Inlay Desks and Writing Tables

A striking French antique Louis XVI style gilt bronze mounted writing table made after the model by cabinetmaker to King Louis XVI and Marie Antoinetteean, important ébéniste Jean-Henri Riesener (German/French, 1734-1806) and later reproduced by Francois Linke (French, 1855-1946). Signed bronze mounts, Marco. Born in France in the early 19th century, possibly during the late 18th century Louis XVI period, most likely Parisian work, exquisitely hand-crafted in several woods of contrasting colors including walnut and mahogany to create fine wooden inlays and parquetry detailing. The original partially inset marble top with dramatic veining sits above a flat sided break-fronted front and back adorned with fine bas-relief bronze plaques cast adorned with putti cherubs in the manner of the French sculptor Clodion (Claude Michel, 1738-1814). The centered front bronze panel disguises a single frieze drawer with dovetail joinery and original key, flanked by gilded bronze foliate mounted rounded corners, a simulated panel drawer to the reverse, embellished on all four sides by intricate finely chiseled, chased and sculpted scrolling laurel ribbon and garland swag ormolu mounts, patinated brass running ornamentation, rising elegantly on four bronze dore ring mounted straight tapering fluted legs, terminating in patinated bronze toupie feet sabots. Signed / marks; the bronzes are stamped / incised Marco. PROVENANCE / ACQUISITION: Property from the Collection of Gloria Monnet Nicholson, Tulsa, Oklahoma. Acquired from highly reputable auction house Heritage Auctions, Dallas, Texas. Fine Furniture & Decorative Arts Signature Auction, catalog #8085. Dimensions: (approx) 30" High, 32" Wide 21.5" Deep As warm and attractive as it is useful, having the ideal size and proportions for a variety of different uses, including as a side table, petite bureau...

A circa 1940's Italian desk with marquetry top. Measurements: Height: 30" Width: 42" Depth: 25.5"

Eugenio Quarti (Desk , chair and Trash ) Style: Liberty or Art Nouveau or Modernism or Jugendstil Furniture realized mainly in inlays of nacre and metallic applications, parchament bronze ferrules. We have specialized in the sale of Art Deco and Art Nouveau styles since 1982.If you have any questions we are at your disposal Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Eugenio Quarti was born in Villa d'Almè, a small village in the province of Bergamo, from an artisan family of woodworkers. In 1881, at the age of 14 years old he goes to Paris, where he will learn new techniques and broaden his horizons. In 1886, he returned to Italy and settled in Milan where he worked, for a short period, with Carlo Bugatti and then open his own workshop in via Donizetti 3. His early works are strongly marked by Bugatti Moorish’s style, but already the exhibition of Turin of 1898 you can see the first signs of Art Nouveau and his personal style. He was always attentive to the quality and originality of his accomplishments, always attentive to every art form. Furniture realized mainly in walnut with inlays of nacre and metallic applications. Develop over time a harmonic elegance of the decor, with thread-like grounds, valuable wood species and inlays and high quality bezels with fine materials (nacre, silver, copper, bronze, pewter, etc.), this characteristic was called "the goldsmith of furniture makers." In 1900 he participates at the Paris International exposition where he received the "Grand Prix" of the jury. Will participate in a number of other exposures as that of Turin in 1902 and Milan in 1906 where he will receive the "Grand Royal Award" and the "Diploma of gold medal". Eugenio Quarti worked with the most prestigious architects of his time (Giuseppe Sommaruga, Luigi Broggi, Alfredo Campanini, etc.) well as with the great artists/craftsmen of his time as Alessandro Mazzucotelli. He also worked as a decorator, designing entire furniture for both public and private buildings. It was he who designed the furniture for Palazzo Castiglioni in Milan, Villa Carosio in Baveno, Grand Hotel and Casino in San Pellegrino Terme, Hungaria Palace Hotel in Venice Lido. One of his most significant works were the vessels of the "Bar Camparino", at the entrance site of the Galleria Vittorio Emanuele in Milan. however not disdain also committed less important such as the furniture for Villa Mariani to Bordighera residence of the painter Pompeo Mariani...

