine,” Frank once said. “It must offer comfort, rest and coziness…. There are no puritan principles in good interior decoration.”

Frank — who was Jewish — sensed the dire implications of the rise of Nazism in Germany and Austria, and in 1933 he moved to Stockholm with his Swedish wife, Anna. He became the design chief for the furnishings maker Svenskt Tenn and found a perfect match culturally for his brand of simple, relaxed and bright creations. Like many modernists — notably Charles and Ray Eames and Alexander Girard — Frank had a deep love of folk art, which influenced his designs for a wide array of colorful, richly patterned upholstery fabrics, many based on the classic “Tree of Life” motif.

In all his designs, Frank took inspiration from a broad variety of sources. In his furniture, one can discern traces of Asian patterns, Rococo, Italian Renaissance, Scandinavian handicrafts and even Chippendale pieces. As such, the work of Frank — the friendly modernist — is at home in any type of décor.

About the Seller
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Located in West Palm Beach, FL
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