A late 19th century French Bureau Plat in kingwood and amaranth parquetry with three drawers to one side with gilt bronze decoration all round; notable are the drawer handles modelled with Chinese heads; the two ends decorated with Apollo heads...

Elegant 18th century Italian rosewood center table from Tuscany, Italy, a rectangular shaped Louis XV veneered desk with one small drawer on the front, raised by elegant à cabriole legs with superlative and contrasting ebony and box wood inlaid profiles, ending with curled feet. This antique Italian table...

A Fine French 19th Century Louis XV Style Kingwood and Tulipwood Parquetry and Figural Ormolu Mounted Ladies Writing Desk with Figures of Ram-Heads. The lockplate by Thomas Elsley Lt...

Designed as a modern elegant and at the same time functional desk, Gran Torino piece is named after the city of Turin, a place rich of culture and history ...

Stunning writing desk hand-made in Italy in the mid 1700s using walnut. This really is the mother of all Italian scrivanie (writing desks): its lines, details and overall look make i...

This Italian carved mahogany writing table is said to have been crafted specifically for use by King Carlo Alberto (Charles Albert of Sardinia, 1798-1849). Both beautiful and functio...

We are very pleased to be able to offer this rare antique French walnut and marquetry inlaid Bonheur du Jour, or Ladies Writing Desk, for sale. Our experts have dated it to around 1...

English mahogany four drawer red leather top rent table with circular swivel top, diamond bone escutcheons, checkered inlays, and terminating on a tripod base with original brass cas...

This is a fabulous French antique ormolu mounted bureau plat which features fine quality floral marquetry and which dates from around 1860. This beautiful piece of furniture has been made with artistic marquetry requiring the highest level of craftsmanship. The surface of the table top of this antique ormolu mounted bureau plat features very intricate floral marquetry decoration. Using a number of different and exotic veneers which include walnut, goncalo alves, satinwood, burr walnut, and purpleheart, the level of detail present here can only be described as extraordinary. The central panel is worthy of particular attention, it being inlaid with a representation of an urn on a flower filled satinwood background together with a decorative border of foliage which has been rendered in mahogany and burr walnut. As you can see from the images provided the imposing table top is completed with a highly decorative ormolu border which adds an additional level of elegance to this antique bureau plat...

An Important Napoleon III Gilt-Bronze Mounted Parquetry Pedestal Desk, By Guillaume Grohé. France, Circa 1860. Stamped to the top edge of one door 'GROHE FRERES...

A rare and very fine quality 19th century French bureau plat by renowned Parisian ébéniste Maison Forest. Maison Forest is one of the most famous french cabinetmakers of the 19th a...

An Italian occasional table or small writing desk from the early 19th century. This antique table from Italy is beautifully decorated with a fanned medallion inlay featured prominent...

A very fine and rare 18th century Secretaire desk by Pierre Migeon Sr. . A family of Important Parisian ebenistes in the early to mid 18th century . Three generations of very fine c...

French Art Nouveau writing desk featuring an open upper section with a marquetry inlaid pasteral scene back panel under a carved floral...

Wonderful 18th Century French Roll Top Desk ( cylinder bureau ) A very elegant and with great proportions, late 18th century French walnut and pa...

Extremely elegant Louis XV Style writing desk or center table, with a gracefully adorned floral marquetry and intricate borders on the tray, revealing a single drawer and elegantly c...

Admire this figured presidential office desk finely finished in ebanon and gold leaf decorated carvings. Its curved baroque legs really make a...

Louis XV Style Gilt Brass Mounted Kingwood and Marquetry Bureau Plat, 20th century, the scalloped rectangular top inlaid with floral marquetry, above three frieze drawers, on cabriol...

A fine quality French kingwood and marquetry, ormolu-mounted Bureau plat, signed Linke. Having three frieze drawers to one side, dummy drawers to the reverse, inset Moroccan leather...

Center writing table Cassina Brothers (Francesco and Giuseppe) Milan, January 26, 1796 79.5 x 94 x 58.5 cm State of conservation: excellent The rectangular table features a minimall...

Little Shanghai desk in olive wood and black sycamore silver painted leg. There are two drawers on each side. The and sides are in olive and black...

Elegant Louis XVI style Bureau Plat in mahogany and marquetry in rosewood frieze. Beautiful ornamentation of very finely chiseled gilt bronze. Moroccan leather top surrounded b...

18th century French Louis XV marquetry dressing table or so-called Coiffeuse 18th century Louis XV vanity dressing table or coiffeuse...

A Louis XV Style gilt-bronze mounted bureau plat by François Linke. The rectangular top inset with a green leather writing surface with gilt-tooled border, within a gilt-bronze su...

A very special and Palatial early 20th century Louis XV style gilt bronze mounted Mahogany and Bois Satine Parquetry Bureau a Cylindre by François Linke François Linke – Index Num...

Cartonnier in the Louis XVI Manner after the Original by Simon Oeben Constructed in kingwood and having extensive parquetry inlay, with well cast and extensive fire gilt bronze enhancements. The writing section of oblong form with re-entrant corners, housing three frieze drawers and with a tooled brown leather top; the shouldered tapering legs dressed with imbricated bronze mounts: lions masks at the ends: the frame having a guard bronze rail...

A rare Art Deco period eight-piece study suite set in the manner of famous Austrian architect, designer, and Vienna Secession founder Josef Hoffman (Austria, 1870-1956), circa 1920. Exquisitely handcrafted in Austria in the early 20th century, most likely Vienna, featuring fine quality craftsmanship and solid wood construction, featuring Biedermeier inspired Viennese Art Deco styling of simplicity, strict, geometric lines with minimal surface embellishment, instead of ornamentation putting the focus on high-quality materials. The matching eight-piece set comprising a tanker writing desk with inset leather surface, surmounted with raised gallery fitted with drawers flanking richly figured quilted diamond inlay, rising on double pedestals with locking cupboard doors opening to stacked shelved tray interior, affixed with patinated brass pulls and escutcheons, retaining original keys, finished on all sides so it can be placed anywhere in the room, and paired with a comfortable armchair with upholstered seat and backrest. A large eight door bookcase storage cabinet with original glass panels, adjustable shelves, and cocktail drinks bar slide. A centre card table with rectangular shaped canted corner top featuring inset green baize felt games playing surface, over conforming apron fitted with dovetailed drawers, rising on square column pedestal, surrounded by four upholstered side chairs. PROVENANCE / ACQUISITION: Property from the important Estate of Myra Janco Daniels (1925-2022) Naples, Florida. A legendary business woman, philanthropist, and arts advocate who built the institution known today as Artis—Naples and made Naples a cultural destination. Additional info below. Acquired from highly reputable auction house, Heritage Auctions, Dallas, Texas. Design Signature Auction catalog #8110 Condition Report: Great original antique condition with beautifully aged warm mellow patina. Strong, sturdy and structurally sound. Overall very attractive condition; no significant losses or restorations; wear consistent with over 100 years of age and indicative of use. Delivered cleaned, waxed, hand rubbed polished French patina finish, ready for immediate use and generational enjoyment! ABOUT THE LEGENDARY PREVIOUS OWNER: We normally don't post about the prior owners life, but in the case of Myra Janco Daniels (1925-2022) we felt her incredible story be shared. The arts visionary and advertising Pioneer who helped transform Southwest Florida into a nationally recognized cultural destination, died June 22, three days before her 97th birthday. Daniels was founder and longtime CEO of the Philharmonic Center for the Arts (now Artis-Naples), which since 1989 has brought world-class music, theater, dance, opera, and art to Naples. In 2000, she founded the Naples Museum of Art (now the Baker Museum) on that same campus. After a storied career as an advertising executive in Chicago, Daniels came out of retirement in the early 1980s to spearhead a fund-raising drive for a small classical music ensemble on MarCo Island, which would later become the Naples Philharmonic orchestra. She discovered “a great hunger for the arts,” she later wrote, and soon expanded her fundraising goal to building a permanent home for the orchestra and an arts center for Southwest Florida. Daniels’ vision for the Philharmonic Center was ambitious and unusual – combining world-class performing and visual arts in a single venue. The Community strongly supported the concept, and the Phil, as it became known, gave Naples a national arts profile. Then-First Lady Barbara Bush was in attendance on opening night in November 1989. The Wall Street Journal covered the opening. “Myra Daniels is a dreamer. But unlike most dreamers, Myra is a doer,” the late Muriel Seibert, the first woman to own a seat on the New York Stock Exchange, once said of Daniels. While the arts were a lifelong passion for Daniels, her first career was as a groundbreaking advertising executive in Chicago, where she won national Advertising Woman of the Year honors and was among the first women to head a national ad firm. Daniels said that she used some of the same principles learned in her advertising career to sell Southwest Florida on the arts. “You have to believe in what you’re doing and then you have to get people involved to the point that they feel it’s theirs. That’s what we did.” Born Myra Janco in Gary, Indiana, Daniels was raised during the Great Depression by parents who encouraged her interest in the arts. But her greatest influence growing up was her grandmother Sophie, who, like Daniels, stood only five feet tall but dreamed big. “Sophie showed me what was possible,” Daniels wrote. “Create something that people want and need and you’ll be successful, she said. I always remembered that.” Her grandmother, who ran her own real estate business, experienced some failures “but she always dusted herself off and went back out there swinging. She wanted me to be that way too.” Daniels earned her bachelor’s and master’s degrees from Indiana State and later became an associate professor of marketing at Indiana University, the first woman to hold that position. In her mid-20s, she started Wabash Advertising in Terre Haute, Indiana, which later became affiliated with larger agencies in Chicago and Cleveland. In 1963, she was named executive vice president of Roche, Rickard, Henri, Hurst, Inc. in Chicago. The National Advertising Federation honored Daniels as its Advertising Woman of the Year in 1965, the youngest woman to receive the award. That same year, she became president of a new national agency that she formed with ad man Draper Daniels. The merger was not just a professional one. Draper Daniels, who was responsible for many famous ad campaigns at the time, including the Marlboro Man and was later an inspiration for the Don Draper character on TV’s Mad Men, became her husband in 1967. Myra wrote about their unusual courtship and life together for Chicago magazine, in an article entitled “I Married a Mad Man,” which was included in her book Secrets of a Rutbuster. They ran the Draper Daniels, Incorporated agency, as it was called, until 1977. When Draper wanted to retire to Southwest Florida, Myra Daniels reluctantly left Chicago and advertising, and they settled on MarCo Island. But after Draper died of cancer in 1983, Myra turned her energies to the fundraising Campaign that led to the Philharmonic Center Cultural Complex. Daniels served as CEO of the Philharmonic Center from its inception in the 1980s to her retirement in 2011, building the Phil into a $100 million corporation. During that time, the Naples Philharmonic became a nationally recognized orchestra, with a Grammy nomination, CD and appearances on PBS; and the Naples Museum of Art developed an international reputation. The center also helped change people’s perception of Naples, which had been known mostly for its beaches and golfing. In 2005, Naples was named the Best Small Art Town in America in a book that singled out the Phil. More than just an arts venue, the Philharmonic Center also wove the arts into the culture of the Community, providing public school programs, adult and children’s education classes and workshops, and free concerts throughout Southwest Florida. Edward Villella, legendary dancer with the New York City Ballet and founder of Miami City...

A rare gilt bronze mounted marquetry pedestal desk by François Linke. French, circa 1900. Linke Index Number 711. Linke title ‘Bureau LXV à 8 pieds’. Stamped to the insi...

The Custom Galaxy desk by Ercole Home is six drawer dresser with a connected desk workspace that has one pencil drawer. The desk is made of Oak and has ...

A Fine Bureau Plat in the Manner of André-Charles Boulle Constructed in ebony with arabesque foliate cut brass inlays, with premiere-partie panels set with tortoiseshell grounds and brass inlay work, and having extensive fine quality ormolu mounts; rising from animal paw sabots, mounted with female masks at the shoulders; the apron housing three drawers, with faux drawers to the obverse, the central drawers set with a Bacchic mask issuing foliates, the platform of serpentine form, having a brass guard edge, and inset with a gilt tooled morocco leather. Stamped to the carcass ‘BF’ and ‘Gros’. French, Circa 1870 Denise Ledoux-Lebard’s ‘Le Mobilier Français du XIXe Siecle’. Published by les Editions de l’Amateur, 2000, lists a Benjamin Gros, whose enterprise amalgamated with the noted ebeniste Winckelsen in 1871; Gros had received an honourable mention for his ‘Boulle’ furniture in the Exposition Universelle in 1855. Literature; Le Mobilier Francais (qv) Seymour de Ricci, Batsford 1929 ‘Louis XIV and Regence Furniture...

The Pavia Blossom desk/vanity by Ercole Home has a 2-drawer, with a sky gray wood finish on oak. Handcut glass mosaics in bluegreen and turquoise decorate the drawer fronts in bloss...

A Fine French 19th/20th Century Louis XV Style Tulipwood Marquetry and Gilt-Bronze Mounted Ladies Writing Table or Desk. The single drawer center table surmounted on each corner with...

Hello, This exceptional Biedermeier single drawer table was made during the early Viennese Biedermeier period, circa 1825. Viennese Biedermeier is distinguished by their sophisticat...

William and Mary style burl walnut table with exquisite marquetry detailing, circa 1900. The top is banded and has a beveled edge surrounding a profuse floral and bird design marque...

A Louis XV Style Gilt-Bronze Mounted Table by François Linke. Signed to the bronze rim ‘Linke’. Linke Index Number. 593. This rare table can serve as a desk, dressing table or o...

A fine Italian 19th century mahogany, satinwood and tulipwood floral marquetry and gilt-bronze mounted center table or writing desk. The serpentine inlaid shaped top centered with a marquetry floral arrangement medallion, surrounded by sections of diamond-shaped acanthus parquetry designs flanked by further medallions of flower bouquets, all within a gilt-bronze rim, above a similarly decorated frieze fronted by four drawers, on scroll legs raised on lion paw feet on rolling casters, joined by an 'X'-shaped marquetry stretcher...

Italian elegant early 20th century Directoire writing desk in walnut massive and veneered with inlay on the top by Meroni & Fossati. Wax polished Useful height under central drawer 60 cm. To better understand the Directoire style of this desk Directoire style was a period in the decorative arts, fashion, and especially furniture design in France concurrent with the Directory (November 2, 1795–November 10, 1799), the later part of the French Revolution. The style uses Neoclassical architectural forms, minimal carving, planar expanses of highly grained veneers, and applied decorative painting. It is a style transitional between Louis XVI and Empire. The Directoire style was primarily established by the architects and designers Charles Percier (1764–1838) and Pier François Léonard Fontaine (1762–1853). In its use of Neoclassical architectural form and decorative motifs the style anticipates the slightly later and more elaborate Empire style, which was introduced after Napoleon established the First French Empire. The Directoire style reflected the Revolutionary belief in the values of republican Rome: "The stoic virtues of Republican Rome were upheld as standards not merely for the arts but also for political behaviour and private morality. Conventionels saw themselves as antique...

A very fine French 19th-20th century Louis XV style tulipwood and mahogany marquetry gilt bronze-mounted petit-bureau de dame (secretary). The bombe´ structure surmounted by a pair o...

Magnificent Louis XV flat desk made of rosewood marquetry treated in frieze on an oak frame. Beautiful ornamentation of gilded and chiseled bronze. Top covered with red leather dec...

Louis XVI Style Ormolu Mounted Mahogany and Tulipwood Parquetry Writing Table, after the model by Jean-Henri Riesener, late 19th century, the parquetry inlaid top with a three-quarte...

A good quality small late 19th century French Boulle inlaid bureau plat, having an inset leather top, brass inlay and tortoiseshell to the top, frieze and legs, gilded ormolu mounts, a single frieze drawer with a Bramah lock...

A fine and rare French 19th century Louis XIV style mahogany and brass inlaid drop-front freestanding secretary desk in the manner of André-Charles Boulle. The slender mahogany body ...

An exquisite antique English Chippendale-style partner's desk circa 1860 in medium brown mahogany with warm-toned, light brown satinwood inlays. The desk showcases a unique oval prof...

A rare French Louis XIV large pewter and fruitwood inlaid marquetry desk called “bureau Mazarin” attributed to Pierre Gole (1620 – 1684) Dimensi...

The set includes, armchair, desk and desk accessories. It is from the first era. Bibliography: Revue de l’Art N°185 – March 2014, p. 23. Founded in 1857 by Gustave Keller, the Keller...

Superior craftsmanship and elegant bronze work characterize this tambour front roll top writing desk by François Linke, the most important French ébéniste of his time. Linke is celeb...

This truly unique English walnut writing desk has been exquisitely crafted with the utmost care and attention to detail. Inspired by the el...

The terrazzo desk by Ercole Home is a stationary desk with a 2 door touch latch storage cabinet above. The doors are covered in our iconic Terrazzo pa...

18th c., England, a delightful George III cheveret lady's writing desk in two parts. The upper five-drawer cabinet with conforming guard over fitted drawers, resting on a table with ...

Directoire style desk with cylinder top, France 19th century Mahogany veneer with satinwood inlays. This elegant little desk is perfect for a small working space. The writing top fo...

A Very Fine French 19th century Louis XV Style gilt-bronze mounted fruitwood floral marquetry center table or desk with drawer, by Ébéniste Louis Gradé, Gr...

Luigi and Angiolo Falcini (Campi, 1794 - Florence, 1861) and (Campi, 1801 - Florence, 1850) Mechanical desk, 1835 - 1855, veneered in ebony and inlaid with woods of various colors, i...

English Regency mahogany satinwood and ebony inlaid one drawer reading table with a ratcheted leather top, cross banded tulip wood, flanking candle slides...

AN IMPRESSIVE LOUIS XV STYLE BUREAU PLAT /DESCRIPTION - AFTER THE BUREAU DU ROI AT VERSAILLES BY J.-F. OEBEN AND J.-H. RIESENER The rectangular top, with the outline of an arc-en-arbalète, is fitted with an embossed leather writing surface and is fitted with four short drawers on the moulded apron with opposing false drawers. It stands on cabriole legs fitted with oval biscuit panels on the sides representing the Three Graces and inlaid with marquetry panels depicting bouquets of ribbons, foliage and floral tendrils, shells, coral and draped pearls, all with berry and foliage tendrils of ribbons, the cabriole legs fitted with lion skin loops hanging down to form spiral patterned clogs. Footnotes The Bureau du Roi at Versailles is perhaps the most famous piece of furniture in the world and certainly one of the most luxurious furniture creations of the 18th century. Louis XV ordered this cylinder-topped desk from Jean-François Oeben (1721-1763), who had already completed the design and much of the production by the time of his early death in 1763. Jean-Henri Riesener (1734-1806), who married Oeben's widow and took over his business, completed the desk in 1769. The final price was 62,000 livres, one of the highest prices ever paid for a piece of furniture up to that time (for comparison, the average annual salary of a worker in the 18th century was almost 300 livres). The office kept Riesener busy for the rest of his career, as evidenced by his numerous invoices for polishing and cleaning the bronzes and maintaining the extremely complicated mechanisms (the cylinder apparently opened and the writing slide moved forward, all with a simple turn of a key - modified in the 19th century, no one has since been able to reconstruct the original mechanism). At the height of the revolutionary excitement, Riesener even covered the royal double-L monogram...

A fine larger Antique Travel Desk with fine wood and Mother-of-Pearl inlay. The dark mahogany interior with blue velvet writing surface (expect...